shaxper
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Post by shaxper on Oct 5, 2020 8:42:55 GMT -5
Counting Down The Top 25 BELA LUGOSI Films & Recorded Performances (October 5th thru 30th, 2020)Back in January, I brought you reviews of every surviving Bela Lugosi film with the promise that I would follow up with a countdown in October. Well, here we are! This was no easy list to assemble. I began by assigning a rating out of 23 points to each film and recorded performance, weighing the following factors: Plot (0-5 points) Atmosphere/Effects (0-5 points) Other Actors (0-3 points) The Lugosi Factor (0-10 points) While several earned full scores in one or more of these categories, it's important to note that no film earned a full 23 points. There is no such thing as a perfect Bela work; all are flawed in one respect or another. The highest score assigned to any of these works was a 21.5. But if you've read this far in, you're a fan that understands how the appeal of Bela Lugosi transcends a love for high quality films. Even at his schlockiest, B-filmiest, there is an unmistakable charm to Bela Lugosi that makes the journey worthwhile. Of the eighty eight surviving Bela films and other recorded performances, there were truly only five that I found unworthy of my time and attention. The other eighty-three were all a treat in one respect or another. So here comes the cream of the crop: the twenty-five BEST Lugosi films and other recorded performances, as determined by my 23 point rating system. Few are cinematic masterpieces, few are without notable flaws, but each is a journey worth taking if you appreciate Bela. Many of these will be familiar to the casual fan, but many may be new to you as well--even in the top ten spots. And no, Dracula isn't even in the Top 5. Here's hoping you're ready to sharpen that wooden steak, peel that garlic, and get comfy in a box filled with the native soil in which you were buried. It's time to uncover some Bela classics, both familiar and new, for the Halloween season! The List... #25: Shadows of Chinatown (1936)#24: Son of Frankenstein (1939)#23 Bowery At Midnight (1942)#22: The Ghost of Frankenstein (1942)#21: The Silent Command (1925)#20: The Midnight Girl (1925)#19: SOS Coast Guard (1937)#18: Return of the Vampire (1943)#17: Abbott and Costello Meet Frankenstein (1948)#16: The Devil Bat (1940)#15: Mother Riley Meets the Vampire / Vampire Over London (1952)#14: Dark Eyes of London / The Human Monster (1939)#13: Zombies on Broadway (1945)#12: Mark of the Vampire (1935)#11: The Raven (1935)#10: The Island of Lost Souls (1932)#9: The Invisible Ghost (1941)#8: Dracula (1931)#7: You'll Find Out (1940)#6: The Body Snatcher (1945)#5: Suspense: A Cask of Amontillado (Television 1949)#4: Murders in the Rue Morgue (1932)#3: The Black Cat (1934)#2: Phantom Ship (1935)#1: White Zombie (1932)
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Post by shaxper on Oct 5, 2020 8:58:55 GMT -5
#25: Shadows of Chinatown (1936)Movie serials are a hard sell to modern audiences. Most were produced as disposable, forgettable strings of cliffhangers, each with 15-20 minutes of setup. The writing, the production values, and even the acting talent is often cheap and half-considered. And yet, Bela, who was always seeking more work and didn't seem too particular about where he got it, was starring in serials even at the height of his fame. Most are pretty dreadful, and yet there are exceptions. In the case of Shadows of Chinatown, while the plot is totally derivative of countless other serials and movies being produced at the time, featuring a criminal mastermind in Chinatown, a Milt Caniff-style Dragon Lady, and a gutsy girl reporter who gets herself into more trouble than she can handle, the story develops well over its fifteen chapters and seldom feels tedious or repetitive. Fair warning, though -- there's a lot of blatant misogyny in this one, and I have no idea how the producers expected us to believe Bela was Chinese. Also, whereas the early chapters portrayed the shadowy underground of the San Francisco Chinatown, complete with dark corridors, eerie lighting, and semi-interesting death traps, the budget apparently ran out partway through, resulting in the final chapters being filmed on the streets of Hollywood, complete with rooftop battles, gas station encounters, and the last two chapters occurring almost entirely in a house and a restaurant. The entire feel of the film changes for the worse, and yet the writing and acting keep us engaged anyway. Interested in checking it out? Shadows of Chinatown is streaming on Youtube:
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Post by shaxper on Oct 6, 2020 8:00:18 GMT -5
