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Post by shaxper on Jun 9, 2016 9:31:19 GMT -5
Superman #38 "Unnatural Disasters!" writer/pencils: Jerry Ordway inks: Dennis Janke colors: Glenn Whitmore letters: John Costanza assoc. editor: Jon Peterson editor: Mike Carlin Superman created by Jerry Siegel and Joe Shuster grade: B- Whereas Adventures of Superman and Action Comics are now finally and clearly headed in new directions, this title is still scurrying around, trying to pick up tons of old continuity, and its attempt to find a new direction with this issue fails as a consequence. We've got Superman revisiting Milton Fine's old travelling circus, which does nothing to further any plot points. Sure it makes sense that Superman would check this out, but with ALL the plot points still left hanging in the air, did we really need to spend five pages on a fruitless search? Admittedly, the run-in with Milton Fine's replacement was endearing and there's a conscious effort to address animal rights once again. Last time around, Superman took on illegal whalers, and this time its animal cruelty at circuses, but we also get this little moment that irks me: Ordway is expecting us to recall a minor exchange with a bit character that occurred over two years ago; that's far too much to ask of any reader. Even Chris Claremont would never try a thing like that (and, if he did, he'd at least give us an issue number to reference!). But this is the crux of the problem I see with Ordway's work right now -- priorities. We can't move forward when Ordway keeps reopening minor past conflicts that were better left forgotten. Speaking of which, we've still got this reopened can of worms going on (referencing back to the events of Adventures of Superman #443), and it is progressing at a snail's pace: I was, however, glad to see the return of Alice, a supporting character who was given a small amount of attention across several issues of the Byrne run (beginning with Superman #7) -- just enough to make us wonder why attention was being called to her. Here she is, resurfacing in this issue: I've been intrigued all along, and I know something big is coming up for her in next month's Adventures of Superman. I really like the idea of giving importance to characters who aren't super powered and aren't going to end up in a throwdown with Superman or one of Superman's villain. Alice feels very real, and I'm intrigued both by the depth of character I sense she has the potential for and the repercussions her story might hold for Clark and the Daily Planet crew. But, with all this going on, plus Jimmy Olsen still working out his trust issues with Superman: This issue takes forever to get where it's actually trying to go and, while powerful, that story comes out of absolutely nowhere: and gets cut short really abruptly: And it's weird watching Superman just flying around, catching individual people while a major disaster is threatening the lives of hundreds. Considering both his heightened intelligence and heightened senses, how did he NOT see that tsunami coming until it was too late? Why wasn't this story about him using his brains and powers to try to stop or reroute the tsunami, or even just to evacuate people? And surely he wasn't able to save everyone -- are we going to get the story of the folks he didn't manage to save in time? This could have been a powerful story (and maybe it will still continue into next issue??), but it was a wasted effort here, cut short so that too many other unimportant side plots could be (barely) further developed. For what it's worth, on the letters page Carlin acknowledges the slowness with which the Superman office has been revisiting these old plot points throughout 1989: Okay, so maybe I'm reading this wrong, but wouldn't "last summer" mean a year ago and not two months back (this issue was published in October of '89)? If I'm right, why no mention of a Super Summit '90? Perez's ailing health? Clearly, these guys hadn't planned out any of the best stuff coming up in 1990 yet (Day of the Krypton Man, Dark Knight Over Metropolis, Clark and Lois beginning to date, the deaths of Jerry White and Lex Luthor, etc) or Carlin would have been dropping hints about them the way he's been talking about Superman racing the Flash (coming up in two more months) for several issues now. Clearly though, with The Brainiac Trilogy and The Eradicator, stuff is beginning to happen, but this is not the first time I've noted that Ordway often feels like he's in his own world, not quite onboard with Stern and Jurgens (and sometimes Perez). Maybe it's the fact that he was here first and, for a while, had total creative control over one title, but this is the one place where I still feel the Superman Office is languishing. Minor Details:- Did The Eradicator Device (coming back next week in Adventures of Superman) cause the earthquake that caused the tsunami? Superman had noted with concern that its fortress in the Antarctic was burrowed deep into the Earth's surface. The title of this story would suggest that something caused the earthquake. - Despite everything I don't like about what Ordway's doing in this issue, I loved his characterization of Professor Hamilton: Characterization and art are the two things he's getting right in a big way; we just need him to get better at plotting -- and soon! plot synopsis: Superman tracks down Milton Fine's old traveling circus in search of him and ends up rescuing abused circus animals in the wake of an earthquake, Jimmy Olsen is suffering symptoms from his treatment at Project Cadmus and has Professor Hamilton run some tests on him, he ends up merging with a character he last saw in Adventures of Superman #443, Professor Hamilton doesn't know what happened to Jimmy and tries repeatedly to contact Superman, torrential rain hits Metropolis, Superman ends up rescuing some boaters and completely misses a Tsunami heading for Metropolis until it's already too late, and so he saves a bunch of people but has to brush off Professor Hamilton while he is doing so.
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shaxper
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Post by shaxper on Jun 9, 2016 10:21:05 GMT -5
As we're now finally getting some old Byrne stuff concluded, I thought it was time to whip this out again and give it an update:
Old Byrne Plot Points Still Left Unresolved (as of Superman #38, Novemember 1989)
This is based upon memory, not thorough research, so chime in if I've missed something.
Note: I'm not including villains that left and might show up again or who still have mysteries involved in their backstories. It goes without saying that we'll see more from Draaga, Mxyzptlk, and the like.
Needs to be resolved:
- There has now been a laboratory floating in orbit of Earth containing ALL of Superman's secret information since Superman #1, and yet no one has noticed it yet. - Elinore Lane (Lois' mother) is still battling a deadly illness. Luthor is controlling Lois in exchange for treating her mom. - Amanda McCoy is trying to prove that Clark Kent is Superman and was inadvertently involved in the death of the private detective aiding her. - When is Perry going to learn his "son" Jerry is the biological son of Lex Luthor? - What's up with the new director of STAR labs who was implied to be shady and have questionable motives? And is STAR labs still under the control of Morgan Edge's company? - Luthor and the Kryptonite radiation.
