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Post by Slam_Bradley on Jan 18, 2024 16:05:50 GMT -5
I generally try to steer clear of this topic but I will make a couple of observations. First, none of us were there and everything we know (or, rather, think we know) about it we learned second- third- or more-hand. Second, everyone is the hero of their own story, so of course Lee and Kirby and Ditko are going to slant their accounts, consciously or otherwise, to paint themselves in the best possible light. The truth, then, will forever be unclear and the smartest thing we can do is assume that it lies more-or-less in the middle... and that's good enough for me. Cei-U! Nuff said! I get the idea that it is hard to know what happened. But isn't all of history told second, third and fourth hand. But there is scholarship and the voices of others who were there that leads me to believe that it wasn't somewhere in the middle, but heavily weighted towards the artists. I get that. And I'm quite sure that Kurt, who has written about comics history professionally gets that. But, there were a lot more artists than there were Stan Lee's, which means that their voices, and those of their admirers (or in some cases sycophants (not including present company in that)) have a tendency to drown out the others. Now they may be correct. Or they may just be more numerous and louder. I see this in court cases all the time. Three voices against one doesn't necessarily mean that the one is wrong.
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Post by tonebone on Jan 18, 2024 16:15:59 GMT -5
This is an excerpt from Jonathan Ross' documentary about Steve Ditko, where he corners Stan about Ditko's role in the creation of the character and their contention over what constituted "creation." and Alan Moore bringing up his participation in the documentary and that the interview proceeded while Stan's lawyer was stuck in traffic.... If you click back to the beginning of that, Moore has been asked about what he thinks about Stan and goes into his feelings about Kirby's plots and dialogue suggestions in the margins and Stan's completed dialogue, and other factors. Now, Moore makes some factual misstatements (such as saying Stan was 12 when Simon & Kirby created Captain America, when he was around 18 and we all know Moore's personal clashes with Marvel and DC management, which informs some of his feelings about editors and executives of those companies, including Stan. Plus the whole grumpy curmudgeon side, though that doesn't mean he doesn't raise some valid points. I tend to take anything said by a guy who says he is a wizard and worships a 3000 year old snake god who lives in his toilet with a grain of salt.
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shaxper
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Post by shaxper on Jan 18, 2024 16:31:06 GMT -5
Like Bob Kane, after a while Stan Lee decided to make "Stan Lee" his greatest creation. I was truly hoping no one would make this comparison. Kane and Lee operated on very very different levels. Kane actively hid the fact that he had an entire studio writing and drawing as "Bob Kane" long after he had stopped contributing entirely, whereas Lee actively gave credit to his colleagues when that wasn't standard practice at the time (please note that I mean "gave credit" in terms of pencils and inks, not creatorship). Kane's degree of boasting and lying was, by most accounts, far more extreme and duplicitous than Lee's, and Kane seemed content to let Finger starve whereas Lee allegedly played some part in fighting for Kirby behind closed doors. Years later, Stan and Jack were able to reconcile. I'm not aware of any effort on Kane's part to ever reconcile with Finger or offer him and his estate any grace, even after Finger had died and Kane was raking in the big ones from the 1989 Batman movie. They're not the same. I want to be clear again that I am no Stan fanatic. When a conversation moves too far to one extreme, the guy standing in the middle is always going to look like a radical in contrast.
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Post by kirby101 on Jan 18, 2024 17:00:38 GMT -5
Yeah, I think Kane is a bit too far a comparison.
As for voices. Those who see this debated in the pits will tell you Stan has more people defending his story than the artists he worked with.
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Post by codystarbuck on Jan 18, 2024 17:14:33 GMT -5
This is an excerpt from Jonathan Ross' documentary about Steve Ditko, where he corners Stan about Ditko's role in the creation of the character and their contention over what constituted "creation." and Alan Moore bringing up his participation in the documentary and that the interview proceeded while Stan's lawyer was stuck in traffic.... If you click back to the beginning of that, Moore has been asked about what he thinks about Stan and goes into his feelings about Kirby's plots and dialogue suggestions in the margins and Stan's completed dialogue, and other factors. Now, Moore makes some factual misstatements (such as saying Stan was 12 when Simon & Kirby created Captain America, when he was around 18 and we all know Moore's personal clashes with Marvel and DC management, which informs some of his feelings about editors and executives of those companies, including Stan. Plus the whole grumpy curmudgeon side, though that doesn't mean he doesn't raise some valid points. I tend to take anything said by a guy who says he is a wizard and worships a 3000 year old snake god who lives in his toilet with a grain of salt. No offense, but I always chuckle when people wat to reduce Moore down to something that simple. I read that long interview session he did, I forget with whom, but it was collected into a book or special magazine, in the 00s (or very early 10s), where he described his beliefs and practices and, basically, it boiled down to meditative practices and the whole snake god thing merely a focal point for meditation. Not very dissimilar to a mandala. At least, that was my take. Moore likes to play to his audience and play up the eccentric and iconoclast; but, to totally dismiss the points he makes, without some consideration, is reductive. I don't agree with everything he says, nor believe everything he says as gospel truth; but, he does provide interesting perspectives on various subjects that at least raise interesting questions. They are rarely knee-jerk reactions. To me, he is worth hearing on a subject, then contemplating what he says and weighing it against other input.