#24: Son of Frankenstein (1939)Certainly not the best remembered installment in the Frankenstein series, yet this film offers an engaging plot, high production values, and a change in focus from the monster itself to Ygor, the sinister assistant played by Bela who manipulates the artificial man for his own purposes. It's a one-note role, but Bela throws his all into it. While he usually has those familiar intonations and expressions that tend to work their way into nearly all of his roles, none of them can be found here -- it's the least familiar he's ever been in a film, fully throwing himself into this twisted monster of a human who arouses no sympathy in the viewer, but at least commands some laughs and cheers when he spits in the uptight barrister's face. It's a film with some significant weaknesses, missing both the tone and the characterizations that made the first two Frankenstein films so special, but it's a quality film nonetheless, and Bela's performance here is unforgettable. Watch Son of Frankenstein on Youtube (rental fee applies):
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Post by shaxper on Oct 7, 2020 8:28:22 GMT -5
#23: Bowery At Midnight (1942)Though Monogram Pictures was in the business of pumping out cheaply made schlock (and this is no exception), Bowery At Midnight still proves to be one of the darkest, most complex roles Bela ever assumed, playing a Psychology professor who is fully aware he is a sociopath leading a triple life as teacher/loving husband, proprietor of a Depression-era soup kitchen, and small time crime boss/cold blooded murderer. Though it likely found inspiration from Dark Eyes of London (released three years earlier, and coming later on this list), this film goes so much deeper and darker, and did I mention the zombies? You can forgive the laughable secret entrances and recycled/inappropriate music with a plot this rich. Bowery At Midnight is streaming for free on Youtube if you're in the mood to watch it tonight!
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Post by shaxper on Oct 8, 2020 8:11:45 GMT -5
#22: The Ghost of Frankenstein (1942)One of the most challenging things about compiling this list was balancing the quality of the films versus the quality of Bela's contributions to them. Let me be clear -- I hate this film with a passion. Whereas the previous installment, Son of Frankenstein (1939), was a significant step down from the previous two installments in the Frankenstein mythos, this one is an utter abomination that completely undermines the point and appeal of the franchise. However (of course, there's a however), the one thing this film does right is give Bela's returning character, Igor, more range, now feeling genuine affection and concern for the creature, and seeming more than a little mentally unstable as well. Bela really owns it and delivers an excellent performance on a B-level script. Best yet, when he becomes the voice of the monster (Chaney Jr. still lip synching the dialogue along with Lugosi's recorded voice), his inflections truly work and lend expression to the monster that Chaney Jr. isn't otherwise providing. While Giving the monster Igor's brain and voice was the nail in the coffin for this franchise, Bela does an incredible job with it all the same. It was just the wrong move for the character. So, if you're looking for a quality spooky film this Halloween season, I would certainly skip this one, but if you're looking for quality Bela performances, this is one you shouldn't miss. You can rent The Ghost of Frankenstein on Youtube if you're brave enough:
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Post by shaxper on Oct 9, 2020 7:54:27 GMT -5
#21: The Silent Command (1923)Popular conception would have you believe that Bela Lugosi had been a relative unknown in Hollywood before making Dracula, but here he is making his American debut eight years earlier, playing the villain in a high profile, big budget William Fox picture that was even used for the premiere of several new Fox movie theaters. It's half spy film and half U.S. Navy recruitment fodder, as Edmund Lowe plays a naval intelligence officer targeted by Lugosi and his band of foreign saboteurs as a means of destroying the Panema Canal and, subsequently, dividing the U.S. Navy in half. The plot is a predictable eye-roller designed to convince audiences to either go out and join the U.S. Navy today or to at least trust that it was unstoppable, but the film makes up for that by being visually impressive, with beautiful title cards and a surprisingly modern pacing established by quick cuts that are, at times, almost dizzying. It's a very well-made film with a lousy plot holding it back from being stellar. While this was hardly the first time Bela (credited here as "Belo" Lugosi) got to play the bad guy, it's the earliest example anyone in 2020 is likely ever going to see, and he positively thrives in the role. For most of the film, he's just the guy in the background, watching things unfold and smirking, but he certainly gets to participate in a powerful struggle at the climax, and he shines most brilliantly in the second scene of the film -- absolutely the film's finest moment -- in which he overhears the plans for the canal's defenses being discussed, and the camera, the lighting, the editing, and Lugosi all come together to make an unforgettable piece of cinema that shows him off at his finest. Heck, White Zombie (1932) will steal the repeated close-ups on Lugosi's menacing eyes that get used here. The Silent Command is streaming for free on Youtube:
