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Post by codystarbuck on Aug 22, 2019 15:22:42 GMT -5
I've been revisiting the Bond films, based on doing the Master of Kung Fu reviews. I've been watching them chronologically and enjoying the heck out of them, though I am up to the awful disco music of the Moore films of the late 70s and early 80s. This will explore each film, compare it to the source material, look at common themes and trivia, plus influence elsewhere. So, let's start of the beginning:
Climax, Featuring Casino Royale
Starring Barry nelson, Peter Lorre, and Linda Christian. Aired October 21, 1954.
This was the first Bond cinematic adaptation, though there had been a radio play adaptation, in South Africa. This was for the series Climax, a mystery teleplay series. These were presented in the style of a stage play, with limited sets and an emphasis on dialogue and drama. This was put out before the Bond film series and even before Flemings books were bestsellers, in the US.
Barry nelson is American "Cardsharp" Jimmy Bond, of Combined Intelligence, who has been tasked with breaking the bank of Le Chiffre, a money man for Russian agents. He is aided by british agent Felix Lighter and meets Valeria Mathis, a damsel in distress. Bond defeats Le Chiffre in a tense card game and cleans him out of funs. he is paid with a check, by the casino and hides it in the door plate of his room. he and Valerie are kidnapped by Le Chiffre to learn where the check is and Bond is tortured to that end.
Nelson isn't the most charismatic actor around and is more of a character performer. He doesn't really pull off the suave secret agent and never seems particularly deadly. Lorre is the menacing villain, a part he specialized in, though it never takes advantage of his ability to play comedy. The swap of Bond and Leiter is to make it more palatable to an American audience; but, the character is so thinly sketched it doesn't really matter. The card scenes are decent, if repetitive and the real meat is in the fallout of the game. The romance doesn't really work.
The basic plot is taken directly from the novel, aside from the nationailty switches, with the torture being downgraded for the standards of the medium. Since it is a studio production, the outdoor material is pretty much forgotten and everything is within the casino. As such, it focuses more on drama. It's not a bad teleplay; but, isn't worthy of things liek requiem for a Heavyweight or the ebst of The Twilight Zone.
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Post by codystarbuck on Aug 22, 2019 16:01:51 GMT -5
Dr NoStarring Sean Connery, Joseph Wiseman, ursula Andress and Jack Lord. Released in October, of 1962, the film set off the spy craze, in the 60s, launching film and television franchises. This is the first from Eon, the company formed by harry Salztman and Cubby Broccoli. Saltzman had purchased the rights to the novels and Broccoli was keen to adap them; but, Salztman wouldn't sell. So, they went into a joint venture to produce them. Director was Terrence Young, who had directed The red Beret, starring Alan Ladd, for broccoli's Warwick films. Young was an experienced director of hard-hitting action and was a sophisticated gentleman, who did much to influence the style of Bond, fom the clothing to the accessories. In Jamaica, the local agent has been murdered and Agent 007, james Bond, has been tasked to investigate his death. he learns that Strangways, the victim, had been investigating a private island, Crab Key. Several parties seem interested that Bond not poke into Crab Key. Attempts are made on his life from the moment he arrived in Jamaica, including one by poisonous spider. he eventually infiltrates the island and meets Honey Rider,a naive young woman who colelcts sea shells for sale in Miami. they are discovered by guards and captured and brought before Dr Julius No, a mixed race German-Chinese, who rose through the tongs to become a promimnant agent of SPECTRE, The Special Executive for Counter Espionage, Terror, Revenge and extortion. SPECTRE is being paid to sabotage the US space program, by causing launches to veer off course. bond must run a gauntlet of traps and stop Dr No and rescue Honey. The film is basically a mystery, with a greater percentage of action. It mostly follows the novel, though diverges, a bit, in the climax. In the film, Dr No has a nuclear reactor to power his jamming devices. He is killed in a fight over the cooling waters of the reactor. in the novel, he is buried under a mound of guano. Connery is a deadly, serious Bond, but shows expert timing in throwing of one liners, after killing people. he has a charisma that mesmerizes and makes Bond work. The style and sophistication is all Terrance Young, as he took Connery