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Post by codystarbuck on Aug 22, 2021 12:37:04 GMT -5
I liked that Grell played off the height joke when Travis Morgan showed up in his Green Arrow run too, playing off that people thought he looked like Ollie, but in the comic Travis much taller if I remember right. You know Grell must get that all the time. He sounds like he should be 6 ft 6 in, with a massive chest, the eye of a killer, and a few scars. In actuality, he's my height or a little shorter (I'm 5ft 6in...thanks Mom!), looks more like a character actor than a he-man hero, and is a pretty fun guy. Now, Mike Gold looked like a s@#$-kicker!
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Post by foxley on Aug 22, 2021 16:16:44 GMT -5
I liked that Grell played off the height joke when Travis Morgan showed up in his Green Arrow run too, playing off that people thought he looked like Ollie, but in the comic Travis much taller if I remember right. Not *much* taller. According to the official DC stats Ollie is 5'10" and Travis is 6', but enough to get a joke out of it. Especially if you're familiar with Grell's work.
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Post by earl on Aug 23, 2021 11:58:13 GMT -5
I had some comics signed by Grell back in my original collection. He was in the artist alley at one of the Chicago and I think also up at a Mid-Ohio Con back in the 80s.
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Post by codystarbuck on Aug 23, 2021 21:23:50 GMT -5
I had some comics signed by Grell back in my original collection. He was in the artist alley at one of the Chicago and I think also up at a Mid-Ohio Con back in the 80s. Met him at a small con in Collinsville, IL (across the Mississippi from St Louis), in the early 00s, as well as Mike Gold and John Ostrander, who shared his table. We talked a lot about First Comics and some of the things Grell threw into Jon Sable, as well as some Legion stuff, from Grell's tenure. That was where Mike Gold told me the story about firing Elliot Maggin after he stopped turning in work. Just never submitted the story he was working on, no reason, nothing. Gold decided if he didn't want to work, then DC wasn't going to pay him and fired him off the book. He said Maggin sucker-punched him at a Con, soon after and only people getting between Mike Gold and Maggin prevented him from giving Maggin a receipt. I've never met Maggin or seen anything other than a headshot; but, Mike Gold is a big dude and I wouldn't want him coming after me in anger.
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Post by foxley on Aug 24, 2021 2:50:06 GMT -5
Mike came out to a couple of Australian cons a few years ago. I got him to sign my John Sable, Freelance #1, 1st Issue Special #8 (first Warlord) and Superboy and the Legion of Super-Heroes #226 (first Dawnstar). I've also got a couple of original drawings from him: Sigil and Signet from Bar Sinister. When I was ordering the first one, I said that I was tossing up between Dawnstar and Sigil, and Mike looked at me and said "Sigil?", his eyes lighting up. Which decided me on Sigil. Mike then told me that he has probably done about 200 Dawnstars for every Sigil he has been asked for, and seemed appreciative of my fondness for his more obscure characters. That's why I got him to do Signet next time around. Even his wife, who was taking down the order details, had to ask Mike who that was.
Really nice guy. We even chatted for a piece about his James Bond work, and our mutual love of Ian Fleming's novels.
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Post by codystarbuck on Aug 25, 2021 15:59:36 GMT -5
Jon Sable 8Jon Sable vs Light Pollution! Indicia Gag: Pay Attention. There will be a short quiz later. Time for some new material, Mike! Creative Team: Mike Grell-story & art, Peter Iro-letters, Janice Cohen-colors, Mike Gold-editor Synopsis: Jon has his 4-way shower interrupted...... (Seriously, dude; conserve the environment!) ...by Sonny Pratt and they banter , somewhat playfully. Soony wants to join Jon's operation, which isn't going over well with Jon, though not as badly as having the barrel of his Mauser pointed at him, while he is naked, dripping wet, and agitated... The woman holding the gun tells Jon to hang up and he does. He makes a few jokes and she says she just wants a few minutes of his time. He asks to put on his pants, then tells her the gun isn't loaded. The woman glances down at it, with the barrel pointed upwards and pulls the trigger. It goes off and Sable grabs her wrist and then backhands her across the face. He takes the gun and she just pleads to hear her out. Sable tells her to start talking. The woman is Trina Cole and she was the social director of a resort, The Eagle's Nest, in upstate New York. The boss, Andrew Sherman, gave her a break when no one else would. Two days before, she went to the office to return some papers and found the safe open. She went to close it, figuring Mr Sherman forgot, again. the security chief, Vince Hawkins walked in and thought she was trying to rob the safe and grabbed her. She pushed him away, but he tripped over a coffee table and cracked his head on a desk. She ran, but read in the