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Post by sabongero on Feb 19, 2016 0:29:56 GMT -5
Alright I decided to revisit and review The Punisher's run when the character was in his prime. This was a time when in the late 1980's the character was a top tier character and was almost everywhere and the popularity soared to great heights as if it was on a level to Wolverine at the time. In fact, when his regular ongoing series was so popular that a second ongoing series was greenlit, and he was making guest appearances on many other Marvel titles. Obviously, it also suffered from the mid 1990's comic collector's collapse and sales dipped and Marvel was on the brink of bankruptcy, and the run ended in 1995. I actually have all or almost most of these, and I only read it up to the late 1988 issues or early 1989 issues. I stopped reading comic books when in high school I discovered girls and couldn't get them off my mind. Girls in the high school days was the only thing that got my mind off of further reading comic books at the time. And when the first date happened, well the comic book reading hiatus commenced and lasted almost two decades. So this would be a great time to re-read the first few issues a second time, which almost feels like the first time, and the rest for the very first time. My favorite aspect of this series was Frank Castle having a "best friend" in his own personal weapons supplier in Microchip. I was saddened how that character was offed in the Garth Ennis series. And I am looking forward to sharing the synopsis and a little commentary on my thoughts about these two series. Here's hoping you guys and gals enjoy this thread like the What If? review thread I started before. Just click on the link a few words back to check it out if it might interest you. I'll start posting my reviews of these two this weekend and looking forward to reading some Punisher in the Marvel 616 Universe before it was generally referred to as the "616" universe. This will be Punisher volume 2 issues 1-104 & annuals 1-7 and Punisher War Journal volume 1 issues 1-80. I will be posting the review based on the chronological time both comic books were published, reviewing them both simultaneously. Reviewed in the following order: Punisher #1: Marching Powder Punisher #2: Bolivia Punisher #3: The Devil Came from Kansas! Punisher #4: The Rev Punisher #5: Ministry of Death Punisher #6: Garbage Punisher #7: Wild Rose Punisher #8: The Ghost of Wall Street Punisher #9: Insider Trading Punisher #10: The Creep Punisher #11: Second Sight Punisher #12: Castle Technique Punisher #13: Sacrifice Play Punisher #14: Social Studies Punisher #15: To Topple the Kingpin Punisher #16: Escalation Punisher #17: Computer War
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Post by sabongero on Feb 19, 2016 17:15:18 GMT -5
Punisher #1“Marching Powder” 75 Cents @ July 1987 (Cover Page and 23 net pages) Script: Mike Baron Art & Color: Klaus Janson Letters: James Novak Editor: Carl Potts Editor In Chief: James Shooter Notable Quote(s): “Eleven P.M. Monday, the Lower East side. MasterCard, I’m bored. The friendly natives will entertain me. That’s why it’s called fun city. Know what crack is? A super-potent cocaine derivative. One hit, they say, you’re hooked for life. Take this guy. Shaking so bad he’s rattling garbage cans. There are fourteen ways I can disarm him from here. It’s the crack. Makes them stupid. Makes them shake and sweat. Makes the whole city sweat. The whole country. Kevlar body armor. Don’t leave home without it. When you’re a crackhead, you don’t notice things like no blood on your knife. You’re too busy running after the next hit. You don’t notice whether you’re being followed. All you think about is getting high.” “Crack makes you stupid. I just don’t like to pull the trigger in cold blood.” “The trick is to tell them a lie. The bigger the better. The bigger the lie, the more apt they are to believe it. Their business breeds paranoia.” Synopsis: Frank Castle garbed in Fedora hat and trench coat is walking the streets of NYC narrating the ailments of the city. In this particular day that ailment is crack cocaine and how it drives addicts out of control. A mugger demands Frank’s wallet with a point of the knife and proceeded to stab Frank anyway after Frank handed him his wallet. Kevlar armor protected him and he got right back up to follow the addict who was too busy about getting high instead of looking around to see if anyone followed him. Frank followed him to the crack-house and left the area to go “get dressed for the party.” The next page is a splash page with the Punisher in full costume with two automatic firearms on each hip and a hand held cannon and a crossbow strapped to his back. It is party time and the Punisher has his invitation. He climbed to the roof of the opposite building and took aim with the cannon and fired. Whoosh and