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Post by codystarbuck on Sept 5, 2022 17:53:44 GMT -5
I'm not sure if this has been covered on the previous pages, but given the legal issues with the Captain Marvel name, I think DC should return to the character's original name: Captain Thunder. I know the name was used in the Bronze Age and in Flashpoint, but I think it's a fitting name that would allow DC to really push Billy and his family's mythos. Captain Thunder and the Thunder Family has a nice ring to it. Slight problem with that, since Roy Thomas created Captain Thunder and Blue Bolt, at Hero Comics, in the 80s. Indicia says the trademarks were held by Roy & Dann Thomas. Heroic Publishing is attempting to raise money to publish the 13th issue. I say promote him to major; Marvel doesn't hold a trademark on Major Marvel! Sure, they will threaten a lawsuit, but, they would have to prove their trademark on Marvel Comics extends to using the pre-existing word, Marvel, well beyond a reasonable context. Of course, DC would be too @#$$% to fight it out in court. Just call him Captain Billy and the book Captain Billy & His Whiz-Bang Gang!
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Post by codystarbuck on Sept 7, 2022 15:45:10 GMT -5
Action Comics Weekly #623-6264 issues and Shazam doesn't get a single cover. Deadman got a cover. The Secret Six got a cover. Blackhawk got a cover. Guess we know where Roy and Captain Marvel stood, at DC, at this stage. I'll get to that, later. Creative Team: Royy & Dann Thomas-writers, Rick Stasi-pencils, Rick Magyar-inks, Jean Simek-letters, Nansi Hoolahan-colors, Mike Gold-editor Anyone named "Rick" gets to draw Captain Marvel! Synopsis: Billy Batson awakes to his clock radio alarm and starts his day, when he hears a report of a police standoff, with armed robbers, who were attempting to steal from an overturned armored car. A quick "SHAZAM!" and Captain Marvel speeds to the scene. The armed robbers spout nonsense about America's "Zionist Occupied Government," and berate white cops for not being on their side. Not coincidentally, the guards in the armored car are black. Captain Marvel flies in and one of the robbers points a gun at as guard's head and tells him to leave or he will shoot him. Using the Spped of Mercury, CM puts his hand between the gun and the guard and stops the bullet, but causes a blowback which kills the robber... Captain Marvel is stunned by what occurs and leaves the scene, after answering a question from WHIZ-TV. he returns home and changes and tells Uncle Dudley what happened, lamenting that with the Wisdom of Solomon he should have grabbed the barrel and not blocked the muzzle. Dudley tries to console him when Billy receives a call from station manager Elvira Thickert. The dead robebr was part of a neo-Nazi group, The Sons of Valhalla and she wants Billy to do an interview with his family Billy resists, but goes through with it. Billy goes to the address given him, in a run down neighborhood. He meets Dawn McCuller, daughter of the rober, who recognizes him from tv. He backs out of the interview and says he can't do it, though he has no crew with him. Dawn invites him in and tells him about her father. Zack McCullers was a farmer, but he lost the farm. The Sons of Valhalla claimed it was part of a Jewish banking conspiracy and recruited him. Now, her brother Duane is to attend a summer camp, being indoctrinated. Dawn asks Billy's help, but he isn't sure what he can do. At that moment, the footage from the scene comes on, with Captain Marvel saying he lived in San Francisco and Dawn erupts in anger smashing the tv. Billy is convinced to do what he can to help. Billy goes to the camp, masquerading as Duane McCullers, at a place called Aryan Acres..... Billy meets ham Davis, the founder of the Sons of Valhalla, and is turned over to Sam, one of the campers. He is shown past a restricted building, where the adults are working and is told it is off limits. Billy asks Sam if he knows what goes on in there and he says it's best not to ask, as Jake, the youth leader, gets very mad. he shows Billy to a cabin, covered in anti-0semitic and racist propaganda posters, including an image of Hitler, in Crusader armor. Billy is torn with a desire to destroy the camp and the need to know what is going on up there. He is issued his uniform and soon begins his indoctrination into the insanity of "white supremacy." Later, Sam confides in Billy that he can't buy all of the rhetoric, but Billy isn't sure he trusts him and plays the racist. Sam lets slip about a graduation exercise, in San Francisco and something to do with what is going on in the restricted building. Billy sneaks out and witnesses a blond man be injected with something. It transforms him into a physical specimen...the new Captain Nazi! Billy tries to get a better look and the glass of the skylight he leans on breaks and he plummets towards the floor, but is caught, by Captain Nazi. Billy bluffs his way out of it, spouting the nonsense, while claiming curiosity, which is praised by Davis. As the son of a "martyr," he is given a seat of honor to observe the tests of Captain Nazi's abilities. He is shown to be super strong, able to fly and project heat rays from his eyes, all of which Davis refers to Odin and other Norse gods (Twin Hammers of Thor, fly like Sleipner, Eyes of Surtur). The scientist who concocted the formula, Dr Patterson, has a belt he says will negate Captain Marvel, thanks in part, to the sacrifice of Duane's father.... They staged the robbery to draw out Captain Marvel and record his alpha waves. The belt will lead Captain Nazi to Captain Marvel. Davis then tells Billy that the graduation exercise is for the boys to dump cyanide into San Francisco's water supply. The next day, the boys load a bus, while Jake brings on the weapons and they head for San Francisco, making a pitt stop at a gas station. A youth on a motorbike comes onto the bus, whispers into the driver's ear and he then yells for the boys to grab and gag Billy. The youth is the real Duane McCullers, who discovered what his sister had been up to. The station attendant comes up to the bus, asking if they want something, because they are blocking the pumps and not doing anything. He gets a rifle butt to the face. Then, he is bound and placed alongside the bound and gagged Billy, as they set fir to gasoline, while the pair are trapped inside the station. Captain Nazi is told that he isn't going on the mission and reacts violently. He tells them he is in charge now. One of the idiots shoots and the bullet bounces off and his barrels of explosive material and sets them off. The station attendant wakes up and stumble out of the office, never seeing Billy, in the smoke. Billy is still trapped and is unable to get free, when Captain Nazi turns up, drawn by the blaze. he is looking for the bus and removes Billy's gag, to find out what happened. Billy says "SHAZAM!" and transforms into Captain Marvel. CM knocks him across the country, then drops a mountain on him... At the reservoir, Sam is being made to drop the cyanide, after he attempted to protest about the fire, on the bus. Captain Marvel arrives in the nick of time (as usual) and stops them. he returns to the mountain; but, finds Captain Nazi gone and a message left by him. Thoughts: The story itself is pretty good, working in the very real issue of white supremacist groups, who continued the legacy of the Nazis, right down to their BS propaganda. Roy and Dann Thomas researched the groups, at UCLA and included actual imagery and slogans, such as a boy's "Hitler European Tour" t-shirt, range targets of Henry Kissinger (who was Jewish) and Jesse Jackson. The camp is much like the Hitler Youth camps, with emphasis on physical fitness and military training, including hunting and shooting, as well as hand-to-hand combat. The basic plot is fairly standard for these types of stories, with poisoning a city water supply being a plot that dated back to the pulps (though poisoning wells is an ancient military tactic). White supremacists were notably big parts of the militia movement of the 80s, leading to stories in comics like GI Joe and Jon sable, Freelance, among others. Roy exposes them for what they are, petty little failures, always looking for a scapegoat and seeking their aims through violence, willing to sacrifice their own for their aims. He makes a point of how they recruit, looking for people like Zack McCullers, who fail at life and feed their anger. The loss of the farm matched issues in the 80s, relating to farm foreclosures, which led to the creation of Farm Aid, with a series of charity concerts (I worked concessions at the first one, at memorial Stadium, at the Univ of Illinois, as a midshipman). Many were blaming banks for the farm failures, much as had been done in the Depression. That ignored things like bad harvests, bad business sense, and poor farming techniques, which were all factors in farm failures. However, easy credit led many, not just farmers, into deep debt with banks, who used the debt as an asset, to use as collateral for their own borrowing. In both eras (the 30s and the 80s), banks giving out easy loans, at high interest rates, fed economic turmoil. The art on this is not bad, but it feels a bit on the amateurish side. he had appeared in DC's New Talent Showcase and did some illustrations for Who's Who and Secret Origins, and had worked with Roy & Dann on an issue of Captain Thunder and Blue Bolt, at Hero Comics. His storytelling isn't bad, but his figure work isn't quite as developed. This gets into the heart of problems Roy was having with DC, which may explain why Captain Marvel didn't get a single cover, when every other features usually got at least one, during the run of its story. In Alter Ego (Vol 3, issue #9), Roy relates his time with Captain Marvel, at DC. Part of the enticement of him coming to DC was first right of refusal for anything involving the Golden Age characters (the JSA, specifically) and Captain Marvel. He did some Captain Marvel stories in DC Comics Presents and All-Star Squadron, but DC didn't think it was the right time to launch Captain Marvel in a new solo series. In 1983, Roy's contract was renewed, as well as his claims on Captain Marvel. he and Don Newton were developing ideas for a revamped Captain Marvel, including an African-American Freddy Freeman, who would be wheelchair-bound, who would become Captain Thunder. DC dragged their feet on things, since Captain Marvel was licensed by Fawcett and they weren't sure they would approve a radical revision. Roy says he got the feeling that no one at DC wanted to ask them. The point became moot when Newton died of a sudden heart attack, on August 19, 1984. The project was temporarily shelved. Captain marvel got his revamp with Shazam! The New Beginning, with Tom Mandrake on art and Roy & Dann writing and Roy editing. Sales followed the usual pattern of dropping off with the second issue; but, they jumped up with the 4th, indicating that the whole series had sold quite well. A series was to follow, though Roy would not edit, just write. Tom Mandrake moved on to other things, including the Spectre series, which Roy relinquised rights to do, at DC's request (as he also did with Dr Fate). A new penciller was assigned: Mark Beachum, who was green but promising. This version was to introduce a new Mary Marvel, who was Marry Bromfield, but not Mary Batson. She was not Billy's sister and was depicted as a punk girl, despite punk being pretty much dead, for several years (proving comics were always slow to jump on a trend). She would go by the name of Spike and dress more provocatively, creating sexual tension with Captain Marvel (and would be or would be nearly forced into being a prostitute). A new Captain Marvel Jr (not Captain Thunder) would be introduced, an African-American youth, in a wheel chair. Beachum created designs and presentation art, then penciled or partially penciled about 14 pages of the first issue, then never turned any more work in. The story would pick up from the end of the mini-series, with Sivana in Mexico and would introduce Mr Mind. After a year and a half, nothing more came of things. DC decided to do the Action Comics Weekly story, to keep the character in the public eye (after the JLI appearances), and give time for a new issue 1 to be drawn. A new rookie artist, Frank Travellin was assigned; and, though Roy liked his storytelling, DC was not happy with his pencils. Mike Gustovich (of the Justice Machine, Starslayer, and some DC and Marvel inking jobs) was hired to rework and ink the pencils. DC wasn't happy with the work. Around this time, the editor left the project and a new editor came on board. He assigned Tod Smith, who had worked on Vigilante, with Marv Wolfman, to draw a new number one. they told Roy they wanted a stand alone story, retelling the origin. At the same time, the Action Comics Weekly story was released, a year and a half after the end of Shazam! the New