|
Post by rberman on Oct 5, 2019 7:27:09 GMT -5
Issue #24 (April 1998)Another good cover. The Story: Hierarchy members Sere, Vinyr, Emeris, and Niniri psychically interrogate Rienrie, a healer and secret Resistance member. Rienrie’s suicide pill doesn’t prevent Vinyr from learning the location of the secret rebel base, or the fact that Jason is still alive. Check out the Looney Tunes circles behind them! I suspect Doran was thinking of Aquaman's fish-telepathy from Super Friends. Ninivir (not to be confused with Niniri) and Jason make it back into the airlock before running out of air. Ninivir forces a mental link upon Jason to ensure his ability and willingness to carry out the assassination of Seren. Mind rape, not nice! Again we get the Babylon 5 allusion “The Resistance is your mother and father.” Seren isn’t home anyway; he’s leading Galahad into the maintenance tunnels to retrieve Jason from the Resistance. Alas, Jason isn’t home either, as we just saw. Worse, the authorities are closing in on this location thanks to the information gleaned from Rienrie. Some Irishai (spooky dudes in hoods and robes) give Seren the bad news and accept a lock of Galahad’s hair in payment. It's too late; the authorities have already stormed the revel hideout and are in the middle of telepathic deep scans on those within. Seren convinces our heroes to kill everyone there before the interrogation can conclude. Brutal solution, and some of the heroes balk at first. Chris D’Errico the medical student is killed during the ensuing battle. Back in Seren's apartment, the servant Jorvana offers D’Mer candy. He doesn’t want it, but he takes it to Liana to apologize and thank her for saving him from mind-controlled suicide. (What other sleeper programs did Emeris bury in D'Mer's brain?) They chat for several pages about Bast’s attempts to seduce Seren away from D’Mer. A pet eats the candy, which turns out to be poisoned, just like in “Raiders of the Lost Ark.” Jorvana was clearly the culprit... but was she working alone? Editorial: Doran lists the names of 33 subscribers whose books were returned by the Post Office because the recipient had moved. Anybody know where they live now? This sort of thoughtful gesture to the fans seems unique. My Two Cents: It’s more than shocking that the good guys decided to gun down the captured rebels in cold blood. Also, if the good guys have an escape plan, why not bring the rebels along, instead of murdering them? But even Sir Galahad accepts this realpolitik calculus.
|
|
|
Post by rberman on Oct 6, 2019 8:19:52 GMT -5
Issue #25 (June 1998)The Story: Rieken/Seren returns to his quarters bearing Chris’ corpse. D’Mer tells Rieken about the candy which Jorvana poisoned, which enrages Rieken. After interrogating her, Rieken instructs D’Mer to execute her. Rieken collapses in a puddle of tears over the stress of exposure to all these mean people. Kovar puts him to bed. D’Mer confronts Lady Bast, privately accusing her of aiding Jorvana’s murder attempt. Bast retorts that she doesn’t need to murder D’Mer; she can just wait him out since his lifespan is so much shorter. (Most Ovanan live 800 years, but Bast is over 3,000 and no worse for the wear. The appearance of youth is one of the benefits of being a shapeshifter.) That night, while Kovar officiates a funeral service for Chris, and D’Mer chats with Liana, Jason arrives in Rieken’s bedroom to murder his. A pet awakens the sleeper, and the two men face each other… Story #2: This fifteenth anniversary issue of A Distant Star contains Doran’s sequential art version of Neil Gaiman’s 1993 short story “Troll Bridge,” an allegory about maturity and imagination told in parody of the story of the Three Billy Goats Gruff. Her style is rougher and sketchier than on the main story. Apparently Doran has done this again in a painted version as well. My Two Cents: It’s an extra-big 48 page anniversary issue! As always, the plot summary doesn’t capture all the banter between the characters. The Ovanan are grade-A racists who don’t understand why a human is worthy of a funeral ceremony, or why it would be much of a crime to murder D’Mer. They have some of the inhuman ruthlessness of Wendy Pini’s elves. Seren/Rieken is the exception, as a part of his general emotional frailty. He’s certainly not a traditional comic book leading man; that’s more Kovar’s role here. Speaking of which, who is the protagonist of this story? It’s not structured like a traditional Western narrative with a clear lead. It’s sort of about Liana. She’s the adolescent thrust into a larger world with strange rules and powers beyond her experience. But she disappears into Seren’s shadow for long stretches and often is more the damsel or the pawn. So far she doesn't even get to decide her own bedtime. I think we are to understand that although she's fifteen years old, the slow aging of Ovanans makes her mature more slowly than humans.