to his own tailors to be outfitted and schooled him in the ways of elegant society. Jack Lord, pre-Hawaii 5-), is Leiter, Bond's sidekick, from the CIA. He is played as Kenedy 60s cool and is one of the more significant Leiters of the series. Andress is sexy, though her Austrian accent is dubbed. Joseph Wiseman, an American Jew, plays the mixed race Dr No, under yellow face, though far less of a caricature than Boris Karloff or Christopher Lee, as Fu Manchu (which is from where Dr No as inspired). The biggest change from book to film is making DR No an agent of SPECTRE, rather than the Russians. In the early Bond novels, the villains are SMERSH an acronym formed by Smert Shpionam, or Death to Spies. This introduces the concept of the criminal organization of SPECTRE, originally created for an aborted Bond film and then used in the novel Thunderball. SPECTRE will be the template for every evil terror and criminal organization in spy fi properties, from THRUSH, to Big O, to GALAXY, KAOS, and Marvel's HYDRA. The film establishes the trope of Bond introducing himself as "Bond, James Bond," when he is first seen in the casino, playing cards against Sylvia Trench. We get Bond's favorite drink (vodka martini, shaken, not stirred), the introduction of the Walther PPK pistol, the briefing by M, the flirtation with Moneypenny, and the climactic, explosive third acts. It also establishes Sylvia Trench as a recurring love interest, whose time with Bond is interrupted by missions. This will only carry over into the next film, before being abandoned. The armorer, Maj Boothroyd, is the template for Q, who did not exist in the novels (only Q Branch). Boothroyd is the name of the character in Dr No who issues Bond with his Walther, after using a .25 Beretta, in previous adventures. the real Geoffrey Boothroyd, an armaments expert, wrote a letter to Fleming about Bond's use of the Beretta, criticizing it as "Lady's gun," with no stopping power. he made several suggestions, including the Smith & Wesson centennial Airweight revolver... which had no hammer, to catch on clothing. It fired a .38 caliber round, as used by police. He suggested carrying it in a berns and Martin triple Draw Holster, which suspends the weapon, upside dwon, in stiff leather. The Walther PPK, a .32 caliber was also suggested (used by plainclothesed police, in Germany). Fleming liked the sound of Walther PPK and chose it, but used th berns and Martin holster, despite it being specifically made for revolvers! A Walther would fall out! he then mistakenly gave Bond the Smith & Wesson for long range work (a .38 is a short range caliber), rather than the .357 magnum or .45 cal that Boothroyd suggested. Fleming thanked Boothroyd by putting him in the book as the MI-6 armorer. The dialogue in the film is mostly taken from the book. Other than that, gadgetry is kept at a minimum, with regular geiger counters being used, and a swamp buggy, disguised as a dragon (rather badly), with a flame thrower, to scare off tresspassers. The film was a huge hit and launched the franchise, which continues to today. It has the best mystery of any Bond plot and was one of the best original novels, for my money. Infact, it was a sort of revival. Fleming was discouraged by sales of the series and essentially killed off Bond at the end of from Russia With Love, when he is injected with poison, by Rosa Klebb. However, Pres. Kennedy listed it as one of his ten favorite titles and sales took off, in America. Fleming then wrote DR No, having Bond saved by Felix Leiter and returning from convalescence, to receive his mission, which was seen as a light case. The film was shot in Jamaica and Pinewood studios and takes great advantage of the Jamaican scenery, which was a favorite of Fleming's novels. Fleming maintained a house on Jamaica, Goldeneye, where he did his writing, smoking and boozing. The Bond novels were noted for their passages, describing exotic locales (along with Bonds clothes and food), with Fleming's journalistic eye for detail. Thefilms, starting with this, do the same, by taking us from airports into the surroundings of the exotic location for Bond's missions. Connery also establishes Bond as a deadly man and one not afraid to slap a woman around, as we see a couple of females get arms twisted and slapped. And yet, Bond was the hero! he is cold and calculating, yet with a sexual magnetism that comes across as believable. Connery moved like a jungle cat and could just give a look that said he could beat the crap out of 90% of the room, something co-stars have noted when going to bars with him. Connery came from a hard background, in Edinburgh, Scotland, where he had done manual labor,before getting bigger acting roles. He was not a man to challenge and it came through in his Bond.