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Post by Slam_Bradley on Jan 18, 2024 18:54:46 GMT -5
I tend to take anything said by a guy who says he is a wizard and worships a 3000 year old snake god who lives in his toilet with a grain of salt. No offense, but I always chuckle when people wat to reduce Moore down to something that simple. I read that long interview session he did, I forget with whom, but it was collected into a book or special magazine, in the 00s (or very early 10s), where he described his beliefs and practices and, basically, it boiled down to meditative practices and the whole snake god thing merely a focal point for meditation. Not very dissimilar to a mandala. At least, that was my take. Moore likes to play to his audience and play up the eccentric and iconoclast; but, to totally dismiss the points he makes, without some consideration, is reductive. I don't agree with everything he says, nor believe everything he says as gospel truth; but, he does provide interesting perspectives on various subjects that at least raise interesting questions. They are rarely knee-jerk reactions. To me, he is worth hearing on a subject, then contemplating what he says and weighing it against other input. A significant amount of time Moore is just "taking the piss." And American fans largely seem incapable of figuring that out.
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Post by commond on Jan 18, 2024 19:24:25 GMT -5
I think it's fairly obvious that Stan wasn't some creative genius. When I was going through the DeFalco years, there was a string of collaborations that Stan failed to get off the ground. The only character he was capable of writing well was the Silver Surfer and even that was a rehash of the same basic ideas. There's no way he could have created the Silver Age Marvel books without the work of his artists. However, the majority of those books and characters would have died on the vine if not for Stan's PR work.
Stan was the guy who was willing to go out there and shill the stuff. Kirby and Ditko showed no interest in doing interviews or any sort of media appearances. Lee wound up becoming the face of the company even after he stepped down as Editor in Chief, whether it was through his soapbox updates or simply by having "Stan Lee Presents" on every comic. And to Stan's credit, he stayed connected to the readers well into the 90s. Whenever you read a Marvel book, particularly while Lee was still part of the bullpen, it felt like Stan was talking directly to you. He was highly adept at making the reader feel like they were part of a special club. It's no surprise that over time Stan became Marvel. I don't believe it happened all at once as part of some Machiavellian scheme to give the artists no credit. A large part of it was due to Stan's long association with the company after Kirby and Ditko had left, as well as the eventual lawsuits. Stan gave Kirby and Ditko writing credits while they were still on the books, but it wasn't enough to satisfy either man.
I don't think Kirby had a lot of respect for writers, which is an attitude still shared by many cartoonists today. In Kirby's day, it was similar to the mistrust between creators in other fields, for example screenwriters, directors and producers. I also think Kirby was massively overrated as a plotter. As overrated as people find Stan was a scripter. I think the plotting is flawed in his solo work to the detriment of just about every book he created, and I'd go further to suggest that outside of the sweet spots that he hit on Fantastic Four and Thor, due to his interests in sci-fi and mythology, he didn't produce a ton of great plots for Silver Age Marvel unless someone can drag up the great X-Men or Avengers plots he came up with.
One contention I have about the creation process is that Lee seems to suggest coming up with the basic idea makes you the creator of the character. Artists seem to think it's the visual design and the character sketches that are the creation of the character. To me, that's all just ideas and sketches on a page. It's the finished product that's the creation. Spider-Man isn't Spider-Man until he walks and talks within the comic book pages. Dr. Doom is nothing but a striking visual character until he opens his mouth. The scripting was important. You don't just look at comic books, you read them. Some one else could have scripted the same pages. Kirby and Ditko could have done it themselves. But it was Stan who actually did it and managed to create a style or uniformity across the line.
And finally, artists never seem to give credit to the "inspirations" for their own character designs. Don't get me wrong, I actually think it takes a fair amount of genius to drawn inspiration from a multitude of sources and create something new, but let's not pretend everything came to the artist in a vision of light.
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Post by tarkintino on Jan 18, 2024 21:11:25 GMT -5
Which doesn't negate what I said about him being "one of" the biggest names. Not an unknown artist before Stan. As was claimed. To clarify, other artists made historic splashes before and at the dawn of the Silver Age--they were the artists who changed the language of comic art again and again, and while Kirby was known, I believe his work was overshadowed by the revolutionary work of the new breed of artists. Lee took the pay for writing, and usually the "written by" credit on books he did not plot, or gave a one sentence idea to the artist. In the case of Ditko, Kirby and especially Wood, he had no input on many books before the pages were drawn. He took the pay and credit that should have gone to the artist. At least split the money with them. I said he took sole credit for creating things that were not his idea. He did help develop many of these, but his claim is he thought them up and tasked this artist or that to draw it. That is a flat out falsehood. I did not say he didn't contribute. This again goes to the two different debates. One is did he come up with ALL the concepts of the Marvel Universe as he claimed for decades, and the other is what was the extent of his work on these books. Again, I say if Lee never contributed to any degree, there might not be a Marvel Comics today, and that needed more than a manager / pitchman, but a creative captain of the ship, who--as Jim Warren described it: "Someone has to make it happen", only in Lee's case, making it happen involved the creative process as well, and not one that was here one month, gone for eight or twelve--or forever.
