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Post by sabongero on May 11, 2018 10:04:50 GMT -5
Amazing Spider-Man #252"Homecoming!" 0.60 ¢ @ May 1984 Writer: Tom DeFalco & Roger Stern Artist: Ron Frenz Inker: Brett Breeding Colorist: Glynis Wein Letterer: Joe Rosen Editor: Danny Fingeroth Editor-in-Chief: Jim Shooter Synopsis: At the Daily Bugle, J. Jonah Jameson and Joe Robertson are talking about the mysterious disappearances of the superheroes and covering it in their newspaper. JJJ wanted to add more pictures and wondered why they haven't used any of Peter Parker's pictures since pictures of superheroes is his forte, but Joe told him Peter couldn't be contacted and appeared to be out of town. JJJ also wondered why Joe didn't prosecute Spider-Man as the source of their disappearance. Joe told him he'll cover the stories his way as long as he's editor-in-chief until JJJ fires him. Meanwhile at Sheep Meadow of NYC's Central Park the media and NYPD were surprised when an incredible burst of light and a superstructure materialized, and from it's dark corridors emerged Dr. Curt Connors being carried by Spider-Man in his new black suit. It took Spider-Man a few seconds to realize he was finally back in NYC and was overjoyed at this realization. NYPD were apprehensive as he didn't look like the familiar Spider-Man clad in blue and red that they are familiar with. The apprehensive situation between Spider-Man and the NYPD was de-escalated with the sudden reappearance of The Avengers from the dark corridors of the infrastructure. Spider-Man then whisked away Dr. Connors and himself to prevent any media from taking pictures of the scientist and the possible attention it might bring by intruding in his personal life. As he took Dr. Connors to his home, they decided to agree with Reed Richards' decision not to disclose to the media regarding their experience with The Beyonder and the Secret Wars planet, but they know they won't forget it. Arriving at Dr. Connors' apartment, he is reunited with his wife and son, and in order not to intrude on the tender family reunion, Spider-Man swung away to go home. Spider-Man is overjoyed to arrive in his apartment. His new alien black costume changed its outward appearance to look like civilian clothing immediately responding to Peter's thoughts and obeying his mental command, which he still has to get used to. He was thinking about taking up Reed Richards' offer of analyzing his costume when he saw his telephone and immediately thought about not speaking to Aunt May for over a week and called her immediately in case she was worried sick. They spoke on the phone for a while and talked about having dinner with her and Nathan. He then hung up and thought about getting some food as he was famished, after trying to reach his girlfriend, the Black Cat who wasn't available. On his way out, he was thinking about how he was told by Captain America and Human Torch on the Black Cat trying to acquire more superpowers in order to help Spider-Man with his crime-fighting. Minutes after Peter left his apartment, the Black Cat arrived and came in by the bathroom window. She's still looking for Spider-Man who has been missing for several days, as she wanted to see him. Some "science guys" working for The Kingpin experimented on her and enhanced her latent super powers, which can help her as Spider-Man's partner in crime-fighting. She thought Kingpin has something up his sleeve for doing this to her, as she left Peter's apartment just missing Spider-Man's arrival. Peter's camera which was inside the black costume emerged after receiving a mental thought from Peter. He went to his dark room and developed the pictures taken in the Secret Wars world, and thought about the fortune he'd make if he sold it to the various newspapers and magazines. He crumpled them as he realized Reed Richards' decision of not burdening the public with the knowledge of The Beyonder's existence, and that perhaps the newspapers and magazines will think his pictures were frauds. Tired, he decided to go crash into bed and to sleep for the day. Having insomnia symptoms, Peter couldn't sleep and thought that he had to do something, and immediately his alien black costume slithered on the floor like a snake and came up to him and dressed him up in costume while in bed. He swung away and immediately found a mugging where his close-up appearance scared away the mugger, and then the victim. Perhaps the appearance of his new costume is scarier than his traditional blue and red costume. He then was doing gymnastic stunts just happy to be Spider-Man and swinging around when he overheard a couple of teenagers arguing to the point of escalating into a physical altercation. It was a couple and arguing about a date where the boyfriend didn't keep his promise of taking the girlfriend to a concert he promised to take her to. They complained to Spider-Man who thought the best way to deal with this is to pick them up and swing away to a high rooftop of a building showing them to their city and it's city life. The city is a living creature with it perfections and imperfections, and that the kids don't realize it. He took them down back to street level where the boy was thankful and ran while the girl thanked him for being nice to do that and weird at the same time. Spider-Man swung away afterwards feeling better for himself at looking down in the city below him earlier. Comments: The amazing thing about Spider-Man is its appeal to readers