papers that Hawkins was alive and the safe had been rifled. She is wanted by the police. She wants Sable to help clear her name and find the real guilty party and show Mr Sherman he wasn't wrong to help her out. Sable questions why she didn't stay to explain to the police and she says she has a record and has done time and they wouldn't believe her. Sonny shows up to finish his conversation and sees the woman. Sonny introduces himself, as only a romantic hero could, then notices the bruise on her face and demands to know if Jon hit her. he then reads him the riot act, as the phone rings.... It's Eden, adding to Jon's woes, as she demands to know what he is going to do about her destroyed car and he tells her to look outside her window, where she sees a brand new sedan, wrapped in a red ribbon. Eden changes her tune and suggests she show him her gratitude, later. Jon has to go out of town, and Eden says things won't keep forever. Story of Jon's life! he tells Sonny to babysit Trina and not to let anyone in and tells Trina he'll take her case for 25% of the money that was in the safe. Sonny proceeds to regale Trina with tales of his colorful past, while Jon grabs his gear. Sable drives up to the Eagle's Nest resort and sees Mr Sherman. He offers to find the missing hundred grand. Sherman says his people are looking for Trina, and Sable retorts that he didn't say he'd find Trina, just the money. He asks Sherman if he actually believes she did it. He says the evidence is against her, but he doesn't want to see her in trouble. he has convinced Hawkins to drop the assault charge and will drop the robbery charge, if the money is recovered. Sherman agrees and Sable names his price of 25%. Sable talks to Hawkins, who says the money was in the safe when he found trina and claims to have been knocked out for only a minute. He says Carter Haines, the desk clerk found him as he was coming to. Sable sugegsts that Trina interrupted a robber, who hid and took the money after, but Hawkins says there is no place to hide in there, by design. They are interrupted by Angela Ryder, a performer in the nightclub, who was booked by Trina. She doesn't believe Trina did it. She points out Haines, who Hawkins says follows her like a puppy. She thinks he is sweet. Angela asks Sable outside for some fresh air, before her next shift. There is a convention going on and Angie has been a center of attention. She and Sable go for a walk along the lake, while someone watches from the railing, at the hotel. The next morning, Sable interviews Haines. he backs up Hawkins story and says he had gone to the office to get brochures for the conventioneers. He claims the money was gone from the safe when he found Hawkins and Trina had fled. Sable phones Sonny and tells him to keep an eye on Trina, as her story is the only one that doesn't check out. He is interrupted by a scream. Carter Haines is found dead, of an apparent heart attack, though he did hit his head on steps, as he fell down a flight leading down from the hotel to the shore. Sable tells Angie, who is crestfallen, as she liked him, despite the unwarranted attention. Sable meets up with Sherman, who is speaking to a guest, who calls him colonel. He explains he had been a colonel in the USAF, with Strategic Air Command, but got tired of butting heads with top brass. sable admires the exotic woman (of Mediterranean or Middle eastern extraction) as she leaves. Sherman tells him the police autopsy confirms Haines' death was by heart attack. Sable was hoping for an indication of murder. Sable returns to his room and finds someone trying to leave by the window. He tackles them, but gets hit over the head, from behind. He wakes up, with Angie tending to him and tells her two people were inhis room, though he doesn't know what they were looking for. His room has been rifled. He goes to see Sherman, but Sherman claims no knowledge of what they sought. Later, Sable spots someone in the trunk of his Studebaker and chases them. the figure hops in a car and tries to run down Sable, who pulls his Mauser and fres and the car crashes. Hawkins is the driver, dead from a bullet from the Mauser. Sable confers with Sherman, who says Hawkins must have been in on the robbery. Sable is still looking for an accomplice. He asks if there was anything else in the safe and is told just a few pieces of jewelry. Sable calls Sonny and asks about a package, which Sonny confirms arrived. Sable has him express deliver it to the resort. He then takes it to go see Angela. Sable tells her a story.... Hawkins opened the safe to rob it, but was interrupted by Trina and ducked out the patio door. he circled back, but saw Haines coming down the hall, and decided to roll with it. he interrupted Trina and she pushed him and he was knocked unconscious. Sable remarks that you lose track of time, when knocked unconscious. He says Haines took the money and jewelry, hiding it in a box of brochures. He then says Angela was the accomplice and Haines gave her the emerald pendant she was wearing earlier, to impress her, after she showed attention to Sable. Hawkins recognized it and tried to shake Haines down. He hit Haines, but he suffered a heart attack. To cover up the bruises, Hawkins