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Post by jtrw2024 on Aug 5, 2024 9:39:05 GMT -5
As an aside, something I picked up on when re-reading this comic for this thread is that Connors was a surgeon prior to losing his arm, not a scientist. I can't say I'd ever really noticed that before and had always regarded him as someone who had always been a scientist of some description. Wow! Interesting I never picked up on that before either, and probably wouldn't have the next hundred times I read it! The part about being a surgeon during the war I knew, but like you I just figured he was always a scientist beforehand too. I assume being a surgeon does involve some sort of background in science though, even in the Marvel Universe.
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Post by jtrw2024 on Aug 5, 2024 9:45:02 GMT -5
Dr. Connors is officially the Marvel Universe's second most famous scientist who wears purple pants and turns into a green monster! As for the quoted part, I wish Marvel would do a Hulk/Lizard story. Not only would a punch-up be fun to see, but there could be a good story behind it, e.g. Banner seeks out Connors after Connors publishes a peer-reviewed paper on suppressing aggression, but, of course, something goes wrong! The only time I remember them even being in the same comic was during the original Secret Wars 12-parter, but I don't think they had any particular interaction with one another. An actual Hulk/Lizard story like you described would be pretty interesting, with a good creative team behind it. There would have to be at least one scene with the two of them exchanging wardrobe tips of course.
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Post by kirby101 on Aug 5, 2024 15:17:46 GMT -5
As an aside, something I picked up on when re-reading this comic for this thread is that Connors was a surgeon prior to losing his arm, not a scientist. I can't say I'd ever really noticed that before and had always regarded him as someone who had always been a scientist of some description. Wow! Interesting I never picked up on that before either, and probably wouldn't have the next hundred times I read it! The part about being a surgeon during the war I knew, but like you I just figured he was always a scientist beforehand too. I assume being a surgeon does involve some sort of background in science though, even in the Marvel Universe. In the MU there was no difference, Don Blake early on had a lab in his office where he was doing important science stuff. I can't recall right now, but I am sure there were times when scientists like Pym and Richards did medical things.
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Confessor
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Post by Confessor on Aug 5, 2024 16:24:20 GMT -5
Wow! Interesting I never picked up on that before either, and probably wouldn't have the next hundred times I read it! The part about being a surgeon during the war I knew, but like you I just figured he was always a scientist beforehand too. I assume being a surgeon does involve some sort of background in science though, even in the Marvel Universe. In the MU there was no difference, Don Blake early on had a lab in his office where he was doing important science stuff. I can't recall right now, but I am sure there were times when scientists like Pym and Richards did medical things. I don't think we ever saw Dr. Stephen Strange with test tubes and a bunsen burner, did we? He's the only other surgeon in the MU I can think off.
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Post by kirby101 on Aug 5, 2024 17:07:27 GMT -5
Strange worked in the "other sciences".
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Post by jtrw2024 on Aug 5, 2024 17:19:57 GMT -5
I don't think we ever saw Dr. Stephen Strange with test tubes and a bunsen burner, did we? He's the only other surgeon in the MU I can think off. I'm sure later writers have added all sorts of stuff to his backstory, but I don't think there's much regular medical or science work in the Lee/Ditko era stories. We didn't see Dr. Strange doing much other than some surgery in his origin story. When his hands were injured he wasn't really interested in any other type of work that was offered to him. Then when he finally got started on his mystical path, I'd think stuff like regular lab work, or building robots, probably wouldn't have interested him too much. I'm not sure I know why these sorts of things interested Don Blake much either, other than as a plot contrivance. Johnny and Sue Storm's father was a surgeon but we didn't get to see much of him other than his one appearance. When he was practicing, I suppose he could have had the same extracurricular hobbies as all the other Marvel scientists.
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Post by codystarbuck on Aug 5, 2024 17:20:07 GMT -5
In the MU there was no difference, Don Blake early on had a lab in his office where he was doing important science stuff. I can't recall right now, but I am sure there were times when scientists like Pym and Richards did medical things. I don't think we ever saw Dr. Stephen Strange with test tubes and a bunsen burner, did we? He's the only other surgeon in the MU I can think off. Dr Tania Belinsky, the female Red Guardian.
