Roquefort Raider
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Modus omnibus in rebus
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Post by Roquefort Raider on Aug 30, 2017 13:48:58 GMT -5
Unnown Worlds of Science FictionI only have a few issues, but that was a pretty good mag. I wish such attempts at doing something else than super-heroes had had more success.
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Post by berkley on Aug 30, 2017 13:52:10 GMT -5
Unnown Worlds of Science FictionI only have a few issues, but that was a pretty good mag. I wish such attempts at doing something else than super-heroes had had more success. Is anyone doing anything like this now, with all these indepndent pubishers? I see there are a lot of independent SF ongoing series, which is great to see, but I'm not aware of any anthology books, off the top of my head. And of course no onedoes magazine-sized series any more, which is too bad.
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shaxper
CCF Site Custodian
Posts: 22,874
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Post by shaxper on Aug 30, 2017 17:07:10 GMT -5
and then Heavy Metal and its imitator, Marvel's EpicEpic Illustrated remains my favorite anthology series of all time. I own nearly the entire run and find something worth savoring in each of those issues. I haven't read much Heavy Metal and should probably correct that, but the whole T&A thing was always a bit of a turn-off. I don't like owning comics I'd be embarrassed for my kids to find.
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Post by brutalis on Aug 30, 2017 17:16:44 GMT -5
Don't forget all the black and white greatness found within the pages of the Deadly Hands of Kung Fu! Haiiiiiyaaaaaaa!
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Post by Reptisaurus! on Aug 31, 2017 16:13:40 GMT -5
Until about 1960-or-so, back when comics actually sold in the millions, most comics were anthologies. Still, my favorite is probably Fantagraphics MOME, which was a cool mix of continued stories and one shots, narrative and experimental strips, American and European creators, classic and newbie cartoonists. And at 100 pages an issue, it felt like the creators had space to breathe in a way that other alt-anthologies didn't. Probably my favorite strip was Tim Hensley's occasionally R-rated Richie Rich Parody Wally Gropius. Runners up: Action Girl from Slave Labor, Solo from DC, Piracy from EC, Walt Disney's Comics and Stories from Dell.
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Post by Slam_Bradley on Aug 31, 2017 17:30:59 GMT -5
Runners up: Action Girl from Slave Labor, Solo from DC, Piracy from EC, Walt Disney's Comics and Stories from Dell. The Darwyn Cooke issue of Solo may well have become my favorite single issue of any comic.
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Post by Reptisaurus! on Sept 1, 2017 16:48:26 GMT -5
Would single creator titles count? Because the latter half of Eightball is about as good as comics got, ever. (Although it became less anthological and more concentrated on a specific feature as the series progressed.) Fantagraphics and Drawn and Quarterly did a lot of these single-creator comics (MeatCake, Yummy Fur, Neat Stuff, Crickets) and I'd argue these were the best Western comics published in the '90s. Raw, Zap! and Arcade probably deserve a mention as well. Raw, especially, brought European literary sensibilities to American Comics and really paved the way for comics aimed at actual grown-ups. Zap! was filthy but incredibly important to the development of underground comics- I had a pretty good run of, like , fifth prints'till it got stolen. Some of the Zap! guys I like better than others, but Shelton, Crumb, and (especially) Victor Moscosso are always worth a look. Arcade I've only read one issue of. But I know it's really important!
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Post by Reptisaurus! on Sept 1, 2017 16:51:01 GMT -5
On another note - I know it's a little off the beaten path, but Wally Wood student Wayne Howard's Midnight Tales for Charlton is my favorite horror anthology. He was one of Wally Wood's students who never quite fit in with Marvel and DC.
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Post by EdoBosnar on Sept 2, 2017 2:42:24 GMT -5
Shaxper, totally agree about Epic Illustrated vs. Heavy Metal. I think Epic had consistently better material. Also, it didn't have those often painfully pretentious text sections like HM did.
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Post by Prince Hal on Sept 2, 2017 8:54:43 GMT -5
In the Golden Age and even in the early Silver Age, many generically titled books were anthologies, and for me that's one of the joys of discovering or rediscovering them. I'm guessing that way back in the day, throwing every kind of genre into a book was a way of trying to be the favorite title of lots of readers. Check out Star-Spangled 74 from 1947: Robin, Tomahawk, Penniless Palmer, Star-Spangled Kid, and Robotman! WF 100 had the lead feature plus stories starring Green Arrow and Aquaman, too. And that Sensation: WW, Lady Dager, Wildcat, and the immortal Willy Nilly! Then, as a particular character caught on and became the cover feature, the anthology format was still often preferable even in a book named after a lead character because you didn't have to come up with five or six stories about that character, thus negating the risk of overexposure and/or monotony. (Proof of the latter is the frequent complaint that reading any collection of one character straight through, no matter how compelling the character may be (DC Showcase, anyone?) becomes tedious. Better to leave a reader wanting more. I loved a "Great 3-Part Novel" as much as any Silver Age kid, but there was also nothing like a comic with three different 8-page stories, like Superboy 111, with a Superboy story, a Lana Lang story, and a Krypto story. Talk about getting your money's worth! One key to a great anthology, though, seems to be page-count and number of stories. That's why there's so much love for Annuals. (Look at that Marvel Super-Heroes comic: Phantom Eagle, Black Knight, Cap, Subby, and the Patriot. There's a Torch story, too, but they couldn't fit him in the corner box! Hours of sheer fun!
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Post by MDG on Sept 2, 2017 15:41:23 GMT -5
My Grearest Adventure 'til the Doom Patrol took over.
Amazing Adult Fantasy
Four Color
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Post by Reptisaurus! on Sept 4, 2017 14:17:34 GMT -5
Ooh! And I always liked Marvel Treasury Edition (and Limited Collectors Edition) quite a bit as well!
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