shoved him down the stairs. He broke into Sable's room and Sable caught him, but Angela hit him over the head. he shot Hawkins in self-defense, later. He wondered why Hawkins went after him, knowing that sable had nothing on him, until he realized how things fit together. Haines mailed the box of brochures, with the loot, to Sable's home address, since Sable couldn't find it there, while he was at the resort. Sable had Sonny send it back; and, sure enough, the missing money is inside. However, he finds something else with it.... Thoughts: Another detective mystery, with a bit of a twist, as Sable investigates a robbery to clear his client, and finds it compounded with murder and attempted murder. The real surprise is when he recovers the loot and finds a document, titled "Operation First Strike," then is confronted by Sherman, in military gear, along with the exotic woman he had been speaking to. Obviously, this was the real MacGuffin of the plot, though we, and Sable, did not know it. So, this just went from Philip Marlowe to James Bond, which was Mike Grell's intent, for the series. Grell handles the mystery element well, laying out the clues for Sable to find and us, and he plays fair, as you can put things together. The loot is the question , though you do have to wonder why Haines would mail it to Sable and not to someone else he knew. How did he intend to retrieve it? Even while trying to avoid discovery, his greed would likely be such that he wouldn't risk losing the money altogether. Why not mail it to a fictional address, so it would come back as undeliverable, later? Given the cliffhanger ending, it would seem that the document, with a military sounding name and Sherman and his cohorts paramilitary clothes and weapons, is some kind of military plan and not for the US government. The woman gives the suggestion of a terrorist strike, given her apparent ethnicity and the fact that she holds an AK-47, a favorite weapon of terrorists, throughout the world (and delivered by the boatload, throughout the Middle East, for decades). You do have to ask why a retired colonel would be involved in terrorism against the United States. i think the answer lies in the likely inspiration for Andrew Sherman: General Jack D Ripper, from Stanley Kubrick's Dr Strangelove... (Played by the brilliant Sterling Hayden) That character initiates a nuclear strike against the Soviet Union, to force the government's hand into wiping out the Soviet Union. The character was somewhat inspired by USAAF (and USAF) General Curtis LeMay, who was in charge of the strategic bombing of Japan, up to and including the Atomic bomb. He was also head of Strategic Air command, from 1948 to 1957. he had advocated bombing Cuba, during the Cuban Missile Crisis and advocated for the bombing campaign in North Vietnam. He drafted war plans, in 1949, which called for a pre-emptive air strike on the Soviet Union, over 30 days, dropping 133 nuclear bombs on Soviet cities, predicting WWIII would last only those 30 days and the USSR would be destroyed. LeMay was noted for his ever-present cigar and is at the center of various nuclear conspiracy theories from people who believe Dr Strangelove and Fail Safe were documentaries, just that the bombers were destroyed, en route. I suspect Sherman has something similar, in mind, though I think it is less a strike against the Soviet Union, than one within the US. to look like a terrorist attack, as a provocation for war. This puts it a bit more into another paranoid film, Seven Days in May, directed by John Frankenheimer. Seven Days in May features a plot to carry out a military coup of the United States government, orchestrated by an Air Force general (Burt Lancaster) that is uncovered by a subordinate, at the Pentagon (Kirk Douglas). Douglas investigates, with a few key allies, at the behest of the President of the United States (Frederick March). He uncovers a vast conspiracy, involving key elements of the military, to use a war game exercise to position troops in key positions, and then seize power from a president who the general feels appeases the Soviets too much. The film has a dramatic climax where March and Lancaster face off in a philosophical and moral debate, that should be viewed by every member of the White House staff and the Department of defense, in every administration. It underlines the democratic foundations of the US government and civilian control of the military, as well as the constitutional duties of all involved. So, Sherman may be plotting his own little coup. Raymond Chandler meets Ian Fleming, meets Peter George (and Eugene Burdick and Harvey Wheeler), as told by Stanley Kubrick, Richard Levinson & William Link and John Frankenheimer. Grell does a nice job with the architecture of the resort, which has a nice mix of mid-Century Modern and Woodland Resort design. I suspect it is based on a real location, though I can't identify it. Grell has shown a fondness for Mid-Century Modern architecture, as Sable's townhouse is of that style, recalling the designs of Frank Lloyd Wright's "Fallingwater" house, as well as similar house, by architects & designers like Neutra, Eames, Saarinen, and Arno. Next, just what the hell is Sherman's plan?
