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Post by Ish Kabbible on Mar 19, 2017 20:47:21 GMT -5
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Post by Ish Kabbible on Mar 20, 2017 8:40:13 GMT -5
As mentioned last week, here is the R&B band out of Detroit, Michigan who made the charts in 1967.
This peaked at #12
This climbed to #6
This made #20 in 1968
They hung around into the disco era and began to fight crime with this single
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Post by Slam_Bradley on Mar 20, 2017 11:29:07 GMT -5
It is the birthday of country musician Jerry Reed. Probably best known as Burt Reynolds sidekick in Smokey & the Bandit. I've never been a fan of Reed's work as it tended toward novelty songs and fluff. But he was a monster guitar player and started out as a session guitarist in Nashville. So lets have some pickin'.
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Post by Slam_Bradley on Mar 20, 2017 12:03:34 GMT -5
And it's the 66th birthday of Jimmie Vaughan. Vaughan has the fortune and misfortune of being the older brother of a blues-rock legend in Stevie Ray Vaughan. I say misfortune in that I think Jimmie would have a much better reputation without being in Stevie's shadow. But the man has the chops and without Jimmie...maybe there's no Stevie. Co-Founder of The Fabulous Thunderbirds, Vaughan went on to do a number of solo albums including Strange Pleasure which is a truly outstanding LP.
And while I actually prefer their earlier work over their MTV period hits, I can't help but love Jimmie playing on the Tonight Show wearing a pistol.
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Post by berkley on Mar 21, 2017 3:32:32 GMT -5
Never knew about that Tonight Show Chuck Berry appearance, that was really good to see. I did see at the theatre the Hail Hail Rock and Roll documentary they talked about that was out around the same time.
He was always the first rocknroll artist to me, his the earliest music that sounded like what I thought of as rock and roll. Maybe Bill Haley & the Comets' Rock Around the Clock came earlier - or at least it always used to be cited as the first rock and roll song when I was growing up - but I never liked it that much so it didn't count to me.
I remember when I was very small, in the 60s, I thought Chuck Berry was one of the coolest looking guys in the world, though today I don't even know where I would have seen a picture of him, unless it was on tv or something. This will probably sound weird but I distinctly remember assuming that Marvel Comics' Black Panther had his face, with the prominent cheekbones and slicked-back hairstyle, I suppose because I hadn't yet seen any comics where he took his mask off and Chuck Berry was the only black man I had a mental image of from pop culture.
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Post by Ish Kabbible on Mar 22, 2017 11:15:05 GMT -5
50 Years Ago Today-Week 4 March 1967
Another new song claims the #1 spot for the 4th straight week. The Turtles started out as a surf rock group in their L.A. high school, then following the trends of the day, fashioned themselves as folk rock. Their first hit came in the summer of '65 with a cover of Bob Dylan's It Ain't Me Babe which peaked at #8. The follow up singles to that success didn't fare as well and the band went through personnel changes. Lead singer Howard Kaylan and the Jonah Hill lookalike Mark Volman along with guitarist Al Nichols were the mainstays. It all worked out for this song and the Turtles remained popular for the balance of the decade
Tommy James and the Shondells had a previous #1 with Hanky Panky. It took about a year for another song of theirs to break the top 10. It's #13 for this week and would crest at #4. One of my personal favorite American pop bands of the late 60's
The Five Americans only had one song to break the top 20. It would peak at # 5. I'll let Steve Allen introduce them
The Four Tops were one of Motown's biggest acts, and had been releasing great r&B songs since 1965. They already had 2 #1 tunes by this time, I Can't Help Myself (Sugar Pie Honey Bunch) and Reach Out I'll Be There. This was their initial release for 1967 and it would peak at #4. Levi Stubbs was their lead singer
Harper's Bizarre is the quintessential American Sunshine Pop Band. They obtained the rights to this song from Simon and Garfunkel to release it as a single and employed Leon Russell for vocal arrangements. It far surpassed everyone's expectations and peaked at # 4
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Post by Ish Kabbible on Mar 24, 2017 4:50:28 GMT -5
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Post by Ish Kabbible on Mar 24, 2017 5:59:15 GMT -5
Close Encounters Of The Musical Kind-Part 4
My job as a manager of a Manhattan after hours club from 1975-1982 led to my meeting quite a few celebrities and wide range of characters. It was a members only club but to allow for an expanding clientele we encouraged members to send friends, business partners or other high rollers to our doors. We usually had about 40-50 people at anyone one time during the peak hours. You never knew who might show up.