Getting addressed right now:
Jose as Gangbuster. Will that continue to be a thing? Alice, the Daily Planet research assistant Jimmy Olsen's mom is still trying to find his dad now that she has a photograph proving he is alive
Probably should be revisited:
-Jimmy Olsen dating Lucy Lane (last mentioned in Superman #4) -Cat Grant's son. We had some serious foreshadowing that things were going to go bad for that young man. -Will there ever be a "real" Bizarro in the Post-Crisis, or are we stuck with the lame clone concept we got in Man of Steel #5? -Lois and Superman shared a kiss during The Earth Stealers
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Post by shaxper on Jun 9, 2016 11:55:53 GMT -5
Adventures of Superman #461 "Home" writer and layouts: Dan Jurgens finishing and inks(?): George Perez letters: Albert Deguzman colors; Glenn Whitmore assoc. editor: Jonathan Peterson editor: Mike Carlin Superman created by Jerry Siegel and Joe Shuster grade: B While not as pronounced as with Ordway, Jurgens is struggling with his pacing at this point too. The Eradicator Device, which has been an ongoing plot point for more than half a year now, was first introduced as the greatest threat ever created on Krypton, then revised to be something that was mysterious but certainly not a threat, then revised again to be (once more) the greatest threat ever created on Krypton, now made into something benign and mysterious, and yet I just know this thing is coming back as a threat again later on. But even more than that, the story itself seems to jump back and forth in arbitrary directions rather than progressing along a linear path. What was the point in Clark having his memories erased if he was just going to get them back this issue? Seems the only point was to allow Superman to engage in two other adventures in Superman and Action Comics without being too preoccupied with this one ( Action Ace did point out that juggling three simultaneous story arcs around this time was going to get weird), and the whole thing with travelling through time to Krypton in order to super quickly go through a rite of passage just so that the Eradicator Device would now listen to him whereas it didn't last issue just felt rushed, abrupt, and thus semi-pointless. The visit to Krypton, in particular, could have made an amazing multi-part story in and of itself, but it gets compressed into three pages instead. I mean really -- Superman's first and only visit with his long-dead biological parents gets shoved aside so that we can get more time with The Eradicator Device. And, thus, everything about that reunion comes off weird, from the rushed and highly anticlimactic rite of passage he undergoes, to Jor-El instantaneously believing that his son is from the future because time is fluid and weirdly accepting the fate of his planet without even considering trying to save it: (note: Superman never once told him Krypton ended up blowing up. For all Jor-El knew, this reunion has always happened, and Krypton has always been saved at the last moment as a result) to Lara's abrupt rejection of her son which, while in keeping with Byrne's obnoxious depiction of her way back in Man of Steel #1, is delivered here without furthering any dramatic purpose nor plot point; it just happens and sucks. We've also got to talk about the logic lapses in this story. We begin the issue being told that We then have an emergency crew worker comment that Superman then concurs with this sentiment, but, four panels later, we get this: I...I'm sorry. What?? The city that is underwater and without power can handle things itself now because suddenly you have an impulse to go back to work? I'm sure the emergency crew working around the clock that we just saw desperately try to stop a floating oil tanker from colliding with a building would like to get home to their families too, Supes. So there goes any hope of anyone making a compelling story out of the random Tsunami that hit Metropolis. But the logic lapses continue when Clark gets to work in the next panel, and Alice (she's back again) tells Clark that Colin Thornton has been looking for him. So, let's be clear -- Clark hasn't been at work for a week now?? How does that not raise alarms, especially with Jimmy Olsen missing? Also worth noting, one month in real-time equals one week in the comic (at least in this issue). We end up getting an action-packed story that makes a lot of big contributions to the Post-Crisis Superman franchise, and it definitely held my interest, but it was also rushed and poorly planned. Important Details:- 1st appearance of the Post-Crisis Phantom Zone (called as much by the recording of Kem-L): but it is now a conduit that lies "between Krypton's past and [Superman's] present". Has Jurgens created a way for Superman to later revisit Krypton again, or to encounter other Kryptonians? - 1st appearance of the Post-Crisis Fortress of Solitude, created once Superman gets control of The Eradicator Device: (is that Kandor under the glass?? And maybe a Phantom Zone projector beside it?) - Superman actually travels back in time to meet Jor-El and Lara just prior to the destruction of Krypton. - We learn that journalism isn't just what Clark does to make money and stay on top of the news; it was his dream long before he became Superman: - The Superboy television series is now airing, and a comic book series based upon it is being published by DC. (incidentally, I sent in that coupon and had that poster hanging over my bed as a kid) Carlin is careful to explain in the letter column that there are now two Superman continuities -- one that incorporates the three Superman titles and his appearances in other books, and one based upon the Chris Reeve movies and Superboy television series (which the Superboy comic is a part of). Minor Details:- If the Phantom Zone allows Superman to travel back in time to Krypton's past, why show up minutes before Krypton's destruction? Why not go back six months before the destruction in order to get to know his parents better, spend some time there, and maybe help to avert the planet's destruction? Sure, you could choose the absolute last moment precisely so as to pollute the time stream as little as possible, but Superman clearly wasn't thinking of that, as he immediately starts talking about saving Krypton from destruction once he arrives. - We're finally getting somewhere with Alice: Plot synopsis: Superman is helping Metropolis in the wake of the Tsunami (Metropolis is partially underwater and without power), Clark is offered a job by Colin Thornton and is conflicted, Jimmy Olsen is still missing, Superman visits professor Hamilton, realizes his memory was wiped last issue, and decides to go after The Eradicator once and for all, he travels through the inter-dimensional portal it has been using in search of a way to stop it, meets a recording of Kem-L (which the Eradicator has created to run The Phantom Zone for it) and learns from it that he can use the Phantom Zone to travel back to Krypton and undergo the Kryptonian rite of passage so that The Eradicator will listen to him, and it does, undoing all the harm it wrecked and building Superman an underground Fortress of Solitude in place of the structure it had there previously that was re-geoengineering the planet.