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Post by codystarbuck on Aug 29, 2021 16:07:04 GMT -5
Jon Sable #9Indicia Gag: Sanitized for your protection. Creative Team: Mike Grell-story & art, Peter Iro-letters, Janice Cohen-colors, Mike Gold-editor Synopsis: Sonny is giving a massage to Trina, trying to reassure her than Jon knows what he is doing. Jon is being held at gunpoint, by Andrew Sherman, who wants his Operation First Strike plans back. Sable cracks jokes and Sherman backhands Angie... Sterling Hayden never did that! The woman, Falana, calls Sherman "general," which catches Sable's notice. He says he has promoted himself and that Sable has been hobnobbing with his men, disguised as convention goers. He orders them taken out to the woods, to be shot. The soldiers tell Jon to place his hands behind his head and he teaches them a trick he learned from Jim West... Jon and Angie escape out the window. The general sends his dogs to find them, but Sable has roleld his shirt around a rock and sent it down a hill to lead them astray. He uses skills he developed in Africa to hide them and keep them alive... The soldiers search the shore, with dogs, while a patrol boat searches the water. Sable and Angie slide into a grotto, formed by sea water erosion. They see light in the rear and swim in deeper and find that it is a tunnel that leads into a cavern. There, Sable finds out that SPECTRE has a base there... The complex is vast and Sable notices enough arms and ammunition to outfit an army. They overhear Falana and Sherman talking and a certain "Colonel" is mentioned. Sherman approached Falana's people with his plan, which involves a meeting of the UN Security Council. They do not appear to be planning an armed assault, based on what Falana says. They have 5 nuclear devices! Angie rattles off their type and capabilities and Sable points his Mauser at her and demands to know who she really is. Her name is Angela Ryder, but she is a lieutenant, in the USAF Office of Special Investigations (OSI). Hawkins was her partner, also an OSI agent, watching Sherman. Hawkins didn't tell Sable because he thought Sable was working for Sherman. Sherman sends the truck with the nuclear device on its way, to New York. Sherman wants to celebrate, but Falana has to brief her compatriot, Maalish. Sable wants to leave and call in the Marines; but, Angie says they have to destroy the 4 remaining devices, as Sherman could hold off an assault long enough to arm them. Angie explains they can destroy the bombs by igniting the high explosives out of sequence, preventing the plutonium from being compressed into the fissionable material, to create the nuclear chain reaction. She explains that nukes are pretty safe, unless the exact explosion propels the materials together to start the nuclear fission, which has been shown via B-52 crashes, with weapons on board (despite public announcements that no weapons were aboard). Sable doesn't like how she uses the word "nearly" when talking about how safe the nukes are. Sable takes down a sentry and relieves him of matches and cigarettes. He creates an improvised ignition device, with a burning cigarette, stuck into the matches, which is placed in a box of 5.56 mm ammo. When the cigarette burns down to the matches, they will ignite and flare up, causing the ammo to cook off and explode. Sable and Angie head out, but get caught by Sherman, who reveals he is using the Libyans and not the other way around... The bomb headed to New York is real, fully armed and Sherman has compatriots at NORAD who will feed false indications of incoming missiles into the computers, which will set off a nuclear alert, which will then go into fullscale retaliation, after the device is triggered in New York. He believes the US will survive, since they will strike first. Sable distracts Sherman with the sight of his boobytrap and then slides a knife out of his sleeve. he impales the guard in the neck, who falls into Sherman and knocks him off the stone bridge, landing on the nuclear devices, breaking his back. Angie and Jon swim out via the tunnel and come out of a manhole. Jon relieves a motorcyclist of his bike and goes after the truck to New York. Sable rejects Angie's help, as he doesn't trust her, especially after the way she used Carter Haines. he tears after the truck and catches up. The "shotgun" rider throws a pair of grenades out the truck, but Sable avoids them and climbs onto the truck. he is spotted while cutting into the canvas to climb into the bed and the "shotgun" goes after him. They fight and Sable pulls the pin on a grenade hanging from the goon's blouse. sable dives out of the truck, before the grenade explodes and the truck plummets over the side of a cliff. The bomb is destroyed in the explosion. Jon later catches up with Sonny and Trina and tells her she is clear, but out of a job. He then asks how she got past his security system and she reveals she had gone to prison for burglary and she was an expert. They share a laugh as Sable knocks Sonny off a railing into his pool (Sonny was about to demonstrate a high fall). Thoughts: Yep, our little mystery turned into James Bond-Meets-Dr Strangelove. Sherman sought to force a surprise first strike, along the lines of Curtis LeMay's 1949 war plans, with the hopes of devastating the Soviet Union, before they could launch a substantial retaliation. The flaw in that is that both sides pretty much had protocols to initiate a retaliatory strike upon indication of a missile and they don't arrive instantaneously. There is plenty of warning. Also, much of the Soviet's nuclear strike capability was carried at sea, on ballistic missile submarines, who were positioned in key locations, just as the US Navy did with its "boomers." The whole point of "Mutually Assured Destruction" was that if either side launched a nuke, the other would launch everything in retaliation, so both side would die, no matter what, making nuclear strikes a suicide gesture. It was an insane situation, created by insane minds; but, it