|
|
|
Post by rberman on Oct 7, 2019 7:50:20 GMT -5
Issue #26 (November 1998)The Story: Seren fends off Jason with pleas until D’Mer arrives to defend him with psionics. Liana arrives to put her big brother Jason in his place. She explains that Rieken, the leader of the Resistance, is the same person as Seren the Avatar, so Beys really shouldn’t have sent Jason to kill Seren. Four Hierarchy members ( Sere, Vinyr, Emeris, and Niniri) arrive at the Avatar’s apartments. Sere psychically beats on Seren for a while. The other Hierarchs tsk but don’t interfere. Seren blackmails Emeris with evidence of war crimes, forcing Emeris to release his claim on D’Mer. After the Hierarchs leave, the humans are confused and in some cases enraged to learn that Seren the Avatar whom they’ve come to defeat is the same person as Rieken the one who recruited them for the job. Seren gives exposition to explain how the powerful Avatar can nonetheless be a thrall of the Hierarchy. They plan to force Seren to track down and kill Liana, the Avatar’s heir. My Two Cents: This issue is mainly about letting us see the Ovanan Hierarchy enough to hate them as much as Seren does. Especially Sere; we haven’t seen a single redeeming thing about her. She’s just a sadist through and through, with no hint of nobility. Likewise Prince Emeris. Niniri and Vinyr try half-heartedly to restrain the other two, and thus come off a little better. The cover of this issue was intended for the 1997 Christmas Special that never materialized. Waste not, want not, so we get it here instead. During Seren’s confrontation with the Hierarchy, we learn that like Jason, he has tried to slit his own wrists. This is statistically unusual; at least on Earth, men are more likely to commit suicide with firearms or jumping than with wrist slitting or pills, which are slower and less certain.
|
|
|
Post by rberman on Oct 8, 2019 7:19:34 GMT -5
Issue #27 (April 1999)The Story: After the Hierarchy depart, Seren’s apartment erupts in dense exposition that threatens to engulf several pages. Basically the characters are catching each other up on information that long-time readers already knew. The upshot is that it wouldn’t be surprising if the Hierarchy felt Earth was too much trouble, and destroyed it. Seren reviews how his father Etan the Avatar founded the resistance but then died as a result of trying to harness Seren's foster brother (and lover) Aeran’s disruptor powers. Jason thinks the best solution would be to kill Seren, allow his sister Liana to become the new Avatar, and then combine his power with hers to destroy the Hierarchy. Seren realizes that Jason is talking so violently because the Resistance has brainwashed him. Dunstan makes a reference to Bill Clinton being dishonest. As long as secrets are being exposited, Seren confesses his plan to kill any of his allies who were captured. This news is not received well. Story #2: “A Matter of Dreams” is a prose short story by Doran’s former agents Sharon Lee and Steve Miller, set in their Liaden universe. Like A Distant Soil, it’s a space opera about a brother and sister on the run in a hostile universe. I wonder whether all these"superpowered brother and sister orphans on the run" stories stem from "Escape to Witch Mountain," the 1975 Disney film based on Alexander Key's 1968 novel. I still have that book. Lettercol: Doran confirms that one panel in issue #26 did indeed depict Sere’s genitals through a sheer loincloth. “Sere’s outfit has caused many panting fellows to come up to my and shyly point out the picture you mention while asking, ‘Is that what I think it is, or is it a wrinkle?’” My Two Cents: Sixteen pages, eleven people, one room. This issue sets the reader up for the coup attempt that’s about to unfold, with Seren intending Jason’s disruptor power to flow through Liana to himself to the Hierarchy, frying their brains but not his own. What are the odds that this will go off without a hitch? It will be a pretty short series if it does.
|
|
|
Post by rberman on Oct 9, 2019 7:21:07 GMT -5
Issue #28 (July 1999)The Story: Galahad reminds everyone how unprepared Liana is to become Avatar, let alone lead a rebellion, if Seren should fall. Galahad amazes everyone with the story of how he himself was assassinated when made a king as a teen. But like the guy in Monty Python’s Holy Grail, he got better. Jason and Liana have a huge argument about Seren. It nearly triggers a seizure in Liana, but Jason soothes her, and the danger passes. D’Mer and Seren roll around in the sheets for several pages, but D’Mer convinces Seren that sex would be a bad idea due to Liana’s presence via mindlink. The next morning, Seren agrees to give the humans new universal translators that don’t have the suicide-inducing booby trap. How nice! Major Kovar sacrifices his glorious floor-length hair so that he can blend in better with commoners on the upcoming mission. This generous gesture reduces Seren to a blubbering pile. So many feels he has! Lady Bast saunters in wearing her Niniri costume but without shapeshifting into the form of the smaller woman, and the "barely there" wardrobe can scarcely contain her. The guys can't contain themselves, either. Lettercol: Doran confirms that Jorvana the traitorous servant woman was modeled after Mrs. Danver from the film “Rebecca.” Doran has also changed her company’s name from Aria Press to Colleen Doran Studios in order to avoid getting mixed up with the Image Comics series Aria.