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Post by shaxper on Jun 10, 2016 10:42:52 GMT -5
Superman #39 "Jimmy Olsen's Excellent Adventure" writer: Jerry Ordway pencils: Kerry Gammill inks: Bob McLeod letters: John Costanza colors: Glenn Whitmore assoc. editor: Jon Peterson editor: Mike Carlin grade: B- Ordway appears to be taking a break from penciling for the moment, and maybe that's why he plots and writes this issue so much better than the last one. Sure, the only plot point he managed to get around to in the last confused issue ends up totally forgotten now (and seriously, couldn't the construction crew Superman rescued have been a repair or demolition crew instead? How easy would it have been to drop some reference to the devastating tidal wave that blew through Metropolis just last issue??), but he offers us a lot of new instead, suggesting no less than four new potential story arcs in this issue. Plot point 1: Jimmy's mom and the extraordinary backstory with his father is FINALLY (slowly) getting addressed. (no, that's not Nathan Summers). Plot point 2: Going along with this, Jimmy's father worked for Project Cadmus, and there is apparently a mad scientist and two escapees from The Project that we now need to be concerned about: Plot point 3: Professor Hamilton vows to help out Tehra (the girl who keeps getting referenced from waaay back in Adventures of Superman #443). Plot point 4: Something's wrong with Superman's noggin (again). Considering how long it's taken us even to get to the plot about Jimmy's father, I worry that Ordway has bitten off more than he can chew here. That being said, this issue felt more like a series of loosely connected ideas and teasers than an actual story, but I did enjoy the visual look of that weird dimension Jimmy gets teleported to: So, within a span of two months, we've had two weird new dimensions that follow their own laws of physics introduced in the Superman books. Important Details:- Jimmy Olsen's father was involved in the creation of Project Cadmus. - Clark Kent accepts the job at Collin Thornton's rival publication. Minor Details:- Morgan Edge is out of the hospital and about to stand trial. In the last issue of Action Comics, Superman wrongly suspected that Intergang was back in action. Seems like something big is being planned for Edge's return. - What's up with Lois drastically changing her look over the past two issues, once to look like Perry, and once to look like Clark? Ordway is calling a lot of attention to it and specifically noted last issue that this was beyond the normal extent of fashion shake-ups Lois usually employs. - We get a sixteen page comic insert promoting "Lightning Racers". Clearly, expensive advertising in comic books did not correlate with massive market success. - The title of this story is a bad reference to the 1989 film "Bill & Ted's Excellent Adventure" - Ordway's "syms" seems a lot like Claremont and Buscema's "S'ym" Similar looking, similar named creatures in similarly alternate dimensions. Just sayin'. Plot synopsis: Superman rescues a man from a transforming construction vehicle only to recognize the brother from Adventures of Superman #443 as the cause (and again, I marvel at how we are continually expected to recall the events of this old and forgettable storyline). He takes him to Professor Hamilton but then runs off quickly to deal with the pre-trial of Morgan Edge, Jimmy is stuck in some other dimension where he meets some kind of echo of his father who explains how his father was involved in Project Cadmus, how his mother is in danger, and how there are escaped creations from Project Cadmus to watch out for, but Superman and Professor Hamilton are able to rescue Jimmy from the dimension before he can learn everything, and we cut back to The Daily Planet, where Clark announces that he's taking Thornton's job offer and leaving The Daily Planet.
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Post by shaxper on Jun 10, 2016 14:19:37 GMT -5
The Adventures of Superman #462 "Home for the Holidays!" writer: Roger Stern breakdowns: Dan Jurgens finished art: Art Thibert letters: Albert Deguzman colors: Glenn Whitmore assoc editor: Jon Peterson editor: Mike Carlin grade: B+ Jurgens' cover here is one of the finest from this stretch. I've been wanting to read this issue for a long while now, both because I've been intrigued by Alice and because I've been looking at this cover. But if you were expecting some deep insight into who Alice is and what makes her tick in this issue (as I was), that's not quite where it goes. The surprise that Alice is living in the storage closet is uncovered quickly, and it's the aftermath instead that gets most of the focus of this issue, the Daily Planet crew reflecting on how homelessness can happen to anyone (and nearly did to both Jimmy and to many families Lois knew while growing up on army bases): and Perry writing up an editorial on the homeless problem in reaction to all this, which ends up taking four pages of the story. There's nothing profound in the editorial, but it's thorough, describing the different challenges many homeless face, the different ways that people can help (even listing specific charities), and also discussing the reasons why we don't lend a hand and talking us past them. It's a commendable effort. I respect a Christmas story that actually tries to get back to the "reason for the season," not just engaging in empty holiday fervor. But, speaking of "the reason for the season," it's a little odd that Clark spends the entire first page feeling such reverence for Christmas to the extent that he decides someone cursing on Christmas is cause for alarm and a job for Superman: It ends up being some construction workers' whose generator broke down. That's it. But Clark seems to take Christmas very seriously. And that brings us to this panel, much later in the issue: I don't know if the Pre-Crisis Superman ever touched upon this, but our Post-Crisis one is a practicing Christian (or was at least raised by a practicing Christian family). Interesting to see that addressed. And, of course, it's more interesting still since both of Superman's original creators were Jewish, but at least Stern throws us this little bone clarifying that not everyone who works at The Planet is Christian: It's a nice gesture, and I do like the implicit meaning throughout the issue -- Christmas is a time to live up to Christ's example (even if the name, itself is never given. Making Superman a practicing Christian was probably already a drastic departure from the secular nature of most mainstream comics). In fact, even Brainiac, an evil alien, gets in on the fun, impersonating Luthor and making his underlings give all his employees overly generous bonuses, presumably just to mess with him: In the end, things work out for Alice. Perry petitions the Planet to give her a higher paycheck since she'd been spending all those extra overtime hours working at The Planet for three years, and he invites her to move in with him and his wife (also named Alice) until she's back on her feet: I do worry that this is it for Alice, though. All along, I liked the idea of having someone completely ordinary hanging around in the background of Superman's world. I wanted to learn more about her perspective, how these people we all take for granted as heroes and cherished favorite characters would appear to someone like us living in their world, but I doubt we're going to get that now. Alice's problem is resolved and, thus, we don't need to spend any more time on her. Important Details:- Confirmed that Clark was raised as a practicing Christian Minor Details:- Lana Lang is out of the hospital after her experience in Action Comics #644. Nice continuity there. - And yet, intertitle continuity isn't as strong as it could be here. Just the other week in Superman, we saw Supes flying off, ditching everyone who needed him (especially Jimmy Olsen) in favor of attending