kept both sides from using nuclear weapons in smaller conflicts or to force a situation. Problem is, it also led to increased tensions when the two factions would lock horns, like during the Cuban Missile Crisis or the 6-Day War, in the Middle East. If they have the "bomb," then we must have the bomb. We couldn't get either side to see that maybe no one should have "the bomb." Our dancer turned out to be an undercover agent for the USAF OSI. Um, not away from a military installation. Yes, they would handle an Air Force investigation; but, this angle would have to be in conjunction with the FBI, who were tasked with counter-terrorism. I assume Grell went with just the OSI, as he wanted the technical expertise, without another character. Would have made more sence if Hawkins had been the FBI undercover agent, partnered with Angie, instead of another OSI agent. Grell namedrops Dr Strangelove and Fail safe, to reference the influences on the plot, then has Sable namedrop Stalag 17, to reference the inspiration for the cigarette and matches improvised incendiary device. In that film, a newly arrived prisoner had committed an act of sabotage using such a device, while he was being transported, leading to the gestapo to hunt for the man. William Holden, who has been a self-absorbed conniver, is forced to do something noble, to protect the man. Sherman's little underground complex was pretty much straight out of the Ken Adams design book (the man who designed the memorable sets in the Bond films and the War Room, in Dr Strangelove). Grell would use a similar set up, later, when he actually got to do James Bond, at Eclipse. Grell exercises his inner Ian Fleming (and Terrence Young), as this second half of the story is the most Bond we have seen yet. He will continue to dabble in a bit of Bond and a bit of Spillane (and Chandler and Hammett). Next time, however, he is dabbling in a bit of character study, as he introduces another supporting character and dabbles in Sable's personal life, without people trying to kill him.
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Post by foxley on Aug 29, 2021 16:31:34 GMT -5
Is that where that trick comes from originally? Jonah Hex pulled it off a time or two as well (as seen on this cover):
(And now that I've written that, I can't thinking how awesome it would be to see Grell do some Jonah Hex.)
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Post by codystarbuck on Aug 29, 2021 17:15:09 GMT -5
Is that where that trick comes from originally? Jonah Hex pulled it off a time or two as well (as seen on this cover):
(And now that I've written that, I can't thinking how awesome it would be to see Grell do some Jonah Hex.) I suspect it predates The Wild Wild West, in film and the pulps; but, the tv series featured Jim West using a dagger hidden in the back of his suit jacket, in a sleeve, which he would pull out and throw at goons. He also had a springloaded blade hidden in the tip of his boot, which he would flick open, usually to cut through his and/or Artie's bonds (or their guest star's), when they were captives. The three routine gadgets of the series were the boot knife, the collar knife and the sleeve gun; a derringer, which West would flick out, on a rig, hidden up his sleeve (later copied in Taxi Driver). His belt buckle also hid ammunition; but, that wasn't used much, beyond the pilot episode. His private train also had hidden weapons, like exploding billiard balls and sword blades, hidden inside cue sticks. Given Grell's various references, I'm betting he was a fan of The Wild Wild West (who wasn't, in the 60s and early 70s, with re-runs?). I don't know why Grell never really did any western comics, other than timing, as most of them had died out by the time he was working in comics. He certainly could have done some Hex. I do know that Tarzan was a dream come true, as was James Bond. Warlord was his comic strip pitch, reworked. So, he got to do most of the genres he really loved, since Sable mixed Bond and Mike Hammer, while Green Arrow mixed Robin Hood, detective fiction, and superheroes. Grell's Green Arrow was more private detective than Batman-lite vigilante, in his stories. If you look at the structure, it has far more in common with private detective fiction than superheroes and he kept GA's foes more in the realistic end of the spectrum.
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Post by codystarbuck on Aug 29, 2021 17:19:33 GMT -5
Here's West "gearing up," in the pilot episode...
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Post by foxley on Aug 30, 2021 3:03:00 GMT -5
Here's West "gearing up," in the pilot episode... Thanks for this. As much as I love the genre, I was born too late for the golden age of TV westerns. By the time I was old enough to watch them, Gunsmoke was the only one still on. And as there were only two TV channels were I grew up (as opposed to the four, or even five, they had in the capital cities), and one of them was the ABC (our national public broadcaster), the only one that ever showed up in reruns was Bonanza. I am gradually acquiring them on DVD, and I have the first season of Wild Wild West, but have yet to get around to watching it.
I do know that Yancy Derringer also used hidden weapons, including a derringer on a sleeve rig and another hidden in his hat.
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Post by codystarbuck on Aug 30, 2021 11:21:04 GMT -5
Here's West "gearing up," in the pilot episode... Thanks for this. As much as I love the genre, I was born too late for the golden age of TV westerns. By the time I was old enough to watch them, Gunsmoke was the only one still on. And as there were only two TV channels were I grew up (as opposed to the four, or even five, they had in the capital cities), and one of them was the ABC (our national public broadcaster), the only one that ever showed up in reruns was Bonanza. I am gradually acquiring them on DVD, and I have the first season of Wild Wild West, but have yet to get around to watching it.
