Confessor
CCF Mod Squad
Not Bucky O'Hare!
Posts: 10,211
|
Post by Confessor on Aug 7, 2024 11:32:20 GMT -5
#8 Crescent City Soul: The Sound of New Orleans 1947-1974
Never seen this collection before, but I'm liking the look of it. I really love Professor Longhair and Little Richard, and you'll find Fats Domino, Lloyd Price, Amos Milburn, Irma Thomas, Aaron Neville, and Clarence "Frogman" Henry all represented in my record collection on various compilations. I know the song "Blue Monday", but hadn't quite realised that it was by Smiley Lewis. I'm not sure that I'd really listen to four discs-worth of this stuff, but I am intrigued by the single disc box set sampler that you and your wife inherited from her brother. Could you perhaps find a link to it online?
|
|
|
Post by Slam_Bradley on Aug 7, 2024 11:35:22 GMT -5
#8 Crescent City Soul: The Sound of New Orleans 1947-1974
Never seen this collection before, but I'm liking the look of it. I really love Professor Longhair and Little Richard, and you'll find Fats Domino, Lloyd Price, Amos Milburn, Irma Thomas, Aaron Neville, and Clarence "Frogman" Henry all represented in my record collection on various compilations. I know the song "Blue Monday", but hadn't quite realised that it was by Smiley Lewis. I'm not sure that I'd really listen to four discs-worth of this stuff, but I am intrigued by the single disc box set sampler that you and your wife inherited from her brother. Could you perhaps find a link to it online? It's called Highlights from Crescent City Soul. I've put a link to American Amazon below, but that should lead you to being able to find it elsewhere. It's a super fun disc. www.amazon.com/Highlights-Crescent-City-Soul-1947-1974/dp/B000002SVV
|
|
Confessor
CCF Mod Squad
Not Bucky O'Hare!
Posts: 10,211
|
Post by Confessor on Aug 7, 2024 11:38:35 GMT -5
Never seen this collection before, but I'm liking the look of it. I really love Professor Longhair and Little Richard, and you'll find Fats Domino, Lloyd Price, Amos Milburn, Irma Thomas, Aaron Neville, and Clarence "Frogman" Henry all represented in my record collection on various compilations. I know the song "Blue Monday", but hadn't quite realised that it was by Smiley Lewis. I'm not sure that I'd really listen to four discs-worth of this stuff, but I am intrigued by the single disc box set sampler that you and your wife inherited from her brother. Could you perhaps find a link to it online? It's called Highlights from Crescent City Soul. I've put a link to American Amazon below, but that should lead you to being able to find it elsewhere. It's a super fun disc. www.amazon.com/Highlights-Crescent-City-Soul-1947-1974/dp/B000002SVVGreat! Thanks for that.
|
|
Confessor
CCF Mod Squad
Not Bucky O'Hare!
