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Post by crazyoldhermit on Jan 10, 2015 13:13:15 GMT -5
Wounds gained this issue: - Thrown through windshield resulting in a concussion and broken bones - Thrown through two wooden walls - Repeated strikes to the head, which Frank figures will likely result in brain damage Past issues: - Seven gunshot wounds across his body (Born #4) - Seven stun rounds to the body, hand and face (The Punisher #2) - A bullet fired at point blank range grazing his forehead (The Punisher #5) - Right arm grazed by a shotgun (The Punisher #5) - Hit in the chest and possibly other parts of his body by a shotgun through the roof of a warehouse (The Punisher #6) - Fell through the roof of a warehouse (The Punisher #6) - Shot in a left rib by a shotgun at point blank range. (The Punisher #6) - Lung grabbed and squeezed through the wound in his side. (The Punisher #6) - Punched in the face. (The Punisher #6) - Slashed on the right forearm, right thigh and left side of the head (The Punisher #6) - Right hand stabbed by shard of glass (The Punisher #6) - Stabbed in the back at least once (The Punisher #6) - Caught in an explosion resulting in a nosebleed and bleeding from the ears. (The Punisher #7) - Upper left arm impaled by shard of glass. (The Punisher #7) - Grenade shrapnel to the right arm (The Punisher #12) - Probable concussion (from grenade) (The Punisher #12) - Smashed through a bar, delivering blunt force trauma (The Punisher #14) - Right eye socket broken (The Punisher #16) - Head repeatedly smashed with an AK47. (The Punisher #16) - Gunshot to the left arm (The Punisher #22) - Shotgun to the chest, mitigated by bulletproof vest. (The Punisher #23) - Stabbed in the left shoulder (The Punisher #24) - Bashed over the head with a nightstand (The Punisher #24) - Eyes clawed at (The Punisher #24) - Three gunshots to the chest, one of which penetrates his vest. (The Punisher #29) Much as I love the insights you offer on this series and its take on Frank Castle, it's these little tallies that have become my absolute favorite part of this thread. There's just absolutely no way Ennis was keeping track of this stuff, himself, so I find it fascinating asking myself if a human being could actually endure all of this and still function at peak physical health. One of my favorite parts of any action story is heroes who aren't impervious to damage but get really badly injured and keep going anyway. Rocky Balboa, Violent Marv, John McClane, Batman (especially the Frank Miller version), etc. I think Wolverine's powers were originally designed specifically to allow for this, something that has been lost in recent years where his powers are full on regeneration and he is effectively immortal. But Frank Castle hangs with the best of them, perhaps due to his deal to whatever that was at the end of Born. Ennis might not have kept track of Frank's injuries but he so far he seems to have been smart enough to time them right. The arcs where he took the most damage, In The Beginning and Mother Russia, have the longest time skips to the next arc, at least six months each.
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Post by crazyoldhermit on Jan 10, 2015 14:08:19 GMT -5
The Punisher #37 (November 2006) "Man of Stone, Part 1" Artist: Leandro Fernandez Colorist: Dan Brown Summary: Rawlins, now sporting an eyepatch, meets wiith a Russian contact in a bar. He sees it's Zakharov and doesn't look pleased. Frank is hunting a crack kingpin named John James Toomey. He's been so cautious that the authorities brandned him an urban legend. There are no photographs, no evidence, nothing. Frank decided the only way to get to him was to lure him out, using himself as bait. A small time hood named Dingo brought him in. He saw Punisher climbing up the fire escape of his apartment building so he grabbed a frying pan and smacked him. In reality, Frank saw Dingo with his buddy's girlfriend and took some pictures. Dingo was willing to do anything to keep his friend from seeing the photos. The negatives are with a lawyer, if Frank dies they get mailed to Earl. They struck a deal. Toomey holds a gun to Frank's head. He doesn't pull the trigger though, he just smacks him. The Russians have a big contract on Frank and he wants to collect. Frank makes a mental note to investigate it as he pulls the razor out of the duct tape thats binding his hands. Freed, he grabs Toomey's gun and shoots everybody except Dingo. Toomey tells Frank he should have shot him when he had the chance. Yeah, he should have. Lights out Toomey. Dingo dances around kicking the corpses bragging about how he's going to be the new boss. Then he realizes Frank is still there and says he'll be leaving town and getting a job. Frank shoots him, just in case. Rawlins' meeting has not gone well. He's hanging naked upside down from the ceiling. Rawlins has information for sale. It's free now, just for Zakharov. He tells him that the silo incident at Suhdek two years back wasn't terrorists. Zakharov tells him it was Americans and tells his right-hand man, Dolnovich, to castrate him and dump him in the street. Rawlins says he set up the hijack and he gets cut down. Zakharov tells him Moscow wants to know, they are cowards who are terrified of the idea that Americans were involved in the attack. Zakharov pushed the issue and now runs a training camp. Rawlins tells him that the hijacking was just a diversion, the real mission was to steal the virus. Nick Fury set the silo mission up but didn't know abou the hijacking. The man on the ground was Frank Castle, the Punisher. Dolnovich knows him. The Generals who started the incident can't go after Castle because he has Rawlins' spilling his guts on tape. For that the Generals sacked him. This information is not enough to save Rawlins' life. Zakharov wants Castle. Dolnovich has two cousins in America. The Punisher has killed men for thirty years and nobody can stop him. They need to bait him. Rawlins knows someone who he will try to protect. He has a list of six names, sex ex-Taliban who O'Brien is currently trying to kill. In Afghanistan O'Brien holds one at gunpoint. She reminds him who she is, he tells her shes a whore and should be ashamed of herself. She tells him she already killed three of his buddies and kills him, leaving the crying 13-year-old on his bed. Three days and five men after the Toomey situation Frank meets with the man who set up the contract: Alex Rastovich, Leon's cousin. He meets him at Coney Island. Alex admits that he set up the hit but he has information to trade. His Russian contact told him to back off the Punisher