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Post by kirby101 on Jan 18, 2024 21:17:13 GMT -5
Where do I say Lee never contributed anything.
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Post by tarkintino on Jan 19, 2024 2:34:39 GMT -5
Where do I say Lee never contributed anything. When you post things such as:
Here it seem clear to me that it was not Stan who had the ideas and his sin later taking credit for invention that wasn't his. The evidence is very clear that he was not the one with the imagination that brought forth the characters.
Or
And what many don't know is that in the early days, Stan used ghost writers to come up with plot ideas and even script some books. He still got the writing credit and pay, but gave some to the ghost writers. His brother Larry Leiber was on such.
That reads as another way of saying, "Stan did not contribute anything"
A family grievance rarely has bearing on truth; its highly subjective nature makes said grievance not too weighty.
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Post by wildfire2099 on Jan 19, 2024 7:57:46 GMT -5
I consider Stan Lee one of the greatest Marketers of all time. Lets be honest, alot of the comics in the silver age were lousy... they just were new and exciting, and created great characters and a shared universe that really worked.
Kirby without Lee is just a wild slapping of ideas on the page... brilliantly creative, but not always coherent. Lee, it seems to me, (and this is just from my experience reading comics, I'm not much of a behind the scenes guy) was the one that made the characters into people you could relate to.
Could Kirby have been giving him ideas? Sure. At this point no one can know to what extent, as Shax said in his intro both men remembered things differently, contradicted themselves, etc (as old men do when you ask about old stories)
I am just happy to appreciate their collaboration gave us so many amazing characters and stories.
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Post by kirby101 on Jan 19, 2024 9:26:45 GMT -5
Where do I say Lee never contributed anything. When you post things such as:
Here it seem clear to me that it was not Stan who had the ideas and his sin later taking credit for invention that wasn't his. The evidence is very clear that he was not the one with the imagination that brought forth the characters.
Or
And what many don't know is that in the early days, Stan used ghost writers to come up with plot ideas and even script some books. He still got the writing credit and pay, but gave some to the ghost writers. His brother Larry Leiber was on such.
That reads as another way of saying, "Stan did not contribute anything"
A family grievance rarely has bearing on truth; its highly subjective nature makes said grievance not too weighty.
Again, please read what I said. Do you not see the difference from saying that the original ideas were not Lee's (even though he said all of them were) and not contributing a thing. He said all the ideas started with him, this was blatantly false.
Did he contribute to the development of these characters? That is indisputable.
Was he the one who did all the writing? Coming up with the plots and stories? This is demonstrably false as well.
I never said Stan contributed nothing. Using ghost writers at times is not "contributing nothing". Having the artist plot a book he then scripts is not "contributing nothing". Being more an editor at times than a writer is not "contributing nothing". Saying I said Stan contributed nothing, when I clearly explained over and over that I am not saying that looks like a strawman at this point.
I NEVER said Stan contributed nothing. I said he took credit for contributing things he did not. So can we drop this?
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Post by tonebone on Jan 19, 2024 9:36:52 GMT -5
I tend to take anything said by a guy who says he is a wizard and worships a 3000 year old snake god who lives in his toilet with a grain of salt. No offense, but I always chuckle when people wat to reduce Moore down to something that simple. I read that long interview session he did, I forget with whom, but it was collected into a book or special magazine, in the 00s (or very early 10s), where he described his beliefs and practices and, basically, it boiled down to meditative practices and the whole snake god thing merely a focal point for meditation. Not very dissimilar to a mandala. At least, that was my take. Moore likes to play to his audience and play up the eccentric and iconoclast; but, to totally dismiss the points he makes, without some consideration, is reductive. I don't agree with everything he says, nor believe everything he says as gospel truth; but, he does provide interesting perspectives on various subjects that at least raise interesting questions. They are rarely knee-jerk reactions. To me, he is worth hearing on a subject, then contemplating what he says and weighing it against other input. Ok... how's this... "I tend to take anything said by a guy who says he is a wizard with a grain of salt."
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shaxper
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Post by shaxper on Jan 19, 2024 9:56:26 GMT -5
Was he the one who did all the writing? Coming up with the plots and stories? This is demonstrably false as well. That's not an argument that anyone has made in this discussion. No need for all caps. If you don't like what another member is saying, you have the choice not to respond. However, nothing that was said was out of line nor a wild departure from what you actually wrote.
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Post by kirby101 on Jan 19, 2024 13:38:56 GMT -5
But it was. I did not ever say Stan contributed nothing. I was repeatedly told I said Stan contributed nothing. I responded twice. The all caps word was to clarify that I did not say Stan contributed nothing. I think it fair that I respond strongly when there is a mistake in what I said.
Believe me, I would much rather discuss what Stan did and didn't do. I will drop this to do that now.
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