shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Aug 20, 2014 19:23:05 GMT -5
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Aug 20, 2014 19:23:23 GMT -5
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Aug 20, 2014 19:25:08 GMT -5
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Aug 20, 2014 19:25:13 GMT -5
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Aug 20, 2014 19:25:29 GMT -5
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Aug 20, 2014 19:25:33 GMT -5
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Aug 20, 2014 19:28:59 GMT -5
Electric Warrior #7 Note: The cover for this issue is not displayed because it contains a massive "The Maker Man" writer: Doug Moench art/co-plotter: Jim Baikie inks: Pablo Marcos letters: Todd Klein colors: Tom Ziuko grade: B- Also Note: This review contains major spoilers about this issue. If you haven't read it yet, be forewarned. With a dead give-away on the cover as to 9-03's final fate, the pressure was on Moench and Baike to give the character a powerful farewell since his death at the end wasn't going to impress anyone through shock value alone. Moench makes an admirable attempt. 9-03's philosophical conversation with Quintana about the class system in their society is at least as good as the ones she had with Two Shadow, and 9-03's developing a sort of faith by the end was impressive too. He almost began to have a personality I could care about. However, I still wasn't feeling the whole romance with Kinsolving (which was pretty essential to his life and death), and Baikie's depiction of 9-03's final moments was purely literal, evoking no particular emotions. What a waste. I was similarly disappointed with how Two Shadow was handled in this issue, making a bold about-face in his beliefs and then immediately making another abrupt about-face immediately after he sacrifices his sacred glade to stop the Electric Warriors. If anything, it makes him feel wishy-washy and a bit annoying. Again, I think much of this falls on Baike, who failed to add any level of feeling to the sacrifice of Two Shadow's sacred glade through evocative imagery. If we'd felt even a fraction of the loss that Two Shadow felt, I don't think I would have found his abrupt change of mind jarring or annoying at all. However, without that emotional link to the character, it's easy to just get impatient with his inability to choose a path and stick with it. Both the solicitation for the next issue ("Future Frankensteins") and some hints Moench drops in the letters column about Derek and a massive change coming next issue suggest that my theory will come to fruition next issue -- Derek will be turned into a Cyborg, probably joined with the remains of 9-03. Another parallel between the two characters in this issue (their debates with Quintana and her resulting confused emotions) seems to further suggest a shared destiny between the two. It's frustrating, really. Obviously, Doug had ambitious plans for this issue, but it so often falls upon the artist to create those emotional investments that make a writer's ideas truly come to fruition. Baikie just isn't bringing it. Who knows? Perhaps a different artist could have made us understand the romance between 9-03 and Kinsolving, simply giving her an adoring look that makes you see true beauty within her even in spite of the surrounding wrinkles and warped flesh. A parallel is drawn in my mind to when Moench was writing Nocturna for Batman and Detective Comics. It wasn't until Newton and Colon truly found her unique beauty in their illustrations that I was able to understand and empathize with Batman's love for her. Art matters, especially in a love story. The minor details: - We learn more about the class structure of this society (which is still nameless after all this time). The middle class is becoming over-populated, and there is downward mobility from middle class to the Warrens, but the Techno class has remained unchanged. There is no upward mobility in this society. - As much as I'm not sold on Zeedle and Janda at all, I truly felt for them when they got to enjoy nature for the first time in this issue, particularly as Janda exclaims, "But water without scorth-acid, Zeed -- an' not even brown!" I could instantly relate on an emotional level; we all know what it's like to take a shower after feeling particularly dirty, perhaps for so long that we didn't even notice how fundamentally uncomfortable we were until we experienced the joy of being cleansed. It's a perfect parallel to their socioeconomic situation. While Baikie's art could have been more evocative here as well, Moench hits on a note so primal and universal that it soars anyway. A disappointing issue, if only because I could almost taste the excitement and emotional impact Doug was reaching for, and yet, almost like some warped nod to Tantalus, it was just beyond my grasp.