and drop the contract. The contact, who is associated with Russian gangs and works with top level mercenaries, told him that the same source is looking for a woman in Afghanistan named O'Brien. He says they're quits now. Frank asks why, it was someone else who cancelled the hit on him. Alex looks back at the beach and sees kids playing. He asks how Frank can do this. On an Afghani street O'Brien is wearing a burka and closing in on her target. A white operative disarms her and theres a struggle. Another comes into help and they cuff her. They realize shes a Yank and know Yorkie isn't going to be very happy... Observations: This issue is full of twists. Rawlins is back! Zakharov is back! O'Brien is back! Yorkie is back! Even the Leon Rastovich plot from #13 is back! This is the beginning of the 7th arc out of 10. Ennis has laid his foundation and starting to pull things together. While The Slavers and Barracuda were standalone stories, this one promises to be a sequel to Mother Russia and Up Is Down Black Is White. The Generals dumped Rawlins and are scared to make a move on Frank (which is why the last two story arcs were standalone). O'Brien is finally seeking revenge on the Taliban who kept her as a sex slave. And Zakharov has been given a ridiculously pathetic assignment for someone of his rank and career. The best part might just be Frank wiping out Toomey. It was an incredibly risky move but it's always cool to see Frank come up with this stuff. Fernandez is back on art duties for the fourth and final time, inking himself once more, and it looks as great as ever. His Frank is looking meaner than before and he really gives him that cold hard stare better than anyone else on the book. A Timeline info: It's been two years since Mother Russia and Coney Island looks deserted. That sets it pretty firmly in late 2006, almost a year after Barracuda. Frank's kills: John James Toomey, his thugs (4), five unnamed Russian gangsters and Alex Rastovich, totalling 11. Frank's injuries: Pistol whip to the head
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Post by Deleted on Jan 10, 2015 14:35:41 GMT -5
Wow, these are great reviews coh. I see a front page feature in your future!
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Post by crazyoldhermit on Jan 10, 2015 14:58:39 GMT -5
The Punisher #38 (November 2006) "Man of Stone, Part 2" Artist: Leandro Fernandez Colorist: Dan Brown Summary: 26 phonecalls to military contacts and no leads on O'Brien. He still has a lot of friends in the forces and in the thirty years since Vietnam a lot of those friends have risen to high places. "Drag a gutshot man aboard a Huey and thirty years later he won't give a **** what names the media calls you." Frank remembers hearing about S.A.S. involvement in Afghanistan. A longshot but he calls Yorkie anyway and asks if the name O'Brien means anything to him. What a coincidence, Yorkie was just about to shoot her in the head. After the British soldiers subdued O'Brien two SUVs came rolling down the alleyway and opened fire. The S.A.S. soldiers shot back. O'Brien sees Rawlins in one of the SUVs and screams for a gun to shoot him. Dolnovich retreats. He tells Rawlins that eight of his best men were just killed and that the General would have his head. Zakharov looks over the city (which I assume is Kabul). He comments on all of their wasted hard work and tells Dolnovich and Rawlins that they failed. Dolnovich demands to know why Rawlins didn't tell them the ex-Taliban were under S.A.S. surveilance. Rawlins didn't know, but he suspects they're working with the Americans and they were assigned security detail once they started getting killed. Zakharov tells Rawlins to think quickly. Yorkie gets the word from Washington: O'Brien needs to be killed. This is a personal, no need for interrogation. Execute her immediately. Oh, and the Rawlins guy she was screaming about? If they ever run into him they're to obliterate him. The S.A.S. boys look a little down but Yorkie tells them O'Brien is one of them and knows the score. He takes her for a drive. Dolnovich is hanging Rawlins over a cliff when he gets his idea. He suggests using Zakharov to lure Castle to Afghanistan, since they can no longer use O'Brien. Kabul is packed with reporters, if Zakharov walks through a hotel lobby it'll be global news thanks to the atrocities he committed here in 1987. Castle is smart enough to put it together and come running. He's an American, Americans fight their wars in other countries. Dolnovich is worried about what Moscow will think but they have no one in Kabul to enforce their orders, Zakharov's men are loyal to him. And once they have Castle Moscow will bow to him. It is worth the risk. Dolnovich doubts it but Zakharov sets him straight: "U.S. forces launched a covert operation on Russian soil, killed dozens of our soldiers, stole our property and we allowed it. My mother and father fell at Stalingrad, your grandfather was a tank-rider when our army turned the Nazis back at Kursk. Did they spell their blood so our motherland could be ****ed and thrown away like a whore?" Yorkie asks O'Brien if she wants to say a prayer. Nope. He's seconds from shooting her when his phone rings. He starts yelling into his phone, saying they're quits and he's off his Christmas card list. He hangs up and tells O'Brien theres a change of plans: He'll drive her to Kabul, then give her the keys to the Land Rover, then bash himself over the head and they'll go their separate ways. She asks why, he asks if the name Frank Castle means anything to her. As they drive off he asks her why Americans like Benny Hill. Frank sees the footage of Zakharov in Kabul. It's not a trap, it's an invitation. Zakharov solved half the puzzle. Frank had wondered what hardass sent dozens of men to be killed by him in the silo. The other half was solved by Yorkie: Rawlins was there and had made a move at O'Brien. Rawlins had sold him out, Zakharov wanted him. As he packed he mused on what the British learned on the North-West frontier and what the Russians learned a century later: You go to war in Afghanistan and everybody dies. Observations: Lucky timing for O'Brien. Seconds from getting killed the plan changes and she gets the news that she's going to be reunited with her one-time lover. Of course, it's the Generals behind her execution. Who else would want O'Brien and Rawlins that dead without any interrogation? Since this is the sequel to Mother Russia it's nice to see thme have some sort of presence, even if this arc is about the Russian consequences of the operation. Zakharov's goals come into sharper focus: He wants to force Russia to recognize the American attack. He looks at the land where he committed mass murder and regrets the waste of time. He wants the Cold War back. He might be as devoted to that war as Frank is to his (In Mother Russia the parallel was drawn between Zakharov and Nick Fury. It's outside the realm of this thread but FuryMAX shows that the feeling is mutual between the three of them). Last arc he said he does not want nuclear war. Is it because he doesn't want to slaughter millions? No, it's because he doesn't want the war to end. After seeing Rawlins be such a snake in his last appearance it's amusing to see him suffer repeated mistreatment from Zakharov and Dolnovich. Dolnovich beats him up whenever he can and it's a lot of fun. B