Story #2: A prose fantasy story “Red Cloak” by Ellen Kushner, adorned with pin-ups of its characters by Doran (including this issue’s cover). My Two Cents: Two whole issues of characters chatting about their plans for action and their opinions of each other. Your mileage may vary as to whether this constitutes a refreshing change of pace from the usual brainless slugfest of American comics, or whether the leisurely pace kills momentum just so Doran can spend more time with these characters that she deeply loves. For the moment I’m giving her the benefit of the doubt, though as I’ve said before this problem wouldn’t occur if she hadn’t put so many characters into the story in the first place.
|
|
|
Post by rberman on Oct 10, 2019 7:42:32 GMT -5
Issue #29 (March 2000)Is that cover image legal here? Probably barely. It was intended as a preliminary color sketch for an oil painting. Doran had been taking oil lessons from Steve Rude. She was trying to speed the drying of one layer of oil by heating the canvas in her oven, but a broiler accident caused the whole thing to go up in smoke, so the preliminary sketch had to suffice. Hope you don’t mind. The Story: Major Kovar leads Brent, Galahad, and Minetti on their mission to sabotage the propulsion core of the Siovansin. Brent wonders aloud about Galahad having returned from the dead. Does that mean he has the power to raise Chris from the dead as well? Nope, but at least he doesn’t age anymore. Later, Kovar (now new and improved, with shoulder-length Conan hair!) gives exposition about his backstory, and Galahad tries to evangelize him. Taking the form of Hierarchy member Niniri, Lady Bast leads Reynaldo, Dunstan, and Corrine to infiltrate the communication nexus. She chats with Niniri’s former lover Keris, knocks him comatose with poisoned wine, strips naked, takes his form, and replaces him in the Nexus. The data input sends her into throes of ecstasy. Most of it can’t be shown here. Liana and Jason break into Seren’s stash of old personal correspondence. They find an old data crystal which reveals that their father Aeren and his foster brother Seren were lovers. This family revelation causes Jason to freak out yet again. D’Mer is enraged to learn that he’s not being brought along on Seren’s mission to destroy the Hierarchy. Seren promises to kill Prince Emeris on D’Mer’s behalf. Editorial: Five pages of text glossary explain the operations of the Ovanan Creche, the plight of “Variants” who possess some degree of psionic ability, and the importance of those with Crystalcutter ability such as Aeran. Story #2: “The Tragedy of King Alexander the Stag,” a prose short story by Delian Sherman with illustrations by Doran. It’s about a king who takes a forbidden lover and puts aside his duty to impregnate a hundred other women. My Two Cents: Finally movement on the main plot, with three simultaneous heists, plus kinky revelations about the Avatar’s household. At least it was revealed organically through plot, not through exposition. This series plays up the sexual elements more than its peers Elfquest, Cerebus, or Bone.
|
|
|
Post by rberman on Oct 11, 2019 7:35:46 GMT -5
Issue #30 (August 2000)The Story: Seren doesn’t get a chance to attack the Hierarchy. They ambush his procession in the hallway, zapping his retinue with stun-guns. They knew that Rieken was Seren, and now they know that he was harboring Liana. Jason can block the energy of the stun-guns, so he gets shot in the head with actual bullets, twice. Brutal. Seren lies flopping on the floor for several pages as Sere confirms that she’s previously molested Seren and plans the same for Liana. Finally Jason channels his disruptor power through Seren, killing Sere before falling into a coma himself. Then Seren goes supernova, and the power of the Avatar falls upon unconscious Liana as Niniri stands over her. D’Mer spends this issue locked in Seren’s apartment, unsuccessfully trying to break out, and then defending himself against Hierarchy troops who break in. Editorial: Doran announces a plan to publish six more individual issues (thus ending with #36) and then shift this narrative into longer, more infrequent graphic novels. Not a bad idea. Also not what actually ends up happening. Doran reports getting accosted by the cops when she hung around a high school taking photos of teens as reference material for a Power Pack series she’s working on. Yeah, that might be unsettling. Story #2: “Of the Driving Away of a Certain Water Monster by the Virtue of the Prayers of a Holy Man. Or, What Really Happened at Loch Ness in the Summer of 565AD,” a prose short story by Bud Webster. Shorter than the previous ones, five pages including over a page of Doran art. Glossary: Six pages