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Aug 20, 2014 19:31:37 GMT -5
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Aug 20, 2014 19:31:47 GMT -5
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Aug 20, 2014 19:32:41 GMT -5
Electric Warrior #8 "Under Bad Signs" writer: Doug Moench pencils/co-plotter: Jim Baikie inks: Pablo Marcos colors: Bob LeRose letters: Todd Klein editor: Doug Moench grade: B+ First off, I often do not understand Moench's titles. Just saying. Secondly, I called it. Third, this issue gave me exactly the same frustrations as the previous one. The cover gives it all away, so the not so surprising ending isn't going to impress on its own merits. Instead, Moench and Baikie are going to have to make Two Shadow's semi demise powerful and tragic. Again, Moench tries, especially in pouring on what should have been some deeply emotional moments for Quintana, Kinsolving, and even Simon Soaring. But again, Baikie goes far too literal/realistic in his depictions. The action is always centered, kept at an appropriate distance, and restrained. There's absolutely no subjectivity or emotion, even as we watch characters cry, or scream, or die. Derek spitting in Quintanna's face was probably the single most disappointing panel in the issue in this respect. I'm also starting to think the coloring is adding to this problem. Whereas the bright contrasting colors we keep seeing in this book made sense in first exploring the bright future of the Techno level and the spacious beauty of Primmie society, it doesn't belong in a story that is becoming increasingly dark and drastic with each issue. I wonder if it's simply an issue of not having adjusted to the potential of the Baxter Paper format yet. Perhaps printing on grainier, dingier newsprint requires brighter, higher contrast colors. At any rate, it isn't working here. So I'm losing some hope for this series. Moench is finally FINALLY where he wants to be with the story, but Baikie absolutely cannot keep up, and thus Moench's powerful ideas are still too far removed from our emotional center. I think the series has hit a sort of ceiling just when the heavens should have been opening up for it. Still, Silver Simon -- COOL idea I hadn't anticipated. Sure, the idea of Derek's former rival coming back as a cyborg antagonist is a little cliche, but his look is so cool, and even while I can't fully accept the premise of a proud warrior reducing himself to become a king of thieves so spontaneously, it's a fun concept nonetheless. Another aspect of this story that resonated with me: With all the characters I felt for in this issue, Derek wasn't one of them. I feel as though he'd already lost all sense of self and, after so many years of searching, wasn't likely to ever find it again. While I felt for Quintana in her guilt for what she'd done to Derek, I actually felt excitement for Two Shadow himself. Maybe this was the change he finally needed -- the opportunity to pursue true purpose in his life. And, back to the first point I ever made in this thread, we're back to the basic premise of Deathlok, only with far more thematic backstory this time. Amazingly ambitious to take 8 full issues before even introducing the main character of the series. Heck, we're nearly halfway through the run! Minor details: -So who has free will and who doesn't? I thought the very surgery involved removing the portion of their brain responsible for free will and self awareness, yet Silver Simon appears to still possess both, and there was a switch that was supposed to do this to Derek (and speaking of which, why was the second switch even there? In what situation would the doctors say, "You know what? Give this one free will."?) - It's winter in the glade, but we saw Zeedle and Janda skinny-dipping in the sun there just last issue. Has a lot of time passed between these two issues that wasn't made clear? Seemingly not, since the remains of 9-03 are still being carried away. - What was the logic in giving 9-03's parts to a Cyborg who already had a spark of independent thought? Was Marder somehow trying to honor 9-03? This wasn't clear to me. Gutsy issue, overall. Moench's script is probably an A to A+ by itself, but Baikie's art is definitely pulling the book down a few notches. I'm not getting the impact from this story that I should be, and it seems almost entirely due to the art.
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Aug 20, 2014 19:34:32 GMT -5
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Aug 20, 2014 19:34:36 GMT -5
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Aug 20, 2014 19:36:52 GMT -5
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Aug 20, 2014 19:37:04 GMT -5
|
|
shaxper
CCF Site Custodian
Posts: 22,860
|
Post by shaxper on Aug 20, 2014 19:37:28 GMT -5
|
|