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Post by crazyoldhermit on Jan 10, 2015 15:34:02 GMT -5
The Punisher #39 (December 2006) "Man of Stone, Part 3" Artist: Leandro Fernandez Colorist: Dan Brown Summary: Camped out in the mountains O'Brien asks Frank if he's cold. No. Lonely? No. Does he want to jump her bones anyway? Sure. He'd told himself it wasn't going to happen but that was yesterday. The flight into Kabul was packed with journalists. Masquerading as a contractor Frank feigns ignorance of Zakharov. One of the reports had written a book about him and offers to tell him a story. On their drive back O'Brien asks Yorkie if it bothers him looking after ex-Taliban. She offers to tell him about them but he refuses. He has to follow orders and that means protecting them. Can't let emotion get into it. Besides, later he could be told to kill them. She knows the way the world works. "Up is dow and black is white." Something Castle told her. Yorkie warns her not to think about a future with Frank. He won't grow old with anybody, he won't sit with you and hold your hand while you die. O'Brien asks if he thinks she came to Afghanistan looking for love, Yorkie wisely shuts up. At the city limits he stops, gives O'Brien a note for Castle and gets out of the rover. In a hanger Zakharov has gotten ahold of a gunship and a troop transport chopper. His contact asks him if it's really all for one man. Zakharov hopes it proves sufficient to the task. Rawlins requests to speak with Zakharov in private. He rattles off his credentials and asks Zakharov to hire him. Zakharov declines, he is not a gangster king (reference to his physical resemblance to The Kingpin?). Rawlins says that in these times it's wise to have operatives working off the books. Besides, when was the last time he reported to Moscow? The reporter tells Frank about Zakharov. There were seven villages in the mountains north of Kandahar. Mujahdeen fighters would rest there. They were very troublesome, intercepting Soviety supply lines and escaping into the mountains. They could hear the helicopters coming miles away. Zakharov counted on it. He rounded up everybody in the village, 107 people, and marched them off a cliff. A woman begged for her baby to be spared. Zakharov grabbed the baby and threw it off the cliff. The Mujahdeen opened fire from the mountains and got destroyed by the choppers. It was on that day Zakharov earned the nickname "Man of Stone." He did it to the next six villages and killed 760 innocent people. He said he did it for the Afghans. The sooner they recognized their country was Soviety territory and that resistence was futile the sooner they could live in peace. The reporter plans to gather evidence and have him indicted as a war criminal. Zakharov tells Rawlins that he will not hire him. Zakharov is a soldier but Rawlins is something else. It is in his nature to betray and then Zakharov would have to kill him and why create such trouble for him. If they get Castle alive Rawlins will leave with his life, that is his reward. Frank tells the reporter to get on a plane and leave Zakharov to the professionals but he didn't get the message. Frank picks up a tail at the airport and meets O'Brien at the Kabul Hilton bar. Back at base Yorkie walks past snickering soldiers. He reaches behind he back and finds a note taped to his back: "Wanker." O'Brien and Castle deserve each other. Sparing O'Brien was half of Yorkie's favor. The other half was access to a munitions depot. They load up on artillery and head out. Too risky to fight in Kabul, what with it being occupied by civilians and American forces, so they try for the mountains. As they climb O'Brien says it can get cold and lonely in the mountains... Observations: Zakharov's dirty history comes out. What a sick bastard. I don't know whats worse, his actions, his reason for doing them or the futility of the whole thing. Despite this, he recognizes a difference between him and Rawlins. Whatever Zakharov did, he did it in the name of war. Rawlins is a snake, a different breed of psycho that is not able to function like Zakharov and Frank. I wonder if his attempt to work for Zakharov is motivated by protection from the Generals. I also like that Zakharov is aware enough of Castle's abilities that when armed with two military helicopters he is unsure if it will be enough to do the job. The misguided reporter coming for him is even more troubling today than it was in 2006. Enough said. As for O'Brien, while she is warned by Yorkie not to get attached to Frank there is clearly a connection there. The difference is O'Brien welcomes it while Frank is hesitant to acknowledge it. We get a rare scene of Frank resisting but ultimately giving into his passion. Speaking of Yorkie, I'm wondering what happened that Frank owes him so big for. At the end of Kitchen Irish they acknowledged their situation hadn't changed. Maybe it'll show up in Ennis' upcoming "The Platoon" miniseries. For a middle chapter it's pretty good. Heavy on exposition but it reads well. B
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Post by crazyoldhermit on Jan 10, 2015 17:00:07 GMT -5