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Confessor
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Post by Confessor on Aug 5, 2024 17:51:10 GMT -5
THE AMAZING SPIDER-MAN 7 (reprinted in Marvel Tales 144 ) The different colours of the sky on the cover make it seem like night and day between the originals and this one! I think the cover of Marvel Tales #144 is a bit of a garish mess, to be honest. I really don't like the bright orange and yellow sky on the reprint; the more natural blue sky of the original cover of Amazing Spider-Man #7 is much better. I also prefer the colouring of the Vulture on the original cover, especially the yellow in his wings, which makes the feathers seem more three dimensional than they do on the reprint. In fact, the only respect in which the reprint cover scores over the original is in having the Vulture's fur collar the correct colour. This is the first time that Spidey has faced a returning foe, and the first time he gets injured in battle And the first time his accuracy with his web-shooters has let him down too. This is also the first time we really get an inkling about Peter Parker's accelerated healing factor. When he initially hits the rooftop, after his fall while fighting the Vulture, he's in a lot of pain – he thinks his arm is probably broken. To be honest, for any normal human, a fall like that would have resulted in many broken bones and, in all likelihood, death. But by the time Peter reaches home, his arm is obviously feeling a bit better and seems like it's merely sprained. Later still, although it's still tender, it is healed enough that he can battle the Vulture, if he doesn't move it too much. And by next issue Peter's arm is fully healed. The Vulture’s real name is Adrian Toomes, but that won’t be revealed in the comics for quite a long time. Nor will his origin. Other than the fact that he creates his special flying gear on his own very little of his past his revealed to the reader in his early appearances. Even the prison guards just call him Vulture but I'd think that presumably his identity would be known to the authorities. Yeah, it's strange that we still know so little about the Vulture, even after his second appearance. Pretty much every other Spider-villain so far has had his backstory at least roughly laid out for the reader. Then again, I can't say that the lack of an origin story for him ever bothered me when I read this comic back in the '80s. It's interesting that the Vulture goes back to his old hideout, which we saw in Amazing Spider-Man #2. The authorities must not have found it when he was captured last time, I guess, so why not? As usual it follows a similar formula as previous issues, with the villain getting introduced (or in this case re-introduced), Spidey suffering some sort of setback, then a big action sequence at the end to tie things up, mixing in scenes of the various supporting cast members wherever it's appropriate. The big fight scene for this issue takes place throughout the Daily Bugle building and makes for a good chase sequence especially with Spidey jumping over Jameson, Betty and any other Bugle staffers in the way. The fight goes all the way from Jameson's office, down to the printing room and eventually back outside to the rooftops and into the sky. wow! Yeah, I agree that the final battle with the Vulture in The Daily Bugle offices and print room is very exciting and spectacularly drawn by Steve Ditko. I especially like the gymnastics that Ditko has Spidey perform, like leap-frogging J. Jonah Jameson to pursue the Vulture. I also love the devil-may-care way in which Spidey webs the Vulture's wings together when they are many hundreds of feet above the New York pavement, and the Vulture goes to pieces, thinking that they are both going to plumet to their deaths. Of course, Spidey whips up a handy-dandy web parachute and the defeated Vulture lands safely on the street below. Kinda makes you wonder why Peter didn't just web up a parachute for himself earlier, when he was falling after their previous encounter. Especially as he had used a web parachute before in ASM #1. I guess he was just falling too fast in his first battle with the Vulture. On the relationship front, Betty and Peter don’t seem to have been out on a formal date yet, but they’re definitely getting closer to one another. That scene at the end, with the two young lovebirds sat behind an office desk – while an irate Jameson rampages through the office, unable to talk due to Spidey having webbed his mouth shut – is one of my favourite parts of the issue. Also, it's hilarious earlier on that when Betty doesn't believe that Peter hurt his arm playing volleyball, he just tells her the truth that he hurt it battling the Vulture…and she still doesn't believe him! That's a great bit of scripting by Stan Lee. Overall, this was another hugely enjoyable instalment of the series. It was a touch better than the previous Lizard issue, I think, with Spider-Man back in familiar territory and fighting a familiar foe. Compared to the Vulture's first appearance in ASM #2, Lee and Ditko give us a better, more exciting, and funnier story here. As a nerdy aside, I believe that this is the first time that it's specified that Aunt May's house is in the Forest Hills area of Queens. Previously, all we knew was that Peter lived in Long Island, if memory serves.