regarding the life of Peter Parker. Peter Parker's life is what endeared the character to most of its core fans. Readers can sympathize with Peter's life because their problems are similar and the readers can see themselves in him. So the readers are invested heavily in the Peter Parker aspect of Spider-Man. In the beginning of the issue, I loved how Spider-Man showed concern for Dr. Connors, when he asked a bystander for water and handed it to Dr. Connors to drink. Then his immediate celebration that he is home. Tom DeFalco gets it when he wrote just how much of a decent and good-natured person Peter is, and he is just like us, very happy to be home after being away some place where a person didn't want to be in the first place. Speaking of good-nature, you can tell Aunt May and Uncle Ben raised him well and to be family oriented, as the first thing he did after arriving in his apartment is calling his Aunt May with general concern for her. I just realized Spider-Man is a New Yorker like me. And his thoughts on pizza, and then craving for some tacos and chinese food for later meals is exactly what most single New Yorkers living in New York City would have thought after eating pizza for lunch. After all, if you're single in New York City your day consisted of working and you don't have time to cook, so you eat out our have food delivered, and it's mostly choices of fast food in the name of pizza, tacos (or any other latino meals like quesadillas, etc.), burgers, delis hero sandwiches, or chinese food. And then arriving home, the first thing he does is pickup his mail which consisted of various bills to be paid. How amusing is that it reflects on our daily lives. Most of us are "Peter Parker." I just loved this aspect of Peter's life being addressed. And Ron Frenz's illustrations of Peter's face when he picked up the mail is a reflection of our face's annoyance at seeing a bill. Speaking of Ron Frenz, I liked that his illustration showed Peter's stubs in facial hair which grew while he didn't have access to a razor for over a week in the Secret Wars world. That's a nice touch there Ron! If I am correct, The Black Cat is supposed to have these "bad luck" powers generating a jinx on people. Perhaps that power was in effect, allowing her and Spider-Man miss each other twice in a span of a couple of minutes. Peter Parker unable to sleep even when he's tired... it's like many New Yorkers having insomnia. They can't sleep because their mind is still working non-stop and kept on ticking even when it is supposed to be on rest mode. The final panel consisting of a jubilant Spider-Man swinging in a splash page was fantastic because the editor, Danny Fingeroth addressed the readers that it is their way of giving a bonus pin-up to the readers showcasing the Friendly Neighborhood Spider-Man's new nifty costume. I never read a fourth wall message from the editor address me directly like that. I thought it was a great final touch to the issue.
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Post by brutalis on May 11, 2018 10:18:34 GMT -5
Defalco stuff always strikes me as being very 60's Marvel. His style of stories seem based more upon the characters of that time than anything else. I personally enjoy most of Defalco and Spider-Girl is a stand out for certain. His Spidey stuff is classic fun, freewheeling and light and while perhaps not "iconic" they remain a very good run to enjoy. They can be read over and over without feeling dated or overly flawed. Which is what good comic book stories should be! Ron Frenz is well suited to Spidey as well, capturing a mix of art styles from all the prior Spider-Man artist. This is like a good bottle of inexpensive wine, good textures and tastefully done without a high price. Good standard indeed to follow for comic books and I wish that some of the newer creators would remember that. Not everything has to be super spectacular outrageous new adventures trying so hard to top what has come before.
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Post by sabongero on Jun 17, 2018 23:44:56 GMT -5
Defalco stuff always strikes me as being very 60's Marvel. His style of stories seem based more upon the characters of that time than anything else. I personally enjoy most of Defalco and Spider-Girl is a stand out for certain. His Spidey stuff is classic fun, freewheeling and light and while perhaps not "iconic" they remain a very good run to enjoy. They can be read over and over without feeling dated or overly flawed. Which is what good comic book stories should be! Ron Frenz is well suited to Spidey as well, capturing a mix of art styles from all the prior Spider-Man artist. This is like a good bottle of inexpensive wine, good textures and tastefully done without a high price. Good standard indeed to follow for comic books and I wish that some of the newer creators would remember that. Not everything has to be super spectacular outrageous new adventures trying so hard to top what has come before. I definitely agree with your remarks about his lengthy Spider-Girl run. That was fantastic light-hearted, but not always, story telling of the Spider-Man mythology. His collaboration with Ron Frenz on that title was a cult hit among fans, where Marvel tried several times to cancel the series, but fans made their voices adamantly heard, and it came back from the dead several times and lasting a good 100 issues in its initial run. Repackaged as the Amazing Spider-Girl it last another three years after that.