detailing the various Hierarchs. Sere’s death is confirmed in her entry. My Two Cents: The loss of both Sere and Seren would be quite a landmark for the series. Let’s see whether it sticks. This issue has one of the better covers, though Liana still looks substantially younger than her stated age of fifteen. I guess it’s because of her Avatar blood causing slow aging or something. This issue also features several double page action spreads (the first in the series) that are well worth the space they occupy. The one below juxtaposes D'Mer's battle with the guards (in the top panels) with Seren's battle against the Hierarchy (in the bottom panels). This is a good place to talk about the collected editions that have come out over the years. There was a Donning collection in the 80s with the original WaRP version. Then Image Comics released two volumes in the 90s covering issues #1-12 and #13-25 of the rewritten version that we’ve been covering here. Volume 2 also contained the Minetti character focus short stories “DUI” and “The Gift.” Volume 3 (#26-31 in 2001) and Volume 4 (#32-38 in 2004) followed. In 2013 and 2014, Doran reprinted Volumes 1 and 2 in a new edition, not referencing the numbering of the original issues. These Second Editions can be identified by their yellow cover with a diamond cut-out in the middle, allowing the interior portrait page to be partially seen. A few Jason-related pages from issue #12 have been moved from the end of Volume 1 to the beginning of Volume 2 in this new edition. Also, the Minetti short stories are now absent. The new editions take advantage of new printing tech to fix some of the coloring. Lady Bast is no longer so dark, so her skin details are less obscured; compare the two versions of the same page below. Beyond that, Doran also re-lettered some pages of the new editions. I didn’t think there was anything wrong with the old lettering. You be the judge. To date, there is no second edition of Volume 3 or Volume 4. At Dragon Con this year, I bought the second edition of Volumes 1 and 2 directly from the hand of Doran, and she gave me the first edition of Volume 3 for free.
|
|
|
Post by rberman on Oct 12, 2019 7:36:41 GMT -5
Issue #31 (January 2001)The Story: D’Mer flees Ovanan security forces on a sky-sled, immolating his pursuers and the homing device they shot into his flank. 142 people die in the ensuing fire. Seren has lost his Avatarhood but still lives, a prisoner of Niniri, useful for interrogation and for teaching Liana the customs of her new Avatar office. Seren will undergo “decrepitude” treatments that take away his long life. He clumsily attempts to stab Niniri with some garden clippers but doesn’t get far. Seren confronts Niniri with her silent complicity in his childhood molestation by Sere. In the wake of Seren’s failure to kill the Hierarchy, Kovar has aborted his mission to destroy the propulsion core. He plots the next move for his team. The mysterious Irishai tribe (the ones who took a lock of Galahad's hair) brings D’Mer to Kovar. Lady Bast, disguised as Keris, is still plugged into the Ovanan internet. Niniri publishes a Seren/D’Mer sex tape as a cover story for why Seren lost his Avatar powers. Seren’s treacherous servant Jorvana (already killed by D’Mer) secretly made this recording. Niniri also spreads the rumor that D’Mer is the rebel leader Rieken, when really Rieken is a real person, now deceased, whose mind now inhabits Seren's mind. Or is it still there after Seren lost his powers? Unclear so far. Lettercol and Editorial: A reader congratulates Doran for being mentioned in Hillary Barta’s Splash Brannigan story published in Tomorrow Stories #8. Doran reports she was sent and signed a waiver in order for this to happen. Doran explains Niniri: A husband/wife company with which Doran had a bad experience, eh? The Pinis of WaRP Graphics come to mind. So Niniri is Wendy Pini, which would make Sere (the outwardly cruel one) Richard Pini. Now that Sere is dead, Emeris (who has darker skin) is the new "dirty work" character. Doran did not intend to base Niniri’s face on that of singer Sarah Brightman but admits the resemblance nonetheless. Does Niniri's baby face resemble Wendy Pini? You decide. Doran also promises that the series is returning to bimonthly publication. She offers several pages with pictures and commentary about her home studio. Story #2: “A World for Dreaming, Part One” by Jan Strnad is a prose sci-fi tale. My Two Cents: It’s a breath-catching issue, taking stock of the fallout from last issue’s action. Doran probably got the idea for calling aging “decrepitude” from the film Blade Runner, in which Pris says that the Replicant androids owe their short lifespans to “accelerated decrepitude.”