Beginning. Roy wasn't happy about redoing the origin and the delays, primarily caused by DC reticence to move forward, despite approving the plots of the planned first 2 issues and assigning the artists. Roy came up with a story of Captain Marvel facing off against Mammoth, of the Fearsome Five, with the previous events told in a dream sequence. DC didn't like the story and felt it wasn't good enough for a relaunch. By this point, Rick Hoberg came into the picture to help Roy out and he made some sketches (2 sets, as one got lost in the mail) for revised Marvel Family characters. DC said no and informed Roy that his exclusive option had expired and the property was being turned over to someone else. Roy blew his stack and sent DC a terse letter, pointing out how they had caused the delays and would not approve anything. The letter got no response and Roy basically felt like it was editorial sabotage to get things out of his contractual hands. Part of the reason Roy used the name Captain Thunder, at Hero Comics, was the rejection at DC, which delayed things until Don Newton's death. The series had little in common with Captain Marvel; just Roy wanting there to be a Captain Thunder, the planned named for Captain Marvel, in the 40s (until Fawcett was beaten to the punch). Roy's relationship with DC was pretty much poisoned and his work there became less and less. The JSA had been consigned to limbo, at DC's insistence, Captain Marvel had been delayed and taken away, he had been pushed to give up Dr Fate and the Spectre and seemed to be on the outs with certain editorial factions at DC. It's sad and pathetic that things evolved like this; though, to look at DC's side, Roy's projects were not exactly pulling readers in. Secret origins went up and down, depending on the subject, as with most anthologies. Young All-Stars didn't set the world on fire, after All-Star Squadron had lost steam. Infinity, Inc got bogged down with constant references to old JSA stories, to advance new plots. You can see where some at DC might have felt that Roy was too busy doing his own fan fiction and readers were rejecting it. Even taking that into account, though, the mini-series had been a hit and not following up right away was a ludicrous decision. All creative momentum was lost, dooming any follow up to failure, as the Action Comics Weekly story wasn't heavily promoted and didn't warrant more than a "Plus:" blurb on the cover. Roy's intended plot for the new series saw Sivana reappear, with Mr Mind controlling Magnificus Sivana, via a transparent dome in his head. Mr Mind would literally become the mind of Magnificus. That would run over the first two issues or so, then the return of captain Nazi, which would introduce Freddy Freeman and Captain Marvel Jr, as in the 40s. Mary/Spike was to debut in issue #1. Elvira Thickert would continue as the station manager. I hadn't clocked onto it in the mini, but Roy says Thickert was inspired by Edith Prickley, the station manager of SCTV, portrayed by Andrea Martin... It wasn't exactly obvious, as Tom Mandrake's design wasn't that reminiscent of Prickley, though the bombastic personality was there. Roy also planned to reintroduce Whitey, as a gopher at the station and give Billy a rival reporter. Uncle Dudley would portray Uncle Marvel, with Hoppy in a Marvel suit, for a kid's show. All things considered, Roy had decent ideas for a revamped Captain Marvel and it would have been interesting to see the series; but, it wasn't to be. Still, it took until 1994 for Jerry Ordway's Power of Shazam graphic novel to be released. The Action Comics Weekly story was released in 1988 and things were taken away in 1989. Next we will look at Power of Shazam, the 1994 graphic novel and the series that followed.
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Post by codystarbuck on Sept 21, 2022 19:31:57 GMT -5
The Power of Shazam! Graphic NovelSo, can you get those lightning bolt tiles at Home Depot or do you have to custom order them? Creative Team: Jerry Ordway-story& art, John Costanza-letters, Mike Carlan & Jonathan Peterson-editors I waited a loooooonnnnnngggg time for something like this...a modern revamp of Captain Marvel that stayed true to the spirit of the original, but with a modern sensibility and some fantastic art, from someone who cares about the character. Synopsis: Our story begins in Egypt, near the temple of Ramses II, at Abu Simbel. The Sivana Archeological expedition is searching the area for any more hidden treasures, before the Aswan Dam Project begins, and the entire temple is relocated, in a massive engineering feet, to flood the area to create Lake Nasser and the Aswan Dam. Leading the expedition if Charles Clarence (CC) Batson, along with wife Mary and Sivana's hired man, Theo Adam. Inside the temple, Theo has discovered a hidden passage, with stairs that lead downward. He is keen to explore it before the representative of the Antiquities Commission turns up, to claim any treasures for the Cairo Museum. Sivana wants a return on his investment. They find the entrance to a new chamber, with strange hieroglyphs and the image of a large lightning bolt.... The figures of Isis and Atum flank the lightning bolt and there is an image of a beetle, between two hands. The symbols do not match any known hieroglyphs and Theo believes they are meant to be taken literally and places his hands there, that there may be a pressure release to open the chamber. An electrical charge is released, knocking Theo aside and out cold. CC Batson examines things and says the images are phonetics, spelling out the word S-H-A-Z-A-M. As he reads it out loud, there is a clap of thunder and a flash of light. The chamber opens and they find treasures hidden inside, including a sarcophagus, with a scarab necklace draped on it. Theo grabs it to take back to Sivana and mary Batson tries to stop him. He clips her aside and CC, in anger at yet another incident with Theo attacks him. Theo stabs him in the arm, but Mary blinds Theo qwith her camera flash. CC seems to talk him down and makes the mistake of turning his back on the man and Theo stabs him in the back, while Mary escapes to get help. The chambers starts caving in and Theo barely gets out in time and runs into Said, the man from the Commission. He murders him and goes after Mary, tracing her to the hotel, in Cairo. She hides the portion of the necklace she has in her daughter's stuffed tiger, Mr Tawny, before Theo bursts in and stabs her. he then murders a nanny and takes Mary with him, but leaves behind the stuffed animal, with the treasure. We cut to the present, to Fawcett City, a place where time seems to have stood still, as it is a living tribute to Art Deco, stuck in its days from World War 2, when it was a center of manufacturing for aircraft switches. Even the cars seem a bit old fashioned and out of date. At the corner of Parker and Binder, a boy hawks the local newspaper... A passing limousine asks for a paper and the boy seems to recognize the little man with the bald head and eyeglasses, but the man tells his driver, "Smithers," to move on and stiffs the kid the price of the paper. Traffic starts up and the boy stumbles out of the way and falls against the pavement. A figure stands over him and asks why he isn't home, in bed. The kid asks if he is a cop and receives a negative reply. The figure calls him by his name, Billy, and asks him to follow. Billy asks how he knows his name and the figure says he can trust him and Billy does, amazingly and the figure leads him down a subway entrance to a strange looking train. they board and travel along the strange path. Billy remarks about the lack of other trains. The figure says he must go now, as he leaves Billy at a cavern and tells him to go inside. Billy finds a bizarre sight.... Billy finds a bearded old man, sitting on a stone throne, who knows his name. he asks if he is the "wizard of Oz," and the man replies, "I am Shazam!" and thunder sounds and lightning strikes. The blank wall behind the throne has changed and the wizard has Billy read the sources of his power: Solomon-wisdom, Hercules-strength, Atlas-stamina, Zeus-power, Achilles-courage, Mercury-speed. He says he has fought the battle between good and evil for over a thousand years, then presents Billy with visions of his own past. He sees his Uncle Ebenezer Batson, CC's half-brother, kick him out into the streets, as he steals his inheritance of stocks and bonds, leaving him only a stuffed tiger. Billy says he was supposed to care for him and his sister, when his parents died, though he doesn't even know what happened to his sister. He is homeless, living on the streets, barely surviving, selling newspapers to feed himself. Shazam says he bestowed his power once before, but times are dire and he needs a new successor and tells Billy to say his name. Thunder crashes and lightning flashes and Billy is transformed..... ...into Captain Marvel. He doesn't take it well and lifts up the wizard by the throat and tosses him off the throne. his head is swimming and he sits down. Shazam tells him to listen to the voice of wisdom in his head. He says to follow it, as it will guard against the misuse of his power, that it and the Courage of Achilles will help him face and defeat his demons. Captain Marvel is still reeling and reacts in fear and anger. He smashes the throne and wishes he had gone to Egypt, with his family, but he was left behind, because of his grades. Shazam tries to calm him; but the grief and fear are too great. Then, the mysterius figure who brought him to the cavern reappears and is able to calm him. he says Billy's parents will always be with him and asks something of the wizard, but he tells him not yet; the time is not right. He tells captain Marvel to say his name again and he does, and the cavern collapses. Meanwhile, elsewhere in the city, in a large high rise building, Thaddeus Bodog Sivana meets with a representative of the Egyptian government. They are looking for Theo Adam in connection with the murder of the Batsons, stolen treasures and the set back of the Aswan Dam Project. Sivana claims ignorance and that his own project, a recreation of the Temple of Abu Simbel, for the Fawcett City Worlds Fair, is incomplete because of the loss of the Batsons. The official doesn't believe him and with him is Saied, with a scar from where Theo Adam's knife slashed him, leaving him mute, but not dead..... The men depart and Sivana opens a hidden door to a stairwell and descends, where we find Theo Adam reclining. Sivana berates him, but Adam calls his bluff, as he has too much information on Sivana to be thrown to the wolves. They hear a radio broadcast start, about the Fawcett Fair, which is being dubbed Sivana's Folly and the Egyptians are to be the guests, discussing allegations related to Sivana's epedition. Theo says he might be able to silence the men and the broadcast and Sivana tells him to do it. Billy Batson, sleeping in an alley, by the Station WHIZ building, is awakened by men, who climb up the fire escape, to the transmitting tower. They speak of taking out the tower and Billy follows, curious. he hears them speak of explosives and detonators, but makes a noise and is discovered. He slips off the fire escape and falls towards the ground but recalls his dream of the wizard and says the name. Thunder and lightning strike and the men get afraid of being by a giant lightning rod. They look over the side and see feet coming at them, as a pair of kicks send them across the roof. Captain Marvel stands before Theo Adam, but he sees someone else.... CC Batson, the man he murdered! Captain Marvel is stunned for a moment, but recovers and goes after the men; but, Theo directs him towards their bomb and CM realizes he has to stop it, allowing the men to escape. He grabs the bomb and tosses it away and it lands on the empty fairgrounds and explodes. CM chases the hoods and they get into an elevator. He tears open the doors and flies down to the car and smashes through. The doors open and they run out, with CM following, as bullets bounce off him. They try to jump in a car and speed away, but he grabs it and throws it into a wall.... Theo Adam watches this from the shadows and puzzles about how this Captain Marvel resembles CC Batson and that the lightning bolt emblem on his chest matches that on the tomb entrance. He disappears as the police arrive, to work on the answer elsewhere. Captain Marvel also leaves and ponders his feats of strength and power and says the magician's name out loud, again, and is transformed back into Billy and plummets from the sky. Luckily, he lands on a dirigible, moored at an airfield (Sivana's airship) and grabs part of the rigging. he says the name again and is transformed back; but, the lightning ignites the hydrogen lifting gas and the airship erupts in a ball of flame. Captain Marvel hightails it out of there. He realizes he screwed up again and goes looking for the subway tunnel to lead to the cavern, but finds only an ordinary subway