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jtrw2024
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Post by jtrw2024 on Aug 5, 2024 18:06:22 GMT -5
As a nerdy aside, I believe that this is the first time that it's specified that Aunt May's house is in the Forest Hills area of Queens. Previously, all we knew was that Peter lived in Long Island, if memory serves. Good one! I didn't catch that! New York City as the setting is established pretty early on, but I think the first time it's specifically named is in issue 2, in the first Vulture story. The first issue of course has Spidey visiting the Fantastic Four at the Baxter Building, so as long as the reader's knew where the FF's stories were set, then that's when it became official.
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Post by jester on Aug 6, 2024 9:33:11 GMT -5
Loving the thread so far. Revisiting these early Spidey stories is always a lot of fun.
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Post by Rob Allen on Aug 6, 2024 11:02:15 GMT -5
Spider-Man #7; this is where I came in.
I've written about this before; feel free to skip this if you know the story.
In September 1963, I was in my first month of second grade at School #8 in Belleville NJ (the only place I've ever lived that gave schools numbers instead of names). One day that September, I was in the local newsstand/candy store/convenience store on Belleville Avenue with one or both parents. My attention was caught by some colorful little magazines that were placed at eye-level for six-year-old me. Whichever parent it was encouraged me to choose one. I later learned that both of my parents had been comic book readers in their youth. I chose this one, Spider-Man #7. At first I wasn't sure which figure on the cover was the star. Looking at the first half-dozen comic books I bought, I tended to choose covers with wide-open skies as the background.
I read this issue many many times. Every panel in it is familiar. As everyone has said, the story was really good and it left me wanting more. So I started visiting that store regularly with my allowance money and buying more comic books. I still have that copy of Spider-Man #7 that I chose in 1963, although its cover was lost a couple of years later. That ragged, coverless comic book changed my life and I will always cherish it.
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Post by jtrw2024 on Aug 6, 2024 16:15:04 GMT -5
THE AMAZING SPIDER-MAN 8 (reprinted in Marvel Tales 145) 1- “The Terrible Threat of the Living Brain!” Credits (as they appear in the comic): Written by Stan Lee Illustrated by Steve Ditko Lettered by Art Simek Colored by Andy Yanchus Plot Synopsis: It’s a typical school day for Peter Parker when he has to deal with Flash Thompson, hide his secret identity and stop an out-of-control robot rampaging through the halls of Midtown High. Comments: Peter’s glasses get broken when he gets shoved by Flash Thompson. Pete mentions that he doesn’t need them anyway, though it’s not clear from the stories if this was due to his Spider-powers or not. Regardless, he pretty much never wears them again The rivalry between Peter and Flash finally comes to a head when they agree to a boxing match in the gym. Flash has been teasing and/or bullying Peter since the first story, but this is the first actual fight between the two. The boxing match between Pete and Flash doesn’t really settle things. Even with Peter trying to hide his powers, but still punching Flash’s lights out, everyone watching just assumes Pete got in a lucky sucker-punch. Even Flash isn’t sure what actually happens. Not sure if this affects Flash’s opinion of Peter much, since they’re back to their usual ways in the issues that follow. There is a scene with an interesting change in Flash’s behaviour in a couple issues which I’ll discuss when I get to it. As for the villain of the issue, this is the first appearance of the Living Brain. The next appearance won’t be for quite a while though. Unlike some of the other villains, the Brain isn’t a real big recurring threat, but it has been used a lot more in recent years. The Living Brain is a big thinking computer with a blocky, kinda humanoid shape, which I guess makes it ideal for use as a teaching gimmick at high schools, deducing secret identities, and/or fighting super-heroes. During this demonstration at Midtown High, Peter’s classmates get the idea to program the Brain to deduce Spider-man’s identity. Spidey’s been around quite a while and been in the public spotlight, as well as appearing on TV and as a performer for at least several weeks during the events of Amazing Fantasy 15, so there’s quite a bit of relevant (and possibly incriminating) info on him which can be fed into the computer. Luckily for all of us that Peter manages to ensure the coded print-out with results of the Brain’s analysis are lost following the action in this issue, so his identity remains secret and we get to enjoy his further adventures for years to come. I do wonder though what answer it actually came up with? 2- “Spider-man Tackles the Torch” Credits (as they appear in the comic): Written by Stan Lee Drawn by Jack Kirby Inked by Steve Ditko Lettered by S. Rosen Colored by A. Yanchus Plot Synopsis: Spider-man gets into a fight with the Human Torch and the rest of the FF (again)! Comments: I've said it before, but the Human Torch and the Fantastic Four are becoming as much a part of the recurring cast of characters as Aunt May, Flash, Liz, JJJ and Betty