Confessor
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Post by Confessor on Apr 29, 2024 10:28:52 GMT -5
I know there are issues with Colletta erasing things Kirby drew, but when he's not doing that and is just inking what's there, I actually quite like his inks on Kirby's pencils.
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Confessor
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Post by Confessor on Apr 29, 2024 10:00:33 GMT -5
#1 - Second Coming by The Stone RosesIt took less time to fight the entirety of World War 2 than it did for the Stone Roses to release their second album. The band's self-titled debut had appeared in April 1989 and was a smart blend of unabashedly retro guitar sounds and current rave culture. It sounded something like the Monkees on ecstasy and it set the template for '90s indie music, influencing countless other bands. For about a year after that landmark first album, the Roses issued a handful of singles, the last two of which were not on the debut album and seemed to signal the imminent release of the band's second LP. Then…nothing. Silence. Embroiled in litigation with their record company for a couple of years, the band finally managed to escape their contract and retreated to the studio to work on their next album for almost 3 years. When it finally came out in December 1994, Second Coming was treated by UK indie fans as something of Biblical importance (in keeping with the record's cheeky title, of course). While some proclaimed it an instant classic, there was also disappointment and a palpable sense of anti-climax from some quarters. Myself, I thought and still think that, for the most part, it's a fantastic record – my favourite of 1994, in fact! Is it a faultless masterpiece like the Roses' debut? No, of course not. It's a tad overlong and there are a handful of tracks that feel a lot like filler. If the band had dropped 3 or 4 of the weaker songs, you would have had a much, much stronger, more concise album. But when Second Coming is good…my God, it's f*cking fantastic! Here's the video for the single "Ten Storey Love Song". This is an uplifting anthem, that metatextually refers to the process of writing the song itself as a demonstration of love. But while it might at first seem to be an unabashed love song, if you scratch below the surface, there's an unexpectedly darker lyric than you might at first discern. This is an epic song – damn, I wish I'd written it!
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Confessor
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Post by Confessor on Apr 29, 2024 9:51:59 GMT -5
#1 - The Mavericks - What a Crying Shame
Ah yes, the Mavericks. They're one of those bands that a couple of my friends keep telling me I should check out, but for one reason or another I've never taken the time to get into them. I like the sound of these two tracks you posted. This album is a little earlier than the Mavericks that most folks here in the UK know. The band had a colossal hit over here in 1998 with "Dance the Night Away", which Wikipedia tells me is from the album Trampoline. But yeah, these two tracks sounds good. 1994.5 Mars Audiac Quintet - StereolabHa ha...now this takes me back. My girlfriend's brother back in '94 was a big Stereolab fan and used to play them to me often. I smoked a lot of weed to this album! I always really liked what Stereolab was doing at the time. I thought their mix of repetitive, hypnotic Kraftwerk-esque rhythms, psychedelic lounge music backing, and the kitchy French chanteuse vocals was a great combination. The song "Ping Pong" was the hit that you used to hear at indie discos over here in the mid-90s. But you know, as much as my gf's brother and I listened to this album, I never felt the urge to go out and buy it. Maybe because it's not particularly song-based overall? But I'm just spinning the whole album again on Spotify as I write this and, actually, I think that I made a mistake. I'd sort of forgotten how much I enjoy this album. I think I'm gonna order myself a copy of this...maybe on vinyl, if its available (it seems appropriate to listen to Stereolab on vinyl, somehow). Thanks for reminding me how good this album is berkley!
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Confessor
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Post by Confessor on Apr 28, 2024 19:59:05 GMT -5
So, I recently read X-Men issues #96–103 for the first time. These issues find Chris Claremont and Dave Cockrum really finding their feet with the new X-Men. Issue #96 opens with the team mourning their fallen comrade Thunderbird, with Cyclops in particular feeling very guilty about his death. This issue also sees the arrival of the bonny lass Moira MacTaggert and almost immediately a burgeoning romance between her and Banshee is evident – though Professor Xavier also seems romantically interested in her. The name "Moira MacTaggert" really rings a bell with me, though I'm not sure why. I strongly suspect that she must eventually become a superhero and I hope someone reading this will be able to let me know. Moira MacTaggert rings a bell because you've read something with her before. You mentioned months back that you read a Dark Phoenix Saga HC. She's in the first few pages of Uncanny X-Men #129. Ahh...right, that must be it. I don't really recall her from that arc but since she's in it, that must be why the name rings a bell. The ethics of the image inducer will be revisited in the future. It's also the subject in one of the backup stories in a Classic X-Men, a series that reprinted X-Men from Giant-Size X-Men #1 through Uncanny X-Men #206 (skipping over a handful of issues), with new backup stories. Ah, I see. Good to know that it wasn't just me that felt it was kind of ethically problematic or not quite in keeping with what the X-Men stand for. Owning a castle is also not terribly consistent with Banshee being portrayed as more of a working class guy. Yeah, that's a very good point. Marvel had a long tradition of having folks from the British Isles reside either in castles or gothic mansion by this point and dating right back to the Silver Age. It's a recurring Marvel trope of that era which always me roll my eyes and chuckle whenever I see it. But fun fact: one of the leprechauns is the first character to refer to Wolverine as Logan. Does that happen in these issues? Or a bit later? I don't recall reading that, but maybe I did and just failed to register that it was the first time he had been referred to as Logan?