station. However, the wizard is there and appears to him and tells him that he must continue as Captain Marvel and that he has met the man who killed his parents. The vision ends and Billy finds himself facing Mr Dudley, the school custodian, who says he has been missing from school for 2 days. he takes him to school, to see the nurse. On the way, he mentions about the explosion at the fairgrounds. Sivana gets word about the airship and storms down to the hidden apartment, when Theo Adam has hidden out. He finds him in a trophy room, filled with stolen artefacts. he tells Sivana what happened and about the temple, as he takes out the scarab necklace. He says something about the wizard and the "Power of Shazam" and lightning strikes, releasing.... Black Adam! He is self aware now and realizes that the wizard kept him prisoner. He mentions Mary Batson having part of the amulet. He works out Billy's appearances and Captain Marvel and his proximity to WHIZ and the Fairgrounds and goes to search for him, as Sivana rants. At school, Mr Dudley leaves Billy to go see the nurse, but he tries to bolt when Dudley is out of sight, but runs into his teacher, Miss Wormwood.... She wants to have a chat with Billy's Uncle Eben'. Billy realizes that if she becomes aware that he was thrown onto the streets and living rough, he will be taken to a foster home and doesn't want that; so, he claims he will tell his uncle. Black Adam flies over the area and finds Billy's hiding place and his few personal effects, including Mr Tawny. A patrolling policeman finds him and, with the recent bombing attempt, decides to take him in. He gets tossed through the air and lands on the car of the departing Egyptians, who finished taping their interview. Black Adam realizes who they are and goes to kill Saied, when Captain Marvel turns up. He demands to know what Black Adam knows about his father and they fight. Adam is more ruthless, but does admit what he did. Their fight carries them through a wall, straight into an homage.... ...and out the other side, crashing into the Fairgrounds. The battle rages across the grounds, destroying everything in the melee, as they battle to the replica of the Temple of Abu Simbel. Adam admits to knowing Shazam and they go way back, to Ancient Egypt, that the wizard stopped him from seizing power there. The battle continues, as Adam wants to know the secret of the power. The Wisdom of Solomon comes through Billy's head and he replies that the power is within him and not an amulet. Adam tries to sucker him in, but Billy has survived too long and catches him and tears off the amulet.... ...and Black Adam vanishes, leaving the very human Theo Adam. The roof is caving in and Captain Marvel threatens to let it crush Adam, but tells him he isn't like him and carries him outside. He holds him in the sky, for the wizard to behold and Shazam strikes him with lightning, bestowing upon Theo Adam the harm he did to others and he is left mute and scarred, like Saied. Captain Marvel turns him over to the police, with the scarab and learns he is wanted already, based on the Egyptian official's information. Captain Marvel flies off and calls the wizard and appears before him. Shazam tries to talk into remaining his champion, but he doesn't feel ready. Then, he is interrupted by the strange figure.... ...who is revealed to be the spirit of his father, CC Batson. He is able to go to his reward, beyond, now that his murderer has been caught. Shazam tells Captain Marvel that his sister Mary still lives and that his power could help Billy find her and he agrees to remain as Captain Marvel. He vows to find her and is sent back, saying goodbye to his father. Later, at school, Miss Wormwood meets "Uncle Eben'" who says Billy has had a hard time adjusting, but assures her that Billy will be in school. It then gets awkward as Miss Wormwood shows an attraction to Eeben' Batson, who is really Captain Marvel, and Billy realizes his teacher "has the hots for him!" He departs and we see Sivana, in hiding and penniless, as the destruction of his high rise, the Fairgrounds and the revelations of his thefts have left him a wanted man, with no means. He stares up at the sky, as Captain Marvel flies away and crushes a newspaper, with headlines about his plight. Thoughts: This is the single best modern Captain Marvel story. As much as I enjoyed E Nelson Bridwell and Don Newton's stories and as much as I had high hopes for Roy Thomas, Jerry Ordway delivered something that they did not. This is a Captain Marvel for a new age, serious, but with humorous elements and nods to the past. Ordway got it; he understood what made Captain Marvel unique. He was a whimsical hero who fought for justice, but was never a dark figure. He had a sense of humor and fun, even when facing deadly villains. Ordway gives us enough of that to feel authentic, yet also delivers a captain Marvel that doesn't feel "childish." The 1970s stories too often felt childish, as writers struggled to capture captain Marvel. They though "juvenile" instead of "lighthearted but sincere." Bridwell did better; but wasn't as sophisticated a writer as Ordway. In some ways, he was too beholding to the past. Roy Thomas was another fan, but he got caught up in office politics and walked away, after Captain Marvel was maneuvered away from him. Ordway takes a little bit of the best of the past and the modern attempts and blends them into something that is more than the sum of its influences. He delivers the modern captain Marvel, but one steeped in the tradition of the past. Ordway puts his influences on display, starting with his homages to the excellent Republic serial, one of the finest adventure serials ever produced. As with it, our story starts out in Egypt, as a Batson discovers a hidden tomb, where the Power of Shazam resided. There are further homages, as Captain Marvel's initial battle with Theo Adam and his hoods brings to mind the fight scenes from the serial, with the men all wearing fedora's (to hide the faces of the stuntmen). Ordway mixes in the original story from Whiz Comics #2, where we learn the origin of Captain Marvel and then see him thwart a madman, who threatens to destroy the city. Roy Thomas had already retconned this a bit and Ordway followed his lead of having it be Captain Marvel's first fight. However, unlike Roy, he kept evil Ebenezer Batson separate from Sivana. So, Sivana is a crook, with means, but not scientific aptitude (removing the "mad scientist" cliche and making him more a ruthless, power mad billionaire, as was the fashion of the time (Lex Luthor, Rupert Murdoch, Robert Maxwell, Donald Trump). Theo Adam is Black Adam, but he is not, as the scarab amulet causes his transformation into Black Adam, rather than having Adam trapped in some fashion, for a millennia. His spirit was trapped, rather than his body. Ordway also gives it a healthy dose of humor, without overwhelming things. Mr Tawny is now a stuffed tiger and Uncle Dudley is now a kindly, if slightly naive school custodian. A boy and a stuffed tiger....where have I seen that before? Duh! Ordway gives us more Calvin & Hobbes by making Calvin's ever-harried teacher, Miss Wormwood (named for a demon in CS Lewis' The Screwtape Letters), into Billy's teacher. To add further laughs, when Billy plays his uncle, as Captain Marvel, he finds, to his horror, that his teacher finds his adult self attractive! It's easy to forget just how big Calvin & Hobbes was, at this time, when it was still shy of a decade. The strip was massive, at this point, carried in most major newspapers and the book collections were perennial bestsellers. That alone made Bill Watterson a multi-millionaire and allowed him to retire on his own terms and stay out of the public eye. We recall that he fought to block any attempts to merchandise the strip and the only thing ever produced was one wall calendar, before the syndicate gave in. He sacrificed some rights, in exchange for complete say in the merchandising, because he was prepared to walk away from the strip. We benefitted from his strict stand on principle, because he decided when the strip was done and ended it when he felt he had nothing more to say, sparing us years of decline, like so many other popular strips; or, like Berke Breathed, repeated attempts to revive things, with the end result not comparing to the one before. Ordway's decision to give this a timeless look works greatly in favor of the character, as he gives us art deco cityscapes that fit the character and his wilder, and more classically styled villains. It is similar to the approach used for Batman The Animated Series, as modern technology mixed with classic 1940s buildings, fashions and vehicles. It is a sort timeless land, perfect for his adventures. Unfortunately, that became a bit of a problem, when Captain marvel mixed with others, depending on who was involved. With someone like James Robinson and Starman, it meant a shared love of Deco and the classic skylines. With others, it reeked of old fashioned and they couldn't wait to discard it, revealing that Captain Marvel doesn't quite fit into a modern, bleak world. There are visual homages to the original stories, to the serial and even to The Rocketeer, as Ordway plays a little in joke. He had started the project around the time when the movie finally hit theaters, but it was a long process, as he painted the art, rather than traditional comic book style. The book was gorgeous and a big hit. It also served to give Fawcett City an identity, much as Robinson and Tony Harris did with Opal City, giving it a rich visual history, but keeping it distinct from Gotham or Metropolis. The destruction of the airship (drawn more like a blimp than a dirigible, despite the dialogue) matches the Rocketeer movie as well as the destruction of the Hindenburg. The Fawcett Worlds Fair brings to mind the 1939 New York Worlds Fair and Ordway even references elements of it, while giving a rationale for the archeological expedition (to gain reference for the centerpiece of the Fair). Batman: The Mask of the Phantasm would similarly make homage to the New York World's Fair, as it was the symbol of the future, as seen in the 30s, before the reality of World War 2 taught us that the future wasn't necessarily going to be better. It was a vision of Utopia that couldn't really exist. That also suggests the struggle to realize a version of Captain Marvel that both embraces a darker world than that of the 1940s comics, but doesn't lose sight of that optimism and whimsy, as the character was created to entertain children. In past attempts at revival, that meant treating the material with contempt, as it was lowly material for children, ignoring that some of the best literature in the world was created for children. Children are smart consumers and know a good story when they hear it and when adults are being patronizing. At the same time, this is something that a child, of an older age, could read, and neither be insulted nor feel like they have outgrown such stories. The colors are this are fantastic, dark and moody when appropriate, bright and cheerful when needed. Ordway controls every aspect perfectly. Ordway continues the concept that captain Marvel is still Billy Batson, in adult form. As with Roy Thomas' version, Captain Marvel is inhabited by Billy's mind. In the original, they were separate figures. Captain Marvel may represent the adult Billy would become; but, hs mind was his own and he referred to Billy as another person. here, as in The New Beginning, Billy's young mind inhabits the adult body and must learn lessons to succeed. Ordway makes better use of the Wisdom of Solomon than others, as he has it be a guide to the young mind, helping him see his own fears as they cloud his judgement and find a path through. He also makes use of the Courage of Achilles, pointing to it, and the Wisdom of Solomon as to being the safeguards against corruption, as claimed Black Adam. it gives a rationale for drawing upon different beings for the power, suggesting that Shazam realized where he had failed Teth-Adam and seeking patrons that would give Billy the tools to maintain his virtues. True courage is making the hard decisions because they are the right ones, not the easy ones. Billy finds the courage not to take a life in revenge and, instead, find justice. The wisdom guides him through that crucible and he emerges a hero, because he stood for justice and protecting others from the corrupt, like Sivana and Black Adam. The graphic novel was a big hit and DC quickly commissioned a new series for Captain Marvel, after squashing one for Roy Thomas. Ordway got to shepherd the whole run; but, his artistic involvement would be reserved for the covers. That is where we venture next, as DC launches The Power of Shazam regular series and explores what happened to Mary Batson, what is next for Sivana, and how will Billy find a home. We will also see some other Fawcett Comics characters and not just those with lightning bolt emblems.