The Punisher #40 (January 2007) "Man of Stone, Part 4" Artist: Leandro Fernandez Colorist: Dan Brown Summary: Zakharov has the reporter in his hanger. He doesn't like his book. Dolnovich decapitates him with a large knife and tells Rawlins he's hoping that he'll do something stupid, wiping his blade of Rawlin's shirt as he says it. In the mountains Frank and O'Brien set up a dozen claymore mines while O'Brien tells Frank about Rawlins' history. His father was a field agent in Cairo. His mother was a local girl he ditched when he went back home to Texas. Half of Rawlins' contacts were inherited, including his friends in the heroin trade. 10 years prior, just after they'd married, Rawlins tooks O'Brien on a mission to retrieve a stinger missile the US government had decided to take from the Mujahs. It was a ruse: Rawlins had stolen a load of heroin. Their chopper took fire, Rawlins was told to dump the cargo or they wouldn't escape, Rawlins kicked O'Brien out of the chopper. She landed in a river and was captured. After she escaped she went looking for him but he was deep undercover and no one would cooperate. She went back to work and waited for her shot at him. O'Brien wonders why she went for Rawlins in the first place. Castle says she's into bad boys. She agrees. There had been nice guys but she felt guilty about bringing them into her life. She stuck with guys like Rawlins and Tommy. But she knows that it's pointless to go with a normal person, they couldn't understand what she and Castle go through. Frank stops her and tells her that they are here on business. He owed her a favor, now they're finishing off a mutual problem and nothing more. As he walks away O'Brien whispers that it might be close enough. Zakharov and his men are approaching the mountains by air. Zakharov knows that Castle allowed his men to tail him, to lure them into a trap he's undoubtedly set in the mountains. Dolnovich asks why they even need Castle when they have Rawlins. Zakharov says Rawlins is useless. He's the same sort of parasite that ran the K.G.B. His confession would be worthless, it would just turn up as a conspiracy theory. The Punisher is infamous and his confession would attact the public's attention and call for investigation of the Sudhek masscare. 49 bullet-riddled bodies explained as a helicopter crash (I'll have to revise my figure). Dolnovich asks why they keep Rawlins around if he is useless to them. Zakharov says that he knows Castle and O'Brien and may prove useful in that regard. At the base of the mountain Frank stands alone facing the helicopters. When the helicopters approach he runs for the hills. The troop transport touches down and deploys. Rawlins asks where O'Brien is. She fires a stinger missile from a handheld launcher and destroys the gunship. Frank opens fire on the distracted infantry. They retreat to the mountains and Frank detonates the claymores, killing all of them. Dolnovich had those men with him for two years in Chechnya and is furious with Rawlins. Zakharov doesn't care. He radios Frank. He tells him that nine slick south-west there is a village called Hazar, population 400. Sundown tomorrow Frank is to meet him there or the village will be burned off the face of the Earth. Frank looks up and sees the bomb under the chopper. Incinerates everything within 1000 yards. Stupid of him not to expect a backup plan. He knows Zakharov will do it. They need to come up with a plan. At sundown the next day he approaches Zakharov with his hands up. Observations: We get the full extent of O'Brien and Rawlins' history. The opium trade in Afghanistan is a very real thing. The country is the largest producer of opium in the world and the country is dependent on it. The Taliban outlawed opium cultivation in 2000 but in 2002 they were deposed and the ban was lifted. A popular conspiracy theory is that the CIA is using American forces to guard opium fields and smuggle it out of the country for profit. By having a CIA agent heavily involved in the Afghani heroin trade Ennis is certainly referencing this theory and it adds a nice wrinkle of realism to the story. O'Brien mentions Tommy Monaghan by name, confirming her to be Kathryn McAllister from Hitman. Frank's trap for Zakharov is a great one. It reads like a play on Zakharov's village scheme, with Frank as the Mujhad. Instead of fleeing at the sound of choppers Frank stays and fights. Instead of having the village killed Frank kills the gunship. And instead of the Muhjad being lured out of the mountains to the deaths Frank forces his enemy into the mountain to their death. But Frank made a mistake Zakharov didn't: He underestimated his opponent. Now Zakharov is holding a village hostage and Castle's whole plan is screwed. Dolnovich's hatred of Rawlins grows, even though this time Dolnovich is the one who screwed up by not confirming O'Brien's location. He's still a butt monkey but he's starting to weasel his way out of it. Overall theres a good balance of heart and action this issue. B Frank's kills: At least 4 soldiers by SAW, at least 16 by Claymore. Timeline information: O'Brien and Rawlins were married in 1996, which is when she was captured by the Taliban.
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Post by crazyoldhermit on Jan 10, 2015 17:28:42 GMT -5
The Punisher #41 (January 2007) "Man of Stone, Part 5" Artist: Leandro Fernandez Colorist: Dan Brown Summary: Rawlins is tasked with binding Frank's wrists with a zap strap. He sees a bandage and removes it. A cut from claymore shrapnel. He wants to hurry up and get out of there because as long as O'Brien is loose they're in terrible danger. As the chopper pulls away O'Brien leaps up from cover and hangs onto the landing gear. Onboard Rawlins holds a folding knife to Frank's eye and demands to know where O'Brien is. Dolnovich grabs him and throws him to the other side of the plane. Zakharov sits next to Frank. He comments that Afghanistan is an old country and Zakharov fought frustrating battle after frustrating battle but compared to Suhdek they were a string of victories. The effect range of a claymore mine is 100 yards. People who use them memorize that distance. If you get caught by your own mine you'd have to be an idiot. Frank uses his thumb to push a small razor out of his wound. He cuts the straps and goes for Dolnovich's rifle. Zakharov opens fire on him but only grazes his arm as he shoots the two pilots. Zakharov orders them to drop the bomb but the pilot can't, the shackles won't release. Outside O'Brien drops away from the chopper, leaving cut wires dangling from the fuselage. Frank opens the door and leaps out into the desert. Rawlins tackles Zakharov out after him and uses him to break his fall. Dolnovich follows. Frank yells at O'Brien to get down and jumps on her. The helicopter crashes into a mountain and the bomb detonates. O'Brien says she had no idea Frank cared, Frank tells her not to let it get to her head. Zakharov was paralyzed in the fall. Rawlins plans to leave him to bake in the desert sun. Dolnovich comes after him, knife drawn. Rawlins gets close and cuts his throat with the folding knife. Frank cracks O'Brien's broken fingers back into place. They start moving. O'Brien wonders what she'll do next. She's just about out of people she wants to kill and doesn't know what she'll do with herself after. Frank tells it her it will