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Confessor
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Post by Confessor on Apr 28, 2024 19:22:55 GMT -5
Since we seem to just be naming our favourite canine characters and sidekicks now too, I'm just gonna leave this here...
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Confessor
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Post by Confessor on Apr 28, 2024 13:02:52 GMT -5
Incidentally, has Judge Dredd’s world ever featured a dog unit? I guess Mega-City One’s judges are more about using technology to stop criminals, but I don’t recall ever seeing a police dog in that world. There were robodogs in Judge Dredd and I'm sure I recall Dredd being attacked by a pack at some point. I don't think I've ever seen Judges using dogs or robodogs to aid in the apprehension of perps. I'm pretty sure there were robot dogs in Robo-Hunter too, which is, as I'm sure you know, set in the same world as Judge Dredd.
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Confessor
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Post by Confessor on Apr 28, 2024 10:33:21 GMT -5
So, I recently read X-Men issues #96–103 for the first time. These issues find Chris Claremont and Dave Cockrum really finding their feet with the new X-Men. Issue #96 opens with the team mourning their fallen comrade Thunderbird, with Cyclops in particular feeling very guilty about his death. This issue also sees the arrival of the bonny lass Moira MacTaggert and almost immediately a burgeoning romance between her and Banshee is evident – though Professor Xavier also seems romantically interested in her. The name "Moira MacTaggert" really rings a bell with me, though I'm not sure why. I strongly suspect that she must eventually become a superhero and I hope someone reading this will be able to let me know. There's an ongoing sub-plot building in the background of issues #96 and #97 concerning Dr. Steven Lang and his anti-mutant programme, Project Armageddon (but more of that later). The main source of action in issue #96 comes from the appearance of the monstrous Kierrock the Damned, although it's a bit of a WTF moment – not least because the creature was unleashed by Cyclops throwing a tantrum and shooting his eyebeams off everywhere earlier in the issue, inadvertently destroying a weird ancient monument. Cool monster design for Kierrock by Cockrum though. Taking of cool designs, Cockrum excels again with some great spaceship designs among the alien armada that Professor X sees in his dream in issue #97. There's an appearance in this issue of a villain named Eric the Red, but he's pretty underwhelming and the less said about him the better. I really liked the Christmastime story in issue #98, which sees the return of the Sentinels. I'm not sure how I feel about Nightcrawler using an Image Inducer to disguise his appearance and make him look like a regular human. I mean, it's a very comic booky type thing to have, but somehow not being "out and proud" about being a mutant kinda goes against what Professor Xavier and the other X-Men stand for. Though I do absolutely accept that Nightcrawler looks so obviously non-human that having the team getting around with him in public without attracting unwanted attention would likely be a problem. By issue #99, Dr. Lang has captured Wolverine, Banshee, Jean Grey and Professor Xavier and imprisoned them all on an abandoned S.H.I.E.L.D. orbital platform. Taking the adventure into outer space is a nice change of pace and it's very cool to see Cyclops, Storm, Nightcrawler, and Colossus commandeering a Starcom space shuttle in order to rescue their teammates. The big reveal of issue #100 is that Dr. Lang has created "X-Sentinels", which are android duplicates of the original X-Men. The appearance of this group of evil doppelgangers is a gripping dramatic touch, but it's a shame that they turn out to be androids. I was thinking when they first appeared that they were gonna be clones (I've been reading too much Spider-Man, I guess). Lang is eventually killed by Jean Grey and, as the X-Men all escape the orbital platform in the space shuttle, Jean is bathed in solar radiation, resulting in her dying and transforming into a new persona, the Phoenix (complete with new, ready-made costume). Comics, eh? We don't really get to see what Pheonix can do in these issues because she immediately passes out and is taken to hospital where she's in a critical condition for a while. Cyclops keeps vigil at her bed side while the other X-Men go on holiday to Banshee's family castle in Ireland. Yeah, because every Irishman has a hereditary castle, of course. Predictably, there turns out to be a lot of funny business going on at Banshee's family castle and the team are soon attacked by Black Tom (who is Banshee's cousin) and the Juggernaut. Speaking of the Juggernaut, I had no idea that he was Charles Xavier's half-brother! Every day's a school day. Anyway, there's a really exciting battle between the X-Men and the villainous pair in issues #102 and #103, at the end of which Black Tom and Juggernaut appear to perish. The appearance of a group of Leprechauns during the fight – yes, that's right, real Leprechauns (this is Ireland, after all) – is a bit of a WTF moment, but hey…you know, comics, right? Overall, these were some really enjoyable issues. Storm's problems with claustrophobia make for an interesting and fairly original Achillies heel for a superhero to have, although I think its perhaps a little bit overplayed. But yeah, for the most part, I really enjoyed reading these comics.