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Post by codystarbuck on Oct 5, 2022 0:03:34 GMT -5
Power of Shazam #1Man, that cover makes me wish Ordway had drawn the series, as well! Creative Team: Jerry Ordway-writer, Peter Krause-layouts, Mike Manley-finishes, John Costanza-letters, Glenn Whitmore-colors, Mike Carlin-editor, Chris Duffy-assistant editor Given that Roy Thomas has said he was basically pushed off Captain Marvel, via delay and machinations, it makes you wonder if Carlin was involved in that or just benefitted from someone else's machinations. Synopsis: Captain Marvel is flying over Fawcett City, relishing the joy of flight, while down below, a new wayne Tech building is being dedicated, with special guest Sinclair Batson. A nutjob with a buzzcut and a weird, demonic tattoo says something about a bomb and activates a detonator, which sets off a real bomb, causing the structure to start to collapse. Captain Marvel gets Sinclair out of the path and then goes inside to recscue two security men trapped inside... TBRC rescues one, but the other is beyond saving. Firefighters working outside call Captain Marvel a hero, but he chastises himself for not being able to save both. Sinclair introduces himself to Captain Marvel and remarks that he bears a strong resemblance to his uncle, CC Batson. He gives CM his card, as the hero flies away, uncomfortable about having to hide his identity. Meanwhile, Mr Dudley is at Billy Batson's apartment building, looking for Billy, who hasn't been at school. He masquerades as Billy's uncle..... Billy heads off to school, where he runs into Miss Wormwood, who calls him out for being 25 hours late for school. Mr Dudley tries to help cover for him, claiming Billy was helping him unload supplies and lost track of time. She sends Billy off to class and warns Dudley about using students to do his work. Billy thanks him, but asks why he keeps sticking his neck out for him. Dudley says they need to have a talk, after school. Meanwhile, our bomber meets with his employer and collects his money, though pushes things a bit too far.... His name is Ibac and his boss is a woman, who dresses like a mix of corporate woman, music video model and cult matron, with a taste for pentagram jewelry. Ibac is afraid of her, probably for good reason. Sinclair Batson meets with his father, Ebenezer Batson, whose stolen money, the legacy of Billy's parents, is funding his medical care, as he clings, desperately, to his sinful life. Sinclair is out to change Fawcett City's skyline, which has remained for 50 years, to something more modern and expected trouble. Billy gets out of school and races home and Mr Dudley chases after, but the exertion brings on heart trouble and he is near collapse, at Billy's door. he changes into Captain Marvel and flies Mr Dudley to the hospital, for medical treatment. Later, he attends a gala affair, thrown by Sinclair Batson, who again remarks about his resemblance the Billy's late father. Sinclair says his father would slip into a coma if he saw him, which CM thinks would be karma. He is uncomfortable around Sinclair, thinking his identity is at stake, when another guest makes him even more uncomfortable: Beautia Sivana..... CM helps himself to horse duvers (whatta the Frogs call them.....hors d'oeuvres!) and then sees Beautia give a bit of what for, to Sinclair, after he butted in on her trying to make time with Captain Marvel. CM hides, because Billy is still a bit uncomfortable with girls, when he gets a vision of an angry Shazam. Geez, who knew that ancient wizards had a temper? He strips CM of his power, turning him back into Billy, just in time for Beautia to find him hiding behind a curtain. Sinclair orders a servant to give Billy a couple of bucks and 86 'em from the joint, and Billy says he is as big a rat as his father. As he is dragged to the door, a note is slipped under and Billy grabs it and reads the warning to Sinclair, which them gouse up in a flash of fire and smoke, until it is gone. Then the door erupts in flame. Billy grabs a curtain to try to beat out flames on the servants who were caught in the blast and tries his magic word, but it doesn't work. Thoughts: Interesting start to the series, as we start out reminding the reader what Captain Marvel can do, while introducing a new threat to Fawcett City, in the form of Ibac, as a mad bomber. We also get a direct tie to the larger DC Universe, via Wayne Tech, reminding us that this isn't Earth-S anymore. Then, we get Billy's cousin, Sinclair, who is trying to modernize Fawcett City, which makes him a target and also see that Uncle Ebenezer is dying a painful and deserved death, with no kindly nephew or dead partner to pull him back from the abyss. Through it all, Billy's child's view of his mission and defiance of Shazam leads to the loss of his powers, when he needs them both! Ordway introduces us to the new version of Ibac, who physically matches the original, minus the wrestling tights. There is a bit of Travis Bickel about him, though the demonic tattoo suggest his affiliation, as it does his lady benefactor. Thos who paid attention to the tattoo will recognize Satanus, the updated version of Lord Satanis, from the Superman books. Which gives you a pretty good idea about who the woman is. In the original Fawcett comics, Ibac got his powers from Lucifer, and Satanus is pretty much the DC version, since they were too skittish about going biblical. So, expect Ibac to get super powers in the near future. We are also reminded that Billy is masquerading as his father, via Captain Marvel, to keep child welfare authorities out of his life, but Mr Dudley smells a rat, as he tries to check up on Billy. When he claims to be Billy's Uncle Dudley, we get a nod to the past, with the irony being that Uncle Dudley was more closely associated with Mary Marvel's adventures, apart from the joint Marvel Family adventures. Otherwise, Uncle dudley did not generally appear in captain Marvel's solo adventures. I don't think Ordway is going to reintroduce Billy's servant, Steamboat. Beautia Sivana in the house, greatly upping the sex appeal of the book. Their interactions at the party are an homage to Whiz Comics #15, "The Origin of Dr Sivana," where Billy changes to Captain marvel to take beautia out on a date, in a tuxedo, which ultimately leads him into her father's clutches and a trip to Venus, where he also meats Magnificus. The art team of Peter Krause and Mike Manley do a fantastic job, giving the feel of Ordway's work on the graphic novel, as well as his covers, but with their own style. He continues the iconic Fred MacMurraylook, with a bit of modernization and they demonstrate a facility for facial expressions and body language that helps set this series apart from some of the other DC books. There is a nice, clean style, reminiscent of the Superman books, which figures, given Ordway and Mike Carlin being here. They aren't as slavish about the art deco, though it is peppered in, between Ebenezer Batson's bedroom and the apartment building where Billy lives, which looks like some of the iconic Florida deco buildings of Miami.... The arson aspect of things recalls the plot of the movie Backdraft, which came out in 1991, 4 years before this. It was closer in time to the work on the graphic novel; so, it might have been an idea that Ordway had, when he was working on it, to give Satanic backing to Ibac. This is a pretty darn good start to the regular series, bringing back some elements from the graphic novel, but advancing things forward, while re-introducing iconic elements of Captain Marvel. truth be told, I prefer Ordway's modernization of Captain Marvel to Roy Thomas'. Ordway seemed to key in on what made the original work well and retained more of the humor, but had a better eye on what modern readers wanted. Roy did a good job; but, tying Billy to Sivana, via family, to substitute for Ebenezer Batson, was a mistake, in my opinion, as it changes too much of Sivana's dynamic. Making him someone acquainted with Billy's family puts him into the circle, but as the backer of their expedition to Egypt, he is more of a corrupt figure, rather than a stereotyped "evil uncle." Ebenezer Batson is back, for that and it helps establish the supernatural connection to past villains, for the Post-Crisis world. It works better. I also have an affinity for art deco and 30s and 40s fashion and design; so, visually, it's in my wheelhouse. It suits Captain Marvel, as he was tagged as "old fashioned, but this makes it more a romantic nostalgia, than a criticism. I also applaud his returning the jacket styling of Captain Marvel's tunic, rather than the t-shirt look. It fits the sleeve braiding better and completes the "Ruritanian" look. He still has the wrong kind of Boots (Superman's were closer in style to the cavalry boots worn with such uniforms); but, you can't have everything. As the 90s wore on, I retreated more and more from mainstream superhero comics, between grim & gritty makeovers and deja vu stories that rehashed old plots. Power of Shazam, along with Starman, were notable exceptions, as they both paid homage to the greatness of the past, while giving us something new. they were the perfect blend of DC/Fawcett's past and where they had evolved, at the time. Sadly, later folks had to go and F with that, right up to the movies. So, the closest I will likely get to this, on screen, is Tom Tyler.... Ahem....that's why Superman wore his underwear on the outside!