Boom came the printed sound effects. All this and the Punisher is still having a monologue which came across as sarcastic humor as he also said to himself during the explosion, “Just as I thought. A marriage made in heaven.” And this was followed by a great small four panel sequence illustrated by Klaus Janson having Frank pull the crossbow, prepare it, aim and fire, and swing to the other building. It was a nice action sequence with no dialogue or narration. It reminded me of that first ever silent comic book produced by G.I. Joe back in the early 1980’s. Visually stimulating. Frank goes through an open window and lands in a rundown room filled with dope peddlers. Budda Budda Budda BUdda… and Frank just left one of the perps alive and grabbed him and put the end of the barrel of the .45 caliber pistol in the perps mouth and asked who owned this joint. Needless to say the perp confessed as to who owned and ran the joint. He let the last one live and walked away. Unfortunately, the idiotic drug peddler reached for his gun, and Frank pulled a stiletto knife and through it at the last remaining perp. Idiot. He could have lived, but drugs, crack cocaine in particular, make people stupid. Frank walked out with a bag fill of cash and kilos of cocaine. He dumps the cocaine in the East River on the way to a New Jersey warehouse. Inside the warehouse Frank records his “Punisher War Journal dated March 1987.” The next scene has Frank visiting the Vietnam Memorial. We find out that he visits it a couple of times each year. While reading the names he came across something that bothered him. He met his friend, fellow Vietnam veteran Bruce Ayres. After exchanging pleasantries he pointed to a name on the wall and asked Bruce if he recognized the name of Curtis Hoyle. Bruce Ayres laughingly gave him a picture of the three of them in Vietnam together. But at the same time telling Frank he knew the two of them didn’t get along. Apparently all three served together and Curtis Hoyle is alive as Frank saw him earlier and asked Bruce if he knew anything. He confided in Frank that Curtis Hoyle has a business from the mountains of Bolivia to New York and moving a lot of merchandise and talked to him about lots of money to be made. He turned Hoyle down. He advised Frank Hoyle’s local business of operation in NYC. They exchanged their goodbyes with Bruce inviting Frank to visit his home and see his wife and kids garnering a reply from Frank that he’ll do that someday. They left in good terms after the cordial talk, and Bruce sounded like in good spirits citing he was a regular guy with a family, and is too old for playing commando. Frank called Bruce the next Saturday but found out his friend was dead. Frank called the sheriff’s office and said he was an old friend and hung up the phone. He found out from the sheriff’s office that Bruce Ayres committed suicide and had a gun to his mouth citing that it was post combat stress and so forth. Frank is dressing up in a tuxedo and took out the picture Bruce gave him and said to himself if the war in Vietnam lasted long that he would have shot Curtis Hoyle back in the war. He holstered his gun inside the tuxedo jacket and had something special manicured into his fingernails. Diamond-tipped manicured fingernails. He went down to the SOHO in Manhattan and entered a fancy club. Inside, he saw Wilfrid Sobel, the head drug dealer whose crack-house and drug peddlers he destroyed earlier. Along with the head drug dealer was his chief enforcer, his top model girlfriend, and an old man Frank did not recognize. He went over to their table and let Wilfrid know who took out his rockhouse crack cocaine. And Frank dropped Curtis Hoyle’s name. Wilfred invited Frank to his luxurious penthouse home to talk. Frank explained how Curtis took out the place initially with a rocket launcher. A man named Damasco came in to confirm to Wilfrid that’s what happened and since Curtis Hoyle was former military that he knew where to get the hardware. Frank guessed that this Damasco was a death squad hitman from overseas, and that there must be a top dog over Wilfrid. Wilfrid and Damasco excused themselves to go to another room while Belinda the girlfriend stayed with Frank to entertain him with casual talk. The two came back, and from behind Damasco knocked Frank out with a handful of brass knuckles. As water splashed on Frank’s face to wake him up. He is tied to chair and is inside what can be conceived as a torture room. Frank asked Damasco if he is from Guatemala, guessing if he is one of those hardened Death Squad commandos in those part of the woods. He is Bolivian and works for the general and pointed to the wires citing Bolivian telephone. A nickname for this type of electrical torture. Wires are taped to his chest, and Damasco gives the order to his bodyguard to plug something. And Frank is zapped with electricity and let loose a howling “Argh!” After some time passed from continuous electrical torture, Damasco gave another order and Frank is zapped once again. Frank’s head lumped forward and the torturer thinks Frank is choking. Unknown to him Frank is trying to rip loose the plastic that is securing his wrists together. Damasco gloated and walked near Frank saying he wouldn’t want Frank to die anytime soon. And just then Frank breaks free and grabbed Damasco’s throat and crushed it, while his other hand rips the wires from his chest and zaps an incoming bodyguard with it. More goons come at him and he disposes of one and he grabs a part of the destroyed chair and threw it at another and grabbed theat guy’s gun and shot another goon. The ruckus had another goon outside asking what is going on and Frank crouched down shot him with an automatic weapon. Meanwhile Wilfrid and locked his bedroom door with both he and his girlfriend dressed in underwear, and him clutching a gun. Wilfrid pushes the desk in front of the door to block it and tells his girlfriend to go to the door and throw the bag outside to Frank and then he’ll shoot him. A nervous Belinda was hesitant and Wilfrid pointed the gun at her face saying he will shoot her instead if she doesn’t obey. She threw it out and a silhouette has someone grabbing the bag and Wilfrid let off several rounds to shoot the figure he thought to be Frank Castle. And he stopped and said that he got him. And them shots rang off and Wilfrid’s prone body fell to the table. Frank walks in the bedroom with the gun pointed at Belinda asking her if anyone else is left. None. He asks her where’s the money and that she had to leave as well. Frank took the money and left with her. He gives her a hundred thousand and convinced her to fly to Sweden for her safety. Back in the warehouse Frank checked Wilfrid’s pre-recorded numbers. He went to the other side of town by a park and made nine phone calls for a public phone booth. Frank left a message for The General where to call him and between what time if he wanted to know what happened to Wilfrid. And then Frank waited. He received the phone call and explained to him about Wilfrid’s weakness and that he will compensate The General for the damages and knows how to double the NY distribution of drugs. The General offered Frank to go to his hacienda in Bolivia and Frank agreed. The General told him to wait by the NY Public Library and his man will come pickup Frank. And in that winter time Frank who was reading a newspaper was approached by The General’s man. Frank greeted him, hello, Lieutenant. How’s business?” And Curtis Hoyle responded, “Business was good until you came along. Let’s go. We got a plane to catch.” And we’re looking forward to issue #2 on sale by May 19th, 1987. Comment: The cover page had “#1 First issue of an unlimited series!” printed above the title. At the time back in 1987 this was a big deal as the previous year starting in January 1986, the Punisher had a 5-issue Limited series that hit the newsstands and was a gigantic hit amongst the readers. In fact, you’d see kids in grade school bring this in at class and walk around as if they are carrying the Holy Grail in their school bag. The thing I found that really captivated the attention of boys in grade school and junior high school (which is now termed intermediate school) was that there was cursing in the comic books uttered by Frank Castle, The Punisher. Mother!@#$!& and other colorful adverbs and strong action verbs and adjectives were in the dialogue. The kids never saw or read cursing in comic books before so when they see “!#$@ You!” and “Holy $#@%!” they really got a kick out of it. The anti-hero and darkening of the comic book world was definitely underway way. I know that Watchmen and Dark Knight Returns in 1986 got the real mainstream credit, but you just had to be there to witness the popularity of the 5-issue limited series of the Punisher in 1986 and the subsequent early days of Punisher in 1987 and 1988, it was astronomical. The Punisher was so popular it ended up pregnant and gave birth in 1988 to a simultaneously published sequel, The Punisher War Journal. Only Batman and Superman had two titles coming out of the newsstands every month at that time, and the level of the Punisher’s popularity was garnered two best-selling titles every month. Kids knew precisely when it would come out and would dash to the newsstands to buy it immediately. If you were a day late, there’s no way to purchase the new issue in a one mile radius of a public or private school at that time in NYC. The art was minimalistic and had a very realistic feel to reading the comic book. The violence was a movie-like violence with shootouts and death. A reader rarely saw death like that permeate a comic book. Vigilante justice was still up in the air in NYC at that time Bernhard Goetz was a middle aged white man in the NYC subway train