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Post by Deleted on Aug 22, 2019 17:14:42 GMT -5
This film (Dr. No) is really has a nice pace to it and I was impressed by performance of Sean Connery that really set the tone for this movie. Andress the bikini babe gave the movie an added twist and the 2nd Bond Girl as well; she did an impressive job and I was surprised how well she worked with Connery. Eunice Gayson the first Bond Girl at the Casino wore a fabulous red gown that set the tone for all Bond girls to follow. I was impressed by her mannerisms, her charm, sex appeal, and gave 007 something to grab onto. The Dragon Scene is unforgettable and adds suspense and style to the movie and Dr. (Joseph Wiseman) No is uncanny and mysterious as Chinese-German criminal scientist that really set the movie and his first scene was magnificent. The tarantula scene gave chills and still does. I have seen this movie about 15-20 times and it's a treat to see it again.
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Post by codystarbuck on Aug 22, 2019 18:21:25 GMT -5
I'd agree about the tarantula, until you get a reflection off the plexiglas and can see it isn't moving across Connery's body. Then, the illusion is shattered. In the book, it was a venomous centipede and the book makes it way creepier.
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Post by codystarbuck on Aug 22, 2019 22:02:31 GMT -5
From Russia With LoveStarring Sean Connery, Robert Shaw, Pedro Armendariz, Daniela Bianchi, and Lotte Lenya. Released in October 1963. This was the novel that made Bond a hit in the US, after John F Kennedy listed it as one of his top ten favorite books. In the novel, Fleming has Bond wounded with a poison blade and fading away, intending to kill him off, because the books hadn't done that well, until the Kennedy article. Sales took off and he revived him, in Dr No. Here, Eon reversed the order and really went to the source material for the film script. Apart from the involvement of SPECTRE and SPECTRE Island, the bulk comes straight from the novel. SPECTRE implements a plan to kill and discredit Bond, using a Russian cypher clerk and a Lektor coding machine (similar to the Enigma encoder). Chess master Kronstein concocts the pland and Ros Kleb, a defector from the KGB runs it and recruits Donald "Red" Grant, a SPECTRE assassin. Kleb appears to Russian clerk Tatiana Romanov, who works in the Istanbul embassy. She will send a love letter and photo to Bond, with th Lektor as bait. MI-6 believes it is a trap; but, the chance of getting a Lektor is too good to pass up. Bond is given a new attache case, with some added extras: and AR-7 survival rifle, pop out throwing knives, ammunition stored in the lining, a tear gas canister security feature, and gold coins hidden in the lining. Bond travels to istanbul and meets the head of station, Kerim Bey. They play cat and mouse games with the Russians, with a mutual understanding of the rules. Tatiana turns up in Bond's bed and they make love, which is photographed by SPECTRE, for blackmail purposes. Meanwhile, Grant kills a Bulgarian agent and gets the Russians to act in treprisal. They bomb Kerim Bey's office and just miss him. Bond and Kerim Bey go to a gypsy camp, for safety. Krilenko, leader of the Bulgarian assassins working for the Russians, attacks the camp in reprisal for the death of his man. Bond helps fight them off and saves Kerim bey's life, while Grant secretly saves Bonds. They go after Krilenko and stake out his hiding hole. They use the AR-7 rifle to kill him, from a distance. They fake an explosion at the Russian Embassy and Bond gets Tatiana and the Lektor out and escape on the Orient Express. Kerim bey is murdered on the train by Grant, who turns up in the place of Bond's contact. He drugs Tatiana, then he gets the drop on Bond. Bond distracts him with his case, with Grant setting off the tear gas. he and Bond engage in a brutal fight which ends in Grants death. Bond and Tatiana leave the train and travel overland, then are chased by a helicopter, which Bond brings down with the rifle. They travel via boat and are attacked by SPECTRE; but, Bond destroys them with fuel drums and a flare pistol. Bond and Tatiana escape and later, at a hotel room, Klebb shows up to grab the Lektor and kill Bond. Bond holds her off and Tatiana shoots her. Aside from SPECTRE, this follows the novel carefully. In the novel, SMERSH is behind the attempt to discredit Bond as a typical counter-espionage plot. Kleb works for SMERSH and implements the plan. Grant was a British defector working for the