Posts: 10,211
|
Post by Confessor on Aug 7, 2024 12:59:48 GMT -5
Another of my favourite box sets... #8 - The Byrds by The Byrds (1990) This was the first multi-CD box set I ever bought and, as such, it will always hold a special place in my heart. I had gotten into The Byrds in 1989 and spent the next year or so buying up as many of their albums as I could find on CD. By the time this box set arrived in autumn 1990, I was pretty much obsessed with the band. The set was released at a time of renewed interesting in the Byrds among critics and young alternative rock fans, due to their influence on hip, modern bands such as R.E.M., the Smiths, the Bangles, the Stone Roses, and a whole raft of lesser-known indie guitar bands. Simply titled The Byrds, this 4x CD set covers the band's Columbia Records period from the 1965 release of "Mr. Tambourine Man" through to their final Columbia album in 1971. It also tacks on two live tracks and four new studio recordings by a reformed 1989-90 version of the band at the end of disc 4. All of the Byrds big or important singles are here, with a good selection of stand-out album tracks and a wealth of previously unreleased tracks from the archives. Included among these rarities are three songs from the Sweetheart of the Rodeo album that are presented with their "lost" Gram Parsons' lead vocals for the first time. There are a few minor shortcomings in the track listing, however, such as the absence of the band's pre-Columbia single release as "the Beefeaters", or anything from their 1973 Elektra reunion album, but it's still a great introduction to the Byrds for anyone wanting to delve a little deeper than a single disc compilation. The CD remastering is top notch too and this is sonically a fantastic sounding collection. Here's the Byrds' version of the traditional song "I Know My Rider", which was slated to be a single in 1966, but ultimately remained on the Columbia tape archive shelf… And here's "The Christian Life", one of the outtakes from the Sweetheart of the Rodeo album that I mentioned earlier, which is presented here with its original Gram Parsons lead vocal for the first time…
|
|
|
Post by Deleted on Aug 7, 2024 14:52:42 GMT -5
The set was released at a time of renewed interesting in the Byrds among critics and young alternative rock fans, due to their influence on hip, modern bands such as R.E.M., the Smiths, the Bangles, the Stone Roses, and a whole raft of lesser-known indie guitar bands. I have to admit, I was very into those alt rock groups in the late 80's (still am) and never quite picked up on the Byrds connection but can totally see that in hindsight. My hippie connection is probably more Cream/Hendrix/Doors type stuff, but I'm at least familiar with the more well known Byrds tunes. I feel like I need to spend a little more time here now that you mentioned the alt rock connection! What I do know of the Byrds is certainly catchy.
|
|
|
Post by Deleted on Aug 7, 2024 16:11:43 GMT -5
#8 Crescent City Soul: The Sound of New Orleans 1947-1974
So there's a bit of a story about this one. My late brother-in-law had a pretty extensive CD collection. When he passed away the siblings divided up his cd's. One of the cd's that went home with my wife and I was a highlight cd with tracks from all four of the discs of this set. After that got listened to to death, I sought out this box set. This was really my introduction to New Orleans rock & roll and jump blues beyond a general knowledge of Fats Domino. It was through this set that I was introduced to the genius of Dave Bartholomew, to Smiley Lewis, to The Spiders. It was here that I learned that The Toy Bell did not originate with Chuck Berry. This is just a fabulous look at a city and its music in a formative era of American music. There are some omissions that are maybe understandable (Blueberry Hill has appeared everywhere) and some that are probably inexcusable (Frankie Ford's Sea Cruise). But when all is said and done, this is a must for anyone interested in the evolution of what would become rock & roll. I wanted to spend some time absorbing this before I responded, it hits on so much music I have way too little knowledge of. I literally only recognize 4 names on the "featuring" on the cover. Fats Domino and Little Richard of course, but I really only know their most famous songs. Then Aaron Neville and Lee Dorsey who are the only ones I have a little better background with (and definitely enjoy). Like all of us, I need to pick my spots where I can devote time to new music, but I think I'm going to go ahead with the single disc you mentioned to Confessor, this definitely intrigues me enough to put my toe in the water. And I could look this up, but since I know you have the answer, Toy Bell is My Ding-a-Ling right?
|
|
|
Post by Slam_Bradley on Aug 7, 2024 16:42:02 GMT -5
#8 Crescent City Soul: The Sound of New Orleans 1947-1974
So there's a bit of a story about this one. My late brother-in-law had a pretty extensive CD collection. When he passed away the siblings divided up his cd's. One of the cd's that went home with my wife and I was a highlight cd with tracks from all four of the discs of this set. After that got listened to to death, I sought out this box set. This was really my introduction to New Orleans rock & roll and jump blues beyond a general knowledge of Fats Domino. It was through this set that I was introduced to the genius of Dave Bartholomew, to Smiley Lewis, to The Spiders. It was here that I learned that The Toy Bell did not originate with Chuck Berry. This is just a fabulous look at a city and its music in a formative era of American music. There are some omissions that are maybe understandable (Blueberry Hill has appeared everywhere) and some that are probably inexcusable (Frankie Ford's Sea Cruise). But when all is said and done, this is a must for anyone interested in the evolution of what would become rock & roll. I wanted to spend some time absorbing this before I responded, it hits on so much music I have way too little knowledge of. I literally only recognize 4 names on the "featuring" on the cover. Fats Domino and Little Richard of course, but I really only know their most famous songs. Then Aaron Neville and Lee Dorsey who are the only ones I have a little better background with (and definitely enjoy). Like all of us, I need to pick my spots where I can devote time to new music, but I think I'm going to go ahead with the single disc you mentioned to Confessor, this definitely intrigues me enough to put my toe in the water. And I could look this up, but since I know you have the answer, Toy Bell is My Ding-a-Ling right?Yes it is. It was written and recorded by Dave Bartholomew in 1952, but The Bees 1954 recording was better known. It was recorded a number of times before the best known version by Chuck Berry.