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Post by Hoosier X on Oct 9, 2020 8:48:15 GMT -5
#23: Bowery At Midnight (1942)Though Monogram Pictures was in the business of pumping out cheaply made schlock (and this is no exception), Bowery At Midnight still proves to be one of the darkest, most complex roles Bela ever assumed, playing a Psychology professor who is fully aware he is a sociopath leading a triple life as teacher/loving husband, proprietor of a Depression-era soup kitchen, and small time crime boss/cold blooded murderer. Though it likely found inspiration from Dark Eyes of London (released three years earlier, and coming later on this list), this film goes so much deeper and darker, and did I mention the zombies? You can forgive the laughable secret entrances and recycled/inappropriate music with a plot this rich. Bowery At Midnight is streaming for free on Youtube if you're in the mood to watch it tonight! Bowery at Midnight is my second favorite Lugosi film, right behind Dracula. There should be more films where the mad scientist is a mad sociologist! The social science should have their fair share of power-mad practitioners. There should be mad historians, mad economists, mad anthropologists, all of them are capable of being a menace to society. Lugosi is like a really evil Batman villain from the pre-Robin era. His calling card is hardcore: He always leaves the body of one of his accomplices at the scene of the crime! Because of the appearance of Tom Neal, I consider it a sequel to Detour.
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Post by shaxper on Oct 9, 2020 8:58:11 GMT -5
Bowery at Midnight is my second favorite Lugosi film, right behind Dracula. I just knew you were going to chime in on this one.
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Post by Hoosier X on Oct 9, 2020 8:59:21 GMT -5
#22: The Ghost of Frankenstein (1942)One of the most challenging things about compiling this list was balancing the quality of the films versus the quality of Bela's contributions to them. Let me be clear -- I hate this film with a passion. Whereas the previous installment, Son of Frankenstein (1939), was a significant step down from the previous two installments in the Frankenstein mythos, this one is an utter abomination that completely undermines the point and appeal of the franchise. However (of course, there's a however), the one thing this film does right is give Bela's returning character, Igor, more range, now feeling genuine affection and concern for the creature, and seeming more than a little mentally unstable as well. Bela really owns it and delivers an excellent performance on a B-level script. Best yet, when he becomes the voice of the monster (Chaney Jr. still lip synching the dialogue along with Lugosi's recorded voice), his inflections truly work and lend expression to the monster that Chaney Jr. isn't otherwise providing. While Giving the monster Igor's brain and voice was the nail in the coffin for this franchise, Bela does an incredible job with it all the same. It was just the wrong move for the character. So, if you're looking for a quality spooky film this Halloween season, I would certainly skip this one, but if you're looking for quality Bela performances, this is one you shouldn't miss. You can rent The Ghost of Frankenstein on Youtube if you're brave enough: Five things I love about The Ghost of Frankenstein ... 1. The goose girl who gives them directions on the way to Visaria. That look on her face! 2. The way Lon Chaney Jr makes the monster looks like a sullen chubby baby. 3. Evelyn Ankers. 4. Sir Cedric talking to himself when he appears as the ghost of the original Dr. Frankenstein. 5. The whole subplot with the little girl. The monster envies the little girl and her kindness and her simple happiness. So he wants to be the little girl! He kidnaps the little girl and tries to persuade Sir Cedric to put his brain in her body! Eeeeek! I don’t think there is a creepier moment in any other Universal monster movie.
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Post by shaxper on Oct 9, 2020 10:14:11 GMT -5
2. The way Lon Chaney Jr makes the monster looks like a sullen chubby baby. Isn't Lon Chaney Jr always playing a sullen chubby baby, though?