|
|
|
Post by rberman on Oct 13, 2019 7:38:03 GMT -5
Issue #32 (June 2001)The Story: The Irishai believe the rumor about D’Mer being the rebel leader Rieken. They themselves are failed rebels who want D’Mer and Kovar to save them from the “terminal decrepitude” of mortal aging that has been inflicted upon them. The Irishai are from Kovar’s planet of Temaris and consider him their prince, although Kovar is the one responsible for their aging. Kovar and Bast (who is still disguised as Keris, keeper of the Ovanan internet) hatch a new plot to get Galahad close enough to kill Emeris, freeing Liana to use her new Avatar power on their other enemies. Sounds complicated! Flashback to decades previous: Prince Emeris is incensed about a hijacked freighter. He wants the death penalty for the culprits. Instead, Kovar sentences the thieves to terminal decrepitude. These are the Irishai. The Hierarchs Vinyr and Emeris are frustrated. They hoped to interrogate Seren about the Resistance. But he maintains just enough psionic power to stop them. They mutter that something will have to be done about him, and about Liana. Maybe some torture will help unlock the memories? Niniri attempts to win Liana’s favor through presents and flattery. She doesn’t get anywhere. Liana is too preoccupied with blocking her mindlink with Seren, who is being tortured/molested by Emeris. After getting healing treatments, Seren is allowed to see Liana briefly. He starts to teach her how to channel the Avatar power effectively, but they are interrupted by Emeris, who is eager to begin the next round of Seren’s torture/interrogation. Lettercol and Editorial: Doran is devoting more pages to telling readers about her own life and interacting substantively with their comments. Perhaps she learned this from JMS, who was very active with the Babylon 5 online fan community. Doran is quite pleased by her publishing arrangement with Image Comics. She mentions Tanith Lee, Harlan Ellison, Storm Constantine, Joan Vinge, Catherine Asaro, and Emma Bull as favorite authors. Music favorites include Loreena McKennitt, Enya, and Kate Bush. Her clothing designs are inspired by Art Nouveau designers such as Romain de Tirtoff, a.k.a. Erté (see below). Story #2: The second and final part of Jan Strnad’s “A World for Dreaming” prose short story. My Two Cents: Boo, Emeris! Like Sere, he’s portrayed as completely hissable, an unredeemable sadist, lech, and hedonist. But Niniri is just as bad; she simply uses honey instead of vinegar to get her way.
|
|
|
Post by rberman on Oct 14, 2019 7:20:15 GMT -5
Issue #33 (August 2001)The Story: D’Mer doesn’t like his new assignment, pretending to be the Resistance leader Rieken. He flirts with Kovar, but he flies into a rage when Kovar tries to explain why civilian deaths are both wrong and unhelpful. Emeris psionically tortures Seren in front of Liana, in hopes of winning her compliance. It doesn’t work; they unsuccessfully attack him. Niniri’s cloying approach does no better. Emeris demands access to the war crime data with which Seren was going to blackmail him. Seren confesses that his lawyer Unasis has the relevant data crystals. That’s convenient; Emeris has already beheaded Unasis and seized those crystals. Niniri threatens Liana that more beheadings will follow if she’s not cooperative. Glossary: Among the entries is a lengthy explanation of the backstory of the twisted relationship of Seren, D’Mer, and Emeris. Doran probably originally hoped to work all of this material into the main story organically, but the highly sporadic publication schedule of A Distant Soil is forcing her to resort to straight exposition like this. Lettercol and Editorial: Doran indulges some verbose correspondents, including one woman who goes on and on about a Witchblade pin-up that she herself drew but then underpriced. Fan Beth Bisson gets a page for her original poem “D’Mer’s Soliloquy.” This sort of things surely helps to build loyalty in the fan base. Apparently Doran sponsored an internet Message Board for her fans as well. Fun fact: Most of her commission requests are for D’Mer, especially non-explicit nudes, with or without Seren. Here’s a diagram she made in her Geometry notebook in high school. Apparently it somehow describes Ovanan social organization. She's been thinking about all of this for a looooong time. Doran got writer’s block on this issue and pushed some of the material into the following issue. She’s only going to do one 64 page issue for January 2002 rather than two regular issues in the waning months of 2001. The original cover intended for the current issue was a collage covered with graphite. Doran scanned it and then disposed of the physical collage, then discovered that the scan file was corrupted. Oops. I'm going to go out on a limb here and say that trashing the original art is never a good idea. Story #2: “The Good Life” by Steve Darnall is a goofy little story in which Doran’s characters come to chat with her. This three pager was supposed to be a different story (also by Darnall) in comic book form, but Doran ran out of time to finish it. There’s always next issue… My Two Cents: There’s not a lot of forward motion in this issue. Mainly we see Niniri being “nice” and Emeris being “nasty,” both failing to get compliance from Liana and Seren. It’s more of what we’ve already seen. The bit about Unasis’ death is the only new information. The scene with Niniri feeding candy hand-to-mouth to Seren is something that actually happened to Colleen Doran. Since the early issues, Doran has included a synopsis page at the beginning of each issue. It’s a good idea of course, catching new readers up to speed. But the synopsis keeps getting longer and longer, and the font keeps getting tinier and tinier. It includes information that’s not needed for the story at hand. For instance, this issue’s synopsis still contains substantial detail about Jason’s failed mission to assassinate Seren, and his love affair with Beys, whom we haven’t seen for many issues. It would be better to focus each issue’s synopsis only on the backplot needed to understand that particular issue. Then the synopsis wouldn’t be so eye-glazingly lengthy, overwhelming new readers with names and data that are not germane to the story immediately at hand.