to other pressing duties because it was the "logical" thing to do, but now he spends an entire morning helping a construction crew make their Christmas bonus at the expense of going to The Planet on his last day working there: How is that logical? Really, once he gets there, and everyone gets nostalgic that this is the end of an era, I struggle, because it doesn't seem like Clark has ever made The Planet much of a priority beyond Man of Steel #1, 2, and 4 way back in the day. Heck, we just established recently that an entire week had gone by without his reporting to work. We haven't seen him spend much time there, getting in deep with the supporting cast there, so how can we care that their time together is now up? And, of course, it isn't really. We know that. - Stern suddenly and inexplicably reverts Cat Grant to her original tramp/harlot persona, undoing all the careful progression that's occurred to turn her into a real and respectable three dimensional character: Even just the way Jurgens is penciling her now is a drastic reversion. Here's how he drew her just recently in Adventures of Superman #458, where she was a single mother struggling to get her life back and also kicking her alcoholism: So what happened? plot synopsis: Clark reflects on how much he loves Christmas and then, as Superman, ends up helping out a bunch of construction workers to make their Christmas bonus before showing up for his last day at The Planet. At first everyone is giving him the silent treatment, but it was an act, and there is a surprise party as they commemorate the end of an era. Then Clark discovers Alice crying in the supply closet she secretly lives in. The crew comforts her, Perry writes an editorial on homelessness, and Alice gets to live with Perry while she gets her life back together, all while Brainiac has figured out how to appear like Luthor over video screens, further amassing control of Lexcorp with Luthor as his hostage.
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Post by dupersuper on Jun 11, 2016 11:33:32 GMT -5
The Adventures of Superman #462 "Home for the Holidays!" writer: Roger Stern breakdowns: Dan Jurgens finished art: Art Thibert letters: Albert Deguzman colors: Glenn Whitmore assoc editor: Jon Peterson editor: Mike Carlin grade: B+ Jurgens' cover here is one of the finest from this stretch. I've been wanting to read this issue for a long while now, both because I've been intrigued by Alice and because I've been looking at this cover. But if you were expecting some deep insight into who Alice is and what makes her tick in this issue (as I was), that's not quite where it goes. The surprise that Alice is living in the storage closet is uncovered quickly, and it's the aftermath instead that gets most of the focus of this issue, the Daily Planet crew reflecting on how homelessness can happen to anyone (and nearly did to both Jimmy and to many families Lois knew while growing up on army bases): and Perry writing up an editorial on the homeless problem in reaction to all this, which ends up taking four pages of the story. There's nothing profound in the editorial, but it's thorough, describing the different challenges many homeless face, the different ways that people can help (even listing specific charities), and also discussing the reasons why we don't lend a hand and talking us past them. It's a commendable effort. I respect a Christmas story that actually tries to get back to the "reason for the season," not just engaging in empty holiday fervor. But, speaking of "the reason for the season," it's a little odd that Clark spends the entire first page feeling such reverence for Christmas to the extent that he decides someone cursing on Christmas is cause for alarm and a job for Superman: It ends up being some construction workers' whose generator broke down. That's it. But Clark seems to take Christmas very seriously. And that brings us to this panel, much later in the issue: I don't know if the Pre-Crisis Superman ever touched upon this, but our Post-Crisis one is a practicing Christian (or was at least raised by a practicing Christian family). Interesting to see that addressed. And, of course, it's more interesting still since both of Superman's original creators were Jewish, but at least Stern throws us this little bone clarifying that not everyone who works at The Planet is Christian: It's a nice gesture, and I do like the implicit meaning throughout the issue -- Christmas is a time to live up to Christ's example (even if the name, itself is never given. Making Superman a practicing Christian was probably already a drastic departure from the secular nature of most mainstream comics). In fact, even Brainiac, an evil alien, gets in on the fun, impersonating Luthor and making his underlings give all his employees overly generous bonuses, presumably just to mess with him: In the end, things work out for Alice. Perry petitions the Planet to give her a higher paycheck since she'd been spending all those extra overtime hours working at The Planet for three years, and he invites her to move in with him and his wife (also named Alice) until she's back on her feet: I do worry that this is it for Alice, though. All along, I liked the idea of having someone completely ordinary hanging around in the background of Superman's world. I wanted to learn more about her perspective, how these people we all take for granted as heroes and cherished favorite characters would appear to someone like us living in their world, but I doubt we're going to get that now. Alice's problem is resolved and, thus, we don't need to spend any more time on her. Important Details:- Confirmed that Clark was raised as a practicing Christian Minor Details:- Lana Lang is out of the hospital after her experience in Action Comics #644. Nice continuity there. - And yet, intertitle continuity isn't as strong as it could be here. Just the other week in Superman, we saw Supes flying off, ditching everyone who needed him (especially Jimmy Olsen) in favor of attending to other pressing duties because it was the "logical" thing to do, but now he spends an entire morning helping a construction crew make their Christmas bonus at the expense of going to The Planet on his last day working there: How is that logical? Really, once he gets there, and everyone gets nostalgic that this is the end of an era, I struggle, because it doesn't seem like Clark has ever made The Planet much of a priority beyond Man of Steel #1, 2, and 4 way back in the day. Heck, we just established recently that an entire week had gone by without his reporting to work. We haven't seen him spend much time there, getting in deep with the supporting cast there, so how can we care that their time together is now up? And, of course, it isn't really. We know that. - Stern suddenly and inexplicably reverts Cat Grant to her original tramp/harlot persona, undoing all the careful progression that's occurred to turn her into a real and respectable three dimensional character: Even just the way Jurgens is penciling her now is a drastic reversion. Here's how he drew her just recently in Adventures of Superman #458, where she was a single mother struggling to get her life back and also kicking her alcoholism: So what happened? plot synopsis: Clark reflects on how much he loves Christmas and then, as Superman, ends up helping out a bunch of construction workers to make their Christmas bonus before showing up for his last day at The Planet. At first everyone is giving him the silent treatment, but it was an act, and there is a surprise party as they commemorate the end of an era. Then Clark discovers Alice crying in the supply closet she secretly lives in. The crew comforts her, Perry writes an editorial on homelessness, and Alice gets to live with Perry while she gets her life back together, all while Brainiac has figured out how to appear like Luthor over video screens, further amassing control of Lexcorp with Luthor as his hostage.