station in Union Square in Manhattan in the evening leading to Christmas 1984. He was mugged by four black teenagers. He fired five shots in the platform of Union Square and seriously wounded the four young men. He surrendered several days later and was baptized by the media as “The Subway Vigilante.” Bernard Goetz was acquitted on all counts except for possession of an unlicensed firearm. There was a racial divide. Black kids hated him because he was white but they couldn’t defend the four black teenagers who did the mugging. The other kids who are White, Latino, and Asian loved what Bernhard Goetz did. And often when kids read the Punisher it reminded them of that is what Bernhard Goetz would do to criminals. It was like mythologizing the vigilante. Frank Castle hit a chord with kids. Even the black kids loved the Punisher. He was an action hero who stood up to real life criminals, not supervillains, so the regular kids reading the comic book could identify with him unlike the superheroes. I could probably go on and on with this. But I haven’t picked up this comic book since 1987, and have re-read it just now. And while reading it, all the atmosphere of that time in NYC suddenly started creeping out of the back of my mind and rushed back as if I was in that time, in that era, reading this comic book. It is a surreal experience. I am glad I decided to read this book and create a thread to review it as well. And what makes it even better is that there are 23 net pages of stories for seventy-five cents. That’s a great deal for your money. Atari, ColecoVision, and Commodore didn’t have advanced graphics for videogames like what we have these days, so the comic book industry can still appeal to kids imaginations at that time. What I liked about this Punisher as opposed to the Max Imprint is Frank Castle’s portrayal here. Yes, he is an anti-hero. But he is humanized. He is a Vietnam veteran. He visits the Vietnam Memorial with its long list of dead soldiers in that war. He also had a friend who is a fellow Vietnam veteran and they have a conversation sitting down in the park. This is a more human version of Frank Castle, while his is the action oriented vigilante, he is not way beyond recovery like the over the top uber killer in the Max Imprint. Garth Ennis was great in writing that series though. This was my favorite rendition of The Punisher in all his incarnations. Finally, reading the Punisher was great at the time, because Mike Baron would lace it with some social commentary, and not to mention some sarcastic humor in Frank’s monologues throughout the action scenes. Frank Castle is narrating the story and has monologues throughout. He would talk about the problems ailing American cities at the time like crack cocaine. And he would provide social commentary on the ills plaguing American cities and how some people are controlled by the crack cocaine and makes them stupid, and makes the city sweat and have problems. In fact, he would say it’s not just the city, the problem resides in the whole country. Stuff like that is eaten up by kids and talks to kids teaching them a public service announcement disguised as a story and narrated by one of the most popular comic book icons at the time. Frank Castle a.k.a. The Punisher.
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Post by sabongero on Feb 22, 2016 14:47:42 GMT -5
Punisher #2“Bolivia” 75 Cents @ August 1987 (Cover Page and 22 net pages) Script: Mike Baron Art & Color: Klaus Janson Letters: Ken Bruzenak Editor: Carl Potts Editor In Chief: James Shooter Notable Quote(s): “I was having a picnic with my wife and kids in Central Park. The kids wandered off. They stumbled onto a mob wipe-out. The mob came after us. Only I survived. Central Park in broad daylight. That was years ago. Since then I have devoted my skills toward destroying organized crime. My skills are considerable.” “So long Ayres you were a good man. Thought you’d made it out. Years later the war reared up and stung you.” Synopsis: Frank Castle and The General’s right hand man, Curtis Hoyle is enroute to Bolivia inside of a lear jet. They were shadowed by a Peruvian fighter jet as they made their way to Bolivia, but Frank was told by Coyle that The General has an agreement with the Peruvian Air Force. They made their way to a secluded airstrip base in the middle of the jungle, with the jungle encroaching on all sides. As they descended, Frank noted a US Air Force Apache attack helicopter on the ramp. As they made their way to the main building in the secluded airstrip Frank engages Coyle in casual conversation. We learn that there are approximately 75 soldiers in this base and that the Apache attack helicopter was reported to the media as crash landed in the jungle, but was secretly sold to The General. Furthermore, we find out that Coyle thinks that Franks still wanted to kill him since their altercation in