I'll be heading to Memphis to celebrate the life of the second of my two best friends, both of whom have died this year.
I'll be with you CCF friends next time.

Thanks, @hots ! I found the proof:



It makes sense that a fifth issue would have been in the works, since that was true of the other two comics in the sub-line when the ax fell.
I didn't buy NIGHT NURSE at the time (that would have been embarrassing, and I didn't have any interest anyway), but the logo always stuck with me for some reason. When I read them years later, I found them to be my favorites of this female reader-seeking trio. I remember the explosion of gothic romance in the paperback market in the early 70's, and there was a lesser but still profitable boomlet of nurse romance paperbacks as well. DC tried for the gothic readers and failed with its pair of gothic comics and a heavy lean in that direction in HOUSE OF SECRETS, as well as in superhero comics like TEEN TITANS and even BATMAN.

I was disappointed in claude.ai's breadth of knowledge on Hourman, so I spent a session correcting it and teaching it about the character. I went back to see if it retained anything and it didn't. Now it wants to go on and on about some "Miss Hourwoman" character, and it's forgotten everything I taught it about Thorndyke, Jimmy Martin, the Minutemen of America, and the evolution of the Hourman character. And it seemed so appreciative at the time!

I wasn't able to register the story, because the art was absolutely unbearable. Michael Davis was clearly relying on lots of photo reference and failing even with that aid. I was baffled that an artist so obviously not ready for the big leagues was given such a (relatively) high profile project. And then he was assigned a higher profile Prestige Format spin-off of the then-very-hot Grell Green Arrow series, which was partly saved by Gray Morrow's finishes. Unfortunately, Morrow's contributions couldn't make up for Davis's page composition choice that ruined virtually every page of the comic: Each left-right pair of pages has art spanning the center line, which was rendered unreadable thanks to the square-bound binding.

It's gotta be frustrating when a prestige package like the Amalgam book has to leave one issue out.

I just happened to notice that D. Bruce Berry--pretty much known only as Jack Kirby's inker/letter following Mike Royer in the mid 1970's--preceded Kirby's return to Captain America by one issue, inking Frank Robbins' final issue, #191. This and an ink job over Herb Trimpe on a Killraven story the same month appear to be his only mainstream comics credits outside of his work for Kirby. I wonder if it was some kind of on-boarding exercise to prepare him for working in the Marvel corporate system. (He would proceed to work on some of Kirby's Captain America stories, although Frank Giacoia would become the book's most consistent Kirby inker.)