As to Supermans religion: he was definitely raised Christian, but I often wonder how that aspect of his upbringing holds up after he gets into his sci-fi life, to say nothing of his working with/encountering Spectre, Dr Fate, Zatanna, Etrigan, Zauriel, the Greek gods, the New Gods, Kryponian gods, Dream, Neron...but then I struggle to understand the religious mindset even in our humdrum world without multiple tangible pantheons and afterlives...
As to Clarks brief resurgence of sentiment and Cats flirting, I just chalk it up to the Xmas spirit. I can relate...despite being baffled by actual religious beliefs, I love the holidays...
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Post by shaxper on Jun 15, 2016 12:41:15 GMT -5
Superman #40 "Terror on the Streets" writer/pencils: Jerry Ordway inks: Dennis Janke colors: Glenn Whitmore letters: John Costanza assoc. editor: Jon Peterson editor: Mike Carlin grade: C+ Once again, while Ordway gives tremendous attention to moving B and C plots forward, he struggles to give ample attention to the A Plot in the process. What was this issue about? Superman fights a four armed monster that abruptly disappears at the end. We don't really see Superman have to work to best this thing -- it just goes away, much as that tidal wave that drowned Metropolis in Superman #38 did (though it at least finally gets referenced again in this issue. Apparently, Metropolis nearly exhausted its emergency funds on it. They must have, seeing as how there was no indication that there'd ever been a disaster just a month later). So there isn't much to say about the A Plot beyond it putting a further strain on Jimmy's relationship with Superman as Supes prevents Jimmy from being teleported along with the four armed monster that Jimmy recognizes as being related to the circumstance involving his mother and the clone of his father: And, sure enough, the guys behind this attack are the very villains we were warned of last month: How convenient for them to launch an assault on Metropolis now, just after we learned about them! The rest of the issue is just Ordway furthering other plot points that will pay off later down the line (we hope), but I appreciate the humor he manages to work into this issue. Humor within a comic making fun of the nature of a comic book story gets old with me fast, but I did enjoy Morgan Edge's laywer's reaction to learning that Superman is battling a giant monster: "Like that doesn't happen every month!". And this was priceless: Important Details:- Morgan Edge is back and planning to claim Brainiac was mentally controlling him as a defense in his trial. He has also lost control of Galaxy Communications to his father: - Superman is given the chunk of Kryptonite that the doctors used to heal him back in Superman #4. - Superman has a new vulnerability -- he is allergic to the radiation coming from the experiments performed by the rogue Project Cadmus mutants. Minor Details: - So we now have three major media outlets in Metropolis getting attention in the pages of these comics: The Daily Planet, Galaxy Communications, and Newsstime Magazine. To be clear, each utilizes a different format, but they are all competing for the news. - Luthor is continuing to look for Kryptonite in meteors that fall to Earth. - Jerry White, formerly seeming to get his life back together, has reverted to being a rebellious punk now that The Whites have taken in Alice and allowed her to live in his old room. - Clark still doesn't seem to have a problem balancing being Superman with his new responsibilities as managing editor of Newsstime. Plot synopsis: The rogue mutants from Project Cadmus (first introduced last issue) send their latest experiment, a four armed monster, to the roof of The Daily Planet. Superman fights him and finds himself allergic to its radiation. Jimmy Olsen recognizes the monster as resembling the ones he saw in that alternate dimension last issue and correctly assumes it will fear him if he impersonates the clone of his father. It works, leading the mutants observing all of this to learn that a surviving Olsen is still out there and seeking his capture. They try to teleport him back with the monster (which Jimmy wants, believing it will lead him to his mother and father) but Superman prevents him from being teleported. Superman recovers, learns he is allergic to the radiation coming from the six armed monster, and is given the chunk of Kryptonite that the hospital acquired in order to save him in Superman #4.