by the amount of times they appear in this series. The Official Spider-man Index from the 80s and some other authorized chronologies place this story after ASM 21 because that’s the first time Peter meets Johnny Storm’s girlfriend Doris Evans I think it works just fine where it is and doesn’t need to be placed so far ahead of where it was published. Spidey doesn’t really have any direct interaction with Doris in this story (I’m not even sure which girl she’s supposed to be) and just because he knows who she is and where she lives now, doesn’t necessarily mean he’ll remember it months from now. Maybe he just looked her up when he found out the Torch would be visiting and decided to crash the party. General comments : The cover calls this a Tribute to Teenagers, but I’m not sure it’s got any more teenage content than any other issue we’ve seen so far, even with 2 stories. It's worth noting that Jameson and Aunt May are nowhere to be found in these pages. Maybe removing the two eldest recurring cast members (and even Betty) is all it takes to qualify for Teenage Tribute status Not sure why they reverted back to the old 2 story format for this one issue. Could the backup story penciled by Kirby have been intended for Strange Tales? That doesn’t explain why the lead story would be shorter than usual. Maybe the Torch story was ready to go, and they just came up with a shorter lead story to fill up the issue. Notable differences in the reprint: The original cover had a bright yellow background, but this one just uses plain white, with red above the "tribute" banner. I think the yellow background on the original works better than white. I do like the hi-lights on Spidey’s costume on the re-coloured version though, since it looks like it's being cast from the Human Torch's flame. The preview from last issue's letters page teased a light blue back-ground which I think might have looked okay, but the intense yellow on the original is definitely the better choice! No Marvel Mails letters page, but there’s note on that last page to assure us it’ll be back next issue. Personal anecdotes: I got this issue around late 1988, in a comic shop I only visited twice around that time and only once again 20 years later. My mother had driven me and my brother to a big children’s bookstore which we had visited a lot in past years when we lived closer to it, but I was distracted when I spotted this comic store around the corner, so the bookstore trip was cut a little shorter than planned, to make room for what my 12-year old self thought to be the more important priority of the day. I recall picking up a few new issues of comics I would have gotten eventually anyway, and maybe some back issues too, but while in line I spotted some other customer with another Marvel Tales (either the reprint of ASM 9 or 10) and realized I hadn’t browsed the MT back issues. My brother held my spot in line while I quickly ran over and picked out a random issue which I didn’t already have. Prior to this I think I had read a story with The Living Brain from The Electric Company magazine in the 1980s, but I don’t think I had realized the character originated in the early Spider-man stories before reading this issue Actually, I first read the story with the Torch a few years earlier when it was reprinted again in Marvel Tales 194 in late 1986 as a backup. It’s one of the few Marvel Tales issues I got new during that time, (probably because there wasn’t anything else I wanted at whichever store I bought it from). I probably recognized the art style as Kirby or Ditko (without actually paying attention to the credits, because I didn’t always do that), but didn’t necessarily know where it was from. I'm not sure if I realized before reading this story that there was a period when the Invisible Girl and Mr. Fantastic were not yet married, since I hadn't really read any of their earlier comics, so the scene where Spidey flirts with her, and the way Sue reciprocates, came as a surprise
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Post by tarkintino on Aug 6, 2024 17:51:05 GMT -5
I think the cover of Marvel Tales #144 is a bit of a garish mess, to be honest. I really don't like the bright orange and yellow sky on the reprint; the more natural blue sky of the original cover of Amazing Spider-Man #7 is much better. I also prefer the colouring of the Vulture on the original cover, especially the yellow in his wings, which makes the feathers seem more three dimensional than they do on the reprint. In fact, the only respect in which the reprint cover scores over the original is in having the Vulture's fur collar the correct colour. If there was one damning thing about Marvel's reprint titles, especially those running into the 70s and 80s was the tendency to completely replace the rich, artistically strong coloring of their 60s covers (like the one posted above) in favor of the flat, bright substitutions seen on the Marvel Tales covers posted here, and just about every cover of Marvel Double Feature ( Tales of Suspense, Marvel's Greatest Comics ( Fantastic Four), Marvel Super Action ( Captain America & The Avengers), or the second series of Tales to Astonish ( Sub-Mariner). For a company that knew how to both repurpose old material for easy profit and expose new readers to their history, the decision to alter the coloring (a major part of the visual appeal of the 60s comics) is quite odd, for all of the self-praise the company showered on its back catalog as artistic achievements in the medium.