For instance, one night a man dressed as a chauffeur came by with the correct password. He wanted to check out the club on behalf of his client downstairs in a parked limo. He got a quick tour and as he was about to leave I asked who was in the car. "Elton John" he replied. He left and I looked out the window. Sure enough, there was a stretch limo parked out front with tinted black windows. The driver got in but they took off. Elton John? I'll never know
I did chat with Sam McDowell, a well known former baseball pitcher who could throw 100 MPH until his arm broke down and ended his career by the mid-70's. I met Abba Eben, Israel's foreign minister. We were not far from the United Nations and received other international players. There was a woman I spoke with one evening who said she worked for a public relations firm. One of her clients was Barry Manilow who was now a big star. She confided to me that she set up Barry with female escorts to be seen with for public events since, being gay and closeted at that time, he had no appropriate female friends. For some reason that came as quite a surprise to me back then.
One of the strangest encounters occurred early September 1979. It was a Saturday morning at about 8AM. We'd be closing in 2 hours and the place was pretty emptied out by then. I'm sitting at the reception desk reading the latest copy of Rolling Stone Magazine. The cover story is about the No Nukes benefit concert that was scheduled for Madison Sq Garden in a few days. Organized by Jackson Browne,Graham Nash, Bonnie Raitt and John Hall they had enlisted folks like The Doobie Brothers, Bruce Springsteen and the E Street Band, James Taylor, Carly Simon, John Prine, Ry Cooder, Gil-Scott Heron, Jessie Colin Young, Poco, Chaka Khan, Tom Petty and the Heartbreakers, Stephen Stills and David Crosby to also perform. On the cover of the Rolling Stone was Jackson Browne
And he walks into the club as I'm reading his interview. Gives me his American Express card for the entrance fee. Yup, it says Jackson Browne with an E at the end of the name. I'm kind of speechless. He spends time at the bar drinking and mainly talking with a cute blonde hostess of ours. Plays some blackjack, converses with the blonde again and they leave as we close up the club for the end of the business day
The next night I go up to that blonde hostess and ask her if she realized who she was talking with. Turns out she faintly heard of him, but he was cute,charming,had plenty of money and they spent a few hours together at his hotel after the club closed. "Really?-any juicy gossip you might want to share with me about that?" I asked
"Well-that guy is really into feet".
That was enough for me
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Post by Slam_Bradley on Mar 24, 2017 10:47:42 GMT -5
My only close encounter of the musical kind (keep in mind I live in Idaho) was with Phillip Walker. That probably doesn't mean a lot as Walker was never particularly well known. He was one of those blues men who was better known and appreciated by critics and other musicians than by the public. I found Walker when I was digging through some super cheap CDs at a store called On Que which was kind of like a mini-Hastings in the little mall here. I used to take my middle son there in Saturday mornings and I'd get a coffee from the kiosk and he'd get a milk and we'd wander around the store for 20 minutes or so killing time. I didn't know anything about the CD, but it was cheap and looked interesting, so I bought Phillip Walker Blues. I threw it in the player on the way home and listened to a couple of tracks and was pretty impressed. I do not remember if the top was down or not (I had a convertible at the time). The album went into heavy listening rotation because I thought it was incredible. In particular it had a recording of "Don't Be Afraid of the Dark" which was allegedly recorded the day before Robert Cray's version. At the time my friend Dan had his first band and I spent a lot of time working doors for him and helping he and the band schlep equipment. So we listened to Walker (I'd since picked up two or three more albums of his) and I turned Dano on to his work. I was in my office and I get a call from Dan. "Phillip Walker is going to be at The Mint in Hailey." So we arrange to go. The Mint, at the time was owned by Bruce Willis. Half the damn town of Hailey at the time was owned by Willis or Demi Moore. On the day, I throw the top down on the convertible and head up. It's fairly quiet in the venue. I'm guessing more people were there just for the atmosphere than the music. But the show is going well. Sounds great. Dan and I find a couple of very attractive young ladies who are there for a conference and start talking to them and it's a great evening. Walker and the band end their first set and it was excellent in spite of a small crowd. As the band it heading toward the door I decide to thank Phillip for the music. I just step up real quick to tell him he sounds great and thanks. But he stops and I get the chance to tell him that my little boy really loves to sing along with his songs that ask about he and Cray recording "Don't Be Afraid of the Dark" at essentially the same time. He is very friendly and incredibly gracious given he's just finished a musical set and has another one coming up. He even invited us down to the band's van to "smoke", but I declined because I didn't want to intrude. Nothing super exciting. But it was very cool to talk to a musician whose work I really admired and find that he was a genuinely nice person.
