Post by shaxper on Oct 24, 2015 13:24:00 GMT -5
Batman #462
"To Live and Die in California"
writer: Alan Grant
pencils: Norm Breyfogle
inks: Steve Mitchell
colors: Adrienne Roy
letters: Todd Klein
asst. editor: Kelley Pucket
editor: Dennis O'Neil
creator: Bob Kane
grade: B-
While this first chapter might have impressed folks at the time, twenty years of reading maximally decompressed comic stories that were better at raising questions than delivering a decent plot have really really desensitized me to that enigmatic first chapter where absolutely nothing is established and we're simply left to wonder who this mysterious new villain is and what he will do. Even Breyfogle's gorgeous pencils and Grant's strong characterization aren't enough to counterbalance the effect for me:
Really, nothing has occurred in this first chapter beyond the deaths of two victims we really don't care about and a lot of scenes of this shaman guy sitting there, waiting for death and his version of Hell to claim him. How many issues are we going to spend on this story?
And really, Grant has overplayed the "religious practitioners from some foreign and generally abandoned faith are killing people" plot a thousand times over by this point. Funny how a writer's utter fascination with these ancient belief systems ends up convincing readers that their practitioners are all evil murderers, but I guess it's hard to find other ways to write them into Batman stories, seemingly every sixth month. I wonder if he'll at least try to incorporate some of the Native American folklore now apparently intertwined with Batman's identity as established in the "Shaman" storyline from Legends of the Dark Knight #1-5.
Whatever the case, it feels strongly like we've been there and done this before, and with absolutely no forwarding of the plot as of this issue, I can't say I'm excited to come back for the next.
Tim Drake references/appearances: Not since Batman #457
Harold references/appearances: Not since Batman #459
Minor Details
Some serious logic gaps in this issue that would have Wayne Enterprise crumbling and Batman's alter ego exposed in a matter of days if he tried to pull this stuff off in the real world.
First, it's upsetting to see how Bruce runs his enterprises in this issue. Whereas Wolfman tried to depict him as being on top of things and bringing in Lucius Fox to help him out, this storyline shows Bruce essentially using Wayne Enterprises to further his goals as Batman with absolutely no further regard for it. First he moves a major meeting scheduled for a week later up to the next day, and then, when meeting the top underlings from the West Coast that he was supposed to discuss matters with, he pulls this stunt:
Seriously. As readers, how are we supposed to feel about this? I feel bad for these guys and now see Bruce as a thoroughly irresponsible boss/leader. Not only are those guys likely to quit, but clearly whatever needed to be discussed/decided at this all important meeting can't be summarized in a written report. You don't schedule a meeting with Bruce Wayne and fly him out to San Francisco just to report out.
Additionally, he ships the Batmobile out to San Francisco with him via Wayne Enterprises, and that seems like a very easy way to arouse suspicion. It just takes one employee to wonder "What the heck is in this huge box?" and your cover is blown. But worse yet, he stops a mugging in front of witnesses in San Francisco on the same day that Bruce Wayne flew out there and THEN goes to question someone in relation to the murder Batman is investigating as Bruce Wayne, saying this:
Could you be more careless with your secret identity?
On the other hand, I like how O'Neil and Grant continue to press the social issues they took on recently in regard to heart disease and the risks of smoking. This issue, they allow Gordon to function as an example and role model -- proof that someone can make a positive change in his/her life:
However, Grant should really familiarize himself better with American slang, as I suspect Gordon's comment here came off differently than he intended:
Maybe "the weed" he was smoking is what was causing him to talk to a giant Bat-Man in the first place...
Plot Summary in one sentence:
A friend of Bruce Wayne's who collected Native American medicine bags is murdered, the trail leads to another man in San Francisco, Bruce Wayne arrives there to investigate, but Batman fails to stop the second death, and the trail continues to lead to Las Vegas, all while some mysterious ancient blind Native American continues to sit on a mound, awaiting punishment and eternal damnation for his evil ways, wishing there was a way to atone before death arrives (and it is apparently imminent).
