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Post by Deleted on Apr 26, 2019 7:38:37 GMT -5
There is an article somewhere...it be in the Focus on George Perez book that was out in the 80s...it seems like Swan was trying to emulate Perez to remain continuity in the book's look, if I am remembering correctly. I think Perez said something along the lines of he was expecting to see classic Swan art and was totally humbled that Mr. Swan chose to try to alter his style to look more like Perez.
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Post by Icctrombone on Apr 26, 2019 7:46:06 GMT -5
I would love to see someone post the panels that emulate Perez’ style. I thought it looked like Swan all the way. Having Taghal ink it kept the look , I thought.
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shaxper
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Post by shaxper on Apr 26, 2019 8:18:18 GMT -5
I would love to see someone post the panels that emulate Perez’ style. I thought it looked like Swan all the way. Having Taghal ink it kept the look , I thought. I really only see it on the first two pages: Some of the faces are dead giveaways, but the arrangements, and even the tone of the bodies, feels very Perez. After that, much of the book looks typical Swan to me.
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Post by String on Apr 26, 2019 14:29:01 GMT -5
I see no problem with that splash. While I enjoyed Swan's art here, I do have one small problem with this splash page. Look at Trigon's waist. His crotch appears to be leering/sneering at his own daughter. I don't know whether to laugh at or be creeped out over that. I mostly agree with your sentiments here shax. This is the big reveal, the big moment of Trigon's arrival even if it did occur earlier than Raven expected it to. The battle scenes felt weak, I get no sense of IMMINENT danger or power from Trigon and like you said, the Titans keep surviving. However I could understand the reasoning that they haven't had enough quality time together to train as a team (yet they've apparently done so to some extent as when Robin orders Cyborg to take up 'Position Six' in their first encounter). Two things stand out to me though from those battles: first, Kory hints that something may be up with her starfire bolts. Yes, she's fighting an extradimensional demon so maybe those bolts won't be as normally effective but she's concerned over previous lapses in their effectiveness from earlier issues as well. Second, it's becoming rather apparent that Wolfman doesn't know how to use speedsters effectively. For the most part, all Wally does in this issue is race/spin around Trigon. What exactly is that supposed to do? Throw Trigon off balance somehow? Then, there's a panel when they are facing off against Goronn where Wally just stands there and does *something* that makes Goronn shake. I can't tell what he's doing to him. As for the JLA, for me, I would've liked some vindication moment here for Raven. We're told repeatedly that she approached the League first and was then rebuffed by Zatanna's feelings of great evil within Raven. Now, oh look, there's a giant four-eyed horned demon laying waste to NYC. Hm, seems like Raven was right after all Zatanna. The JLA looked weak last issue and they come off looking worse here (especially since they did not show up to fight Trigon, any member of their roster that is) Part of the muddling aspect to this story arc for me is Azarath and it's disciplines. Apparently they have the power to destroy Trigon but are afraid and/or unwilling to use it. If they are pacifists at heart then why have this power at all? I kinda see Robin's point about peace being a constant struggle to attain and maintain but their sentiments here seem to suggest that even if Trigon manages to destroy/subvert everything, even if he's in charge, then there's some form of peace at play here even if it's based on evil. Raven seems to butting her head against a brick wall in trying to change their minds to no avail and after about 20 some pages of such various effort, it gets a little annoying and frustrating to me. Move on Raven and help the team you formed fight your father. Swan's depictions of emotions was great here especially with Raven and Wally. The last few pages of Raven offering the deal of going with Trigon and their leaving was really dramatic and impactful, probably the best bits of the whole issue for me. (Though I missed Kory's usual flowing hair when she flies). Lastly, it never occurred to me to note any possible parallels between Raven's manipulation of Wally and Carol's manipulation at the hands of Marcus. Interesting despite the differing circumstances and level of manipulation. I will say though that while Claremont may have offered up a proper rebuke of that instance later in Avengers Annual #10, in the very same issue, he had Rogue psychically rape Carol, an emotional and mental dangling plotline that he let linger on for 9 years afterward. That's the pot calling the kettle black for sure.
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Post by wildfire2099 on Apr 30, 2019 0:20:13 GMT -5
It's funny how I have such vivid recollections of the first couple issues, but none of this one... I think I skipped right to the other time they fought Trigon when the new book came out in my head... after this my mind goes straight to the Tamaran arc.
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Post by Icctrombone on Apr 30, 2019 5:55:26 GMT -5
I think when the issues came out, I started with #6, and bought the easier issues after that. I remember buying # 1 and 2 for more than cover price.
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Post by zaku on Apr 30, 2019 7:06:48 GMT -5
Who were New York based DC superheros at the time? I remember correctly that Wonder Woman lived there?
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shaxper
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Post by shaxper on Apr 30, 2019 7:08:38 GMT -5
It's funny how I have such vivid recollections of the first couple issues, but none of this one... I think I skipped right to the other time they fought Trigon when the new book came out in my head... after this my mind goes straight to the Tamaran arc. Like I said, I find the stretch beginning with this issue totally forgettable. Other than the day-off issue, the next one I recall at all is the one about what happened to the Doom Patrol. And that's a ways off.