I do know that Yancy Derringer also used hidden weapons, including a derringer on a sleeve rig and another hidden in his hat.
The Wild Wild West is a great one and it pretty much hit the ground running. Miguelito Loveless, the mad doctor, appeared in that first season ("Night of the Wizard") and became the recurring villain. His stuff just keeps getting better and Michael Dunne was fantastic, in the role. Ross Martin's part improves greatly as time passes, as he moves from being Jim West's contact and support to a full-fledged partner. Martin gets to do character work, as Artemus is a master of disguise. The fight scenes are good, too, as the actors would do a lot of their own stunts (especially Robert Conrad). They had a producer change, later in the series, that messed with things, for a bit; but, it didn't last long. They also had a hiccup when Ross Martin suffered a heart attack and they had to use guest agents for several episodes (similar thing happened to Edward Woodward, on The Equalizer).
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Post by codystarbuck on Sept 1, 2021 0:05:28 GMT -5
Jon Sable #10A "triptych" is a type of art where three images are placed side-by-side, to create a larger whole. Grell indulges in that here, as we see three sides to Jon Sable: writer (as BB Flemm), the man who was a loving father and husband, and the sword-for-hire who lives for danger. This issue will actually explore those sides and try to create a greater whole, picking up from the origin story and what has happened in the past few issues. Indicia Gag: Sanitized for your protection. Creative Team: Mike Grell-story & art, Peter Iro-letters, Janice Cohen-colors, Mike Gold-editor. The letters page has been moved to the interior cover, which is where Mike Gold's editorial/promo page had lived. It was actually a smart marketing move, as it gave a feel for what people thought of the series while you checked out the latest issue. This one includes Beau Smith worshipping at Mike Grell's feet, and TM Maple praising the book. It also leads to an explanation of how First handled ownership, with the creators named as author and First acting on their behalf, while they published the series. When they stopped publishing, all rights reverted to the creator. It was a bit more complicated than that, as it turned out. Mike Grell told me they had long reprint rights, even after ceasing publishing a series; and, First's bankruptcy put a kink in things, as bankruptcy laws trumped civil contracts. It took a while for most First Comics creators to reclaim their series, except those whose relationship ended before the bankruptcy, like E-Man and Joe Staton. When First stopped publishing the series, Staton took it to Comico, for a brief period. Synopsis: We begin with news reports about a large explosion in upstate New York, the death of a truck driver in an accident that created a toxic spill, leading to the area being cordoned off for assessment and clean-up, the destruction of the Eagle's Roost resort hotel, by an explosion of an underground natural gas storage tank. Meanwhile, Jon Sable slips past guards at a walled in compound and surprises a lady, in bed... (foreshortening on the Mauser is a little wonky) It is Falana, the co-conspirator to Andrew Sherman, who was alluded to be working for Libya ("The Colonel" had to be kept informed...). Sable tells her how she was used by Sherman to start WW3. Falana has diplomatic immunity; but, Sable demonstrates she isn't untouchable. Falana seems pretty calm, as if she knows Sable won't kill her with the compound surrounded by guards and gives him a reward for saving her life, by stopping the bomb. Sable pushes her away and leaves, showing his back to her. She pulls out a Walther and points it at his back, but does not pull the trigger. The next morning, Jon talks to Sonny on the phone and tells him that he is not going to be a partner; it's too dangerous. Sonny plays the blackmail card, over Jon's identity, as BB Flemm. Jon asks how long Sonny will be around and he says for a while, as the family likes having him, what with Thanksgiving. Jon was going to invite him to spend the holiday with him; but sees Sonny has other plans. We cut to Sonny hanging up the phone and a knock on his door. it is Mrs Feldman, his landlady... It seems Sonny has been stretching the truth. he isn't staying with relatives, he rented a small apartment. Mrs Feldman invites him to Thanksgiving dinner and Sonny graciously accepts, setting Mrs Feldman's heart aflutter, just like Douglas Fairbanks would. She leaves and we see Sonny sitting, alone, in a small room. There is more to this story, but it will wait. Jon is facing a deadline and works on a book and finishes the manuscript. He calls Eden and messes with her a bit, making her think he is going to miss the deadline. They talk about a live tv interview he is doing tomorrow, which doesn't thrill him. Eden asks Jon to drop off a copy of the manuscript at Myke's, so she can get started on the art. He agrees and says she is going out of town, for Thanksgiving. Jon asks, to Racine? Eden is floored by the question..... He proceeds to reveal that he knows not only that she hails from Racine, WI (home of Western Printing and Lithography, the owners of Gold Key Comics, Little Golden Books and Whitman toys and games), but that Eden Kendall is not her real name... Jon goes over to Myke's address and sees her loft apartment, for the first time. She offers him a drink and accidentally reveals she knows he drinks it neat and tries to cover. He notices her latest work, a nude painting of a rather well-endowed man. There is no "artistic license" in the painting. Jon is now a bit awkward and offers to take Myke to dinner, to pay her back for how badly their first meeting went; but, Myke begs off, because she is now on deadline. they are interrupted by Myke's roommate, Gray Adler, the model for the nudes. He is carrying a pair of rapiers and looking for a book on fencing. Myke introduces Jon and they talk about fencing and other things, such as old movies, cars