Vietnam. Frank lied that he turned over a new leaf and understands their way of thinking and needs to be concerned more towards making money. Frank kept surveilling the area noticing that the base is in the middle of the jungle and that these people didn’t think of defense and feel like they are secured from the outside populace. Coyle and Frank made their way and entered the main building. After further security checks to ensure that Frank is not armed, The General emerged in the building and Frank was surprised he recognized him. It was South Vietnamese Army of the Republic of Vietnam Buktir Van Transh of the late South Vietnamese Army. They engage in some chit chat and walked over to another room of the building, where a captured local DEA agent is tied up to the chair. To prove his loyalty and to be awarded control of the drug distribution in New York, Frank was handed a pistol to kill this DEA agent, senor Valencia. This wasn’t in Frank’s plan and this threw a wrench in his plan to take down The General and this drug base of operations. Frank noticed the weight of the handgun and inferred there was only one bullet as they didn’t trust him. He decided to shoot the guard with the AK-47 assault rifle and secured it at the same time slicing the ropes that bound the local DEA agent with a knife. The AK-47 jammed and Coyle pulled a pistol and shot at Frank. Then Frank did a forward roll and landed on his feet and knees and at the same time banged the AK-47 hard on the floor and unjammed it. And the Punisher in combat action commenced. As the combat commenced, Coyle left the room to get more help. Frank just kept wasting soldier after soldier inside the building, and then outside the building. He secured a jeep and DEA agent Valencia and him went off to the jungle. After hear the Apache attack helicopter leave, Frank left some armaments hidden just outside the compound, and the two double backed to the drug base to destroy it. Most of the soldiers are gone searching for them and there are only a handful of security in the base. Valencia approached one of the soldiers asking for a cigarette while holding a hidden butcher knife behind him. He quickly disposed of this soldier. They dragged the dead soldier inside the warehouse and Frank starts looking for the things they can use. He still had the diamond laced fingernails from the previous issue, and he quickly severed the straps on the boxes to open them up and reveal Kevlar body armor and multiple armaments. After gearing up for battle and painting his Kevlar body armor with his signature skull, they blew up the warehouse and decided Frank is going to the roof of the highest building in this base to get accurate shots at soldiers when they return, and DEA Valencia will go to the main building to get The General. The go their separate ways. It was easy pickings for Frank atop the roof of one of the warehouse, but then he miscalculated, and the Apache attack helicopter is suddenly back letting rip a death volley of repetitive rounds of ammunition towards his way. Frank dodged the barrage and returned fire. The helicopter pilot made the mistake of coming to close to the roof and pulled up to get altitude, but it wasn’t quick enough as Frank Castle grabbed the landing skid and made his way towards the cockpit window and blasted the pilot who instantly died. Hoyle was on the other cockpit seat. Frank dove in and lost the gun he was holding. Coyle and Castle was in a dance of death inside and Frank severed him with his diamond laced fingernails and threw a screaming Hoyle out of the helicopter to descend to his death. Frank flew the helicopter and headed to the main building. One more business to take care of. He let of a barrage of rounds and then turned to the Lear Jet and blew it up with missile from one of the Apache’s payload. Just then he heard a swooshing sound and jumped off the helicopter just as a surface to air missile found its target and obliterated the Apache attack helicopter. Tree branches and leaves broke the Punisher’s fall but he was still all bruised up. With a hurting body, Frank made his way to the hidden armaments in the jungle and walked back to the drug base compound. As he arrived The General was leading DEA agent Valencia outside the entrance door with a gun pointed at his head, and shot the DEA agent dead at point blank range. And the guards become sloppy thinking it is over. Frank waylays them with fire. And then proceeded to take out more of the bodyguards outside. He made his way to an open window and went it. He took down more men inside. A grenade was thrown at him, and he kicked it back to have it explode at another room. He went into the room and just shot at more goons. And it appeared all are dead. And he yells out for The General to come out of hiding. And The General appeared behind him. Frank was caught off guard, and The General gloated but he was careless