|
|
|
Post by Deleted on Aug 7, 2024 16:48:24 GMT -5
I wanted to spend some time absorbing this before I responded, it hits on so much music I have way too little knowledge of. I literally only recognize 4 names on the "featuring" on the cover. Fats Domino and Little Richard of course, but I really only know their most famous songs. Then Aaron Neville and Lee Dorsey who are the only ones I have a little better background with (and definitely enjoy). Like all of us, I need to pick my spots where I can devote time to new music, but I think I'm going to go ahead with the single disc you mentioned to Confessor, this definitely intrigues me enough to put my toe in the water. And I could look this up, but since I know you have the answer, Toy Bell is My Ding-a-Ling right?Yes it is. It was written and recorded by Dave Bartholomew in 1952, but The Bees 1954 recording was better known. It was recorded a number of times before the best known version by Chuck Berry. Thanks! Chuck version is hilarious of course, but had no idea about all the earlier versions (though "Toy Bell" did ring, well, a bell), need to now check them out.
|
|
|
Post by Slam_Bradley on Aug 7, 2024 16:52:15 GMT -5
Another of my favourite box sets... #8 - The Byrds by The Byrds (1990) And here's "The Christian Life", one of the outtakes from the Sweetheart of the Rodeo album that I mentioned earlier, which is presented here with its original Gram Parsons lead vocal for the first time… I know we've talked about the Byrds before. I wouldn't say I'm a huge fan and I definitely much much prefer the Gram Parsons era. Good entry.
|
|
|
Post by Deleted on Aug 8, 2024 8:54:34 GMT -5
Today's selection: #7 Paul Simon - Paul Simon 1964/1993Before I started buying my own albums as a kid, I was always going through my parents' vinyl collection listening to everything they had. They had copies of the 1972 Simon and Garfunkel Greatest Hits album along with Paul Simon's 1977 Greatest Hits, and I listened to both over and over. Eventually I started buying my own albums, and the first few were older material that was mostly the Beatles. But my first "contemporary" purchase was Simon's Graceland, and that album hit me in a big way. It had a lot of catchiness with the upbeat material, I remember even looking for the sheet music for "Boy in the Bubble" as the first song I wanted to try to learn on bass (lots of great bass playing on this album actually) which I was learning on the side along with guitar. And then the softer numbers really seemed magical, especially with Ladysmith Black Mambazo's contributions (I loved that so much it made me interested in their own works). In 1993, I was mostly buying music on CD at that point, and had moved out of my parents' house for college and couldn't take their old vinyl with me, plus my cassette of Graceland was well worn by this point. So this box set from 1993 was a perfect set to cover much of that old material plus some pockets I had missed along with way. The first disc is about 2/3's Simon and Garfunkel era, the remaining tracks early Simon solo career. The 2nd disc is more solo material prior to Graceland. The 3rd disc has 6 tracks from Graceland and then some later material into the early 90's. Extras include an unreleased track ("Thelma"), a demo version of "Bridge Over Troubled Water", and live track of "Still Crazy After All These Years". "Homeward Bound" and "I Am a Rock" are missing, but overall it's a pretty well done one stop shop of both Simon and Garfunkel and Paul Simon material. Not to get too off topic here, but I'll also share a little story of why "Bridge Over Troubled Water" has special significance to me. On September 9th of 2001, my wife and I were at the tennis US Open men's final which is in the Queens borough of New York City. It was a beautiful day, but Pete Sampras ended up losing to Lleyton Hewitt in his own house as it were, and so it was a little melancholy train ride back into the city for us. The train back into Manhattan from Queens is above ground as you are heading back in, and you can gets some nice views of the city skyline on the way. I vividly remembering the sun setting and this stunning view of the Twin Towers and it made me smile despite the melancholy we were feeling over the match. Two days later my wife and I woke up to the horrific event we all know. It took a long time to process, and I don't know that it ever fully will, but I remember that image of the towers coming back from the Open always stuck in my mind, and it symbolized a wish that the world could return to what it was before the insanity and horrible loss of life. Fast forward a year, and my wife went back to the US Open. Art Garfunkel sang "Bridge Over Troubled Water", and something was just so healing about that moment, he had his young son with him as well and somehow that made it extra special as well. So yeah, that song holds a lot of meaning for me.