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jtrw2024
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Post by jtrw2024 on Aug 6, 2024 18:03:12 GMT -5
Spider-Man #7; this is where I came in. I've written about this before; feel free to skip this if you know the story. In September 1963, I was in my first month of second grade at School #8 in Belleville NJ (the only place I've ever lived that gave schools numbers instead of names). One day that September, I was in the local newsstand/candy store/convenience store on Belleville Avenue with one or both parents. My attention was caught by some colorful little magazines that were placed at eye-level for six-year-old me. Whichever parent it was encouraged me to choose one. I later learned that both of my parents had been comic book readers in their youth. I chose this one, Spider-Man #7. At first I wasn't sure which figure on the cover was the star. Looking at the first half-dozen comic books I bought, I tended to choose covers with wide-open skies as the background. I read this issue many many times. Every panel in it is familiar. As everyone has said, the story was really good and it left me wanting more. So I started visiting that store regularly with my allowance money and buying more comic books. I still have that copy of Spider-Man #7 that I chose in 1963, although its cover was lost a couple of years later. That ragged, coverless comic book changed my life and I will always cherish it. I still have every comic I got as a kid, even the ones that I didn't necessarily take the best care of. Most of those have been replaced with better copies over the years, but there is a dedicated box in my collection for those ragged, coverless comics of my youth
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Post by Confessor on Aug 7, 2024 11:12:16 GMT -5
THE AMAZING SPIDER-MAN 8 (reprinted in Marvel Tales 145) The original cover had a bright yellow background, but this one just uses plain white, with red above the "tribute" banner. I think the yellow background on the original works better than white. I do like the hi-lights on Spidey’s costume on the re-coloured version though, since it looks like it's being cast from the Human Torch's flame. The preview from last issue's letters page teased a light blue back-ground which I think might have looked okay, but the intense yellow on the original is definitely the better choice! Here's the original cover for Amazing Spider-Man #8 for comparison... It’s a typical school day for Peter Parker when he has to deal with Flash Thompson, hide his secret identity and stop an out-of-control robot rampaging through the halls of Midtown High. Ahh…yes, the wonderful "Special Tribute to Teen-agers" issue. Ridiculous, but brilliant! Peter’s glasses get broken when he gets shoved by Flash Thompson. Pete mentions that he doesn’t need them anyway, though it’s not clear from the stories if this was due to his Spider-powers or not. Regardless, he pretty much never wears them again. Yeah, I think this is the last time we ever see Peter in glasses. In reference to his saying he "doesn't need those specs anyway", we actually saw evidence of this as early as Amazing Fantasy #15, when Peter is shown taking his specs off prior to wrestling Crusher Hogan. Plus, he clearly doesn't wear them under his Spider-Man mask when he's out superheroing and swinging among the rooftops. Like you, in my mind, I've always thought that his eyesight improved as a result of the accelerated healing factor and enhanced physique that his spider-powers gave him. But I couldn't tell you off hand in which comic that is stated. Certainly, it was the spider bite that improved his eyesight in the Sam Raimi Spider-Man movies. I don't know, maybe I got this "fact" about the spider bite healing his vision from that first SM movie, but I have a feeling that it is mentioned in the comics at some point. I'm damned if I can recall where though. The rivalry between Peter and Flash finally comes to a head when they agree to a boxing match in the gym. Flash has been teasing and/or bullying Peter since the first story, but this is the first actual fight between the two. The boxing match between Pete and Flash doesn’t really settle things. Even with Peter trying to hide his powers, but still punching Flash’s lights out, everyone watching just assumes Pete got in a lucky sucker-punch. The boxing match between Peter and Flash Thompson is hilarious! It's so well drawn by Steve Ditko. In particular, the dazed look on Flash's face as Peter gives him a gentle tap on the chin and knocks him flying out of the ring is priceless! As for the villain of the issue, this is the first appearance of the Living Brain. The next