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Post by shaxper on Jun 16, 2016 9:06:21 GMT -5
Action Comics #650 "Reflections" writer: Roger Stern pencils: Jerry Ordway, Curt Swan, George Perez, Kerry Gammill, Dan Jurgens inks: Brett Breeding, Bob McLeod, Art Thibert, Dennis Janke colors: Glenn Whitmore, Brett Breeding Letters: Bill Oakley assoc editor: Jon Peterson editor: Mike Carlin (Note: even The GCD doesn't attempt to determine who drew and inked which pages. Sadly, even with all the time I've spent examining these issues and teams, I'm a writer first and often miss the subtleties of the artwork, so I won't try to wager my own guess for much of it. Swan's clearly penciling the Lois segment, and Perez appears to be penciling the Maxima segment. I don't know about the rest.) grade: A- I've had this issue in my collection for a long while now and never bothered to read it, never once suspecting its importance. That's one seriously underwhelming cover (which, by the way, doesn't even convey anything that actually happens in the issue), and any reference to this being an anniversary issue, or even a double-sized issue, is severely understated in the bottom right corner. Nevertheless, it is important. Nine months earlier, the newly restructured Superman office worked together to produce Action Comics Annual #2 as a wake-up call and beacon that big new things were in store for the Superman office. We weren't going to see Supes meandering around in space without direction any longer. Sure enough, they got him home, they cleaned up many of Byrne's loose threads and, only recently, they found new and exciting directions for the franchise. Now, with this issue, the entire team is onboard again to send a big message about where Superman is going next. Previously, Perez had envisioned the three Superman titles addressing what he considered to be the three chief aspects of Superman's life -- his role as a superhero, his role as a Kryptonian, and his role as a reporter at The Daily Planet. This issue tackles all those facets and more, paving the way for a new direction no longer restricted by those three narrow perspectives. After this issue, the titles are no longer so regimented, allowing multi-part story arcs to sweep across them (beginning with Day of the Krypton Man next week). So while there really isn't a plot to this issue, it's instead a restructuring of sorts, taking all that's been done with Superman up until now and prepping it for the next phase. Considering the importance of this story then, as well as the symbolism of having the entire Superman office contribute, it's a bit odd to me that Roger Stern gets full writing and plotting credits. Certainly, he was not the most senior member of the Superman office (Ordway), the most popular (Perez -- though he's nine tenths out the door by this point), nor the most capable (arguably Jurgens). But I guess Action was his title. So here are the facets of Superman that this issue addresses: Superman as a Kryptonian/Interplanetary heroHow quickly we forget Mongul and Warworld, but Superman's impact there was a tremendous one, and the universe has not forgotten, even while life on Earth has moved forward. Draaga is back, seeking a second chance after his embarrassing defeat at Superman's hands but while he wears Superman's costume as a form of penance, everyone else in the space-faring universe appears to be wearing it as a form of merchandising. Superman is their big hero after winning the games on Warworld and toppling Mongul's reign. In fact, the holovids are being distributed everywhere. Even to Maxima. There's a really amusing contrast then created when we downshift to watching what's occurring on Earth, and we get this subtle reminder that, while Superman is clearly the biggest and the best of DC's heroes, so much so that the entire universe is enamored with him, we're the one stubborn planet that is obsessed with some other costumed dude instead: I actually knew a guy who did that to his hair around that time. Superman as an Earth-based superheroWe get a little reminder of how Superman began his career on Earth (which hasn't been discussed since Man of Steel #1) watch him save the day twice, and also get some heavy hints that Maxima, Draaga, and even Lobo are all coming for him soon. Superman as a member of the superhero communityHere's the one that's never really been addressed in these pages before. Adventures of Superman #463 did a lot to try to merge the best of Superman's Pre-Crisis continuity with his Post-Crisis one, but the major omission up to this point has been his relationship with other heroes, and especially The Justice League. Here we're finally given a detailed eight page recap of some of his best adventures fighting alongside the League, which now still did happen, only without his being an actual member in The League. The team remembers him saving the day on some of their earliest adventures (Xotar, The Weapons Master) as well as some of their later ones (Starbreaker, Darkseid). In fact, they offer him membership, but he declines due to time limitations (which makes sense, but shouldn't that rationale have also applied to Batman, Blue Beetle, and Booster Gold in the new League??). It's important to note that ALL of these adventures are said to have occurred "before he learned of his Kryptonian parentage" (which occurred in Man of Steel #6). Following The Post-Crisis Superman Timeline, this would mean all the adventures recalled in this issue occurred between 3 years and 3 months prior to Superman #1. So I guess my objection in Adventures of Superman #463 that it was unlikely Superman knew Barry Allen all that well has now been effectively countered. No more doubt about it -- Superman enjoys the same standing and relationships in the superhero community that he did Pre-Crisis. Superman as Clark KentStern spends a little more time than Jurgens did trying to sell us on Lois' developing feelings for Clark, admiring how upstanding, sincere, and caring he's always been across a number of panels. We then get teased as she almost seems like she's about to figure out that Clark is Superman (a nice nod to the Pre-Crisis) but then we're reminded of the cover story she was told in which Clark and Superman were raised by the Kents together: Even I'd forgotten that one. I never liked that idea. Meanwhile, we finally get the rationale behind why Clark thought he could get away with becoming a managing editor at Newstime while still being Superman: and we're reminded that Amanda McCoy is still out to prove he's Superman (a pursuit she began in Superman #2) But Stern did screw up on one important little bit of continuity here: World of Metropolis #2 established that Lois began working at The Planet when she was 15, as well as five years prior to Clark moving to Metropolis. Part of the rich tension between them was suppoosed to be because Lois had been there longer, was more experienced, and had earned her place as his better. Presenting them now as equals is a tad too idyllic for me. Sure, she's growing soft for the guy, but she still wears the pants at The Planet. Superman as a FUN book that doesn't always take itself as seriously as every other comic in the 1990sBeyond this issue having a strange obsession with taxis, folks often being charged "six fifty" (because it's issue #650, doncha' know) whether on the streets of Metropolis or the outskirts of Warworld, and beyond having an interplanetary taxi driver clearly modeled on Ralph Kramden, Amanda McCoy's taxi driver's fantasy of what Superman goes home to each day was utterly priceless: LOVE that smoking jacket. So a critical and very well done issue, even without an A plot to guide it. Important Details:- Superman assisted the Justice League many times between 1984 and 1987 (cross-referencing their time references with The Post-Crisis Superman Timeline), was offered membership, declined due to time constraints, and is revered and befriended by the membership (NOTE: Batman is not shown to have been a member during any of these adventures and can thus remain an uneasy ally to Superman instead of a clear friend). - Superman is revered as a hero across the universe for defeating Draaga and overthrowing Warworld ( Superman #33). Minor Details:- While celebrating a 650th issue might seem a bit arbitrary, it's worth noting that Action Comics would have been the first DC Comic (or Marvel comic, for that matter) to hit that number. While Detective Comics was older, Action Comics surpassed its numbering when it went to weekly publication during the Action Comics Weekly phase. The first American comic book to have ever reached that number would have been Dell's Four Color in 1955, but no superhero fan of the 1980s was going to remember that. - Maxima is back (first introduced in Action Comics #645), while her former servant Sazu is being held by the authorities and waiting for Maxima to enact revenge upon her. - Draaga and Lobo are both seeking a match with Superman. - A few weeks back, a letter writer asked how Superman shaved. Jon Peterson replied by saying this had already been explained, but apparently someone decided it warranted repeating after all: - I'm still perplexed by DC's devotion to Curt Swan. For a company that's done so little for its creators, they treat Swan like a king, providing him with full health benefits and creatively finding new ways to give him work, since he demands it but also can only pencil about ten pages a month at this point (see earlier reviews in this thread concerning this). Plot synopsis: Draaga hires an intergalactic cab driver to take him to Earth in order to get a rematch with Superman, Lois recalls how she first met Superman and what attracts her to Clark, Superman saves a submarine that has collided with a merchant ship, Flash brags to Justice League Europe about his race with Superman, but J'onn J'onzz interrupts to remind Wally of all the times Superman helped The League and how much they respect him, Sazu is in custody and awaiting Maxima's retribution (see Action Comics #645), Maxima is still planning to win Superman, Jimmy Olsen locks his signal watch in a bank locker and decides he will not use it anymore, Amanda McCoy is still trying to prove that Clark is Superman but is beginning to doubt herself after seeing that Clark has accepted the managing editor position at Newsstime, Clark enjoys a quiet night at home while both Draaga and McCoy wonder what Superman must do in his spare time, and Lobo shows up at an interplanetary dive bar looking for a good fight (we just know this is going to lead to Superman).