|
|
|
Post by rberman on Oct 15, 2019 5:46:20 GMT -5
Issue #34 (February 2002)The Story: Emeris and Niniri keep pestering and telepathically probing Liana for information on her accomplices. They learn that she (doubtless like young Doran) has a crush on Galahad, but then she’s able to block them out with mental images of elephants, which we’ve previously learned are disturbing to Ovanans for some reason. Seren admits that he had humans in his retinue but claims that he sent them home after his failed coup. Not smart; now the Hierarchy have more reason to attack Earth. Down in the bowels of Siovansin, Minetti has an extended argument with Galahad about whether Liana should be rescued from her new role as Avatar of the Ovanan and returned to Earth, or left to fulfill her messianic destiny here in space. Kovar points out that Liana hardly had a normal, idyllic life on Earth; her powers preclude that fate. Her super-slow aging alone would make her stand out. The current plan is to rescue Liana and Seren at Sere’s funeral. Or, failing that, to kill them. That part of the plan won’t go over well with Minetti and D’Mer, respectively. Seren’s shorn hair has been dyed red and weaved onto Liana’s head. She can’t stop tripping on it. He can’t stop rubbing it ruefully. Liana’s hair is colored dark on the interior B&W pages, but her rare cover appearances confirm that her hair is indeed red. Editorial: Doran responded to 9/11 by cleaning out her storage shed, getting rid of papers she’d been keeping for decades “in case I need them.” It was painful, but it’s done. “I could kick myself for letting my possessions get control of me.” She sold sketches she had been given by other artists; one such artist was infuriated, though he had declined to take the art back. Here’s a fun story. Back in the day, a bunch of artists autographed dollar bills at a convention. You’d think those bills would be in the hands of collectors, but apparently some found their way into general circulation, because one of them ended up back in Doran’s wallet when a surly cab driver made change for her. It’s signed by Doran, Dave Sim, Rick Veitch, Jeff Smith, Larry Marder, Don Simpson, Scott McLeod, Steve Bissette, and James Owen. Weird! Hopefully Doran kept it. Sketchbook: Among several pages of other sketches, including numerous D’Mer nudes, Doran includes a couple of old sketches of Liana dressed in Doran’s own favorite clothes. Story #2 “Eugenie” is set in the days of Marie Antoinette. It was originally published in 1989 as part of a volume called ‘Renegade Romance.’ It features, yes, men with awesome clothes and awesome hair. Lettercol: Doran apologizes that she has lost the Steve Darnall story she was supposed to publish last issue. Steve Bissette writes a pleasant letter discussing his 18 year old daughter Maia and new fiancée Marj. My Two Cents: These issues may be infrequent, but Doran is filling them with all sorts of content. This issue’s glossary contains Doran’s version of the Tale of Sir Galahad. No, not that one. Her tale is culled from various medieval sources, supposedly including “The Vulgate,” which is the Latin version of the Bible. I’m not aware that Galahad appears in the Bible, but whatever. Doran’s version “cut back drastically on the overabundance of women named Elaine,” of which there were apparently quite a few in Galahad’s mythical life. Part of the story involves Launcelot wearing the favor of “an impressionably young lady” and then having an affair with her, resulting in the birth of Galahad. Hmm, This very issue has a discussion about Galahad wearing a ribbon from Liana, and denying that it has any sexual intent. Now I wonder whether “Liana” is a variant of “Elaine.” It also contains the story of Dunstan (scion of a human man and a Sidhe fairy) and Corrine, a showgirl-turned-fashion designer whose sour work experience sounds suspiciously like Doran’s own time at WaRP: That’s exactly what we saw when we first met Corrine and Dunstan back in issue #8 (see image above). Colleen/Corrine, get it? So we’re back to Doran’s bad experience with the Pinis. We’ve seen other evidence that Sere, Niniri, and Emeris represent child abuse that Doran suffered. It could be both traumas combined.