have nothing to do with him. At that moment O'Brien steps on a mine. Not good. Frank tells her theres nothing he can do for her. She says theres two things he can do. One is Rawlins. Rawlins is going through Dolnovich's wallet. There is a photo of his wife and son. Rawlins tells the still living Captain that when he gets out of here he's going to rape and murder his son. Elsewhere in the desert O'Brien dies in Frank's arms. He doesn't look happy about it. Observations: O'Brien is gone. That was foreshadowed by Yorkie's comment about Frank not holding her hand when she dies. Turns out he did. Poor O'Brien. Frank was just starting to open up about his feelings a tiny bit and she got herself blown up. Frank says she can have nothing to do with him but I suspect that with O'Brien being a fugitive and as badass as she is she could have partnered up with Frank. So I don't think it was a "My enemies will use you to get to me" thing like has been done in superhero comics. I think Frank wants no opportunities in his life for love or other positive emotions because they could make him face the fact that he has condemned himself. But if there was anyone who could have played ball it would have been O'Brien. She has been a great charracter, which makes me wonder who owns her. O'Brien was created at DC but really came into her own at Marvel. It would be interesting to see how WB and Disney handle that one. Frank's plan aboard the chopper is the same as his plan for dealing with Toomey, just messier. That was a nice setup. I like that the first face-to-face meeting between Zakharov and Frank is Zakharov expressing his admiration of Frank. The tables have completely turned. Zakharov and Dolnovich are screwed. Both screwed up by not killing Rawlins when they had the chance. Zakharov knew Rawlins would betray him and did nothing to prevent it. Now Rawlins is the #1 scuzzbag. This one carries the most emotional punch yet. And how awesome is that cover? A Frank's kills: Two pilots. Frank's injuries: Self-induced cut wrist
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Post by crazyoldhermit on Jan 10, 2015 17:58:10 GMT -5
The Punisher #42 (February 2007) "Man of Stone, Part 6" Artist: Leandro Fernandez Colorist: Dan Brown Summary: Dawn. A shadow crosses Dolnovich and Zakharov. Zakharov tells Dolnovich not to fear, for it is only Death come to take them. Zakharov tells Frank that Rawlins took Dolnovich's papers (Dolly has finally bled out). Theres a flight for Moscow leaving in a week. Castle must kill him. They are soldiers, Rawlins is a parasite. The world is awful and Rawlins would have it this way forever. He says he always thought Americans were soft but sees it differently now: When you have something to lose you have further to fall. Frank slams a boulder on Zakharov's head to put him out of his misery. Four days of hiking over a desert made of bones to get back to civilization. He finds Yorkie's men and gets himself captured. Yorkie has been fired due to his screw up with O'Brien. Frank apologizes and offers him credit on Rawlins' eventually death but Yorkie declines. He's tired of war and tired of sending young men to their deaths. As a final favor he gives Frank a file on the last two ex-Taliban O'Brien was after. He also gave their security details the night off. Frank thanks him. Yorkie says that there have been times where he let slip his acquaintenceship with Frank. They ask why he's the way he is and Yorkie says theres no explanation. Yorkie says that he can't bring himself to do to himself what Frank has done. He says he was in Afghanistan on 9/11. The soldiers were very happy about it because it meant they would have something to kill. Five years on the war suits a lot of people down to the ground. There was a time where Yorkie would have been one of them, now all he sees are dead civilians covered in dust. Yorkie asks why the British army is in the country. Frank tells him to take care of himself and leaves. Frank assassinates the two ex-Taliban. Calling them a rapist is like getting mad at a bad dog when it bites your hand. They're raised to believe it's OK. You still put the dog down but the one you're after is the one who let them loose to begin with. O'Brien asked two things of Frank: To be with her when she dies and to kill Rawlins. He follows Rawlins into an airport bathroom and locks the door behind him. Rawlins tries his trick with the folding knife but Frank has Dolnovich's machete and lops his hand clean off. Rawlins begs to talk to O'Brien and explain things to her. Frank says she's dead. She died right when he was starting to like her. Rawlins cowers in a pool of his own blood on the men's room floor. Observations: Zakharov's dead. He deserved it. Dolnovich's dead. I don't think he deserved it. The ex-Taliban are dead. They definitely deserved it. And now Rawlin's is going to die a very messy death. Boy is that sweet. It's twisted that the only way Frank can express his feelings for O'Brien (whatever they may be) is by killing people but it's tender in its own grisly way. Zakharov's comments ring with irony and the same lack of self-awareness Frank briefly demonstrated in The Slavers. He and Frank both want the world to remain a bad place because as soldiers their entire lives revolve around war. And as O'Brien started to discover last issue, once you have no more war to fight what do you do with yourself? The parting between the two characters is interesting. Zakharov speaks to Frank as an equal while Frank blesses him by sparing him a slow and painful death. Even though Zakharov massacred hundreds of innocent people, on some level deep within himself Frank is OK with it because he understands what drives it. Yorkie also understands it but he cannot lower himself to that level and he no longer wants to be a part of it. His story of his troops silently celebrating 9/11 is sickening but it makes sense in this world Ennis has constructed. These people join the military so they can kill things and they don't care where those things come from. As Yorkie said, you don't join the mob to earn college money. It's been a very dark arc that casts a critical eye on the War on Terror. I haven't gone into a lot of it because it's represent less in the actions of the characters and more in the tone, the smaller details in the dialog and setting and in the theme. People go to Afghanistan to kill things, including themselves. A rating for the issue and the arc. Frank's kills: Zakharov, two ex-Taliban and Rawlins. Frank's tally for the arc: 37 Next: Frank faces the woman O'Brien could have been as he deals with the consequences of his actions.
