|
Post by tingramretro on Nov 25, 2018 8:25:56 GMT -5
Sorry, I've always assumed the name Jack Russell was an obvious dog joke. Are Jack Russell terriers not that well known in America? They're a popular, very common breed in the UK. No, I know the dog reference (mentioned it in the first issue); but, Conway has gone on record that he doesn't recall the origin of the name and he never had a dog and wasn't making the obvious connection. Meanwhile, Wolfman Jack was a major media figure in the US, having been a hugely influential radio DJ in LA, who got national exposure through tv appearances and in movies, like American Graffiti. I wonder if they idea didn't start out as, "What do we call our 'wolfman'?" "Jack" "Why Jack?" "Woflman Jack." "Cute. Okay, what about his last name?" "Russell!" "Russell? "Yeah, like the terrier...." I've never heard of Wolfman Jack...
|
|
|
Post by tingramretro on Nov 24, 2018 7:27:53 GMT -5
I don't know is the name of Jack for Marvel's werewolf has anything to do with Wolfman Jack; but, it's a nice coincidence, if not. Well, as you stated earlier, his name actually seems to be a reference to a certain breed of terrier; personally, I've always thought that that name was the second choice since Marv Wolfman was already taken... Sorry, I've always assumed the name Jack Russell was an obvious dog joke. Are Jack Russell terriers not that well known in America? They're a popular, very common breed in the UK.
|
|
|
Post by tingramretro on Nov 20, 2018 4:01:25 GMT -5
How exactly do you sign on to what everyone knows is a yearly series (for the most part) and then dare to complain about the workload? Did some folks not do their research properly before hand?!? It has been a bit of a mixed bag with scheduling though. New Who started with four seasons/series over a four year period between Eccleston and Tennant. But then Tennant ended with a handful of specials over a period of a year and a half. Smith started with two series in two years, but then his third series was split over two calendar years. And Capaldi had two series over two years, before taking a year off before his final season. So if Chibnall and Whittaker wanted to do, for example, half a series in 2020 and the other half of the series in 2021, that wouldn't really be a departure from how things have been with New Who. I'm just glad to read (in the Wikipedia article), that Jodie second series/season has started production and will air in 2019. I remember somehow upthread passing along a rumor that there wouldn't even be a season in 2019. That would've been a bit much. I wish they could work something out. Or maybe a new showrunner could agree to do a third season with Jodie. Because if Jodie's total episode count (including specials) only ends up at 21 or 22, she may not leave her stamp as much as the last three Doctors. It's also being rumoured that the 2019 series will be only about six episodes, but that Chibnall may be pushed to make another four for 2020 if they can't find a new showrunner in time. And apparently, if he does go, Whittaker is expected to go with him as it has been suggested a full series is too much pressure for her to juggle with the demands of being a young mother.
|
|
|
Post by tingramretro on Nov 19, 2018 14:53:19 GMT -5
Veteran British comics artist Mike Noble has died, aged 88.
|
|
|
Post by tingramretro on Nov 19, 2018 14:51:26 GMT -5
There are now some fairly strong rumours going around that both Chris Chibnall and Jodie Whittaker will be leaving after the next series. Supposedly, Chibnall isn't happy with his workload or with the fact that the BBC want a full series every year.
|
|
|
Post by tingramretro on Nov 19, 2018 11:25:22 GMT -5
I think battle cries came into being during the Marvel Silver age. Phrases like " Avengers Assemble, It's Clobbering time" seemed to be ushered in by Stan Lee and the Marvel age. The only DC equivalent was " Titans Together" that came along in the 80's. What about Superman's "up, up and away", or Captain Marvel's "Shazam!"? Those are just two examples from non-Marvel comics that pre-date Silver Age Marvel. I'm sure there must be others. "Kimota" springs to mind...
|
|
|
Post by tingramretro on Nov 17, 2018 19:26:26 GMT -5
Was this the first time a comic came with something attached as a freebie? Many UK comics, such as 2000AD, Star Wars Weekly, Battle Picture Weekly and Look-In, had free gifts come with them on occasion in the late 70s and early 80s. The practice may go back a lot further than that though, for all I know. It actually goes back to the 1930s at least. DC Thomson started the practice of free gifts, I believe.
|
|
|
Post by tingramretro on Nov 13, 2018 7:48:51 GMT -5
Constantine is definitely my new favorite character on this show. Agreed. His appearances on here have inspired me to check out his own short lived show, which I'm loving!
|
|
|
Post by tingramretro on Nov 12, 2018 19:08:27 GMT -5
Stan Lee drew weird stuff or whatever such as giant monsters wearing speedos No, he didn't. He wasn't an artist. Are you drunk?
|
|
|
Post by tingramretro on Nov 12, 2018 16:50:09 GMT -5
The world will never be quite the same again, without Stan in it.
|
|
|
Post by tingramretro on Nov 11, 2018 5:50:06 GMT -5
Lesser meaning in the sense they were never in their own series and many of the other Defender's cast that came and went were "name recognition" characters with either their own comic (Luke Cage, Son of Satan) or came with their own following (Beast, Yellowjacket, Hawkeye, Iceman, Angel, Moondragon) from being around awhile. Poor Nighthawk: always cast as a guest star but never the Leading man. I'm not sure Daimon Hellstrom could be said to be more of a "name recognition" character than Nighthawk, given that his solo series only ran for eight issues and was gone by the beginning of 1977. He didn't join the Defenders full time until four years after his book was cancelled, and appeared nowhere on a regular basis in the meantime. As a kid, I knew who Nihghthawk was and thought of him, as well as Val and Hellcat, as fairly major characters because they turned up everywhere. I think I only ever saw one issue of Son of Satan back then, and that was the last one!