"To Live and Die in California"
writer: Alan Grant
pencils: Norm Breyfogle
inks: Steve Mitchell
colors: Adrienne Roy
letters: Todd Klein
asst. editor: Kelley Pucket
editor: Dennis O'Neil
creator: Bob Kane
grade: B-
While this first chapter might have impressed folks at the time, twenty years of reading maximally decompressed comic stories that were better at raising questions than delivering a decent plot have really really desensitized me to that enigmatic first chapter where absolutely nothing is established and we're simply left to wonder who this mysterious new villain is and what he will do. Even Breyfogle's gorgeous pencils and Grant's strong characterization aren't enough to counterbalance the effect for me:
Really, nothing has occurred in this first chapter beyond the deaths of two victims we really don't care about and a lot of scenes of this shaman guy sitting there, waiting for death and his version of Hell to claim him. How many issues are we going to spend on this story?
And really, Grant has overplayed the "religious practitioners from some foreign and generally abandoned faith are killing people" plot a thousand times over by this point. Funny how a writer's utter fascination with these ancient belief systems ends up convincing readers that their practitioners are all evil murderers, but I guess it's hard to find other ways to write them into Batman stories, seemingly every sixth month. I wonder if he'll at least try to incorporate some of the Native American folklore now apparently intertwined with Batman's identity as established in the "Shaman" storyline from Legends of the Dark Knight #1-5.
Whatever the case, it feels strongly like we've been there and done this before, and with absolutely no forwarding of the plot as of this issue, I can't say I'm excited to come back for the next.
Tim Drake references/appearances: Not since Batman #457
Harold references/appearances: Not since Batman #459
Minor Details
Some serious logic gaps in this issue that would have Wayne Enterprise crumbling and Batman's alter ego exposed in a matter of days if he tried to pull this stuff off in the real world.
First, it's upsetting to see how Bruce runs his enterprises in this issue. Whereas Wolfman tried to depict him as being on top of things and bringing in Lucius Fox to help him out, this storyline shows Bruce essentially using Wayne Enterprises to further his goals as Batman with absolutely no further regard for it. First he moves a major meeting scheduled for a week later up to the next day, and then, when meeting the top underlings from the West Coast that he was supposed to discuss matters with, he pulls this stunt:
Seriously. As readers, how are we supposed to feel about this? I feel bad for these guys and now see Bruce as a thoroughly irresponsible boss/leader. Not only are those guys likely to quit, but clearly whatever needed to be discussed/decided at this all important meeting can't be summarized in a written report. You don't schedule a meeting with Bruce Wayne and fly him out to San Francisco just to report out.
Additionally, he ships the Batmobile out to San Francisco with him via Wayne Enterprises, and that seems like a very easy way to arouse suspicion. It just takes one employee to wonder "What the heck is in this huge box?" and your cover is blown. But worse yet, he stops a mugging in front of witnesses in San Francisco on the same day that Bruce Wayne flew out there and THEN goes to question someone in relation to the murder Batman is investigating as Bruce Wayne, saying this:
Could you be more careless with your secret identity?
On the other hand, I like how O'Neil and Grant continue to press the social issues they took on recently in regard to heart disease and the risks of smoking. This issue, they allow Gordon to function as an example and role model -- proof that someone can make a positive change in his/her life:
However, Grant should really familiarize himself better with American slang, as I suspect Gordon's comment here came off differently than he intended:
Maybe "the weed" he was smoking is what was causing him to talk to a giant Bat-Man in the first place...
Plot Summary in one sentence:
A friend of Bruce Wayne's who collected Native American medicine bags is murdered, the trail leads to another man in San Francisco, Bruce Wayne arrives there to investigate, but Batman fails to stop the second death, and the trail continues to lead to Las Vegas, all while some mysterious ancient blind Native American continues to sit on a mound, awaiting punishment and eternal damnation for his evil ways, wishing there was a way to atone before death arrives (and it is apparently imminent).