|
|
|
Post by Slam_Bradley on Aug 8, 2024 9:38:11 GMT -5
#7 - The Complete Stax/Volt Singles, 1959-1968
At nine discs and 244 tracks this is a really big box set. And it's probably way too much for most people. This features every A-side from the fabled purveyor of the grittiest of Southern soul. And a lot of the B-sides as well. Stax was the harder edged alternative to the glitz and polish of Motown. With greats like Otis Redding, Sam & Dave, Booker T. & the MGs, Rufus King, Carla Thomas, Albert King, The Bar-Kays and a host of others, Stax helped create Southern soul and kept Memphis on the map as a music mecca. If all you want is to listen to Otis and Sam & Dave then this is way too much. Hell it's probably too much for most people. But this is a rich deep dive in to a time that's long gone and watching the changes in production and in tone as each disc progresses is absolutely fascinating. And the house band, Booker T. & the M.G.'s is simply as good as it gets musically. Booker T. Jones, Steve Cropper, Duck Dunn, Al Jackson, Lewie Steinberg it doesn't get much better than that. And it can be rewarding to dig in and find singles by, for instance, Prince Conley or Oscar Mack, that have barely seen the light of day since their release. It's particularly rewarding if you put it on in the background while you're reading Robert Gordon's history of the record label. And I'm not going to dig super deep for tracks. Because these are just stone cold classics.
|
|
|
Post by Slam_Bradley on Aug 8, 2024 9:45:30 GMT -5
Today's selection: #7 Paul Simon - Paul Simon 1964/1993Ever the iconoclast, Slam will come in with the take that he does not care at all for Paul Simon. I will now stand for the stoning. You have one minute.
|
|
|
Post by Deleted on Aug 8, 2024 10:01:44 GMT -5
Today's selection: #7 Paul Simon - Paul Simon 1964/1993Ever the iconoclast, Slam will come in with the take that he does not care at all for Paul Simon. I will now stand for the stoning. You have one minute. Hah, no stoning here! Music to me is like food, your tastes are what they are, it doesn't really matter what other people's are even though it's interesting to compare at times. For me there's a kindness to his music both solo and with Art, and how genuine it is I don't know, but it's an antidote for the harshness of the world for me at times.