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shaxper
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Post by shaxper on Jun 17, 2016 8:38:56 GMT -5
- Jimmy and The Guardian are now at Project Cadmus with questions to ask of the directors regarding this: which, by the way, is presented as a recap even though neither we nor Jimmy were ever told the first part previously. So, my bad in not knowing this until now (and I can't believe no one corrected me on this), but this entire plot line is straight out of Kirby's run on Superman's Pal Jimmy Olsen. I understood that Project Cadmus came from there, but not these specific characters nor their backstory (and that includes their "Syms" -- guess Claremont was the true thief there). To be completely honest, I've only read New Gods previously. I haven't read the Jimmy Olsen stuff beyond #133 and #134 (still trying to acquire the Jack Kirby's Fourth World Omnibuses for a reasonable price). In the letter column for Superman #41, Ordway explains that he's a massive fan of The Fourth World and intends to keep bringing aspects of it into the Superman title, so I'll have to find a way to start reading all of these soon.
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Post by shaxper on Jun 21, 2016 13:42:43 GMT -5
Superman #42 The Day of the Krypton Man, Part IV: "Krypton Man" writer/pencils: Jerry Ordway inks: Dennis Janke colors: Glenn Whitmore letters: John Costanza assoc. editor: Jon Peterson editor: Mike Carlin grade: B- First off, a moment of nostalgia for me. This was the first Superman comic I ever bought or read. At the age of 10, that Ordway cover and new costume caught my attention fast. I was convinced that Superman was changing his costume (and maybe name) permanently because, you know, I was a stupid ten year old. It's interesting to now contrast the series my adult self has been reading and analyzing for the first time against my memories of first entering at this point as a kid. I didn't understand a lot of what was happening in this issue, but I did understand that Clark was choosing an identity more aligned with his Kryptonian heritage. As a kid, I thought this made total sense because, not having been part of three years worth of continuity (nor, for that matter, the past few months of continuity) I didn't understand that Krypton was now bad; a place that "deserved to blow up". Suffice to say, this issue didn't make a regular reader out of me, but I came back again for Dark Knight Over Metropolis, and that storyline ended up being a lot more accessible to me. As for "The Day of the Krypton Man" storyline itself, it now appears that the Superman Office's first big multi-title story arc can be easily summed up as "three aliens all conveniently decided to travel to Earth in search of Superman at the same time, he fights each one off [two with very little excitement], and decides he's The Krypton Man." Not much of a story there. Hopefully, the final two chapters will add a little bit more to the mix. So this issue marks the third of Superman's battle royals with aliens who have come to Earth in search of him. But the big final showdown between Supes and Draaga that we've been awaiting for ages now doesn't end up doing all that much for me. Once again, Ordway is giving the whole thing a Wrestlemania feel with the poses he draws, as well as the cameras and circling helicopters broadcasting the whole thing, but it lacks the kind of kinetic energy and pacing Perez gave to the battle with Maxima. Honestly, it's dull. However, it's nice to see us getting back to tidying up some of the final loose ends left behind from the Byrne era. Looks like Jose Delgado is about to become Gangbuster again, and waaaaaaay back when Cat Grant first started dating Morgan Edge, we got all sorts of foreshadowing that something terrible was going to happen to her son. I think we're finally going there: And Ordway is mindful of several little details that made me smile in this issue. For example, this billboard keeps popping up as of late, and this time Kraamdan and Draaga have driven right into it: It's one of several reminders Ordway gives us in this issue that Luthor still controls Metropolis, even after his embarrassing three part loss during the Brainiac Trilogy (lost to Brainiac, was nearly convicted of working with Brainiac, was saved by Superman). Clearly, we haven't heard the last from Luthor. And, of course, Ordway just had to keep this running joke going just a little bit longer: So, not a terrible issue. I like what Ordway is trying to do with the Wrestlemania feel, and I enjoy his attention to detail, but this issue still bored me. Interestingly though, it foreshadows several things we'll see used again during the infamous Doomsday storyline two years from now -- an alien come to Earth looking to battle Superman, and en epic battle royal ensuing that visually resembles this one pretty closely. Important Details:- Clark has now fully embraced the Krypton Man persona (though he only calls himself Kal-El) - Mannheim, Morgan Edge's employee controlling Intergang for him, is now disregarding Edge's orders and putting out a hit on Cat Grant, Clark Kent, and Lois Lane expressly against Edge's directives. - Intergang has ties to Qurac (we haven't heard from them in a while!) that they are looking to cement with an arms deal. Minor Details:- It really irks me what an overly convenient narrative tool Professor Hamilton has become to the Superman Office. When he was first introduced in Adventures of Superman #424, Hamilton was a poor scientist who had spent years perfecting one invention. Now he's creating brilliant sci-fi gadgetry practically once a month and with seemingly limitless resources. Yes, he's now got a job with STAR labs (that we never see him go to), but that laboratory we saw while he was working on Jimmy Olsen's elasticity condition looked like a multi-million dollar private complex made up of scientific innovations decades beyond even where we are now in 2016. Anyway, here is his scientific brilliance extended beyond the realm of believability once again in this issue: - I found it hilarious that Kraamdan comes from a race that reveres G'Nort as a god. Is this coming out of something that happened in Justice League (my review thread for that title isn't up to 1990 yet), or is this just something Ordway added for fun? Green Lantern volume 3 hasn't hit stands yet, so I know nothing happened there. Plot synopsis in one sentence: Clark has now fully embraced his new Kryptonian identity and goes to seek Draaga, who is in Times Square and demanding to fight Superman. Professor Hamilton decides to teleport them away from New York City so as to protect the innocent and figure out what's wrong with Superman, but his experiment goes awry and ends up teleporting them both on the moon, along with the top of the Statue of Liberty, where Superman is about to deliver the killing blow as astronauts broadcast the feed to television stations on Earth. Meanwhile, Mannheim has reactivated Intergang's file on Cat Grant and is putting a hit out on her despite Morgan Edge's orders for Intergang to lie low while he faces trial.