KGB, after fleeing duty in Germany, after a murder. Kerim Bey was called "Darko" Kerim, a rather racist name (Dr No had worse racism, relating to mixed race Chines/Jamaicans). Here, we see more of SPECTRE, as Russian agents have defected to them and they run complex plans to kill enemies. They set the british and Russians against each other, to manipulate Bond into a position to kill him. We get our first, obscured glimpse of the head of SPECTRE (later identified as Bloefeld), who is more voice than anything. We see SPECTRE Island, their secret training and operational facility, where Red Grant carries out a training exercise, killing a Bond double in the opening teaser. SPECTRE Island would inspire HYDRA Island, in the Steranko SHIELD stories. The new gadget (first, really, as Bond just gets a new pistol, in DR No) is the special attache case. There is nothing too implausible or outlandish in it's features. The AR-7 rifle was a real item, though, as a .22 cal, hardly a sniper's weapon... The weapon was designed by Eugene Stoner (designer of the M-16 rifle and the Stoner Weapon System) as a survival rifle for downed pilots. The weapon was broken down into components and stored in the hollow buttstock. The end cap pulled off and the receiver and barrel slid into sockets. The barrel would be screwed into place on the receiver, magazine inserted and a round chambered and it is ready to go. Bond's includes a telescopic sight, which did exist. A .22 has an effective range of 1 mile and is used for small game hunting (rabbits); so, you are not going to snipe at long range with one, or bring down a helicopter, unless you get lucky. However, it looked perfect for Bond and was real enough to have been created for such a thing. Sylvia Trench returns for her second and last appearance, as the idea was then dropped. Walter Gotell, who would later play KGB head gen. Gogol, appears as a SPECTRE officer, who commands Grant and leads the boat assault. Pedro Armendariz was a major star in Mexico and beloved by the cast and crew; but, was suffering from cancer. They had to film his scenes fast and his health declined soon after and he passed away. he essays one of the most memorable local aids in the series. Later, his son, Pedro Jr, would appear in License to Kill. Martine Beswick portrays one of the two fighting gypsy girls and returns for Thunderball. Vladek Sheybal, a polish character actor portrays Kronstein. He often played Russians and Arabs, in films and appears in the John Le Carre mini-series Smiley's People. Lotte Lenya was an Austrian actress who worked in Weimar Germany, before the Nazis consolidated power, first going to Paris, then the US. She had performed in the first production of Brecht's Threepenny Opera and would win a Tony for an off-Broadway production of the work, in New York. Bloefeld is physically portrayed by Anthony Dawson, who played Prof Dent, one of Dr No's agents in Jamaica. The voice was done by Eric Pohlmann, an Austrian actor, who can be seen in The Return of the Pink Panther, as a crime lord, known as the fat Man (based on Sydney Greenstreet, in Casablanca). Pohlmann also does the voice in Thunderball. SPECTRE makes for a great cinematic enemy, as it keeps things from being cliched East vs West, and helps make it interesting, as SPECTRE plays both sides against each other. This is probably the best story of all the Bond films, with a great plot and characters, and is one of the best, dramatically. Terence Young directed, again, and set the style for everything. This film had the first real signature theme, aside from the Bond theme, in Dr No (plus the songs Underneath the Mango Tree and Jump Up, with Bryan Lee and the Dragonaires), with the title song, sung by romantic singer Matt Munro (who also sang a song over the opening titles of The Italian Job). Nearly forgot; Desmond Llewellyn's first appearance as Q, introducing the attache case. Mostly just playing the armorer role, though he will get more screen time in the next one.
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Post by codystarbuck on Aug 22, 2019 22:09:55 GMT -5
ps The AR-7 had a couple of variants for sale and they found their way into the movies. A pistol version appeared in the Matt Helm movie, Murderer's Row, as a pistol that fires after several second delay. and another version turned up in the revived FBI tv series, in the 80s... The attache case was an early Bond toy item.....
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Post by Deleted on Aug 22, 2019 22:15:47 GMT -5
Gypsy Scene in FRWL
This scene is always imbedded in my mind.