|
|
|
Post by tingramretro on Nov 9, 2018 3:30:05 GMT -5
At this point the Defenders team was so far gone from the original concept (and likely losing readers) so i would bet Editorship decided it was wise to push the originals back on the covers to draw attention and boost sales before reuniting the ladies with the gents. Lots of folks would know Doc, Subby and Hulk at a glance while not as many know Val and Patsy and Kyle. Putting the big 3 on covers would draw in readers who followed those heroes and looking for more of their favorite heroes. The "upgraded" Nighthawk wasn't to my liking. Kyle and his stories were always fairly dull after his intro and inclusion on the team. I adored his blue/gold with buccaneer boots but he was never truly utilized properly as an athletic/agility based super strength at night character. This new iteration was meant to improve his power set making him a more flight powered character with some offensive capabilities with the guns in the cape/wings and his new hand claws (shades of Wolverine envy) so he might stand out in the crowded team and offer something more. It just never really worked for me and ever since poor old Kyle who began as an evil Batman devolved into something less interesting and eventually killed off as writers couldn't figure out what to do with him. Sad really because in the Gerber/Giffen Defenders there was a great connection formed between Nighthawk and Moon Knight. These 2 Marvel Batman riffs could have made an interesting and dynamic duo if given the chance in a series. Interesting perspective. As a kid in the 70s, I never saw Nighthawk and the girls as being lesser characters, and I don't think Marvel treated them that way. They're fairly obscure now, but back then they were everywhere: Nighthawk alone guest starred in Dr. Strange, Avengers, Hulk, MTU and MTIO, and seemed to be treated as as much an integral part of the Marvel Universe then as someone like Daredevil or Luke Cage. It was after JM DeMatteis came on board that they seemed to lose interest in him and killed him off. Luckily, like most Marvel characters, he eventually got better...
|
|
|
Post by tingramretro on Nov 9, 2018 2:44:02 GMT -5
Defenders #83Creative Team: Bob Sharen does the colors, everyone else the same. Synopsis: Doc and Namor clean up the bodies and Wing-Head tells everyone that they are free. uh-hunh; what about the unnameable One? Val and Patsy break up a bank robbery, while Kyle consults his attorney... The Government makes a deal with Mutant Force and we go back to Tunnelworld. Hulk's globe is being dragged somewhere, Buzzard-Face causes problems and Doc goes inside Hulk's mind to free him. It ends up all psychedelic and Hulk wakes up. The End. The letters page has cat yronwode rip into Marvel for F-ing up Omega. Thoughts: I gloss over a bit of Tunnelworld stuff; but, it is third-rate fantasy cliches and typical Doc save the day while the rest twiddle thumb (Namor does get to punch the Hulk a bit). Patsy finds out her agility is not related to the cat suit, like she thought, as she kicks ass in civies. The mutants get a government deal and liberal lip service to them being given a tough break because of their genetic history. Snowflakes! I don't remember these guys, at all; but, suspect they will go to work for the gov. This was done better, later, with the updated Brotherhood of Evil Mutants, though even that didn't make a ton of sense, given their rap sheet. John Ostrander did it better with Suicide Squad. The whole Tunnelworld story was rather cliched and dull, apart from moments with the Hulk (Lord of the Rings could have used a Hulk). The Mandrill storyline was more interesting, though cut too short, while Tunnelworld dragged on about 2 issues too much). The female characters still tend to be more interesting than the males of the team (apart from Nighthawk); but, they still get rescued by the boys. Kyle's legal woes still don't hold up to scrutiny. That subplot is wearing out its welcome and needs to be resolved. The Mutant Force actually were originally an updated Brotherhood of Evil Mutants, formed by Magneto in Captain America Annual #4. And without wishing to spoiler anything, don't assume you know where their story is going just yet...
|
|
|
Post by tingramretro on Nov 8, 2018 3:37:26 GMT -5
As for not building up a talent pool: there were and are hundreds of talented comics creators in the UK, but you will never have heard of most of them because they never wanted to break into American comics. Mike Noble, Ron Embleton, Frank Hampson... and I hate to think about how much I have never seen. Offhand, I'd add to that list Mike Western, Joe Colquhoun, Ron Smith, John M. Burns, Don Harley, Leo Baxendale, Ken Reid, Arthur Ranson, David Sque, Don Lawrence, Bryan Talbot, Cam Kennedy, Ian Kennedy, Bryan Hitch, Frank Bellamy, Harry Lindfield, Martin Asbury...and probably three dozen or so more...and that#s without mentioning any who have successfully crossed the pond, or any of the European artists who built their careers in the UK...
|
|
|
Post by tingramretro on Nov 7, 2018 8:45:07 GMT -5
Well, Ms. Marvel did alright. And all of the female children in my family between ages 8-13 own multiple Raina Telgemier comics. Talking completely out my ass here, but maybe G. B. never developed a decent size underground comic scene like the US did - possibly because British mainstream comics were more appealing to adults than American books - and that meant that the UK never built up the audience or the talent pool that led to Bone-style huge smash hits for the kiddy market. Sorry, but that's just wrong. Comics were incredibly popular with British kids for most of the 20th century, and many of the most popular were titles like The Beano (which is still running and still successful today) which were aimed squarely at the younger market. The adult market didn't really take off until the eighties. And Ameican imports were never as popular or as widespread as the British produced stuff. As for not building up a talent pool: there were and are hundreds of talented comics creators in the UK, but you will nver have heard of most of them because they never wanted to break into American comics.
|
|