and kept coming closer until the barrel of his gun touched Frank’s lower back. The General was about to pull the trigger when Frank spun back and grabbed the gun from the hands of The General who pleaded for his life. The sound of a gun going off, and it is all over. From the outskirts of the jungle Frank proceeded to detonate and blow up the rest of the base. The next scene has Frank back at the Vietnam Memorial and passes by Curtis Hoyle’s name citing that sometimes The Wall makes mistakes. Sometimes he makes the correction. He ripped up the picture that Ayres gave him, his sign of saying goodbye, and he walked away heading towards the Washington Memorial. Comments: The most interesting part about this is the last page. It has the creative team’s information and picture similar to hardcover fiction novels. We never ever saw the pictures of the creative team or any of the Marvel staff within the confines of the comic books with the exception of Mr. Excelsior himself, Stan Lee. Seeing Mike Baron And Klaus Janson’s pictures with a mini bio on each one felt like this is some sort of superstar writer and illustrator combination working on The Punisher. And if we look them up, indeed at the time, both are Eisner Award winning creators. So, this isn’t just some “ham-and-egger” combination put together by Marvel to phone in the effort. At the same time, Mike Baron was a former journalist and perhaps that’s why his narration in Frank Castle’s head feels like the reader is just right there next to Frank step by step as we read from page to page. The mid 80’s to late 80’s was known for the action adventure blockbuster movies. And we get a glimpse of that particular genre here on the action sequences in Bolivia. There were around 75 enemy paramilitary soldiers under the druglord known as The General. And Frank’s actions in the jungle, the helicopter, and back in the base prior to destroying it and killing The General reminded me of those 80’s soldier of fortune style action flicks (i.e. Sylvester Stallon in Rambo, Chuck Norris in Missing in Action, Arnold Schwarzennerger in Commando, etc.), which was revived in the 2010’s film franchise, The Expendables. As former WWE commentator, Jim Ross would say, “We have ourselves a slobberknocker.” Indeed. I love Mike Baron’s approach to Frank Castle here. We still see the human side of Frank creeping out, when he was presented an x-factor he wasn’t provided for, in the presence of a captured local DEA agent and he had to prove his loyalty is not a façade to the general by killing this man. Frank shot one of the guards with an AK-47 and commandeering that weapon only to have it jam. The helicopter sequence with Frank killing the pilot and fighting Curtis Hoyle inside and finally jettisoning Coyle’s body outside the helicopter, and Coyle screaming down to his death was fantastic. You just get pumped up with this sort of action, as it is hitting on all cylinders. At the time back in 1987, there was nothing like it in comic books. The realistic feel in the pages was a welcome addition to add to something that was somewhat getting stale in the repetitive environment of the comic book superhero universe. Klaus Janson’s illustrations was somewhat minimalist but it was adequate. You still had the comics code authority (CCA) so illustrators cannot go over the top blood sputtering violent on the pages. But he added his nuances that rather portrayed the violence in the pages that came across better than showing gore. That’s a great storytelling technique by an illustrator. For example, when Frank and the DEA agent doubled back to the drug lord’s base on page 8, the preceding panel had the DEA agent approaching one of the drug soldiers and asking for a cigarette in Spanish, but he was holding a butcher knife behind his waistline. The next panel we just have a hand dropping the pack of cigarettes with splotches of blood splattered in the outside of the cigarette box. The violence was done off panel but you can feel that act of violence just in that minimal drawing of a hand and a cigarette box falling off the hand and blood splotches all over the box. It moved the story forward. The beginning of the story where Coyle and Frank Castle’s plane descended to land in a secluded air base in the jungle was well done. You can feel that Frank is enclosed and that the only escape if things go bad is to the jungle. The tone of the illustrations is somewhat a little dark but still enough to keep it available for kids to not be turned away by the violence. We can thank Mike Baron for handling the storytelling on this one.
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Post by String on Feb 22, 2016 18:16:19 GMT -5
Great idea for a series and character to review! Yes, the release of this title was HUGE back then. I think I still have the Marvel Age issue with the previews, news, and interviews about this new launch.