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Post by sabongero on Sept 18, 2019 0:11:10 GMT -5
Amazing Spider-Man #253"By Myself Betrayed!" 0.60 ¢ @ June 1984 Writer: Tom DeFalco Artist: Rick Leonardi Inker: Bill Anderson Colorist: Glynis Wein Letterer: Joe Rosen Editor: Danny Fingeroth Editor-in-Chief: Jim Shooter Synopsis: Peter Parker and a Daily Bugle reporter was covering professional football game between New York and San Francisco. The NY star quarterback Ray Nesters was off his game and no one can understand why. Peter was running late for a meal at aunt May's and on his way there, stopped by Reed Richards at the Baxter Building with an inquiry about his alien black costume. Reed will examine the costumer some time soon, and Spider-Man swung away and people on the streets didn't recognize him in his new costume, reminding him of his early days. Meanwhile Rey Nesters and his younger brother went home, but he excused himself, stepping out. He met with the underground crime boss, The Rose, who had Nesters in his payroll. And his next order was for Nesters to throw away the game the following week, which didn't sit well with him, but he is in deep now and had no choice. Nester is not the only one in trouble with his job. Over at the Daily Bugle, Robbie Robertson took Peter Parker aside and told him he hasn't been performing well lately, and that he needed to shape up as he would hate to lose a good photographer like Peter. Coming back from practice, Nesters found a note from the Rose who told him that he had his younger brother. He left his apartment suddenly to do something about it and bumped into Peter Parker and the Daily Bugle reporter. At the warehouse, Nester confronted the Rose's goons and they jumped him. Spider-Man arrived and swung into action and joined the melee. The Rose attempted to escape but was chased by Spider-Man. The Rose threw a gas grenade at Spider-Man with no effect, as the alien costume filtered the gas effects. Spider-Man rounded up the goons and the melee was finished. Nesters was afraid the Rose would not leave his younger brother alone, so to put an end to it, he made a confession to the Daily Bugle and it ended his career. Comments: Tom DeFalco wrote a story that is usually the "elephant in the room" on everyone's Sunday during NFL season, when a team is inexplicably underperforming and could not be explained. Therefore it is a fixed game. But it is never really proven. So here we have the criminal underworld controlling the results of a professional football game by controlling the superstar quarterback of the home team to throw away the game. A sub-plot is also about Spider-Man's new alien costume. Peter is happy with the new costume but doesn't completely trust it, and wanting one of the world's smartest man to examine the costume. The readers are left with a mystery of who is under the mask of The Rose. At the time he was a major figure in the underworld of crime in New York. Rick Leonardi's pencils are serviceable here. His illustrations of the people are pretty good. The only drawback is he lacked drawing background details and preferred a "blank" background where the colorist would just fill in the background with one color. Unfortunately, it gave a bland look, and as a reader, you just want to turn the page immediately and finish the story as the illustrations didn't really grab your attention.