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Post by crazyoldhermit on Jan 12, 2015 19:27:29 GMT -5
The Punisher #43 (March 2007) "Widowmaker, Part 1" Penciller: Lan Medina Inker: Bill Reinhold Colorist: Raol Trevino Summary: Frank Castle walks away from his latest victim, shot cleanly through the forehead. He just made him confess to distributing child pornography and name the people who produced it. He didn't hang his guts from his tree, smash his face against a window or light him on fire. But he remembers doing those things and can't stop thinking of how easy it had been. Outside of a very large mansion a woman named Barbi is blowing a cabbie as fare. She doesn't need to but it's an old habit. Inside the house are Annabella, Bonnie, Lorraine and Shauna, a black girl. Annabella, the oldest, says they're their because they have one thing in common: The Punisher killed their husbands and nobody is doing anything about it. Barbi asks why Shauna is there. Barbi thinks their business is family business and Shauna has no reason to be there. Shauna pops a razor blade out of her mouth, holds it between her teeth and cuts Barbi's necklace off. Shes there because they need someone like her and her husband was John James Toomey. Annabella has been friends with her for years and Shauna has done favors for her, including a very big favor involving someone whose name they're afraid to say. Annabella holds up a thick ream of paper. It's every bit of information on The Punisher they could find and they're going to use it to kill him. In a bar two guys are trying to talk their friend out of talking to a very attractive woman in a little black dress. Before he can even get two words out she asks him outright if he wants to have sex. He gets high fives as he leaves with her. At his place the guy enjoys what he gets but when he tries to touch her she freaks out, beats his face in and leaves. Shauna explains that she warned John James not to see The Punisher, even tried to tempt him away with sex, but he went and was never seen again. Lorraine saw her husband Paulie. He'd been at Joe Consiglio's card game and had been shot with a shotgun. His face was mutilated and his left hand was gone. He died soon after. Barbi's husband was Larry. Barbi was in Vegas when it happened. Larry, as we saw in "In The Beginning," teamed up with Nicky Cavella to take down the Punisher and failed miserably. Bonnie's husband Artie was burned alive with a flamethrower. She can't imagine how someone could do that. Annabella says she'd trade places with any of them. She's Don Cesare's granddaughter. That night she lost her grandfather, her father, her husband and two her sons, along with a plethora of brothers and cousins. Bonnie asks why they don't go to the cops but it would be pointless. The cops love in and they'd never help mobster wives. They also can't go to the mob for help, they're useless and because they're all widows they've been locked out of the organization. They need to do it themselves. In her apartment the woman is naked and is removing copious amounts of foundation. She tapes pictures of the five widows to her mirror. We see that her face is heavily scarred and she has no breasts, having had a double masectomy. Observations: The Revenge of Carmilla Soprano. Well, at least with Bonnie since her dialog is written in that awful Jersey squawk. The decimation of the Cesares happened 42 issues prior so that is a pretty big call back but as this is the third-to-last arc Ennis seems to be wrapping up that plotline for good. Frank only makes a very brief appearance but hes unusually introspective. He's always known that his actions in The Slavers were extreme but here he's actually starting to appreciate what that means. Is he having second thoughts on being The Tyger? We saw the death of Annabella's relatives (#1), Larry (#6) and John Janes Toomey (#37) but Paulie and Artie remain unseen to my knowledge. I thought Artie might have been one of the people Frank flamethrowered (flamethrew?) in "Welcome Back Frank" but the names don't match. The idea that Frank has been affecting lives in the addition to the ones he ends has always been there (again, seen in #1 where a woman is holding her child and begging the men not to run out into the line of fire - a moment that gives me chills just thinking about it) but here we really see it. These women loved their husbands and are devastated by what Frank has done to their lives. Then you have the third player in this arc, the mysterious woman who is obviously who the five women were hesitant to speak of. Her physical and mental condition, as well as her vendetta, make it clear that something awful has happened there. Lan Medina is a good artist but his work feels very undistinguished here. Technically sound, but it doesn't have the gritty realism of Fendandez, the wild cartoonyness of Parlov, or the detailed energy of Larosa and Braithwaite. Solid stuff but it doesn't really say anything other than the literal. Overall it's a B. Not much happens other than establishing character but this is a seven part story so theres plenty of room for more. Frank's kills: The child porn trafficker. Timeline: The Slavers happened last year, placing this story in late 2006.