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shaxper
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Post by shaxper on Jun 22, 2016 8:57:09 GMT -5
Another update...
Old Byrne Plot Points Still Left Unresolved (as of Superman #42, April 1990)
Needs to be resolved:
- There has now been a laboratory floating in orbit of Earth containing ALL of Superman's secret information since Superman #1, and yet no one has noticed it yet.
- Elinore Lane (Lois' mother) is still battling a deadly illness. Luthor is controlling Lois in exchange for treating her mom.
- Amanda McCoy is trying to prove that Clark Kent is Superman and was inadvertently involved in the death of the private detective aiding her (coming up in "Dark Knight Over Metropolis")
- When is Perry going to learn his "son" Jerry is the biological son of Lex Luthor? (probably coming up in "Soul Search")
- What's up with the new director of STAR labs who was implied to be shady and have questionable motives? And is STAR labs still under the control of Morgan Edge's company?
- Luthor and the Kryptonite radiation (coming up in Action Comics #660)
Getting addressed right now:
- Jose as Gangbuster.
- Jimmy Olsen and Project Cadmus / search for his father
- Cat Grant's son. We had some serious foreshadowing that things were going to go bad for that young man.
Probably should be revisited:
-Jimmy Olsen dating Lucy Lane (last mentioned in Superman #4)
-Will there ever be a "real" Bizarro in the Post-Crisis, or are we stuck with the lame clone concept we got in Man of Steel #5?
-Lois and Superman shared a kiss during The Earth Stealers
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Post by Deleted on Jun 22, 2016 12:32:54 GMT -5
Things that I wanted to know
I always wanted to know how Jose became Gangbuster.
How Jimmy Olsen went about dating Lucy Lane.
Cat Grant's son ... I really do not know anything about him - a real mystery to me.
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Post by shaxper on Jun 22, 2016 13:28:31 GMT -5
Things that I wanted to knowI always wanted to know how Jose became Gangbuster. It happened during the Gangwar storyline from Marv Wolfman's run on Adventures of Superman. Jose Delgado was a guidance counselor who took up the mantle to find out who was militarizing gangs in the area that were recruiting his students (spoiler alert: it was Lex Luthor). I believe this was a carryover from the Pre-Crisis continuity. Nothing much to know. Young son of a divorced couple. There was a nasty custody battle, but Cat and her Ex seem reconciled now.
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Post by shaxper on Jun 22, 2016 20:32:05 GMT -5
George Perez's Legacy: The Eradicator DeviceAction Comics #652 will mark Perez' final work on the Post-Crisis Superman franchise under Mike Carlin. His eleven month run didn't quite yield the expected results, due either to Perez being over-committed to other projects or to health issues, but he did help return Superman to his Pre-Crisis/Iconic characterization (even if Ordway and Stern had already been working towards this before his arrival) and, most importantly, he gave us The Eradicator Device. Whether you liked the concept or not, it was unmistakably intertwined with Perez, first being introduced in Action Comics Annual #2 (Perez' first issue) and now reaching its final conclusion in Action Comics #652 (Perez' final issue). In between, it was a significant presence in nearly every single Superman, Adventures of Superman, and Action Comics story published during that time. Don't believe me? A quick search reveals that I mention "eradicator" by name in fourteen of the thirty three reviews I wrote since Perez came aboard. I'm sure that, if you added to those results every review where I discussed Clark not being himself or referred to "the device Cleric gave him", you'd have closer to thirty. For comparison's sake "Lois" is mentioned seventeen times in that same stretch, and "Olsen" is mentioned fifteen. So, love it or hate it, The Eradicator Device appears to be the mark that Perez left on the Post-Crisis Superman franchise, and it was probably the single most prevalent character/concept in the series next to Superman himself during Perez's time.
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Post by Action Ace on Jun 23, 2016 1:21:11 GMT -5
George Perez's Legacy: The Eradicator DeviceAction Comics #652 will mark Perez' final work on the Post-Crisis Superman franchise under Mike Carlin. His eleven month run didn't quite yield the expected results, due either to Perez being over-committed to other projects or to health issues, but he did help return Superman to his Pre-Crisis/Iconic characterization (even if Ordway and Stern had already been working towards this before his arrival) and, most importantly, he gave us The Eradicator Device. Whether you liked the concept or not, it was unmistakably intertwined with Perez, first being introduced in Action Comics Annual #2 (Perez' first issue) and now reaching its final conclusion in Action Comics #652 (Perez' final issue). In between, it was a significant presence in nearly every single Superman, Adventures of Superman, and Action Comics story published during that time. Don't believe me? A quick search reveals that I mention "eradicator" by name in fourteen of the thirty three reviews I wrote since Perez came aboard. I'm sure that, if you added to those results every review where I discussed Clark not being himself or referred to "the device Cleric gave him", you'd have closer to thirty. For comparison's sake "Lois" is mentioned seventeen times in that same stretch, and "Olsen" is mentioned fifteen. So, love it or hate it, The Eradicator Device appears to be the mark that Perez left on the Post-Crisis Superman franchise, and it was probably the single most prevalent character/concept in the series next to Superman himself during Perez's time. And the villainous Eradicator in a humanoid form appears in Superman: Rebirth #1. The concept lives on.
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