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Post by sabongero on Jun 15, 2020 16:56:55 GMT -5
Amazing Spider-Man #254"With Great Power..." 0.60 ¢ @ July 1984 Writer: Tom DeFalco Artist: Rick Leonardi Inker: Josef Rubenstein Colorist: Christie Scheele Letterer: Joe Rosen Editor: Danny Fingeroth Editor-in-Chief: Jim Shooter Synopsis: Spider-Man in his brand new black alien costume watched as the police hauled the Hobgoblin's battle wagon van out of the Hudson River. He recalled a couple of issues before how he and the Hobgoblin battled and the van ended up in the bottom of the Hudson River while no traces of the Hobgoblin could be found other than his mask. He placed a spider-tracer on the van so he can track it later, while he called Aunt May who still refused to talk to him as she was still upset about Peter dropping out of college. But Nathan spoke to him and tipped him off that Aunt May and him will be having lunch at Gino's restaurant and Peter said he'd be there in 30 minutes. Spider-Man decided to hitch a ride with a newspaper returns van back to the Daily Bugle and as he made his way to the newspaper's main office, he asked Betty to hold on to the pictures he took in case any editors wanted to print them. At the same time, as the battle wagon van was being carted off to the police impound, it was deftly stolen by criminals under orders of someone who turned to be the criminal, Jack O'Lantern. One of the women at the Daily Bugle told Peter about it as it was on the police broadband radio, and Peter turned to Spider-Man and swung towards the theft. The criminals were about to be apprehended by Spider-Man until Jack O'Lantern showed up and a battle and pursuit ensued between him and Spider-Man. Spider-Man finally cornered Jack O'Lantern in a toy store, but Jack placed innocents at risk by hurling a bomb at live wires, and Spider-Man was forced to stop the melee and save the people, thus allowing Jack O'Lantern to escape. He still didn't know the connection between Jack O'Lantern and the Hobgoblin. Late as he was, Peter made his was to Gino's where Aunt May has left an hour ago, but Nathan decided to stand by to give Peter a lecture. Comments: The Peter Parker "luck" was in full swing in this issue as well. We saw that Peter was down on his luck with no money coming in from the pictures he took, and his aunt May is upset with him giving him the silent treatment. Above all that, he allowed Jack O'Lantern to escape as he saved innocents, and he was very late for the chance meeting with his aunt May to make up with her. Talk about a superhero down on his luck, no one has worse luck than Spider-Man/Peter Parker. It's so relatable that it is both endearing and frustrating to the reader at the same time. Minimalist illustrator Rick Leonardi provided some fast paced amazing action sequences. The chase sequence with Spider-Man and Jack O'Lantern was dynamic and fast paced. At the same time even with Spider-Man's face mask covered in black, you somehow felt his frustration due to his body language even just by standing still.
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Post by sabongero on Jul 2, 2020 17:54:18 GMT -5
Amazing Spider-Man #255"Even a Ghost Can Feat the Night" 0.60 ¢ @ August 1984 Writer: Tom DeFalco Artist: Ron Frenz Inker: Josef Rubenstein Colorist: Glynis Wein Letterer: Joe Rosen Editor: Danny Fingeroth & Bob DeNatale Editor-in-Chief: Jim Shooter Synopsis: The Black Fox broke into a luxury home and was about to burglarize it but encounter the Super Apes of The Red Ghost. Captured, the Red Ghost told him they expected him and he needed his services as a thief. Elsewhere, Peter Parker washed his black Spider-Man costume recalled his battle with Jack O'Lantern and rested, and his black costumer animated itself moving towards him. The Red Ghost is keeping a low-profile and needed additional funds to complete the Cosmicizer which will increase his powers a thousand fold. The Black Fox will secure his funds with the help of his Super Apes. Peter Parker was woken up by his landlord asking for the rent. After ridding of her he changed into his black costume and web-swung across the city looking for Jack O'Lantern while thinking about the Black Cat. Elsewhere, the Black Fox and the Super Apes go commit crimes. But the Super Apes were not slippery like a fox and were destructive thus enlisting the police to find their whereabouts and causing much havoc in the city. Spider-Man's spider-sense brought him to the scene as the Black Fox escaped the Super Apes. But they caught up to him and were about to tear him apart until Spider-Man arrived and saved him and did battle with the Super Apes. Spider-Man allowed the Black Fox to escape after hearing his reasoning, and followed the Super Apes back to the Red Ghost's luxurious apartment. There Spider-Man battled them and one of the Super Apes accidentally destroyed the Cosmicizer. The police arrived. The Red Ghost vowed vengeance on Spider-Man before he transported himself and the Super Apes away. Elsewhere in a warehouse, the Hobgoblin's battle van was in storage and the man behind the scenes found the spider-tracer on it, and vowed Spider-Man will die. Comments: Straight forward Spider-Man story where the super-villain escaped. And we are left with a mystery in regards to who exactly is behind the caper of the Hobgoblin's battle van. Is it Jack O'Lantern or the Hobgoblin himself? As usual just like in the movies, the cops arrive at the end and the story ends. I can't believe Spider-Man held his own against this fearsome foursome of super-villains. Of course given the power levels of the black alien costume over the years, we can now look back and see why he can hold his own against this team of Super Apes which gave the Fantastic Four a run for their money. In fact, I now understand why Spider-Man was able to hold his own and pummel Firelord, a former herald of Galactus with the power cosmic, into unconsciousness. The black costumer rocks!