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Post by codystarbuck on Oct 17, 2022 21:31:33 GMT -5
Power of Shazam #2I hope the Wisdom of Solomon overrides hormones, while Captain Marvel rescues Beautia Sivana. Creative Team: Jerry Ordway-writer, Peter Krause-layouts, Mike Manley-finishes, John Costanza-letters, Glenn Whitmore-colors, Mike Carlin-editor Synopsis: Billy is tormented by visions of those he couldn't save, including his parents and sister Mary. He sees Blaze, the demon, who has Mary on a chain and collar, holding the Mr Tawny doll. He awakens to find Beautia Sivana and Sinclair Batson standing over him. He is powerless, after Shazam took away his powers and they appear to be trapped by the fire that rages. Billy recalls visiting Uncle Ebenezer and being forced to remain in the cellar, to play, so that they would not break anything. There used to be a dumbwaiter from the cellar (a wine cellar) to the floor they are on. Billy recalls the location and notices a bulge in the plaster, where it was. He grabs an expensive statue and smashes through the plaster, to find the old dumbwaiter shaft. The pulleys are still there, as is the car. They pull it up and lower everyone down, one by one. Meanwhile, Shazam has taken Billy's criticism to heart, that he had not looked for Mary and he tries again and is unable to find a sign of her. Even if she were dead, he should be able to see her soul. He looks in on Billy and sees him leading the escape from the fire.... Billy is seen on tv, leading the guests out of the cellar, though Sinclair immediately jumps in front of the camera and takes credit. Sterling Morris sees this and makes a call to put Billy back on WHIZ Radio. Billy leaves Sinclair to boast and starts for home, when he sees the Arson Fiend attacking Ebenezer. He climbs the trestle, outside the window, to get a closer look, but it breaks underneath, alerting the Fiend. Billy wonders what he can do, when a voice in his head says to say the name of the wizard... He leaps to attack the Fiend and they tussle, but his fire does hurt Captain Marvel. He pushes the fiend away from him; but, he lands close to Beautia and uses her as a hostage. Captain Marvel uses the Wisdom of Solomon and the digging power of ....I don't know..........Atlas (none of the Elders are a good choice, except maybe Mercury, since he could do it quickly) and burrows underground, then creates a hole beneath the fiend and drops him into it, rescuing Beautia. The Fiend makes his way back and lets loose with some serious BTUs. Captain marvel grabs a firehouse and douses him with a stream of water, then hands it off to a fireman to keep pouring it on, and gains a nickname.... The solid stream of water dowses the flame and CM hits him with a literal flying tackle and drives him through the pool house, into the pool, which puts him out completely, though the heat of the Fiend's body starts the pool boiling. He hauls the fiend out and gets a reward, from Beautia... Sinclair calls for help to attend to his father, but he is dying and he confesses to hiring the Fiend to set the blaze here, to gain further media sympathy for Sinclair. Sinclair calls up Captain Marvel, who reluctantly goes up to help the man who kicked him out on the street, after robbing him of his inheritance. The man is fine, but Sinclair's jacket is smoldering and ignites and Captain Marvel takes some delight in hitting Sinclair with a blast from a firehose. A firefighter tells Captain Marvel that the Arson Fiend got away. Captain Marvel looks for George Tweedle, the small man he says was controlling the Fiend, but he slipped away. Sinclair tries to take center stage, with a reporter and present Captain Marvel as a hero, but CM points them to real heroes.... Thoughts: Exciting ending to our first storyline, though Ordway has made a big mistake here. At the end, Captain Marvel knows that George Tweedle, a small man, is the alter ego of the Arson Fiend, who is average size. At no point in the first two issues do we see Tweedle and we only see the Arson Fiend, here. The character dates back to Fawcett, debuting in captain Marvel Adventures #2; but, this is his first appearance here. We get no explanation how Captain Marvel and Billy know this, not even Shazam providing him the info. Looks like Ordway forgot to have him inserted into the story, before the end. or Krause forgot to draw him, or both. This highlights the heroic nature of Billy, demonstrating why he was chosen to become Captain Marvel. Even without his powers, he uses his brains and memories to save everyone and Shazam rewards him, by restoring his powers. The trade off, however, is that Shazam comes across as a total Richard, by taking away the powers, in the first place. I guess Ordway wants to show the wizard as being fallible; but, he had only just recently given Billy the power; shouldn't he be aware of his growth, as a hero? The Greek gods who provide some of the powers were a capricious lot; but, this is a bit extreme. Beautia's vanity is a bit shallow, for a character trait and is obviously inspired by her name; but, the original character was a more rounded figure than that and is seems to be a backward step in character evolution. I haven't read these since they first came out; so, I hope that she grows into a more grounded character, like her predecessor. The art continues to be great. Ordway's covers are breathtaking and, while you wish he was drawing the interiors, Krause and Manley to a really good job and give a nice light touch to the visuals that sells the comedic moments well, yet also plays up the dramatic. They were not superstars; but, they were dynamic and versatile storytellers and did well with the art deco architecture and design elemnts, which gives this a classic, yet modern feel. The decision to make Fawcett City a sort limbo city allows a certain timelessness, which was also at the heart of Batman, The Animated Series. Art Deco design mixed with modern technology, to make it seem old and new, thus preventing it from being dated. The same holds here and it helps give the city an identity, in the DCU. James Robinson and Tony Harris would do the same for Starman's Opal City, which is why they meshed so well, when they did their 4-part crossover. I'm enjoying revisiting these issues, though you can see that they have to work out some bugs in the series. It is nice to see them bring in classic elements, with a new twist, even if some seem thrown out there, without much context. We have more debuts to come and some nods to old stories.
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Post by codystarbuck on Oct 26, 2022 16:11:26 GMT -5
Power of Shazam #3Captain Marvel rescuing Jimmy Hoffa. Creative Team: Jerry Ordway-writer, Peter Krause-breakdowns, Mike Manley-finishes, John Costanza-letter, Glenn Whitmore-colors, Mike Carlin-editor Synopsis: Billy, in Captain Marvel form, is moonlighting, down at the docks, to earn the rent money. He runs into a bit of trouble with the union.... I see DC's official view of labor relations hasn't changed over the years. However, it turns out the hood wasn't looking after union interest but getting rid of potential witnesses so they can give "Muscle" McGinnis some concrete galoshes. The boss of these hoods is one "Stinky" Printwhistle, a familiar name to longtime fans of the real Captain Marvel. Muscles didn't want to be involved in kidnapping kids, so he gets to swim with the fishes. Let's see, did we leave out any other cliches? Oh yeah, someone get him a concrete overcoat! Billy hadn't left yet and tries to interfere, but Muscles gets dumped in the water. Billy slams up a pier board, knocking out the hoods, then dives after Muscles. He rescues him and lets us know that Muscles is actually Officer McGinnis, who is undercover, trying to expose a kidnapping ring. He refuses Billy's offer of help and Billy goes home to get some sleep, before school. Billy wakes up, in his normal body, at 10:30 and realizes he is waaaay late for school and runs off for school. he isn't sure how long he can keep up his masquerade that Captain Marvel is his uncle; but, it beats an orphanage. He gets to school, but gets busted when he tries to slip into class and is sent to Miss Wormwood's office. Waiting there is Sterling Morris, owner of Station WHIZ-Radio, with the answer to Billy's problems.... Billy has to keep his grades above a B average, to keep the job; but, it beats moonlighting at night and he promises. He is then assigned to cover the State Spelling Bee. Which state, we are never told; but, I like to think it is North California or East Hawaii. Elsewhere, Shazam goes into another dimension to seek information on Mary Batson. As soon as he leaves, something strange seems to happen to Pride, of the Seven Deadly Sins/Enemies of Man.... Meanwhile, Sinclair Batson is at Schaffenberger Airport to meet young Miss Bromfield (Valerie?) and her nanny, Miss Primm (of the Nantucket Primms, though her mother was a Proper, from Massachusetts). He takes them off in a limo, while talking about becoming the most important man in town. As they depart, our hoods try to make their move, but Muscles McGinnis intercepts them, with his car. Batson's limousine continues on. Later, we see Miss Bromfield, Mary, at Station WHIZ, along with Percy Pill, of the Kinnickinnic School and Freddy Freeman, of the Binder School, the other contestants. Mary represents Tomlinson School. Miss Wormwood comments to Sinclair about being the same age as Billy's uncle Eben (aka Captain marvel, as opposed to his actual uncle Ebeneezer, aka Eb'en). Sinclair denies any relation to Billy, though Sterling Morris comment that their both being natives of Fawcett City suggests otherwise. Sinclair laughs it off and does little to endear himself either to Miss Wormwood or Mr Morris.. In the other dimension, Shazam meets up with Satanus and demands to know about the whereabouts of Mary Batson and is ejected by the demon lord. The girl he shows to Satannus is the spitting image of Mary Bromfield. At the spelling bee, Mary misses her word and Percy gets his to win the State Spelling Championship. Meanwhile, Mary is crushing on Freddy Freeman, while Ibac turns up and disposes of the limo driver that brought Mary to the station. Billy invites Freddy and his Grandpa Joe for pizza and Fizzy Lifting Drinks and is about to ask Mary, when Sinclair blocks him. They say goodbye, as Sinclair, Mary and Miss Primm leave in the limo. Freddy's grandpa joins them and he has invited Miss Wormwood along. They discover the limo driver in a dumpster and Billy goes after the vehicle, but Freddy's Grandpa stops him from going with him. Ibac dumps Sinclair out of the car and speeds off with Mary and Miss Primm. Billy changes into Captain Marvel and uses the Speed of Mercury to chase after them. He lands on the limo, rips open the roof and throws Ibac out.... However, Ibac isn't done and attacks