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Post by codystarbuck on Aug 23, 2019 11:24:43 GMT -5
GoldfingerStarring Sean Connery, Gert Frobe, Honor Blackman, Harold Sakata, Shirley Eaton, Tania Mallet, and Cec Linder. Released in September 1964. Opening teaser has Bond infiltrate a location via scuba insertion. After taking out a guard, he blows up the place, a drug processing plant. He then has a fight in a dressing room. We move to Miami, where he meets Auric Goldfinger, who cheats at cards. Bond fixes him and heads home, after finding Goldfinger's accomplice murdered, with her entire nude body painted gold. He is tasked with e new mission, to investigate gold smuggling by Goldfinger, in an attempt to manipulate gold prices. He finagles a game of golf with Goldfinger and meets his menacing manservant, Oddjob. Goldfinger also cheats at golf; but Bond cheats better. Goldfinger heads off and Bond tails him in Q'as tricked out Aston Martin DB5. He finds someone else tailing Goldfinger, who takes a shot at him. Bond sabotages her car, then picks her up. She turns out to be Tilly Masterson, sister of the murdered woman, Jill. Bond infiltrates Goldfinger's facility in Switzerland, but Jill is killed by Oddjob, with hs metal bowler hat and Bond is captured. He is strapped to a table, with a laser burning its way to his crotch. he bluffs Goldfinger with info about his scheme and Bond is saved. He wakes up on a private jet and meets the pilot, Pussy Galore (!!) He is then brought to Goldfinger's farm, in Kentucky. Bond learns of Goldfinger's plan to rob the US Gold Depository, at Ft Knox. He sends out a signal, to Felix Leiter, which is never received. Bond tries to escape and fails. Goldfinger gases the US Army base, at Ft Knox, then uses the laser to cut through the doors to the gold depository. It turns out he has been paid by the Chinese to set of a nuclear device to irradiate the US gold, which will cause economic chaos and increase the value of Goldfinger's holdings. Bond is cuffed to the device. He gets loose and fights Oddjob, then Felix arrives with the cavalry and deactivate the device. Bond is flying home, when Goldfinger appears to kill him; but, shoots out a window and is sucked out of the plane. Bond and Pussy Galore (the pilot) parachute safely. This was the film that made Bond a massive international hit and set off a merchandise frenzy. It is generally listed as the top Bond film or the favorite of most fans. It has a grandiose scheme, an interesting villain, and is the first use of a colorful henchman, in Oddjob. It also features the massive Ft Knox set, designed by Ken Adam, whose work has graced the films since Dr No. It is fictional, since they weren't granted access to the real gold vaults. The truth is that Ft Knox housed only a portion of US Gold reserves, as the bulk are held in the Federal reserve Bank, in New York. Adam created a "cathedral of gold." Gert Frobe was a German actor, who had appeared in Fritz Lang's 1,000 Eyes of Dr Mabuse, as a police detective and would appear in two more, as the villain's chief adversary. In the UK, he would work for Harry Saltzman, in Chitty Chitty Bang Bang and appear for Ken Anakin in Those Magnificent Men and Their Flying Machines. He also appeared in another comical role in From the Earth to the Moon, aka Blastoff, aka Those Fantastic Flying Fools (with terry Thomas and Troy Donahue). frobe spoke little English and was dubbed in all of his English films; usually, by the same actor. He gives a tremendously menacing and charming performance, setting the template for the grandiose world conquerors Bond would face. Harold Sakata was a professional wrestler, who worked in the UK under the name Tosh Togo. He was a Hawaiian Asian and generally played a heel. He gets to throw Connery around a bit, then is given the magnificent metal bowler hat, which he flings at targets. It makes for a great visual. Can't verify who did it first; but, John Steed also had a metal bowler, in the Avengers tv series, though I don't think he had it until the Diana Rigg episodes. Honor Blackman was fresh off of playing Cathy Gale, on the Avengers and is a better actress than seen in the films, so far. She was already a star an sex symbol, thanks to the Avengers, where she originated the leather outfits and female action scenes. She learned judo from stunt coordinator Ray Austin and gets to practice it in the film, including a scene where she goes for a few throws with Bond. The character, Pussy Galore, was straight from the books; but, was a lesbian (Fleming's homophobic idea of one). The film sort of hints at it, when she says she is immune to Bond's charm and pulls her hand away from Goldfinger's attentions; but, they don't really advertise that fact. In the book, she is won over by Bond and the same happens here, though is seems less ridiculous than in Fleming's story. The novel features more elaborate defenses for the depository, including metal roads that could be raised to create a defensive wall. The idea was ludicrous, as the hydraulics