|
|
|
Post by rberman on Oct 16, 2019 8:54:57 GMT -5
Issue #35 (November 2002)The Story: Seren and Liana are on the cover, but not in the interior. Much of this issue is an extended conversation among the Hierarchy. They’ve discovered that Sere’s death triggered a booby trap which has destroyed all the creches, which means all the genetic stock for breeding more Avatars has been lost. This is a catastrophe for Ovanan civilization; suddenly Liana is The Last of Her Kind. This makes Seren a valuable pawn, even without his Avatar powers. He and Jason can be used as breeding studs to replenish new creches. But first Jason will have to be healed of the brain damage he sustained from a bullet during Seren’s failed coup. (You'd think Ovanan technology could just harvest sperm from his testes.) There’s a lot of discussions about whether Hierarchs would deign to have sex with a human. We meet Eshi, a new-to-us female Hierarch who seems quite tender-hearted, maybe even flakey, but also racist. Serezha (the Russian author, who has done exactly nothing so far in this series) accompanies an auto-pilot ship to pick up Kovar’s team from the underworld of Siovansin. Everybody teases Serezha for being attracted to Lady Bast. D’Mer is still down there with the Irishai outcasts. He wears an illusion gadget to look like Seren, who was pretending to be Rieken the Resistance leader. D’Mer pretending to be Seren pretending to be Rieken. Got it? Confusing! D’Mer thinks so too. He switches off the image inducer after a few minutes and announces that he, D’Mer, is not Rieken but secretly replaced Rieken after Rieken’s death. D’Mer says he’s been leading the Resistance in that guise for a while now, so everybody had better accept him. After some debate, D’Mer and the Irishai are accepted into the Resistance without the need for complicated disguises. Lettercol and Editorial: Doran apologizes for accidentally deleting most of the fan mail to which she had intended to respond in this issue. Oopsie. Doran has decided that selling comic books in periodical form is a losing proposition, no matter what the publication schedule. “I really don’t think there is any kind of magic formula for comic publications except to get your books out in trade paperback format and get them out of comic shops to new readers.” Yep. Unfortunately, Image Comics’ trade paperback distributor folded unexpectedly, leaving image with no way to get their product into bookstores (as opposed to Local Comics Shops). No sketchbook this time, but she does include some vacation photos and a picture of her father meeting U.S. President George W. Bush. My Two Cents: Mainly a villains issue. The scenes with Kovar meeting Serezha could have easily happened off-screen. D’Mer is coming into his own as the leader of the Resistance, strutting around without a shirt for many pages.
|
|
|
Post by rberman on Oct 17, 2019 7:27:52 GMT -5
Issue #36 (August 2003)The Story: This is the first issue since early days not to bother with a detailed text recap page. In its place, Lady Bast narrates a five page expository summary at the beginning of the issue, and three more at the end. She explains how Etan the Avatar plotted to free himself from the Hierarchy through the power of his sons Aeran and Seren. A test run of their joint powers went badly. Etan lost his powers and then killed imself. Aeren fled to Earth and married a human artist. Weak-willed Seren became the new Avatar and was easily manipulated by the Hierarchy. You know the rest about how Aeren’s kids Jason and Liana were raised by the Martin Institute until escaping in issue #1. She says that Liana’s parents and other two siblings ( Cari and Tiar) are dead. Presumably this is reliable information, but keep in mind that it’s Bast speaking, not an omniscient narrator. Liana hatches a diabolically clever plan to identify Martin Institute thugs as her co-conspirators so that Emeris will track down her former jailers on Earth and murder them instead of looking for her real friends up on the Siovansin. Liana talks about her mommy, the most wonderful lady, who could both write and illustrate stories about Arthurian knights. Does that remind you of anyone we know? Liana suddenly becomes very resolute. Instead of being Ovanan’s last Avatar, she wants to reject the Hierarchy and become Earth’s first Avatar. Editorial: Doran finished illustrating Warren Ellis’ graphic novel Orbiter concerning problems on a Space Shuttle. Just before its release, the Space Shuttle Columbia exploded on orbital re-entry. Bad timing! There was debate about whether to delay release of Orbiter, but DC went ahead, and no scandal erupted. Doran is also delighted to be working with Keith Giffen on Reign of the Zodiac, since his interest in her fanzine art was a major professional encouragement when she was a teen and he was riding high drawing her favorite comic, Legion of Super-Heroes.Doran’s Homeowner’s Association passed draconic rules forbidding home businesses, even artistry. Rather than sue, she is moving. Story #2 “Operation: Love” written by Steve Darnall, art by Doran. It’s a cute little story, a satire on 50s romance comics. The protagonist is a lovelorn secretary working at a government black ops division who gets one of the lab guys to whip her up a love potion. Hijinks ensue. Lettercol: Doran’s Macintosh computer suffered a lightning strike, so once again precious work (including reader letters) has been lost. Doran reports that in Japan, most comics with gay themes are written by women but read by furtive men. Doran confirms that she did indeed get published in the lettercol of X-Men #178. Anybody have that issue to share with us? Doran also reports that one of the images in issue #14 was originally intended to depict the elf Legolas and his father King Thranduil from The Lord of the Rings. I assume she is talking about this image below. My Two Cents: Huh. A “story thus far” issue is not a bad idea, though its timing is a little unusual; I would expect it as the beginning of the graphic novels Doran has planned. There are lots of nice splash pages here which I assume have gone into the hands of collectors now, making this something of a fund-raising issue as well. As of issue #30, Doran had intended to end periodical publication with issue #36 and switch to a graphic novel format. She’s not quite done with individual issues, as it turns out.