and guns. Gray is choreographing a stage version of The Three Musketeers and is working on a sequence, which he shows to Jon. Jon is impressed and compliments him. They talk about real sword duels vs fencing competition vs movies and Jon invites Gray to see the real thing at the interstate championships, at Madison Square Garden. Gray accepts and goes to change and Myke says he didn't need to invite Gray out. Jon apologizes for asking her out, assuming Gray is her boyfriend. Myke sets him straight, so to speak... Jon and Gray attend the fencing competition, but Jon is awkward and stand-offish towards Gray. Finally, he asks Jon if there is something wrong. Jon says no, then Gray replies, "Look, just because you're straight doesn't mean you hit on every woman you meet, does it?" Jon's reply is "Wellllll........" They laugh and Gray says he had a good time and Jon, more relaxed, says he did too. They say goodbye and Jon leaves, while Gray goes inside. He scolds Myke for playing a joke on Jon and asks why she didn't go out with him, as he recognizes she is attracted to Jon. Myke explains her real fear about Jon... There is probably a lot of truth in that. Jon can't sleep, as the live interview plays on his mind. Smoking doesn't help, vomiting doesn't help. Finally, he puts on some sweats and goes jogging in Central park....in the middle of the night. He spots some toughs, hanging around a fire in a trash bin, with baseball bats nearby. Jon challenges the biggest one, then mixes a 3 Stooges routine with a bit of Butch and Sundance.... He unleashes his inner Kurt Russell... Jon takes down 3 men; but is surrounded by the rest, when the cops show up. The thugs bolt; but, Sable stays. Capt. Josh Winters arrives and tells Sable he hoped he had been one of the casualties. Sable asks why Winters why he has been on his back so much and the cop lets him know the score.... Later, BB Flemm makes his live interview on the Today show; but, when Gene Shalit turns to his guest, he is sound asleep! Capt Winters comes home late, apologizes to his wife and asks how the party went. His wife shows the birthday surprise Josh's son got, as they see favorite author BB Flemm reading his stories to the kids. Esther Winters makes the introductions and Flemm compliments Josh on the fine job the police do and Josh Winters smiles. Thoughts: First, it is hard to type one-handed, while a kitten is curled up in your other arm! The early issues were introduction and world building; this one is pure character development. Mike takes time away from glamor and violence (mostly) to look at people. We see Jon playing with Eden, revealing he knows her secrets (She is Edna Mae Kowalski, from Racine, WI; not Eden Kendall, of New York), then some time with Myke. We see that Myke is uneasy around Jon, because of what she learned from his manuscript. She believes he may have a real deathwish and she doesn't want to be collateral damage. This adds complication to what appeared to be a potential romance. Myke is obviously attracted to the same qualities that Elise was; but, she is afraid that if she gets too close to Jon, she might end up like Elise, while Jon looks for a way to join Elise and the kids. Gray is the last major supporting character to be introduced: Myke's gay dancer roommate. Now, Gray being a dancer would seem to be playing him for a stereotype; but, Mike is a bit more mature than that. Jon immediately finds common ground with Gray, until he learns that he is gay, after inviting him out on what could be interpreted as a "date." Mike plays it both for comedy and character growth, as Gray puts Jon at ease and Jon realizes he behaved like an idiot. Gray will not be an especially prominent character, though he will bring Jon a mission, down the road, and serves to be a sounding board for Myke. He proves to be a likeable, level-headed character and his sexuality is never really brought up, again, in anything more than playful banter. Jon, who has shot charging lions, killed men with guns and knives, survived 6 months in the bush, with people hunting him, is afraid of live tv. He ends up looking for trouble, to calm his nerves and perhaps play to that deathwish. That puts him back in Josh winters' sights, who lets him have it, with both barrels, about being a gloryhound, who flaunts the law, while real cops have to uphold it and act within it (in theory, if not always in practice). Sable notices the Kareem doll Winters has picked up for his son's birthday and concocts a way to say thank you. It's a nice touch that shows Sable recognizes the truth of Winters' rant and he makes amends, without being obvious and give Winters a real feeling of appreciation. However, you have to wonder how an experienced cop, like Josh Winters, who has spent too much time around Jon Sable, can't recognize him under a wig and fake mustache. Sable can't be that good at disguise, without a lot of training and experience. Sonny saw through it immediately. Sonny has been "telling porkies", as the Brits might say (well, the Cockneys), as he isn't with family, but staying in a (relatively) cheap apartment, all alone. We see that he has charmed his landlady, which gets him an invite, for Thanksgiving. It would seem that sonny is a rather lonely man and is looking for companionship and friendship from Jon, more than wanting to be his partner. We will see this element develop, until it leads Jon to go back to his own past, even before Elise. It is a story that also brings up Grell's own past; at least, metaphorically. Terrific issue and it demonstrates just how good a writer Grell had become. Warlord was always entertaining and Travis Morgan was a great character; but, Jon Sable is a deeper character and Grell is stretching further, into human drama, rather than just adventure and homage. Next issue brings in my favorite semi-recurring character, who mixes a little Bond, some Maurice LeBlanc, a bit of Alfred Hitchcock, and a dash of Tennessee Williams. Come on back as we meet Lady Margaret Graemalcyn, alias Maggie The Cat! Aja says she is looking forward to it!
