Looks really good and the colors are just great ... thanks.

Thanks for your kind words but I think you're giving me more credit than I deserve with the palette. For first I'm reusing the colour scheme already in place on the original - and though it is (I am finding out) possibly impossible to recreate the effect of real ink Ben Day or Crafttint screens on crappy pulp paper I'm trying to limit myself to (nearly) the same methods the original colourists would have used.
I have layers of 100%, 75%, 50% and 25% opacity and am 'colouring' in Black on those layers and then removing unwanted elements of the individual CMYK channels in each layer to get the results I want. It's a reductive version of how I think the books would have been originally done. It's a larger range of colours than the original colourist had which (possibly) only used 100%, 50%, and 25% (and didn't have black in the 50% and 25% menus) but still very limited in modern computer terms. (256 I think - certainly not the millions available.

It's all a bit hit and miss at the moment. I keep getting lost as to how each colour is made and have to go back and unpick a panel to find out how I made a colour I want again. Not helped by the fact I always get way too involved in the doing of something to take any notes (which would turn it into work and therefore not fun) and I get distracted by trying new things, like the double dot screen effect on the yellow face at the bottom left of the page.

This is what Page 2 looks like at the moment.

I really like that mojo-independent piece!!! It has a certain Moebius whimsy about it, as well as a certain Frank Miller-like quality.

Thank you for saying so. That one started out with me literally idly doodling that oval shape in the front wheel and it just grew from there with no planning or forethought. (And precious little asitwashappeningthought either.)

This morning my Mojo sauntered in from wherever it's been these last few days and looked at me as if I was a numpty for not getting anything done without it. So we sat down and pencilled a couple of pages of an 8 page strip I've been not getting round to starting for a while. Couldn't work out how to start. So this afternoon I threw a dart at my copy of Wally Wood's 22 Panels That Always Work and went from there.

I'm teaching myself how to paint. Using watercolor...badly, and most of these have areas that are terrible but I'm having fun.
Nothing original here, working from photos or a presumably digital painting in the case of the Terminator.
The Superman is from an Alex Ross pic and I really screwed up the head but like trying to paint like he does. Pity my pencil work is extremely poor.
One of my major faults is thinking I can go straight to the hard stuff without backing it up with a solid foundation of ability.