for such a thing would have been massive. Fleming used his imagination far more than real research, as demonstrated in several of his books. The book and film also have a small part in the creation of the hero for the TV series The Man From UNCLE. The producer/creator consulted with Fleming, who contributed very little; but, did suggest the name Solo, who is a mobster in both book and film. The character was named Napoleon Solo and the tv series became a hit, in the wake of the success of the Bond series. One of the stars of the film is the Aston martin DB5, modified by Q. The car has machine guns hidden behind the headlights, spinning blades that extend from the wheel hubs, a metal bulletproof screen for the rear window and an ejector seat (no, we are not joking). Q also gives bond a tracking device, which can be followed on a display screen, hidden in the dashboard. The car is an instant hit and a favorite toy for children. Several cars have turned up, claiming to be the original, used for filming. One sold for a quarter of a million, back when I was in high school, as detailed in the wire services. For some reason, Goldfinger was not repeated much, in the 70s, when the Bond films were regularly featured on ABC. Both it and Dr No had the least showings of the series. Desmond Llewelyn gets to play off Connery more, as he briefs him about the car. This began the trope of Q giving a serious briefing of Bond's equipment, while Bond makes jokes and mayhem occurs in Q's lab. Llewellyn had to memorize heavy technical dialogue and work with many props, all of which were quite difficult for the actor; but, he pulled it off beautifully. He once told a story of appearing with the car at some public function, where he was supposed to drive the car off and it would not start. it proved rather embarrassing that Q knew nothing about car engines. Sadly, Desmond Llewelyn was killed in an auto accident, returning from a public appearance, in 1999. The title song is sung, with tremendous and memorable vigor, by Shirley Bassey. Bassey was of mixed heritage, with a Nigerian father and English mother, and grew up in Wales. She became a top recording star and was tapped to give a brassy sound to the theme song, which she belts out, holding the final note for what seems like forever. It set the standard for the songs to follow and Bassey would record three, total Bond themes, as well as one unused song, for Thunderball.
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Post by thwhtguardian on Aug 23, 2019 11:31:23 GMT -5
ps The AR-7 had a couple of variants for sale and they found their way into the movies. A pistol version appeared in the Matt Helm movie, Murderer's Row, as a pistol that fires after several second delay. and another version turned up in the revived FBI tv series, in the 80s... The attache case was an early Bond toy item..... That toy case is awesome, though /i bet it costs a mint these days.
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Post by codystarbuck on Aug 23, 2019 13:38:07 GMT -5
ThunderballStarring Sean Connery, Adolfo Celi, Claudine Auger, Luciana Paluzzi, Rik Van Nutter, anf the Bell Rocket Belt. Released in December 1965. In the opening teaser, Bond attends a funeral, then attacks the widow, at her chalet. She turns out to be a male SPECTRE agent, in disguise (the alleged dead man). Bond kills the man and must escape using a jetpack, which takes him to his Aston Martin, which demonstrates the ability to fire high pressure water jets and oil slicks. Bond ends up convalescing at a health clinic, Shrublands. There, he meets a Count Lippe, who seems sinister. he has a tong sign on his wrist, which Bond has Moneypenny check. He also spots a mystery patient, with Lippe involved. Lippe notices Bond's curiosity and tries to kill him by sabotaging a stretching machine. Bond returns the favor by trapping Lippe in a steam bath. The mystery patient is actually a SPECTRE agent, who has undergone plastic surgery to become a double for French air force pilot Francois Derval. Derval is killed, with cyanide gas and replaced, so that SPECTRE can hijack a Vulcan bomber and fly it to the Caribbean, landing near the Bahamas. He is murdered by SPECTRE, at the orders of Emile Largo, the Number 2 of SPECTRE (who is seen early on, in a boardroom sequence). Bond is recalled and given a brief, along with the rest of the ))s. He spots the photo of the dead pilot's sister, taken in Nassau, and requests to be sent there. He makes contact with the woman and ingratiates himself into her and Largo's company. Largo is suspicious of him and tries to have him killed. Bond goes snooping around his yacht, the Disco Volante, which has an odd hull design. He survives an assassination attempt by SPECTRE agent Fiona Volpe and infiltrates Largo's estate, ending up in a shark tank. he escapes and locates the submerged bomber and Derval's dogtags. He meets Domino, tells her what happened to her brother and gets her help to alert him when the missiles are loaded onto the yacht. She alerts Bond and he