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Post by foxley on Sept 3, 2021 5:54:06 GMT -5
Actually, I wiling to give Capt. Winters a pass on not spotting Sable and Flemm as being the same person.
I've done a bit of research on the psychology of masks and disguises (mostly to have answers when people claim some of the comic conventions like domino masks are ridiculous). As a general rule, people tend to see what they expect to see: often missing things like a difference in height. Even though he is trained investigator, Winters has no reason to associate Sable and Flemm, especially as this is the first time Winters have seen Flemm in the flesh. And as he regards Sable as a pain in his posterior, but is favourably disposed towards Flemm as his son's favourite author, he is not going to be looking for similarities between them, and any difference he notices will self-reinforcing.
Sonny is a slightly different matter. As Sable's fencing coach, he is going to be intimately familiar with the way Sable holds himself and moves in a way that Winters is not. And as an ex-stuntman, he will have a greater knowledge of wigs and makeup, especially as he will have been made up to double for various actors.
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Post by codystarbuck on Sept 3, 2021 21:56:33 GMT -5
Actually, I wiling to give Capt. Winters a pass on not spotting Sable and Flemm as being the same person. I've done a bit of research on the psychology of masks and disguises (mostly to have answers when people claim some of the comic conventions like domino masks are ridiculous). As a general rule, people tend to see what they expect to see: often missing things like a difference in height. Even though he is trained investigator, Winters has no reason to associate Sable and Flemm, especially as this is the first time Winters have seen Flemm in the flesh. And as he regards Sable as a pain in his posterior, but is favourably disposed towards Flemm as his son's favourite author, he is not going to be looking for similarities between them, and any difference he notices will self-reinforcing. Sonny is a slightly different matter. As Sable's fencing coach, he is going to be intimately familiar with the way Sable holds himself and moves in a way that Winters is not. And as an ex-stuntman, he will have a greater knowledge of wigs and makeup, especially as he will have been made up to double for various actors. Couple of rebuttals: Flemm wasn't moving around, but seated on a couch, on the Tonight Show, under bright lighting. Sonny, might have spotted the wig, but, he recognized Jon as soon as they were up close. I would expect him to, given he trained him in fencing and they seemed to have been close, before Jon went off to Africa. Grell was going for comic effect, with Sonny and Jon's reunion; but, I would expect it would have taken him a little longer to know it is not Jon and not just that Flemm looked familiar and was obviously wearing a wig. Winters has been up close with Sable several times, conversed with him, taken in his features. Jon has been plastered all over the news, to Winters consternation and he would see the footage, again and again, no doubt. Now, I'm not saying he would immediately spot Jon under the wig; but; one, he should recognize the voice, or a familiar quality in it, and, two, the face should seem familiar, beyond being his son's favorite author. Also, he would likely spot the wig and false mustache, regardless of who's under it. That would likely lead him to scrutinize the face more, increasing the chances that he would put two and two together and realize it was Sable under there. My point is, there is nothing in Jon's background, as revealed, that sets up being able to do convincing make-up/disguise. It is not something taught in the Air Force, to pentahletes, big game hunting, or to counter-terror soldiers in African states. So, where did Jon learn enough to fool a veteran cop, who has interviewed him several times, not to mention just spent a protracted period of time chewing his backside and stabbing at his ego? It seems a weak premise to me. I can buy Sonny catching on faster, since he knew Sable longer and Jon's attempt to hide probably attracted his attention. Winters and Sable is a bigger stretch, for me. Winters might not immediately twig that Flemm is Sable; but, the longer he was in his presence, the more likely that recognition would occur.
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