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Post by brutalis on May 19, 2020 13:35:57 GMT -5
I grew up with seeing Kubert in the war comics doing covers, interiors and editing. Immediately fell in love with his work. For a long time I felt Enemy Ace was his best work alongside his Hawkman and then I gradually discovered that to say he had a "best" was to bearing false witness since it seemed like everything he did throughout his life in comics was Kubert always besting himself. It was a pure delightful treat whenever Joltin' Joe (sorry Sinnott, I kind of feel like that moniker fits Kubert as well ) graced the covers of any superhero comic I was buying. His unique style gave every hero he touched a well defined difference in their portrayal under his sturdy (again, sorry Ditko, Kubert was both STURDY and RELIABLE) pencils. There is always a lean, hungry, defiant to the end quality that Kubert gave his heroes. A look to them that said yes, you may have hurt me physically, but I am NOT defeated and I am still standing here and I will not stop until your utter and total defeat at my hands! A pure inner strength and vitality of conviction burned inwardly and outwardly from a Kubert hero, whether they were a viking prince swinging a sword, a cowboy slapping weather, a soldier standing firm against the enemy or a super powered hero stopping villains across the world and universes! You knew a Kubert hero stood tall and was a true hero and wouldn't fail!
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Post by Slam_Bradley on May 19, 2020 14:01:16 GMT -5
What I find most amazing about Kubert is that his work never deteriorated as he aged and, if anything, his later work just kept getting stronger as he was able to work on stuff that really interested him. There is generally a natural curve with an artist where they gain proficiency and improve until the point where simple physical age takes enough of a toll on the body that their work isn't what it once was. I never felt that that happened with Kubert.
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Post by electricmastro on May 19, 2020 14:18:23 GMT -5
What I find most amazing about Kubert is that his work never deteriorated as he aged and, if anything, his later work just kept getting stronger as he was able to work on stuff that really interested him. There is generally a natural curve with an artist where they gain proficiency and improve until the point where simple physical age takes enough of a toll on the body that their work isn't what it once was. I never felt that that happened with Kubert. Indeed. He just kept getting better and better over time. 1945: 1998:
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Post by Deleted on May 19, 2020 14:43:08 GMT -5
Earlier this year, in conjunction w/ an exhibit by Adam, this life drawing was on exhibit, which showed a different side of Joe's work: Through the Kubert School's line of correspondence course books, they published a life drawing text by Joe... -M
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Post by Deleted on May 19, 2020 22:00:55 GMT -5
Another Kubert favorite of mine (like Abraham Stone done for the European market)... -M
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Post by beccabear67 on May 20, 2020 13:48:20 GMT -5
One of a handful of perfect comic artists. If you look at the surface close up, which was never expected, you could say the ink line is sloppy or ragged, but like a zen brush painter there is so much drawing knowledge underlying everything the overall image is almost always a perfect comic book cover! A glossier more detail oriented finish was more or less unnecessary plus could take an excessive amount of time.
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Post by electricmastro on May 23, 2020 21:49:23 GMT -5
According to Jerry Bails’ Who Who, Kubert was influenced by Hal Foster, Alex Raymond, and Mort Meskin. Do any of you personally see influences of their art in Kubert’s work? Source: bailsprojects.com/bio.aspx?Name=KUBERT%2C+JOE
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