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Confessor
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Post by Confessor on Apr 28, 2024 7:44:48 GMT -5
More of my top albums of 1994 (and more British indie rock for Slam_Bradley to enjoy )... #2 - Definitely Maybe by OasisOasis's debut album Definitely Maybe was a major shot in the arm for the British record industry in general and the indie rock scene in particular back in 1994. The songs on it absolutely upped the ante in terms of the songwriting quality that an indie album could or should feature. Right from the opening track, "Rock 'n' Roll Star", the band's musical manifesto is laid bare: noisy guitars, punk and John Lennon-influenced sneering vocals, and melodic, fiendishly catchy songs. Along with Blur's Parklife, which was my #5 pick, Definitely Maybe was the other key album of the early Britpop scene. It was an exciting time to be a UK indie music fan, as we watched the slightly niche scene that we had all followed so passionately for the past 3 or 4 years going overground and impacting on the mainstream. My one criticism of Oasis has always been that their lyrics are at best banal and at worst just sound like placeholder lyrics that were the first thing that came into songwriter Noel Gallagher's head. But griping about the lack of meaning in their lyrics misses the point when the material is as melodically strong as it is on Definitely Maybe. This is a collection of 11 life-affirming, fist-pumping indie songs. Sure, it's all basic meat-and-potatoes indie stadium rock, but Oasis never sounded as vital and exciting as they did on theis debut album. Here's "Live Forever", the third single taken from the album. Its simple, nursey rhyme-esque lyrics, sugary sweet melody, and swaggering punk attitude demonstrates exactly what it was that made Oasis so special in 1994…
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Confessor
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Post by Confessor on Apr 28, 2024 7:40:54 GMT -5
1994.6 File Under: Easy ListeningI know this album well, as a friend of mine back then was very into Bob Mould's various musical phases, including Sugar. For me, Copper Blue was probably my favourite album that Mould has produced.
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Confessor
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Post by Confessor on Apr 28, 2024 7:36:43 GMT -5
Favorite albums of 1994 #2 - Johnny Cash - American Recordings
I think we may've discussed Cash's American Recordings on here before, but I agree that these records were absolutely a return to form for him. For me though, they still don't reach the heights of his Sun Records or Columbia era stuff from the '50s and '60s, but they are, as you say, a whole lot better than most of what he put out in the '70s and '80s. For me though, too often on the American Recordings albums it sounds a little like Cash is just going through the motions. There are absolutely exceptions to that, of course, and some of the performances on these albums are absolutely stunningly good, but a fair bit of it sounds rather pedestrian to my ears. I don't actually own any of the Rick Ruben-produced Cash albums in their entirity, but I do have a smattering of tracks from them on various different compilations. From this specific 1994 album, I know "The Beast in Me" and "Bird on the Wire", both of which are very good versions. I think one of my biggest gripes about these Ruben era albums is that it's a shame they don't feature more of Cash's own material. Maybe he just wasn't writing as much as he had back in the '50s and '60s, but yeah, it's still a shame.