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Post by sabongero on Jul 6, 2020 16:17:18 GMT -5
Amazing Spider-Man #256"Introducing... Puma" 0.60 ¢ @ September 1984 Writer: Tom DeFalco Artist: Ron Frenz Inker: Josef Rubenstein Colorist: Christie Scheele Letterer: Joe Rosen Editor: Danny Fingeroth Editor-in-Chief: Jim Shooter Synopsis: Spider-Man in his black costume busted The Rose's criminal warehouse. He took down the criminals amazingly while The Black Cat took photographs. Bored with just taking pictures, she joined the melee with a couple of the crooks encountering "bad luck" when they were about to put the "kabosh" on the Black Cat. After webbing up the criminals for the cops, Spider-Man and Black Cat left the premises and Spider-Man left the Black Cat citing he had to develop these pictures to submit to the Daily Bugle for money he sorely needed. After making out, and as Spider-Man swung away, the Black Cat contemplated still not revealing to her lover her secret of having super powers and originating from his deadly nemesis The Kingpin. At home, Peter developed the film and stashing them in his closet, he came across his old red-and-blue back up costume and recalled past moments. Tired he went to bed and slept. But while he was asleep, the black costume crept towards him, and then the next panel homeless onlookers saw Spider-Man in his black costume swinging through the night. The Rose's henchmen and close circle of right-hand men reported to him that Spider-Man raided their warehouse and caused damages to profits and will not normalize until a few weeks later. The Rose decided to have Spider-Man killed, and had the right man to do it. His assistants advised that he needed The Kingpin's authorization to do so, and The Rose put them in their place. In New Mexico, a congressman was at Fireheart Enterprises to discuss in a meeting regarding Thomas Fireheart's proposal to build various shopping malls around the city. Thomas is unavailable and was conveyed to the congressman, but she noticed a call on his private line and forwarded the message immediately to Thomas, who as the Puma, who received it while at the desert as he tracked and killed the wild beasts that entered the Indian Reservation and slaughtered the animals there. He meditated afterwards and reverted back to his human form. He flew back to his HQ via helicopter all the while thinking if the elders would be proud of their defending warrior being an assassin for hire. Back in NYC, Joe Robertson was impressed with Peter Parker's submitted photos of Spider-Man citing it of being a better quality than usual and authorized vouchers for him to be paid. Peter took it to Betty, and Mary Jane just arrived to confirm her dinner celebration date with Betty Brant in reference to her getting the modeling gig. Peter yawning and tired turned down to join them as he was too tired, eliciting a reaction from Mary Jane that other men wouldn't have shrugged off her offer like the way Peter brushed her off. Betty offered to share insights into Peter's troubles and Mary Jane obliged to looking forward to receiving it over dinner. The Rose's assistants escorted the newly arrived Thomas Fireheart to his hotel. When they went to check up on him, he was gone with the window open. Puma on a rooftop, meditated, and sensed Spider-Man. Immediately he tracked him and found a web-swinging Spider-Man. He took a rooftop pipe and hurled it to Spider-Man to test his reflexes, which Spider-Man barely avoided thanks to his Spider-sense, but falling, he couldn't cling to the side of a building and hurt his shoulder/arm area. Dislocated, and sensing he was under attack, he re-attached the loose shoulder socket even with a lot of pain, just in time when the Puma arrived to take him out. Comments: I know DeFalco and Frenz don't get a lot of credit during their run, citing it as mediocre. But in my opinion it is an enjoyable and serviceable stories put together with many things happening, especially in the life of Peter Parker. There's a lot of interesting sub-plots going on, like the alien costume seemingly taking over Peter's body as he slept and "Spider-Man" was swinging at night, and presented wonderfully the following day with a more tired than usual Peter Parker when he went to the Daily Bugle. Here we also see the anguished Mary Jane Watson who obviously was interested in Peter Parker, but was bothered by his brush-off. Then there's Spider-Man's complicated relationship with the Black Cat, who is only interested in the Spider-Man persona and not the Peter Parker one. Then we have an assassin who is a respected member of the Indian Reservation in New Mexico. Ron Frenz pencils are solid. The action sequences where the combatants are presented with minimal coloring on the background without any details, were well done, and of course with Jim Shooter as editor-in-chief with deadlines to be met, was a way to maximize time constraints at the time. He really has Spider-Man's movements hands down. The last page of panels showcased a hurt Spider-Man trying to fix a dislocated shoulder, and Frenz made it look more painful than it was with Spider-Man's movements and changing eye illustrations as well as swivelling lines to show the pain. Impressive with minimal details to move the story forward.
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