Captain Marvel. CM knocks him through a department store. The battle in the appliance section and CM gets Ibac by the ear. he forces him to sday his name, causing Ibac to change back into "Stinky" Printwhistle. CM calls for some duct tape to gag him, then hauls the crook off. Mary agrees to cooperate to put him away.... Captain Marvel still has a funny feeling about Mary. Sinclair has a car waiting to take them away and gives Captain marvel the brush-off. As they pull away, Mary asks Miss primm about her real father and says something about Captain Marvel's looks.... Thoughts: Ordway has a bit of fun, updating the original Mary Marvel story, where Billy meets Mary Bromfield at a radio quiz and then kidnappers try to abduct her. The wizard Shazam imbues her with poers and Mary Bromfield, aka Mary Batson, becomes Mary Marvel. Freddy Freeman is a contestant in the quiz, as he was established as Captain marvel Jr first, at Fawcett. Here, however, he has his debut, without a crutch, as he has not been crippled, yet. The Power of Shazam establishes Mary as Billy's twin sister, taken away by Theo Adam, after killing the Batsons. There is a problem, which carries over from last issue and that is Ordway expects you to already know who some of these people are and he refers to things that haven't happened in this world. Last issue, it was the alter ego of the Arson Fiend, as a little man, who we never see in either of the first two issues. Now, we are expected to know that Ibac is "Stinky" Printwhistle and that he escaped from prison, as Ibac. We only saw Ibac, for the first time, in issue one, setting off the bomb that brings down the WayneTech tower. We did not see a jail break and it isn't part of the graphic novel. Ordway just assumes we are completely familiar with Ibac's past. Also, Sterling Morris is hiring Billy back to work at WHIZ; but, we haven't see him work there before, except in Shazam: The New Beginning and the follow up Action Comics Weekly story. So, Ordway seems confused with continuity in this, as we are expected to know the past of Captain Marvel, even though he is setting up an entirely new continuity. It would bug me more if the stories weren't entertaining and the action exciting. Quite frankly, I was so overjoyed to have a Captain Marvel that was lively and fun, after the ho-hum Roy Thomas attempt and the previous DC material (apart from Bridwell & Newton) that I let it slide. It stands out more, now. I think Ordway is in too much of a rush to get stuff out there, which might be influenced by Captain Marvel's success rate, at DC. Maybe he though he might not get past the first year and decided to cram in as much as he could. The art continues to be great, capturing both the classic feel and a modern style. There is quite a bit of tribute to the past, as we see signs with Raboy Trucking, Schaffenberger Airport, and the school names reflecting talent who worked on the Marvel Family, at Fawcett. We even hear on the radio, when Billy wakes up, a program called Captain Billy's Whiz Bang, the name of the original Fawcett publication, which influenced the later creation of Captain Marvel and the title of his magazine, Whiz Comics. Captain Billy's Whiz Bang was quite influential in the early 20th Century, sort of the Mad Magazine of its day and is name dropped in The Music Man..... All that is nice; but, not every reader of The Power of Shazam was steeped in Captain Marvel lore and a better eye to continuity would be a good thing. Next up, another Mary debuts and we get a few more homages, including the cover.
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Post by codystarbuck on Nov 8, 2022 18:03:48 GMT -5
Power of Shazam #4Ordway referencing Wow Comics #38.... Creative Team: Jerry Ordway-writer, Peter Krause-pencils, Mike Manley-inks, John Costanza-letters, Glenn Whitmore-colors, Mike Carlin-editor Synopsis: Captain Marvel is attacking Muscles McGinnis' club, though we all know McGinnis is an undercover cop. they work the fight, to make it look good and further establish McGinnis' bona fides. Looks like Captain Marvel has someone who'd like to "clean his cape," for him! The info that CM took from the safe was actually details about Mary Bromfield's adoption, which McGinnis was passing along to TBRC. It has a picture of Mary, as Billy remembers her and pretty much confirms his suspicion that she is his sister. He wonders why she didn't recognize Billy? Elsewhere, mary has a session with a therapist and talks about a dream she has. She is fighting with her faceless brother, of a stuffed tiger. Her mother also has no face; but her father looks like Captain Marvel. Dr Chiang says the doll was quite popular 10 years before and the captain Marvel thing is quite common for adopted kids to fantasize that their birth parent is a hero. Sara Primm eavesdrop, until she gets a phone call, from someone looking into the kid's records. Back at Billy's place, he is digging through his stuff, trying to find the Mr Tawny doll, when the real thing appears.... Mr Dudley comes along and hears Billy talking to someone and finds the door ajar. He finds Billy standing over the Mr Tawny doll and Billy claims to be practicing ventriloquism. Mr Dudley brought groceries and is going to cook chili for them and tells Billy his secret is safe with him. Billy thanks him for not mentioning to anyone that he is Captain marvel and dudley has no idea what he is talking about; he meant that Billy was living alone, without an adult. he believes Billy and asks how he does it and Billy says it's magic. Dudley offers to let Billy stay with him, but he declines. he takes the Mr Tawny doll and changes, flying off with it to find Mary. He arrives in Fairfield and asks at a gas station how to find the Bromfield house. He gets directions, then turns up as Billy. he says he has a gift for Mary and Sarah asks him to come in. He is then concked on the head by a goon. Miss Primm is upset that he hit him so hard, but tells him to put him in the library. Mary turns up and sees the gift box and runs of with it. Billy is tied up and gagged (of course) in the library. The hoods are blackmailing Miss Primm, but they have decided kidnapping Mary will bring more money. Mary opens the box in her room and finds the Mr Tawny doll and her adoption record. mr Tawny comes to life and tells Mary that Billy was trying to make her remember and tells her to say the word, "Shazam!" The lightning sets the drapes on fire and Mary puts them out, while Mr Tawny is back as a doll. The hoods come after her and she crawls outside. The crook shoots at her but she floats away. he runs back to tell his accomplice that they have trouble and captain Marvel is a She. Mary turns up behind him, sees Miss Primm on the floor, after being battered and starts kicking butt. Miss Primm recovers enough to release Billy and removes his gag. The hoods try to escape and Billy says the magic word and captain Marvel stops them. Mary goes to help and one of the hoods shoots at her, but hits Miss primm. CM decks him and Mary attends to her nanny.... Miss Primm is the sister of Theo Adam and she placed Mary with the Bromfields, out of guilt for her brother's murder of Mary's true parents. The police arrive and Captain Marvel says Mary is safe, elsewhere and they will get her back, as she is a witness. He then tells Mary that they will return, to sort out the police, then go see the wizard. Thoughts: Ordway completes what is, essentially, a retelling of Mary Marvel's origin, from Captain Marvel Adventures #18. In that version, Billy meets Mary at the radio contest, but receives a mysterious letter, from a dying woman, with a secret about him. The dying woman is Sarah Primm, who was the nurse attending to the children, when their mother died. She also attended a rich woman, whose child dies. She substituted baby Mary for her child, then placed Billy in an orphanage, even though Whiz Comics #2 showed that Billy had been kicked out of his home, by his miserly uncle. Mary is kidnapped and saved by captain marvel, but the hoods grab Billy and Freddy Freeman, after Captain Marvel has changed back (showing his secret to Mary) and Mary tries out the word, is transformed, and saves the boys. They then go to see Shazam and he illustrates her pantheon of patrons. She then flies off to take over Wow Comics, as the lead feature, with issue #9. Sorry Mr Scarlet! Ordway tweaks things a bit, by making Miss Primm the sister of Theo Adam, the host body for Black Adam. The Mr Tawny doll gimmick was swiped, obviously, from Calvin & Hobbes (just like Miss Wormwood, for the school), which was at the height of its popularity, when this debuted, before Bill Watterson put it to bed. It's a pretty good idea, apart from the swipe, and allows a talking tiger within the world, without having him walk around. Like Calvin, Billy and Mary see him as a living tiger and everyone else sees him as a doll. Unlike Calvin, they eventually explain it. So, now we have the Post-Crisis debut of Mary Marvel; but, before Freddy Freeman becomes Captain Marvel Jr, as at Fawcett. There will be more elements tweaked, as things progress, including the nature of the Marvel's powers.
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Post by mikelmidnight on Nov 9, 2022 12:23:51 GMT -5
I was happy with Ordway's treatment of Mary Marvel … except for her outfit. He draws her as a tall, statuesque adult, but gives her the uniform she wore as a little girl. It never looked right to me.
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Post by codystarbuck on Nov 9, 2022 14:50:01 GMT -5
I was happy with Ordway's treatment of Mary Marvel … except for her outfit. He draws her as a tall, statuesque adult, but gives her the uniform she wore as a little girl. It never looked right to me. I tend to agree and wanted to see them give her a bit of an update. My thought was more like a female version of the styling of Captain Marvel's uniform, trading skirt for pants and giving her more fashionable boots. Give her the same kind of flap tunic, but cut a bit more stylishly . I didn't mind the color change, but making her costume gold/yellow, with red highlights made more sense than the white one.
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Post by mikelmidnight on Nov 14, 2022 12:24:15 GMT -5
I didn't mind the color change, but making her costume gold/yellow, with red highlights made more sense than the white one.
I hated the color change! First, because the all-white creates this association (which became an issue later) of Mary with 'purity' which does not reflect the character in any meaningful way.
Also, no matter how well-painted the covers are, the costume always looked washed-out and miscolored to me. I suggest a different solution: since Cap has red tights and a white cape and Jnr has blue tights with a red cape, to follow the pattern Mary ought to have white dress or tights and a blue cape.