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Post by dbutler69 on Apr 30, 2019 7:38:20 GMT -5
New Teen Titans #5 (March 1981) "Trigon Lives!" Script: Marv Wolfman Pencils: Curt Swan Inks: Romeo Tanghal Colors: Adrienne Roy Letters: Ben Oda One thing that really bugs me about this issue as that these Azaranthans apparently worship peace to the point that they'll let themselves be destroyed rather than commit violence by defending themselves, and yet they wanted to murder the infant Raven? That makes absolutely no sense. They won't kill Trigon, but they'll kill his infant daughter? Uh, OK.
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shaxper
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Post by shaxper on Apr 30, 2019 8:04:28 GMT -5
One thing that really bugs me about this issue as that these Azaranthans apparently worship peace to the point that they'll let themselves be destroyed rather than commit violence by defending themselves, and yet they wanted to murder the infant Raven? That makes absolutely no sense. They won't kill Trigon, but they'll kill his infant daughter? Uh, OK. That, and the aforementioned fact that they have, for some reason, mastered the most powerful magic in the entire universe -- the only magic capable of defeating Trigon. -- even though they have no intention of using it under even the most dire of circumstances. At this point, both Trigon and Azareth are such horribly ill-considered concepts, seeming to exist solely for the purpose of giving Raven an internal conflict.
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Post by codystarbuck on Apr 30, 2019 10:57:05 GMT -5
One thing that really bugs me about this issue as that these Azaranthans apparently worship peace to the point that they'll let themselves be destroyed rather than commit violence by defending themselves, and yet they wanted to murder the infant Raven? That makes absolutely no sense. They won't kill Trigon, but they'll kill his infant daughter? Uh, OK. That, and the aforementioned fact that they have, for some reason, mastered the most powerful magic in the entire universe -- the only magic capable of defeating Trigon. -- even though they have no intention of using it under even the most dire of circumstances. At this point, both Trigon and Azareth are such horribly ill-considered concepts, seeming to exist solely for the purpose of giving Raven an internal conflict. Well that's just it: I think Marv wanted a "daughter of the devil" hook; but, hadn't really plotted out how that would lead to the defeat of said "devil". I kind of get the impression he wasn't really thinking long term until he got to Blackfire and the Citadel coming for Starfire. That seems to be where we see more extended subplots that build to bigger stories and conclusions.
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shaxper
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Post by shaxper on Apr 30, 2019 12:08:10 GMT -5
That, and the aforementioned fact that they have, for some reason, mastered the most powerful magic in the entire universe -- the only magic capable of defeating Trigon. -- even though they have no intention of using it under even the most dire of circumstances. At this point, both Trigon and Azareth are such horribly ill-considered concepts, seeming to exist solely for the purpose of giving Raven an internal conflict. Well that's just it: I think Marv wanted a "daughter of the devil" hook; but, hadn't really plotted out how that would lead to the defeat of said "devil". I kind of get the impression he wasn't really thinking long term until he got to Blackfire and the Citadel coming for Starfire. That seems to be where we see more extended subplots that build to bigger stories and conclusions. My impression when I last read the series two decades back was that #38-50 are really the center of the entire series. All the good plots, story-arcs, and character-building happen there. While I've been surprised by how dense and satisfying the first two issues were, we seem to have dropped off a cliff already, and I'll be curious to see if my impression of when we get back on top of that cliff holds true.
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Post by dbutler69 on Apr 30, 2019 13:35:30 GMT -5
Well that's just it: I think Marv wanted a "daughter of the devil" hook; but, hadn't really plotted out how that would lead to the defeat of said "devil". I kind of get the impression he wasn't really thinking long term until he got to Blackfire and the Citadel coming for Starfire. That seems to be where we see more extended subplots that build to bigger stories and conclusions. My impression when I last read the series two decades back was that #38-50 are really the center of the entire series. All the good plots, story-arcs, and character-building happen there. While I've been surprised by how dense and satisfying the first two issues were, we seem to have dropped off a cliff already, and I'll be curious to see if my impression of when we get back on top of that cliff holds true. Off the top of my head, I remember enjoying "A Day in the Lives" (#8) an awful lot.
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shaxper
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Post by shaxper on Apr 30, 2019 14:34:43 GMT -5
My impression when I last read the series two decades back was that #38-50 are really the center of the entire series. All the good plots, story-arcs, and character-building happen there. While I've been surprised by how dense and satisfying the first two issues were, we seem to have dropped off a cliff already, and I'll be curious to see if my impression of when we get back on top of that cliff holds true. Off the top of my head, I remember enjoying "A Day in the Lives" (#8) an awful lot. I mentioned that one as having been memorable in my previous post. But was it important? Was the series building towards anything in that installment? It was an experiment in storytelling that helped to influence what came later, but it was (to the best of my memory) insignificant beyond that. Wolfman and Perez really didn't have a firm plan/vision/direction between issues #5 and #37, IMO. It was just another monthly superhero book, trying to offer a little more characterization along the way.
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Post by wildfire2099 on Apr 30, 2019 15:02:38 GMT -5
The two story lines I remember before Judas Contract were the Blackfire one and the Mentallo/Doom Patrol one. They fight Brother Blood in there too, but that wasn't all that exciting. (or maybe that was after?)
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