|
|
|
Post by Deleted on Aug 8, 2024 10:09:40 GMT -5
#7 - The Complete Stax/Volt Singles, 1959-1968
At nine discs and 244 tracks this is a really big box set. And it's probably way too much for most people. This features every A-side from the fabled purveyor of the grittiest of Southern soul. And a lot of the B-sides as well. Stax was the harder edged alternative to the glitz and polish of Motown. With greats like Otis Redding, Sam & Dave, Booker T. & the MGs, Rufus King, Carla Thomas, Albert King, The Bar-Kays and a host of others, Stax helped create Southern soul and kept Memphis on the map as a music mecca. If all you want is to listen to Otis and Sam & Dave then this is way too much. Hell it's probably too much for most people. But this is a rich deep dive in to a time that's long gone and watching the changes in production and in tone as each disc progresses is absolutely fascinating. And the house band, Booker T. & the M.G.'s is simply as good as it gets musically. Booker T. Jones, Steve Cropper, Duck Dunn, Al Jackson, Lewie Steinberg it doesn't get much better than that. And it can be rewarding to dig in and find singles by, for instance, Prince Conley or Oscar Mack, that have barely seen the light of day since their release. It's particularly rewarding if you put it on in the background while you're reading Robert Gordon's history of the record label. And I'm not going to dig super deep for tracks. Because these are just stone cold classics. Yeah, this looks really good to me even though I don't have this particular set. Lots of familiar and favorite artists here, Cropper and Dunn was first exposure for me with the Blues Brothers but quickly turned into a pursuit of all their other works. Booker T. absolutely what you said, Albert King I got into early on from a guitar standpoint, I could go on with lots of those names. "Green Onions" is probably one of the catchiest things ever recorded. Great pick.
|
|
Confessor
CCF Mod Squad
Not Bucky O'Hare!
Posts: 10,211
|
Post by Confessor on Aug 8, 2024 10:49:28 GMT -5
#7 Paul Simon - Paul Simon 1964/1993 Fantastic pick! I absolutely love Paul Simon and Simon & Garfunkel. Like you, I got into S&G via my parents' record collection (they had the 1972 Greatest Hits album) and really connected with Paul Simon's solo stuff a year or two later when Graceland came out. Also, like you, Graceland was my gateway into South African township jive and mbaqanga music; I picked up the brilliant compilation albums The Indestructible Beat of Soweto and The Kings and Queens of Township Jive in the early 90s, which cemented by love of black South African music. But it was Graceland that first turned me on to it. Incidentally, Graceland is my mother's favourite album of all-time. Anyway, during the late '80s and early '90s, I picked up all of Simon's solo albums and all of the S&G ones too. That's why I never picked up this box set when it came out. I realise that there were two or three previously unreleased tracks on it, but I couldn't justify the purchase price for those alone. Nowadays, I have all the rare tracks like "Thelma" and the demo of "Bridge Over Troubled Water" on Paul Simon bootleg CDs. Interestingly, the title of this box set is inaccurate because it includes the hit 1957 recording of "Hey Schoolgirl", which Simon & Garfunkel released as teenagers, under the name Tom & Jerry. But that niggle aside, you can't fault the quality of the music here. For me there's a kindness to his music both solo and with Art, and how genuine it is I don't know, but it's an antidote for the harshness of the world for me at times. Beautifully put. I know exactly the kind, comforting undercurrents that you are referring to in Simon's music... and I like it very much as well. Not to get too off topic here, but I'll also share a little story of why "Bridge Over Troubled Water" has special significance to me. On September 9th of 2001, my wife and I were at the tennis US Open men's final which is in the Queens borough of New York City. It was a beautiful day, but Pete Sampras ended up losing to Lleyton Hewitt in his own house as it were, and so it was a little melancholy train ride back into the city for us. The train back into Manhattan from Queens is above ground as you are heading back in, and you can gets some nice views of the city skyline on the way. I vividly remembering the sun setting and this stunning view of the Twin Towers and it made me smile despite the melancholy we were feeling over the match. Two days later my wife and I woke up to the horrific event we all know. It took a long time to process, and I don't know that it ever fully will, but I remember that image of the towers coming back from the Open always stuck in my mind, and it symbolized a wish that the world could return to what it was before the insanity and horrible loss of life. Fast forward a year, and my wife went back to the US Open. Art Garfunkel sang "Bridge Over Troubled Water", and something was just so healing about that moment, he had his young son with him as well and somehow that made it extra special as well. So yeah, that song holds a lot of meaning for me. Nice memory to have there. Yeah, 9/11 really is a before-and-after moment, isn't it? Even on this side of the Atlantic, it's hard not to view it as some historical dividing line.
|
|