|
|
|
Post by rberman on Oct 17, 2019 23:42:33 GMT -5
Issue #37 (June 2004)The Story: Down in the underground, D’Mer seems to be relishing his role as a revolutionary a bit too much. Lady Bast, watching from afar, compares him to Che Guevara and worries about a high body count once D’Mer gets rolling against Ovanan citizens. D’Mer quotes Thoreau’s poem “The Atlantides” from which the title A Distant Soil was taken; go read my commentary on issue #4 if you need a refresher on that. Niniri asserts her power over Liana, restoring brain-damaged Jason to her company but then taking away Seren. Niniri promises that if Liana is good, the two of them can restore Jason’s brain function – and make him loyal to the Hierarchy. Little does Niniri know that Lady Bast, in her disguise as Keris, is hooked into the stations’ computer networks and can interfere with the attempt to program Jason into an assassin. Sere’s funeral involves a lot of mocking banter amongst the Hierarchy. Suddenly D’Mer appears on every video screen, claiming to have a virus which will wreak havoc on Ovanan biology. In response, Niniri threatens to have Liana attack the Earth. Cliffhanger! Story #2 “Three Black Hearts” by Doran: This originally ran in a collection entitled The Forbidden Book. It’s an extremely dark gothic tale about a teen witch molested by her father and stepbrother. She eventually kills them and the stepmother who let it happen, cuts out their hearts, and uses their combined spiritual force to resurrect her boyfriend, whom dad had murdered. Sounds like another angle on A Distant Soil. Evil dad has the means to control his wife the witch, just as the Ovanan Hierarchy controlled Seren even though he was more powerful than they. These themes do not recur in Doran’s work by accident. Editorial: Doran now plans to continue the series as a periodical through issue #45, enough to collect a fourth volume of trade paperback, then have a fifth volume to conclude the story, and finally a sixth prequel volume telling the “Seasons of Spring” story of Liana’s parents Aeren and Jessica. (As previously discussed, Doran eventually published Volumes 3 and 4 of the trade paperback but only got through issue #38 in them.) A previous issue promised a fan art contest, but the lower page count of this issue won’t allow it to be published here, so Doran is relegating the contest exhibition to her web page. No lettercol for the same reason. My Two Cents: Niniri overheard Liana calling her a bitch. When Niniri looks up the word’s meaning, she’s so appalled by the sight of a mother dog nursing her babies that she passes out. Elephants and now dogs. Let’s make a list of ways to incapacitate even the strongest Ovanan… It seems unlikely that the universal translator would work for all the other slang but not for “bitch,” but it makes for a humorous moment in an otherwise dark episode. This was the first issue in a long while in which the cliffhanger final page showed evidence of being the final page of an individual comic book rather than just one of the many pages in an ongoing story.
|
|
|
Post by rberman on Oct 19, 2019 6:54:12 GMT -5
Issue #38 (December 2006)The Story: Niniri takes D’Mer’s threat of an airborne virus seriously. First she seriously wounds his lover Seren. Then she causes the Siovansin to break up into its component crystals, limiting the opportunity for a virus to spread. The Hierarchy merges their minds with Liana’s to use her powers to form a mystical gateway. Liana resists at first, but Seren urges her to go along with it, for reasons as yet unclear. Earth recedes to a tiny black spot in Liana’s eye. Lady Bast is there, still disguised as Keris and trying not to arouse the Hierarchy’s suspicion. The real Keris rises out of his coma in his quarters, discomfiting Reynaldo and Corrine, who were supposed to kill him when Kovar’s plan reached fruition. But where is Kovar? Editorial: It’s been thirty months since the last issue. Doran spent a substantial part of that time attempting to sell her trade paperbacks through a vendor, then trying to undo that deal when it went south. Then a computer crash (again) ate up her files. Then she moved to her family farm and set up a studio in a building which subsequently flooded due to clogged drainage. “During a severe June storm, water began gushing into the room as I watched in shock… I lost a couple of piles of art and several boxes of books.” When Doran finally finished this issue, she delivered the pages to a new designer who didn’t work out, and some pages went missing. This is especially bad because her workflow involves writing the script as she goes along, directly on the art pages. (See example below.) Loss of the art meant loss of the script as well. Re-writing and re-drawing this issue was demoralizing. My Two Cents: This issue’s splash page is significant for a couple of reasons. One, it just looks cool. Two, I bought the original! I visited Colleen Doran’s booth at Dragon Con in Atlanta last month. I had heard her name but didn’t know anything about her work, including A Distant Soil. But she was selling original pages to pay some bills, and this page was reasonably price and looked cool, so I bought it as well as the first three trade paperbacks. Glad I did; it’s been an interesting journey so far. Hopefully you agree.
|
|