and a group of US Navy divers make a parachute jump into the ocean and scuba attack on SPECTRE's men. Largo tries toe scape in the Disco Volante, which ejects an outer catamaran shell to reveal that the main section is a hydrofoil. Bond has gotten onboard and battles Largo, before he is killed by Domino. They escape the craft before it is destroyed and a plane drops a life raft. Bond and Domino get in and Bond inflates a balloon, with a cable attached. A plane comes along and uses the Fulton recovery System to airlift them away. This one has a very complicated history. In the late 1950s, Fleming and Ivar Bryce were looking at a Bond film. and they formed a partnership with a writer/director, named Kevin McClory. Together, they created a story outline for a bond film, which included the criminal organization of SPECTRE, Largo, Bloefeld and the hijacking of the nuclear missiles. The film, to be title James Bond of the Secret Service, Longitude 78 West, or SPECTRE. The project fell apart and Fleming turned the outline into the novel Thunderball. McClory sued Fleming and Fleming's health was poor (he suffered a heart attack) and he offered a settlement deal. McClory retained all film rights to Thunderball, while Fleming retained literary rights. Eon secured the rights to film the project and McClory is listed as a producer on the project. We see more of the inner workings of SPECTRE, as we get the famous boardroom scene, where the unseen head executes a traitor and Largo briefs the rest about the operation to steal the nukes. That scene was copied and spoofed by multiple films and tv shows. The grand set up was, again, from Ken Adam. Largo wears an eyepatch through the film, giving him a piratical look and he has a menacing presence. Celi was a Brazilian actor, of italian family. He would later spoof his own role in the Eurospy film Operation Kid brother (aka Operation Double 00 and OK Connery), with Sean Connery's brother, Neil (who was a bricklayer, not an actor), along with other Bond actors, including Bernard Lee, Lois Maxwell and Anthony Dawson. The scenes in Shrublands are great favorites, though how a machine like the backstretcher could have such a dangerous setting is a bit hard to swallow. There is a nice bit of mystery as Bond uncovers the double. The Vulcan bomber hijack is quite engaging and ingenious and makes for some thrilling scenes. The design of the bomber, with it's great delta wing, makes it seem even more exotic, which fits the film. The aircaft remained in service through the Falklands War. One of the real stars of the film is the real Bell Rocket Belt... This was an actual working jetpack, developed by the Bell corporation, for potential military use. However, its short flight duration led to its rejection. Footage of it was also used on tv, for such shows as Gilligan's Island. Here, the pilot flew it from the chateau to the outside road, while Connery is inserted with a rear-screen projection. The device was featured in posters and lobby cards and was one of the noted gadgets of the series and was copied for films like Black Samurai and in the Nick Fury, Agent of SHIELD comic, as well as Master of Kung Fu (in the Fu manchu epic, which I am just beginning). Ken Adam would also design the Disco Volante hybrid yacht. The main component was a hydrofoil, which was mated with a catamaran outer shell. The entire ship was sailable and then the outer portion was ejected and the hydrofoils activated, for the high speed escape. This one has Q travel to equip Bond in Nassau, with an even longer scene. he gives Bond a geiger counter watch and camera (which Domino uses, to detect the missiles on the yacht), a scuba propulsion unit, allowing the swimmer to move at high speeds, and a miniature rebreather, which Bond uses to escape the Disco Volante and the shark tank. Extensive underwater filming was done with Ivor Tors' studio, in Florida. Tors produced tv shows for television, including Sea Hunt, Flipper and Gentle Ben, all of which featured extensive underwater filming. Scenes were choreographed by Ricou Browning, who had worked on the Creature From the Black Lagoon. The underwater sequences were innovative and really give a spectacular feel to this one, especially the sequences where the Vulcan lands and is secured. The climactic battle is a bit chaotic; but, you can follow the basic storyline through it, as Bond goes after Largo. Shirley Bassey recorded a song, "Mr Kiss-Kiss Bang-Bang," but it was rejected and the title song was done by Tom Jones. Goldfinger was the film where they really started to go broad; but this is the one where it really turned into a cinematic comic book, with world threatening villains, sci-fi gadgets and outrageous action scenes. As such, it was a major inspiration for comics and other projects that jumped on the bandwagon. Suddenly, super-weapon extortion became all the rage. This also gave further scope to SPECTRE, making them almost a third world power; a conglomerate of crime and terror. They become the template for every baddie out there.