appearance won’t be for quite a while though. Unlike some of the other villains, the Brain isn’t a real big recurring threat, but it has been used a lot more in recent years. The Living Brain is a big thinking computer with a blocky, kinda humanoid shape, which I guess makes it ideal for use as a teaching gimmick at high schools, deducing secret identities, and/or fighting super-heroes. The Living Brain is one of Ditko's best robot creations – and it looks pretty cool on the splash page. I mean, yeah, by today's standards the robot looks kinda goofy -- cartoony, even -- but Ditko really makes the machine seem like a credible threat. The choreography in the final battle between Spider-Man and the robot around Midtown High School is very well done too. Also, I love that, when it's all over, Peter is a real sh*t-stirring git, by suggesting to his classmates that Flash might be Spider-Man. That's some excellent misdirection there, Mr. Parker. I've said it before, but the Human Torch and the Fantastic Four are becoming as much a part of the recurring cast of characters as Aunt May, Flash, Liz, JJJ and Betty by the amount of times they appear in this series. Absolutely! And this short story is really the first time that we see a serious escalation in the rivalry between the Human Torch and Spider-Man. Although it has been vaguely hinted at in the past, from now on, their rivalry will be a real thing. I have to say though that Peter acts like a bit of a d*ck in this story, although the Torch isn't much better! It's a d*ck move for Spider-Man to crash a party held by the Torch's girlfriend, Dorrie Evans, just to show her what she's missing out on by not dating Spider-Man. It's also interesting that Spidey clearly has a crush on Sue Storm/Invisible Girl, who is a fair bit older than he is (I've always assumed that Sue was around 20 or 21 in the very early Fantastic Four stories). Perhaps even more surprising is the fact that Sue flirts back with Spidey. What with Peter being attracted to Betty Brant, who is a few years older than he is, and now crushing on the Invisible Girl, this is a recurring theme – Peter definitely digs the older ladies! Overall, this back-up strip isn't a great story at all, and, as I say, Peter is a bit of a d*ck in it. But the artwork is VERY nice. I love it whenever Ditko inked Jack Kirby's pencils, as he does here. It only happened a handful of times in the Silver Age, and this is one of them. To my eyes, Kirby's art never looked better than it did when Ditko was inking it – and I know that Stan Lee has expressed a similar sentiment on occasion. The cover calls this a Tribute to Teenagers, but I’m not sure it’s got any more teenage content than any other issue we’ve seen so far, even with 2 stories. It's worth noting that Jameson and Aunt May are nowhere to be found in these pages. Maybe removing the two eldest recurring cast members (and even Betty) is all it takes to qualify for Teenage Tribute status. Well, first and foremost, the "Special Tribute to Teen-agers" issue is obviously a marketing thing. Stan knew that a lot of his regular readers were teenagers, so why not do a "tribute" issue, just for them? Heh…like the previous issues hadn't also been directed as teenagers! But Stan was a hell of a salesman and this absolutely smacks of his huckstering. That said, this issue is very teen-centric. More so than most, I would say. For one thing, the main story is set almost entirely in high school, it also features school pursuits like gym and science class, and it focuses on Peter's teenage supporting cast much more than usual (as you say, J. Jonah Jameson and Aunt May are absent from the story). Then the back-up strip involves a teenagers' party and other things teenagers like, such as fast cars, dating, acting the fool to impress your friends etc. So yeah, I think this issue is a bit more teen-centric than the previous issues were. Could the backup story penciled by Kirby have been intended for Strange Tales? You know, I'd never really thought about it, but I think your theory sounds very likely. Hopefully one of the more knowledgeable folks here will be able to chime in with a definitive answer. A couple of nerdy things I picked up on this re-read: Peter's science teacher in this issue is called Mr. Warren, but this isn't the same Professor Miles Warren who Peter will later meet at Empire State University and who will eventually become the Jackal. And secondly, the Living Brain's handler, Mr. Petty, is from the I.C.M. Corporation, which is an obvious riff on the I.B.M. Corporation, who were designers and producers of large computing systems in the U.S. during the '60s.
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