Grant and Zeck's previous Punisher mini was supposed to be only 4 issues, but I think because of delays with Zeck, a fifth issue was added. Either way, it was a huge success, very popular. In fact, with Marvel experimenting with the new mini-series format back then, I would say the Punisher mini and the Wolverine mini by Claremont & Miller are the two most important ones they ever published.
Sadly, I can't remember what happened to my copies of these issues. Maybe I traded them with one of the neighbor kids, I don't know. What I do know, that cover to #1 is classic. Janson was a perfect selection for this type of book, continuing to craft the tone and style of noir that he developed so successfully with Miller on DD.
Unfortunately, I don't think this first volume has been collected all that much. I think it's only been collected in Essential editions so far. Punisher War Journal though has been collected more recently. I still have some of those early issues though, re-read them again awhile back for the first time in years. By Carl Potts, if memory serves, terrific writer and creator, those issues were very good so can't wait till you get to them in your reviews.
BTW, did you collect any of the Punisher Armory miniseries by the esteemed Elliot R. Brown? Fascinating look at his tactics and weapons with very detailed art, loved it too.
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Post by sabongero on Feb 23, 2016 14:20:01 GMT -5
Great idea for a series and character to review! Yes, the release of this title was HUGE back then. I think I still have the Marvel Age issue with the previews, news, and interviews about this new launch. Grant and Zeck's previous Punisher mini was supposed to be only 4 issues, but I think because of delays with Zeck, a fifth issue was added. Either way, it was a huge success, very popular. In fact, with Marvel experimenting with the new mini-series format back then, I would say the Punisher mini and the Wolverine mini by Claremont & Miller are the two most important ones they ever published. Sadly, I can't remember what happened to my copies of these issues. Maybe I traded them with one of the neighbor kids, I don't know. What I do know, that cover to #1 is classic. Janson was a perfect selection for this type of book, continuing to craft the tone and style of noir that he developed so successfully with Miller on DD. Unfortunately, I don't think this first volume has been collected all that much. I think it's only been collected in Essential editions so far. Punisher War Journal though has been collected more recently. I still have some of those early issues though, re-read them again awhile back for the first time in years. By Carl Potts, if memory serves, terrific writer and creator, those issues were very good so can't wait till you get to them in your reviews. BTW, did you collect any of the Punisher Armory miniseries by the esteemed Elliot R. Brown? Fascinating look at his tactics and weapons with very detailed art, loved it too. Thanks. I looked around to see what I can cover in terms of reviewing that hasn't been done yet. There was a thread I read last year that was an interesting read regarding The Punisher by Garth Ennis. As popular as that series is amongst modern readers, I am not familiar with that series. And it made me curious to look up my old hidden boxes of comic books from the 80's and re-read them and see what happens. Perhaps I can enjoy reading them again for the "first time" or perhaps have a change in attitude and not not really like them after reading them the second time around. I believe I may have that Armory series as I kept on buying The Punisher from the old 80's and early 90's. Hopefully I'll be able to find it in one of my old boxes. You hit the point with Carl Potts' War Journal series spin-off. I didn't even realize until I started doing these reviews that those early issues were illustrated by Jim Lee. He must have still been working on his "Image" style.