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Post by crazyoldhermit on Jan 12, 2015 20:11:47 GMT -5
The Punisher #44 (April 2007) "Widowmaker, Part 2" Penciller: Lan Medina Inker: Bill Reinhold Colorist: Raol Trevino Summary: On the front steps of a suburban home Frank tells Ann Larsen that he knows she and her husband has been making porn with her children. He wants it to be easy for them. He tells her to invite him in. Carl, the father, tells Frank he needs a warrant but Frank says he has everything he needs. John Richey told him that they shoot the films in the basement, which is where they keep the master copies. He tells him to call their kids down, social services will pick them up. It's the only good thing they'll ever do for them. Frank walks the parents into the basmeent. Carl tries to explain but Frank tells him to shut up. The basement is set up with a bed and a camera on a tripod. Carl says he wants a lawyer but Frank says they're not under arrest. He unbuttons his coat and draws a silenced pistol. They realize who has them but it's too late. Ann is shot through the forehead, the back of her skull blowing out. Frank tells Carl to be quiet so he doesn't alert the children. Carl is shot right through the mouth. Detective Budiansky is with a therapist. He had responded to a call about a school shooting. The cops were told to stay outside, the school had been sealed and was waiting for tactical. They could hear gunshots and screams. There were two did kids on the front steps. Budiansky ignored orders and went in. As he came up to the gym he heard giggling. A boy with a pistol and a submachine gun was standing amongst bodies and hostages. Budiansky opened fire and killed him. His therapist asks how he felt to shoot a child but Budiansky feels no guilt, as the boy grew up the instant he started shooting. The therapist questions why he went in along. He maintains to that therapist that he's not a rogue cop and isn't trying to live an action movie fantasy. She tells him that he judged himself the only one capable of handling the situation, that his judgment superceded protocol and determined a child should be killed. Budiansky maintains that he acted only because no one else could. He starts to push back against the therapist. He's a detective, he knows when he's under attack and knows that she's being passive aggressive. She asks why he came to her, he says he was ordered to. His captain is angry that he disobeyed orders but because he saved kids he can't really hurt him. He blocked the commendation and banned him from the press but Budiansky doesn't care so he got assigned mandatory trauma therapy. Budiansky denies that he is traumatized. What he saw troubles him but he can handle it himself. He rejects the logic that experiencing something traumatizing automatically makes one traumatized and suggests that telling people that prevents them from dealing with their problems. He accuses her of only collecting stories for her next book. He found the last one to be spurious. And based on the look on her face she didn't expect him to know the word, revealing herself to be a racist (Budiansky is black). The widows are looking through Frank's file. Lorraine wonders why people don't shoot him when he's at their mercy. Shauna interprets it as an insult to her husband. Their argument is interrupted by Annabella calling out Barbi for not reading the documents. Turns out shes illiterate, or at least heavily dyslexic. Being useless on the research front, Shauna suggests Barbi go sleep with an arms dealer she knows. A man comes up to the scarred woman and asks her if shes Jenny Cesare. They went to high school together. Jenny tells him that shes not who he thinks she is and that for his own safety he should stay the hell away from her. Budiansky is in the bath having a beer. His wife is furious about how he's being treated, it bothers her more than it does him. He says she just feels helpless. He says that last night The Punisher took down a child poorn ring. He says the killing at the school was so easy to him and wonders how far from the Punisher he really is. His wife tells him thats nonsense and pulls him out of the tub. The widows have found a lead on The Punisher. They've found The Slavers in his file. The signs are pretty clear: A damsel in distress will make him stop thinking clearly. Barbi doesn't understand how Frank could be a knight-in-shining-armor when he beat a woman against a window for a half hour but Annabella says she wouldn't have stopped at an hour given the chance. They decide to set a trap and use Bonnie as their bait. At the next table over Jenny listens to the whole conversation. Observations: Now we've got a fourth player. Detective Budiansky maintains he isn't a rogue movie cop but his behaviour is pretty straight Dirty Harry: Find a situation where people are told to hold back at the expense of lives, break protocol to go in, shoot the bastard (thats my policy) and feel zero guilt. Of course, his therapist thinks he's crazy for that last bit. She can't understand how someone could shoot a kid and not care. I think the answer is pretty clear: It's hard to feel any pity for someone as evil as a school shooter (eerily, this issue is cover dated April 2007, the month of the deadlist school shooting by a single gunman in the U.S.). It's also difficult to feel any pity for the sick monsters who rape their three children. Last issue Frank chose not to torture the distributor and here he chooses not to torture the producers but a part of him definitely wants to. If Budiansky is feeling too close to the Punisher for not feeling guilty over a shooting, he can rest assured that Frank is maintaining the gap by slipping further down the rabbit hole. He feels himself becoming a sadist. The humanization of criminals continues. The child pornographers aren't Eastern European gangsters, they're a suburban family. The widows are vengeful but they have their limits, being just as disgusted by the slavers as Frank was. The murderer at the high school is just a kid. And the poor raped children, Frank knows that their traumatization will do damage and send them into crime. But the scary part is Frank won't let that knowledge stop him. The reason for bad behaviour doesn't matter to him. He pities the children now but if he's around when they start to turn bad he will kill them. His rage against God might not just be anger at Him allowing it (going back to his childhood refusal to acknowledge a common origin of good and evil) but for setting the children on a path that will lead them into Frank's crosshairs. It's a theological version of "Why do you make me hit you?" In other matters, the identity of the woman is confirmed. She's Jenny Cesare, meaning she is related to Annabella and that relation has to tie into her vendetta. She is aware of her own violence, aware enough to warn an old friend away from her before he gets himself beat up mid-coitus. BFrank's kills: Ann and Carl Timeline: The cover for this issue features Frank's wanted poster. His DOB is blacked out but the promotional art gave his birth date as February 16, 1950. Even though it's blacked out in print I'm going to assume this is canon, as his birth year had previously been established as 1950.
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shaxper
CCF Site Custodian
Posts: 22,867
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Post by shaxper on Jan 12, 2015 20:31:13 GMT -5
Amusing to imagine Frank Castle now, at age 64, still running up the death toll each month while sustaining injuries that would be mortal to most men. Actually, now that I think about it, an "Old Man Frank" story would be a great idea for sometime to try.