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Post by codystarbuck on Nov 21, 2022 17:06:58 GMT -5
Power of Shazam #5Remember when the term "riot girl" was all the rage in the 90s? Sheesh! Creative Team: Jerry Ordway-writer, Peter Krause-pencils, Mike Manley-inks, John Costanza-letters, Glenn Whitmore-colors, Mike Carlin-editor Synopsis: Mary Marvel has found out that Theo Adam is the man who murdered her parents and his jail sentence isn't enough,, for her.... Mary is obviously under some kind of influence and she comes out of it and flies away from the cell. She flashes back to previous events. She had gone into the city, to a pawn shop, to find Miss Primm's crucifix. the street was blocked by wrecked vehicles and she got out to walk to the store, but then ducked into an alley to transform, to sort out the mess. She comes across a riot, in progress, involving people from all walks of life. People are looting stores and Mary comes across a costumed woman, who is stealing a bottle of compressed gas, of some kind. The woman introduces herself as Madame Libertine, then puts an art deco whammy on Mary.... She then was overcome with a thirst for vengeance, for the murder of her parents. She now returns to the scene of the looting and finds Madame Libertine gone. She goes to the pawn shop and retrieves the crucifix and flies out to the cemetery, where Miss Primm is being laid to rest. The funeral is interrupted by a reporter, who is out for a sleazy story, about Miss Primm's relation to Theo Adam, her brother. Mary's adoptive parents tell the guy off. Miss Primm's coffin descends into the grave and we then see her soul/spirit/astral self meet Blaze, in her realm, where she has been condemned. Miss primm accepts this as punishment for her sins. Blaze is looking to use Miss Primm to draw Black Adam into her influence. We then see Madame Libertine arrive at her grandfather's place, to deliver the gas cylinder and find out he is a goose-stepping, sieg-heiling, son-of-a-blitzkrieg Nazi, who has come kind of chamber, in which is housed someone called Albrecht and I don't think he means Durer... (Don't mention the war!) Katrina, aka Madame Libertine is less than impressed and blows off gramps with "What-Ever!" She flies off. At the Bromfields, Mary talks to Mr Tawny. She tells him that Suzie Derkins is a doody-head and better stay away from Calvin. Madame Libertine is flying around and sees an older black man, warming himself by a trash can fire, in a poor neighborhood. Apparently, the apple did fall far from the Fascist and she has been messing with people in this neighborhood, especially what she calls "inferior specimens." She uses her powers to persuade the man to step in front of a bus; but, Mary Marvel turns up to stop her. She decks the Uber-Fraulein, but is too late to save the man. She goes back to mete out justice on ML's backside, but she is hiding from her. Mary finds herself envelope by a mist and then at the Rock of Eternity, where she meets the wizard, Shazam. See, Mr Johns, the wizard, not the hero. Shaz tells the pair that her meeting Theo Adam was not good. he also says that she and Billy must remain apart, which doesn't sit well, with either. He further tells them that they share his power, so when they both manifest their Marvel selves, they are half as strong as when only one is using the power. We also learn that the name Captain Marvel was plucked from Billy's subconscious, by the wizard, and he says Mary can choose her own name. She tries out Lt Marvel. Meanwhile, grandpa releases Albrecht from his chamber..... Someone tell Freddy Freeman that he is on in 5....... Thoughts: Once again, this feels a bit disjointed and the continuity from the previous issue is a little shaky. I get the impression that Ordway assumes everyone is familiar with the original Captain Marvel and Marvel Family adventures and will just fill in the blanks. In my case that is fine; but, what about those who hadn't read the reprints during the original DC run of Shazam!? Not everyone had a copy of Shazam! from the 40s to the 70s; otherwise, copies of them would be a hell of a lot cheaper, in used bookstores! We also have to have read one of the Superman titles to know where Captain Marvel was, during all of this. One of the more puzzling elements is why the name Madame Libertine, especially if Katrina is of German stock? Maybe she is from Alsace-Lorraine. The name means someone who behaves without moral principles, though it more often has sexual connotations. Why not something more Germanic? All things considered, I think I prefer Roy Thomas' idea of a revived Captain Nazi. On a visual front; asymmetric costumes may have been all the rage (along with the trend in leather jackets); but, ML's costume looks pretty ridiculous. Really, we have never really had effective new villains added to the Marvel Family and the classic Fawcett enemies always prove better. The Superman series struggled with this, too. All in all, a so-so issue.
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Post by mikelmidnight on Nov 22, 2022 11:55:12 GMT -5
Fortunately, back in the 40s Captain Nazi also encountered Bulletman (and possibly others), so we're not left with the question of 'whose supervillain was he if the Marvels weren't around?'
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Post by codystarbuck on Jan 7, 2023 19:48:12 GMT -5
Power of Shazam! #6Captain Marvel kicking some Nazi Heinkel! Creative Team: Jerry Ordway-writer, Peter Krause-pencils, Mike Manley-inks, John Costanza-letters, Glen Whitmore-colors, Mike Carlin-editor Synopsis: Billy Batson summons Captain Marvel , to relieve his constipation... Well, that's what it LOOKS like......... Actually, Captain Marvel was switching to Billy, so he could cover a high school baseball game, for Station WHIZ. One of the teams is the Binder Marvels (uh-hunh), with star player Freddy Freeman. Billy meets Freddy's grandfather, his only family. Gramps talks up Freddy's accomplishments and we turn our attention elsewhere, as Captain Nazi is telling brudder Wolf dat he doesn't take orders from him or his fashion-challenged granddaughter. Freddy wins the game for the Binder Marvels and gramps takes the team to celebrate, with root beer floats (not frosty chocolate milkshakes?) and invites Billy along. They chow down food at a diner and gramps invites Billy to join them for some fishing, but he has to get to the bank, before it closes. Meanwhile, Muscles McGinnis (the undercover cop) meets with the mysterious woman who aided Ibac. She wants him to kill Sinclair Batson, who is pitching a casino to the Fawcett City Council. The site is the former fairgrounds, which Sivana was trying to turn into his little Worlds Fair. The land has reverted to the tribal owners and they are willing to part with some of the revenue, for the city, provided they approve the plan, which doesn't make sense because tribal land would fall under tribal jurisdiction and not the Fawcett City government; but.....comics! Billy changes into Captain marvel, with a beard (makes him look rugged) to deposit his paycheck, as Ebn Batson. Well, guess who won the pony? Yup, Hauptman Saurkraut smashes his way into the bank.. ...and tosses "Eben Batso" around. He smashes the rest of the place and proceeds to rob the bank. As he goes in to the vault, to rip open savings deposit boxes, "Eben shoves him in and closes the vault door, locking him in. He helps clean up, but splits when Sinclair turns up, who hears that his elderly father supposedly stopped a bank robbery. Raptain Ratzi breaks out of the vault, but Captain Marvel turns up to clean his uhr! They fight, out over the bay, which brings them to where Freddy freeman and his grandfather are fishing. Faster than you can say plot convenience, Captain Schnook lands in their boat and knocks gramps into the water. Fritz hurls gramps through the air, then sends Freddy flying.... Captain Marvel catches Freddy, but his leg is broken and his spine is injured. Gramps is in bad shape and unconscious. CM takes them to the hospital, then Billy Batson awaits the enws, as Mary turns up and hears that gramps has slipped into a coma. Thoughts: An exciting updating to the origin of Captain Marvel Jr, complete with Unfrozen Cave Nazi to again kill grampa and cripple Freddy. To make it especially tragic, grampa is Freddy's only family and Freddy is the star athlete and the one that girls swoon for. Naturally, that all ends when he is crippled. Muscles sees Blaze and notices her demonic reflection in a mirror. Might have trouble bringing her to prosecution. At no point in the story does Freddy break out into song, thereby failing to exploit the connection between Captain Marvel Jr and Elvis. I think even Stevie Wonder can see where this story is headed.
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Post by codystarbuck on Jan 25, 2023 16:43:32 GMT -5
Power of Shazam #7The Power of Shazam, starring Donnie & Marie Osmond! Creative Team: Jerry Ordway-writer, Peter Krause-pencils, Mike Manley-inks, John Costanza-letters, Glen Whitmore-colors, Mike Carlin-editor Synopsis: Captain and Mary Marvel are appealing to the wizard, Shazam (of the Karnak Shazams), to help the badly injured Freddy Freeman. Shaz gets pretty ticked off and says, "What am I, Blue Cross?" He reminds them that he does not have limitless powers and that when both Captain Marvel and Mary are manifested, their powers are half as strong (which will come in handy to explain why they can't best Black Adam, when he returns). He still hasn't figured out how Mary tapped into his powers and is flabbergasted when she says he animated Mr Tawny to tell her. He laughs at the idea of talking tigers.... Shaz says they have to figure this one out on their own. Captain Marvel tries to google it; but, he is two years too soon. They go to visit Freddy, at the hospital, but Billy has to do his radio show. Mary goes alone and finds a pair of Freddy's classmates trying to cheer him up.... With support like that, who needs depression? Mary does a better job of it, promising to run the newsstand for Freddy's grandpa, who is in a coma. Billy makes a radio appeal on behalf of the fund that Sterling Morris set up, to pay for the Freeman's medical costs. he mocks Captain Nazi, which is heard by Hauptman Saur kraut and his grandniece. She taunts him until he decides to attack the hospital, where the Freeman family are recovering. Meanwhile, Billy flirts with Stirling Morris' secretary and is then introduced to his new tutor.... Meanwhile, the blackmailer/kidnappers, who tried to nab Mary, arrive in prison and meet Theo Adam, who is upset about the death of his sister.... Back at the hospital, Albrecht turns up, claiming to be Freddy's uncle and Mary spots him. She tries to call Billy, but can't get through, so, she transforms and arrives, as Captain Nazi flies off with Freddy. She pursues and he tosses Freddy. Mary catches him as Captain Marvel turns up, at half strength. Mary lands safely with Freddy and transforms, so that Captain Marvel is at full strength. Freddy is in bad shape and might not survive to make it back to the hospital. In desperation, Billy and Mary join hands and summon the magic lightning, hoping it can save Freddy. It restarts his heart and Captain Marvel takes Captain Nazi off to jail, while Mary tries to appeal to the wizard, again. He tells Mary that she has a better intuitive grasp of the powers and he guides her into realizing how to save Freddy. When Captain Marvel returns she tells him the both must give Freddy some of their powers. The wizard says it wasn't his power to give and Mary figured out that was because he gave his power to them. Shazam tells them they will be further reduced, but they continue. Freddy wakes up and sees Captain Marvel and says his name. TCB! The wizard tells Freddy he can't stay as Captain marvel Jr, if his body is to heal and they take him back to the hospital. meanwhile, Captain Nazi is in custody, in the hospital, as he seems to be succumbing to flu. To be continued. Thoughts: So, we now have the post-Crisis rebirth of captain Marvel Junior (who actually pre-dated Mary), pretty much following along with the original story, with slight revisions. before, it was the wizard who prompted Freddy into saying the name of his hero. Here, Mary figures things out and Freddy spontaneously speaks the name of Captain Marvel. Ordway also establishes the idea that the Marevel family powers are reduced the more members are using them, at the same time. They are strongest individually and weakest when all three are manifested. In the Fawcett stories, their powers were relatively even, despite Captain Marvel being physically larger. It also establishes that Mary uses her brains more than Billy does, which actually fits into the Fawcett stories, as Mary tended to be a bit sharper than Billy, as Captain Marvel tended to rely more on brute strength, while Mary used cunning more. She tells captain Marvel to listen to the Elders speaking in their heads. We also get the return of Theo Adam, in prison, as he shivs the man who shot his sister. We will see more of him and possibly his alter ego. Meanwhile, Captain nazi doesn't seem to be so "uber," as modern diseases seem to greatly affect his immune system. They have not developed to new strains, while in cryogenic freeze. Score one for the mongrels of the world! As with Mary, Ordway demonstrates how to modernize the Marvel family, while still being true to their history. He keeps the key elements, but gives them modern touches and looks at them through modern eyes. This is what DC missed, in their previous attempts. The first time round, DC tried to recreate the classic stories, but talked down to the audience with them. By the time E Nelson Bridwell was writing them, that had been corrected, with better stories, which treated readers with respect, even if DC wasn't exactly promoting the stories (or anything, in Worlds Finest). Roy Thomas tried to darken things up a bit, which doesn't really work for the Marvels. There is a reason why Paul Dini and Alex Ross chose the title "The Power of Hope" for their Shazam tabloid OGN. The Marvel Family represents fun, wish fulfillment and hope. They are beings of light, not darkness. Next, some more Fawcett post-Crisis debuts and more Nazi nuttiness.