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Confessor
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Post by Confessor on Apr 27, 2024 8:20:50 GMT -5
I think someone here mentioned a Graphic Novel with Black Widow but I'm not sure... This could be referring to the old Golden Age Black Widow (Claire Voyant). In his 2008 mini-series The Twelve, J. Michael Straczinsky retconned her to be a lesbian and there were definitely scenes depicting her kissing another woman. Maybe that was the first time Marvel showed a lesbian kiss? Although 2008 sounds a bit late for that, but then again, maybe not.
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Confessor
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Post by Confessor on Apr 26, 2024 18:18:24 GMT -5
This sums up my reaction pretty much every time there was breaking news from around 2015 - 2021. (Spoiler tags for adult language) {Spoiler}{Spoiler: Click to show} Since then, it's been a more low-grade persistent sense of disappointment, but it is unfortunately becoming relevant again. Interesting that you chose to post the BBC News indent there. Do many if you Americans get your news from the BBC?
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Confessor
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Post by Confessor on Apr 26, 2024 14:26:21 GMT -5
Never heard of Alvin before, but I have heard of the Blasters (though never actually heard their music). They were kind of a cowpunk band, right? Of these two tracks you posted, "King of California" is especially nice and wears its Bob Dylan influences very much on its sleeve (I was less impressed with "Fourth of July", I'm afraid). Nice stripped-back '90s engineering and production on both tracks though. I don't know if you're familiar with the American singer-songwriter Willy Mason from the mid-2000s, but based on these two songs I wouldn't be at all surprised to find that he was a fan of Alvin. The Blasters would be at the intersection of Roots Rock and Cowpunk. You definitely should give them a listen. Alvin was with the punk band "X" for a short time before he got his solo record deal. I'm not familiar with Willy Mason, but I'll give him a listen. Yeah, I think I will give the Blasters a listen. I quite like the few cowpunk bands that I do know, like the Beat Farmers and (to a lesser extent) the Long Ryders. It's a fascinating sub-genre seeing punk and new wave energy colliding with country & western.
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Confessor
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Post by Confessor on Apr 26, 2024 11:59:34 GMT -5
#3 – Dave Alvin – King of California
Never heard of Alvin before, but I have heard of the Blasters (though never actually heard their music). They were kind of a cowpunk band, right? Of these two tracks you posted, "King of California" is especially nice and wears its Bob Dylan influences very much on its sleeve (I was less impressed with "Fourth of July", I'm afraid). Nice stripped-back '90s engineering and production on both tracks though. I don't know if you're familiar with the American singer-songwriter Willy Mason from the mid-2000s, but based on these two songs I wouldn't be at all surprised to find that he was a fan of Alvin.
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Confessor
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Post by Confessor on Apr 26, 2024 9:53:32 GMT -5
More favourite albums of 1994... #3 - MTV Unplugged in New York by NirvanaI'm not generally a fan of live albums, but there are some that really hit the mark and Nirvana's MTV Unplugged in New York is certainly one of them. Recorded in November 1993, the performance was released as an album in late '94 around 7 months after Kurt Cobain's death. In true Nirvana fashion, the band totally subvert MTV's unplugged formula by playing almost none of their hits ("Come As You Are" would be the only exception), by running Cobain's acoustic guitar through an amplifier and effects pedals to make it sound like an electric guitar on certain songs, and by inviting obscure cowpunk band the Meat Puppets on stage to play three of their songs with Nirvana. Reportedly, MTV's executives were NOT happy about these artistic choices, which is, of course, absolutely brilliant and totally rock 'n' roll. For me, the thing that this album makes explicit is the fact that Nirvana were just this little garage band from Seattle who, because of Cobain's excellent songwriting, became one of the biggest bands in the world. But it was a level of fame that they were never really supposed to achieve; it was a position they were never really meant to be in – and, as well all know, Cobain ultimately paid the price for that. There's poignancy to the idea of this noisy little band with the amazing songs being catapulted to the heights of super-stardom and, ultimately, tragedy – like Icarus flying too close to the sun or something. But there's also an inspiring and empowering component to it as well and both aspects are palpable in these performances. It's hard to pick out highlights from the album, as pretty much every song is a highlight. That said, Nirvana's cover of the Vaselines' "Jesus Doesn't Want Me for a Sunbeam" is breathtakingly beautiful and more than a little moving. The band's versions of their own "About a Girl" and "Dumb" blow their respective album versions away too. But really, the whole performance is utterly compelling and serves as a requiem to Cobain himself. Here's a video of the band's spine-tingling and harrowing version of Lead Belly's "Where Did You Sleep Last Night"…
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