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Post by crazyoldhermit on Jan 12, 2015 21:00:36 GMT -5
The Punisher #45 (May 2007) "Widowmaker, Part 3" Penciller: Lan Medina Inker: Bill Reinhold Colorist: Raol Trevino Summary: This issue flashes back and forth in time. I'm summarizing in chronological order. Jenny is parked outside Annabella's mansion (which I guess is the Cesare compound or what?) listening to the conversation via a bug under the coffee table. The widows are trying to figure out of the logistics of their plan. The need to find a target Frank will hit, figure out how to get Bonnie in there without being seen and keep her from getting hurt in the shoot out. Barbi offers to have sex with Tony Pizzo. He's had a crush on Barbi for years and he's running his own crew now. Shauna is starting to see the advantage of having a full-blown hussy around. Sometime later Barbi is in bed with Tony. She starts kissing his butt (figuratively!) and tricks him into opening up about his business. He says all the bosses went down when Punisher hit the Cesares and the last three guys who tried to take the crown got blown away. Every time they put a guy up as boss they need more guys around for protection and the whole thing gets wasted. The East Coast guys are mostly dead so they have to import new muscle and they don't cooperate, which leads to the Punisher hearing about it and blowing the whole thing up again. But now they have a new plan. He swears Barbi to secrecy and tells her they're bringing in Pat Migliorato, the boss of Reno. Day after tomorrow they're going to pick him up from Newark and drive him into the woods to talk where the Punisher won't find them. Some of the guys in his crew are imported jerks but he doesn't have a choice but to rely on them. Two days later Barbi meets Tony outside a restaurant. His guys are inside eating, getting ready to go pick up Pat in 20 minutes. Barbi leads Tony into an alley and distracts him with some services. Lorraine and Annabella keep an eye on them while Shauna stuff Bonnie in the trunk of a car with some bulletproof vests and a tire iron to open the lid with. That night Tony, Pat and the boys are driving through the woods. They've got four cars plus a van with Migliorato. They hit a fallen tree and the rear car gets nailed with a rocket. Trapped, the wiseguys get out to face The Punisher. Frank detonates the mind he put under the snow and blows two more cars up. Frank moves in to clean up the rest. Frank shoots a couple and moves behind a burning car. While the mobsters shoot where they think he is he sneaks around behind them and blows them away. The straglers bunch together and get hit with a grenade courtesy of the grenade launch slung under Castle's rifle. Bonnie gets out of the car. She tells Frank (who gives her his coat, what a gentleman) that she was Migliorato's entertainment but was treated like luggage. She says theres a house run by a Romanian. Some of the girls are hookers, others are imported slaves. Frank asks her where the house is. It's in the Bronx. He tells her to stay put and wait for the cops. She wants to see the slavers get whats coming but Frank says she won't see it either way and tells her to come if shes coming.His car is a mile away through the woods. She asks if he'll just spray the house with gunfire but he's not doing anything until he sees it. Shes worried but he tells her to calm down, nobody dies that doesn't deserve to. The house is backed by an open field. Frank asks why they leave it unguarded, the cops could just waltz in. She says they're paid up and the guards spend most of their time sleeping. Theres no better time to hit it than right now. In the house the other widows can't believe Bonnie tricked Frank. They're all armed and Shauna takes aim. Observations: After a longer-than-normal buildup the story gets going. Officer Budiansky is completely absent and Jenny Cesare is only in two panels shadowing the widows. The focus of the story is on the Punisher's destruction of Tony Pizzo's crew and the widows setting up that betrayal. However, Frank isn't a narrator here. The story still takes a fairly objective viewpoint, focusing as much on the widow's action as it does on Frank's. Barbi is showing some hidden depths. While Bonnie was devoted to her fatso husband and Barbi is the trampiest character since Mary Jane Watson, Barbi is a crafty character while Bonnie is a ditz thats useless as anything other than bait, the opposite of the usual portrayal of these archetypes. Shauna is the first to admit Barbi is useful, even though there have been racial tensions between the two characters. Why is Ennis doing this? These characters are obviously doomed (by this point it should be obvious that the villains in a Punisher MAX story die, the only question is when and what heroic characters go with them). It's actually kind of amusing, theres a little soap opera going on with these girls while they're planning the murder of our lead character. The issue draws a lot of its interest from its structure, which quickly cuts back and forth between the widows' planning and the Punisher's execution of that plan. If it weren't for that the issue would be good but kind of unbalanced. Ennis has used a lot of cutting before but here it's through almost the entire issue. It reads really well. Punisher's trap for Rizzo is really cool, but it also has a problem: Frank didn't know that there would be an innocent (as far as he knows) girl in one of the vehicles. She could have easily been killed and that would have thrown his entire world into disorder. A slightly sloppy move from an otherwise studious character. BPS: That cover is one of my favorites. Frank's kills: Tony Rizzo's crew including Pat Migliorato. The five vehicles have five passengers each for 25 deaths.
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Post by crazyoldhermit on Jan 12, 2015 21:18:33 GMT -5
Amusing to imagine Frank Castle now, at age 64, still running up the death toll each month while sustaining injuries that would be mortal to most men. Actually, now that I think about it, an "Old Man Frank" story would be a great idea for sometime to try. Thats sort of what Jason Aaron's run was about. He bumped Frank's birth year up to 1947 and the series was set in 2012 so he was 65 years old and starting to feel it, physicall and mentally (still hadn't faced the music and given up the "Just For Men" though).
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shaxper
CCF Site Custodian
Posts: 22,867
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Post by shaxper on Jan 12, 2015 21:31:14 GMT -5
Amusing to imagine Frank Castle now, at age 64, still running up the death toll each month while sustaining injuries that would be mortal to most men. Actually, now that I think about it, an "Old Man Frank" story would be a great idea for sometime to try. Thats sort of what Jason Aaron's run was about. He bumped Frank's birth year up to 1947 and the series was set in 2012 so he was 65 years old and starting to feel it, physicall and mentally (still hadn't faced the music and given up the "Just For Men" though). Intriguing. Is that part of this run?
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Post by crazyoldhermit on Jan 12, 2015 21:40:46 GMT -5
Thats sort of what Jason Aaron's run was about. He bumped Frank's birth year up to 1947 and the series was set in 2012 so he was 65 years old and starting to feel it, physicall and mentally (still hadn't faced the music and given up the "Just For Men" though). Intriguing. Is that part of this run? It's not. Ennis left this series after the 60th issue and it carried on until #75 (I haven't read the last 15 issues but I heard the drop off in quality was astronomical). The title was relaunched as PunisherMAX and ran 22 issues. It's a pretty good story, focusing on Frank fighting MAX versions of Kingpin and Bullseye. Aaron is a decent substitute for Ennis and Steve Dillon is on art, tying it back to the Marvel Knights days. Tonally it's a blend of the comedy of MK with the drama of MAX, with a lot of crude humor but with a big focus on Frank as a human being rather than as a killing machine. It's basically a 600 page novel about Frank Castle getting old, whereas this story is a 1500 page epic (soon to be more when Ennis' "The Platoon" miniseries comes out) about the darkest depths of humanity. Marvel just released Aaron's run as a grossly overpriced omnibus that I'm waiting to go on clearance before buying.
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