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Post by codystarbuck on Feb 7, 2023 18:22:08 GMT -5
Power of Shazam #8The use of Master Comics is significant as Captain Marvel Jr took up residence there, after his debut (as well as his own series and the later Marvel Family comic) and it featured the debut, of Captain Nazi (in an appropriately titled comic, given the Nazi ideology), as he battles Captain Marvel and Bulletman (and makes reference to Minute Man and Spy Smasher, via pictures on a wall, during a briefing). The Captain Nazi story, in Master Comics #21, spilled over into Whiz Comics #25, where Freddy freeman and his grandfather are attacked and Freddy is injured, leading to him becoming Captain Marvel Jr. Creative Team: Jerry Orrdway-writer, Curt Swan-pencils (pg 1-7), Peter Krause-layouts (remaining pages), Mike Manley-inks and finishes, John Costanza-letters, Glenn Whitmore-colors, Mike Carlin-editor Synopsis: We start out in June, 1945 as the hero Spy Smasher, is threatened by Captain Nazi and some Gestapo goons.... Faster than you can say, "Herr Flick is coming!"Bulletman and Minute Man smash through the wall, free Spy Smasher and battle Captain Nazi. The Nazis were interested in La Paloma, a ship due to arrive, from South America. Captain Nazi beats a retreat and the Gestapo try to blow up the building around the heroes, but they get out and head for Spy Smasher's Gyrosub. They take off and Spy Smasher mentions intelligence that some Nazi leaders had fled to South America and suggests they might be trying to smuggle some into America. They head out to the coast and find the ship sinking, after Captain Nazi tore through it. They survey things, but there is no sign of the ubermensch or the apparent cargo. It turns out this is all being related to Fritz, The Night Owl, a DJ at Station WHIZ. His guests are Jim Barr, Jack Weston and Alan Armstrong, better known (respectively) as Bulletman, Minute Man and Spy Smasher, wartime heroes from Fawcett City. Fritz mentions Jim Barr's appearance, relative to his age, which he attributes to living in Fawcett City, where the pace of life is slower. As they leave, the others ask if he got a facelift and he says he was serious about what he said. They bump into Billy Batson and Barr tells him he knew Billy's father and gives him his card and tells Billy to call him sometime. Meanwhile, Mary is visiting Freddy, in the hospital and a nurse comes in and asks her to give them a moment's privacy. From the hall, she hears Freddy cry out that his grandfather is "gone," then hears him speak "Captain Marvel," followed by a crash of thunder and a flash of lightning. Freddy flies off to shred some saur kraut. At Crowley Prison, Captain Nazi is being treated for influenza, while Theo Adam is treated for a stab wound, which is a mistake, since Adam is the one who shivved one of the blackmailers, who was responsible for the death of his sister, Sarah Primm. The doctor changes his dressing, then leaves, but leaves scissors close by and Adam, despite restraints, is able to get his hands on them. Captain Nazi has to be given oral medication, because his skin is impervious to needle punctures. He is given a capsule and proceeds to spit it, at high velocity, into the medic's eye. Adam gets free of his restraints and clobbers the doctor, with his IV stand. Nazi tells him to get him out of his restraints and he will fly Adam out of the prison, which is what Adam wanted. Adam has the key card, from the doctor and releases CN, who flies them out. Junior is headed for the prison and Mary marvel trails behind, trying to reason with him. In his anger, he punches her across the sky. Captain Nazi, true to form, dumps Theo Adam, from the sky, but Junior catches him. He doesn't know that the man is Theo Adam, murderer and host for Black Adam. He leaves him on the ground, to go after Captain Nazi. Adam is about to leave, when Blaze appears to him, in human form, and offers him a bargain. Junior lands on top of the flying Captain Nazi and starts bashing in his brains... Junior suddenly feels weaker and Captain Nazi starts counter-punching and knocks Junior through a fence and oncoming traffic. A tanker is overtunred and fuel spills out. Captain Nazi fires a pistol (from where, we don't know) and ignites the fuel (No,no,no,no........) and flies away, while Junior helps a trapped motorist. Captain Nazi flies to Miami Beach and dives into the water, to the wreck of the Paloma. He pulls the cylinder he sought, originally, out of the cargo hold and flies it to the shore and opens it, ony to find that tehy didn't save Hitler's brain (or the rest of him)... Then, the entire Marvel Family shows up, explaining why Junior felt weaker. They have come to chew bubblegum and kick Aryan and are all out of bubblegum. Thoughts: This has cropped up before and demonstrates that neither Mike Carlin nor assistant editor Chris Duffy are doing their jobs, as Ordway once again screws up continuity between issues. Theo Adam stuck a shiv in one of the blackmailers, when he arrived at the prison, not the other way around; yet, he is the one in the infirmary, with a knife wound. Next, a bullet fired into a pool of gasoline will not ignite fuel, unless there is a spark and there is the correct mixture of air and gasoline. A bullet into asphalt isn't likely to create a spark of significance and the fuel is in the open air, not an enclosed space, with oxygen trapped, like in the cylinder of a car's engine. It don't work, mate! Leaving aside bad science and editing, it's an exciting and emotional issue, as Freddy faces the death of his grandfather and then explodes into pure rage, seeking revenge. Mary tries to stop him, but needs help, which kind of negates the idea we saw last issue, where Shazam noted she was more intuitive about using their powers than Billy (and one would presume, Freddy). Their power should be equal, so Mary shouldn't get knocked for a loop so easily; but, hey, she's just a girl! The beginning establishes the other Fawcett heroes in the post-Crisis DC Universe, having fought in WW2 and after. So, once again, we are given Spy Smasher, Minute Man and Bulletman. Spy Smasher debuted alongside Captain Marvel, in Whiz Comics #2. He was Alan Armstrong, who fights spies and saboteurs, including the Nazi agent, The Mask. He would get a Republic serial, with Kane Richmond as the hero, in one of the best action serials ever produced. It features a scene of Spy Smasher fighting a Nazi on a flying wing aircraft, which was later cribbed for Raiders of the Lost Ark. At one point, Spy Smasher was brainwashed into becoming an enemy of America, committing acts of sabotage, until Captain Marvel enters the scene and tries to stop him. They battled acrss several issues, before Spy Smasher was defeated and released from mind control. He would continue in Whiz and his own comic, until the end of the war, when he became Crime Smasher. Minute Man was Jack Weston, a patriotic agent who battles spies and saboteurs, with no super powers (as with Spy Smasher). The Minute Man name relates to the Colonial militia, in the Revolutionary War, who answered the call to arms, at a minute's notice. He was a regular in Master Comics, debuting in issue 11 and he was part of the Crime Crusaders Club, Fawcett's only super group, along with Bulletman & Bulletgirl and Captain Marvel Jr (Master Comics #41). Bullet Man is Jim Barr, a police scientist (forensics), whose father was a police officer, killed in the line of duty. Barr develops a chemical that enhances his strength and muscle density and speeds up his brain. He then develops an anti-gravity helmet, which allows him to fly and deflect bullets. Next to the Marvel Family, he was Fawcett's most popular hero, along with his partner, Susan Kent, aka Bulletgirl. We see that Barr appears a bit younger than his colleagues, which he attributes to the slow pace of Fawcett City life. This is an oblique reference to the Earth-S pre-Crisis history, where the city (implied but never stated to be New York) is enveloped in a globe of Suspendium, freezing the Marvels, the Sivanas, and the some residents of the city, in suspended animation, until released in the following decades. It also suggest there may be something mystical about Fawcett City, that has slowed they passage of time, which would explain the retention of art deco buildings and old fashioned trappings that we have seen, since the graphic novel. In reality, it is a story device to allow Fawcett City and Captain Marvel to be a bit "timeless," allowing for a more innocent hero, with some modern trappings. For my money, it worked better than keeping him purely for children or making him completely modern. Captain Marvel, to me, works best when that sense of childlike joy is still there, in his adventures. captain Marvel is about childhood wish fulfillment, where all we need is a magic word to turn us into a powerful adult. His enemies are bizarre, but rarely pure psychopaths, more likely to cause chaos and trouble than bloodbaths. There is room for someone like that, in comics. Unfortunately, the Powers That Be don't seem to catch onto that fact. This series was probably the last hurrah for a more innocent Captain Marvel, with the possible exception of Billy Batson & The Magic of Shazam, which was deliberately aimed at a younger audience.
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