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Post by Ish Kabbible on Mar 24, 2017 10:59:39 GMT -5
Slam_BradleyBeing out in Idaho, what's the concert scene like for nationally known performers? Is it dominated by a particular genre?
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Post by Slam_Bradley on Mar 24, 2017 11:13:13 GMT -5
Slam_Bradley Being out in Idaho, what's the concert scene like for nationally known performers? Is it dominated by a particular genre? My musical tastes are at the same time fairly eclectic and pretty narrow...so I honestly don't pay a lot of attention. You can see a lot of acts in Boise, I think partly because it's a good middle stopping place between Seattle or Portland and Salt Lake or Denver. Most of the bigger country acts and most of the bigger rock or pop acts will come to Boise or Salt Lake (I'm roughly half-way between the two). Then you will have acts that play in smaller venues somewhere because they want too. The last two concerts I went too showed the dichotomy. I saw Willie Nelson at one of the bigger venues in the Boise area. Big show, lotta people. The biggish concert experience only mitigated by the fact that it was outside. On the other hand, I saw Steve Earle at a pretty small bar in Ketchum, Idaho. I think it was arranged on fairly short notice because it was a midpoint between two shows and Steve wanted to go fishing on Silver Creek the next morning. My middle son and I are scheduled to see Son Volt in Boise in early May. It's at one of a number of mid-size venues in Boise. If you want super big acts, you're going to have to travel...at least to Salt Lake, but probably to Denver, Vegas or Seattle. But you can probably see something you're going to like in Boise every couple of months.
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Post by Slam_Bradley on Mar 24, 2017 11:20:47 GMT -5
Just looking at my Songkick (which is not the be-all end-all as it missed Marty Stuart being in Sun Valley) I see coming up...
In Boise,
The Infamous Stringdusters
Black Joe Lewis & The Honeybears
Son Volt
In and around Salt Lake
Taj Mahal
Black Joe Lewis & The Honeybears
Willie Nelson
Son Volt
Old Crow Medicine Show
Justin Townes Earle
Riders in the Sky
James McMurtry
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Post by berkley on Mar 26, 2017 23:41:05 GMT -5
Of the names listed I've seen Taj Mahal, and he put on a really good show. I like his sound a lot and think of myself as a fan even though I've only listened to two or three of his many, many albums so I can't say I know his music really well.
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Post by berkley on Mar 27, 2017 12:37:09 GMT -5
That was a great read. I was impressed with the interviewer - he really knew what he was talking about (except for thinking that Willie Nelson's was the best version of Stardust ever) and asked a lot of good questions. Dylan had a lot of very insightful things to say about the old standards he's covering on this new project, and of course about a lot of other things too. Probably the best Dylan interview I've read, but come to think of it, I don't think I've seen all that many with him over the years - he was always a bit media-shy. I was a bit sceptical about the idea of Dylan performing this kind of material but seeing and hearing him do The Night We Called it a Day on Letterman's last show and now reading this interview have me thinking it's going to be worth a listen.
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Post by Ish Kabbible on Mar 27, 2017 14:26:13 GMT -5
50 Years Ago Today-Week 5 March 1967
As we wrap up March, we find The Turtles do not want to budge off the top spot and Happy Together remains at number one. Slow to rise, slow to fall
Martha Reeves and the Vandellas began as the top Motown girl group with 1963 hit singles like Heatwave and Quicksand. They continued with more classic hits such as Dancing in the Streets and Nowhere To Run. However Diana Ross and the Supremes were an unstoppable force for Berry Gordy's record label. Martha Reeves and the Vandellas continued on through the decade undaunted and 50 years ago today this song climbed to #18 and finally peaked at #10. Filmed at Anaheim Stadium, California
How do you keep a good Monkee down? Here they are once again with their latest roaring up the charts. It only took 2 weeks to get to #19 and it would peak at #2. What kept it from the top spot, we'll find out later.Written by Neal Diamond, it's Davy Jones first lead vocal on a Monkees single.
What can I say about The Four Seasons that Jersey Boys have not. Premiering at the tail end of the Doo Wop era of Rock, they wound up as one of the most successful rock acts of the 1960's. Still going strong in 1967, Beggin' was #25 on this day and would peak at #16
So Simon and Garfunkel gave their new song, The 59th St. Bridge Song (Feelin' Groovy) to Harper's Bizarre because Paul Simon thought of it as a inconsequential throwaway. It zoomed up to # 13 for them, thank you very much. Well at least S&G scored almost as well with their own single, this week at #34 and peaking at #16
Booker T. and the MGs-the greatest funk band of the 1960's (That recorded for themselves, unlike The Funk Brothers).This song is funky, greasy and simple.It makes it's debut on the top 100 this week
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