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Post by codystarbuck on Aug 23, 2019 13:52:03 GMT -5
ps The AR-7 had a couple of variants for sale and they found their way into the movies. A pistol version appeared in the Matt Helm movie, Murderer's Row, as a pistol that fires after several second delay. and another version turned up in the revived FBI tv series, in the 80s... The attache case was an early Bond toy item..... That toy case is awesome, though /i bet it costs a mint these days. There were several variations to it, and copies, like the Secret sam case.... and some 007 variants... It was soon to be matched by the Man From UNCLE gun set.... I would have at least maimed, if not killed, to own one of these, when I was a kid, in the 70s.
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Post by Deleted on Aug 23, 2019 20:27:49 GMT -5
For the Record ... Goldfinger is my personal favorite and a top 007 film done by Connery. Harold Sakata was menacing as Oddjob and the best sidekick in all Connery's films. Thunderball is a classic and the Mustang Scene is amazing ... here's the clip below.
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Post by berkley on Aug 24, 2019 3:02:35 GMT -5
Dr No Connery is a deadly, serious Bond Connery moved like a jungle cat and could just give a look that said he could beat the crap out of 90% of the room, something co-stars have noted when going to bars with him. Connery came from a hard background, in Edinburgh, Scotland, where he had done manual labor,before getting bigger acting roles. He was not a man to challenge and it came through in his Bond. I quoted these specific remarks from your review because they coincide with one of the things that really stood out to me, seeing the movie again after many years and in the format it was meant for, just a few years ago. I saw Doctor No on our old black & white tv at least a couple times growing up, but finally had the chance to see it and a few other of the early Bonds for the first time on the big screen and in colour when it played at a local cinema here.
One scene especially exemplifies to me what you're saying: when Bond/Connery beats up the enemy agent posing as a chauffeur or cab driver or something who gives him a ride from the airport after he lands in Jamaica: there's a look on his face as he punches the guy that - as you said - would never have been seen on the face of any Hollywood hero before then, not even Bogart (when playing a hero, at least) - a look of contempt for his victim, but perhaps even worse, that he enjoys doing what he's doing.
BTW, I think you vastly under-sell the impact of Ursula Andress: even as a pre-teen kid, I felt she was something out of this world, here and in What's New Pussycat, which I also saw on tv back then. Not that I had any clue, at that age, why I found her so amazing - no more than I did Uhura on Star Trek, or Crystal in the FF comics, for that matter, thinking of the same time.
One last thing: from some of the stuff I've read over the years, I think we might also be under-emphasising maybe the most important things about this movie - how very new it was at the time, how innovative in terms of technique - the quick jumps frm scene to scene without any explanatory interveneing transitions. It's all become so normal to us now that it's hard to see, but I remember reading or hearing a quote from Orson Welles saying to Young something like, "You've done something entirely new. Soon, others will do it better, but no one can ever take away that you were the first."
Full disclosure: I haven't been able to confirm this memory of mine by an online search so it could be it's a figment of my imagination
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Post by codystarbuck on Aug 24, 2019 11:24:54 GMT -5
Ursula Andress has never done much for me; I found Miss Taro far sexier. I also saw Dr No much later, after seeing more of the other films, on ABC. It was a long time before they broadcast Dr No, for whatever reason (probably of the violence). For some reason, they didn't show Goldfinger as often as From Russia with Love or Thunderball.
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Post by Deleted on Aug 24, 2019 15:31:05 GMT -5
Ursula Andress has never done much for me; I found Miss Taro far sexier. I also saw Dr No much later, after seeing more of the other films, on ABC. It was a long time before they broadcast Dr No, for whatever reason (probably of the violence). For some reason, they didn't show Goldfinger as often as From Russia with Love or Thunderball. I think that you don't see Goldfinger, From Russia with Love, and Thunderball ... is the fact of demographics situations; I did see these movies pretty much every 9 months on a regular basis and I did Dr. No on other channels on a yearly basis. I have seen all Sean Connery 007 films at least 2 times on television without the cable explosion in the 80's. Same thing with Roger Moore films as well. The only film that I don't see that often on television in the late 70's and through all the 80's is On Her Majesty's Secret Service that starred George Lazenby, Diana Rigg, and Telly Savalas. I do like Miss Taro too; and to me ... both Andress and Zena Marshall that played Miss Taro did what they were told in that movie and that alone helped the Bond Franchise off to a roaring start from 1962 on.
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