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Post by Hoosier X on Oct 9, 2020 13:08:16 GMT -5
2. The way Lon Chaney Jr makes the monster looks like a sullen chubby baby. Isn't Lon Chaney Jr always playing a sullen chubby baby, though? LOL
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Post by Hoosier X on Oct 9, 2020 19:23:18 GMT -5
I’m not sure if I’ve seen Shadows of Chinatown, but if I have, I don’t remember it. And I know I’ve never seen The Silent Command.
As for The Son of Frankenstein, oh what a fun movie, and not just because Mel Brooks got so much mileage out of it! I love Rathbone getting so pissy during the darts scene, Atwill playing the inspector and not being evil for a change, just very intense, and Karloff reprising his greatest role.
But WOW is this Lugosi’s movie! I crack up laughing every time I watch it because of that scene where he’s asked why he was hanged, and he says “Robbing graves ...” and hastily adds “They said!” so that everybody knows he’s a nice fella and would never do that.
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Post by shaxper on Oct 9, 2020 23:00:31 GMT -5
#20: The Midnight Girl (1925)The Midnight Girl presents the best possible opportunity to see Bela's acting range before his starring role in 1931's Dracula would permanently type-cast him for all roles to come. His character here, a wealthy patron of the New York Opera House, is written as a soulless, conniving 1925 Harvey Weinstein, but Lugosi lends the character an unexpected warmth that somehow works and earns the film its otherwise unwarranted happy ending. When Lugosi's character should be cruel, he is instead adorable and sometimes even humorous. You can't help but love the guy, even as he is effectively the villain of the film, ruining everyone else's lives until he finally comes around at the end. I always loved how, in his later films, Lugosi would play these adorable sort of elderly villains who felt more like a mischievous grandpa than a human monster; it's both surprising and rewarding to see him pulling that off as a younger, more dashing and menacing scoundrel who can find nuance and an opportunity for redemption that absolutely isn't provided by the script itself. In the end, there's little about the film itself that is going to wow you, but Lugosi's performance is an unexpected joy that absolutely makes the experience worthwhile. The Midnight Girl is streaming for free on Youtube:
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Post by shaxper on Oct 11, 2020 8:21:51 GMT -5
#19: SOS Coast Guard (1937)This one is usually overlooked because, to be completely honest, the first chapter is horrendous. The complete opposite of Shadows of Chinatown, this one starts insultingly low budget and bad-looking, and then gradually gets better and better as the chapters progress, but this thing truly becomes exciting only a few chapters in, with truly great action, interesting sets, some better practical and special effects, and even sparse moments of expressive lighting and camerawork by the final few chapters. More importantly, only six years after he became a mega star with Dracula, Bela's acting prospects had all dried up, and this was the only role he was able to land in 1937, so he goes for broke and gives this role his all. It's impossible to deny the amount of thought and artistry he pours into this one, giving such careful attention to gestures, mannerisms, expressions and such in order to make most of his scenes truly memorable (and he gets nearly as much camera time as the heroic lead). Rather than playing the mentally unstable megalomaniac of Shadow of Chinatown again (really, the two roles are written the same), he plays a far more cool, cold-blooded boss with manic undertones, and he truly owns it. My absolute favorite moment is when he is about to put a dog to death as a test for the new chemical weapon he has created, and he gives it a loving kiss on the head first. So very very cold-blooded. SOS Coast Guard is streaming free on Youtube:
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Post by Hoosier X on Oct 11, 2020 8:43:49 GMT -5
I saw The Silent Command last night, and I was never bored. So there’s that!
(My friend Clark and I watched it at the same time, though he’s in Ohio and I’m in California, and we texted each other during the film and made fun of it. We’ve been doing this at irregular intervals since March. I picked this film knowing Clark is also a Lugosi fan, and I apologized in advance in case it was dumb stupid and boring, because, you know ... very old movies are a crap shoot sometimes. (Also, current movies are a crap shoot sometimes.)
I was rather under the impression that The Silent Command was compiled from four different movies that are all about US Naval Intelligence protecting the Panama Canal from Bela Lugosi.
My biggest question is ... Why did the dog wear glasses? Is there perhaps a deleted scene where Lugosi aimed a bright light at the dog’s face to purposefully impair his vision? For some reason?
I also thought it was amusing that one of the admirals looks like John McCain. Was it his dad or his grandfather?
1923 was a long time ago. I’m betting The Silent Command was pretty exciting to 1923 audiences.
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