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Post by sabongero on Feb 23, 2016 17:37:41 GMT -5
Punisher #3“The Devil Came from Kansas!” 75 Cents @ October 1987 (Cover Page and 22 net pages) Script: Mike Baron Art & Color: Klaus Janson Letters: Ken Bruzenak Editor: Carl Potts Editor In Chief: James Shooter Notable Quote(s): “Punisher’s War Journal July 1987. After Bolivia, I needed a break from the war. I put $ 100,00 in my van and headed west. The money was donate by various deceased individuals.” “Kansas is as flat and hot as a cookie sheet. Sherrill, Kansas. Another nice little town of the beaten track.” “Now he’s a real colonel. A Southern-Fried Colonel. They say those Fryers cook up best. I like mine extra crispy.” Synopsis: The story started with Frank Castle in a real estate office in Missouri and in the process of going through pictures of houses for sale for a home he wanted to buy in the local Midwest area he is in right now. Looking through the glass wall he noticed the bank across the street something out of the ordinary caught his attention. There were three individuals not dressed for the weather with a car standing by in front of the bank. His instincts tells him something is wrong and he excused himself from the real estate agent and dashed for the door to go outside. He quickly changed in his van and emerged in his Punisher costume with armaments in hand. He orders a mother pushing a baby in a stroller to get back inside the store. Then he waited. Seconds passed by. There’s still no cops in sight. Suddenly the criminals come out of the bank firing their weapons towards the bank and headed to the car to escape. Just then, a police car cut them off in front and the police officer with weapons drawn orders them to give up. They shot the police and mortally wounded him. The Punisher goes into action weapons ablaze towards the criminals in the car. The criminals fired back and the Punisher took cover behind his van. The real estate agent unaware of the firefight went outside to ask Frank Castle about the real estate purchase. And he dove at the real estate to bring him down to the ground to avoid getting hit with the bullets. The criminals saw an opening and took off with the car on high speed. The Punisher told the shocked real estate agent that he is pursuing the criminals and for the real estate agent to notify the police that the blue van pursuing the criminals is on their side. The Punisher is in hot pursuit of the criminals, and we find out that his van is modified with twin turbo chargers. There’s no way the criminals can outrun him. Listening on his police bandwidth radio, the Punisher hears the police dispatcher describing the car that took off and followed by a van which might have an accomplice. So much for the real estate agent telling the cops the van is on the cops’ side. A police car is tailing the Punisher’s blue van and the Punisher advised them on the radio communication that he is an FBI agent pursuing the criminals. And a fast-moving truck paralleled alongside the police squad car and someone from the passenger side threw a grenade to the driver side of the police car. And Frank witnessed the explosion behind him. The Punisher slowed his vehicle so that the truck can catch up to him alongside so he can get a better view of them. As soon as the truck was parallel to the Punisher’s van they let loose all their firepower at him. Surprise. It’s bulletproof. Then the Punisher decided to test which vehicle was tougher and he steered left and crashed his driver side to the truck’s passenger side, and the truck veered off the road and crashed. As the Punisher drove off to continue pursuit of the carload of bank robbers he heard over the radio that the car radioed to someone name The Colonel that they are still being pursued by the blue van, and they were instructed to go by the usual procedure. And Frank heard an explosion on the far horizon. And he caught up to a burning car wreckage. He stepped out of the van to contemplate what to do next, and he was almost hit with a sniper bullet. He fakes out the sniper by throwing a rock at another point to see the gun flash, and then made his way there and used a blowgun to knock the sniper off his perch atop a tree. He interrogated the man at gunpoint and cracked snapped his leg to find out who is The Colonel. The man confessed they are The Army of the New American Revolution, a white supremacist group in Middle America. The man further confessed that the Punisher can find The Colonel at Sherril, Kansas. Just then a plane flies overhead. The criminals were well prepared and had everything planned out well. And the Punisher left the injured criminal in the forest as he left to make plans to go to Kansas. Doubling back to his van, the Punisher rolls out a motorcycle out of the back of his van, and abandoned his van as he drove away in his motorcycle. He reminded himself to call Microchip to get him a replacement van. We see Frank make his way to Kansas and it took him more than a day as he was shown camping out at night, where a noise in the forest prompted him to pull a gun and yell out freeze to a raccoon who didn’t pay him any attention. It’s a good thing it wasn’t Rocket Raccoon. At daybreak he arrived at Sherrill, Kansas. He checked into a motel with a bag and got cleaned up. Then he went to a real estate office and looked for a real estate agent named John Fryer. Frank Castle was interested in purchasing commercial property, a warehouse down the beaten path. John Fryer had a few parcels of land that he told Frank that he might be interested in. The two drove off to see the land in John Fryer’s car. Inside the car, Frank Castle took out a lighter lit John Fryer’s cigar. And they drive past the border of Sherrill, Kansas and while driving you can tell from their conversation that John Fryer hated Jews, blacks, and Puerto Ricans, among the other other non-white races. But he particularly hated the Jews, citing that the United States was founded by White Christians. And they finally reached the parcels of land which was cordoned off from the public. They walked through the land which was under construction with construction vehicles all over the place. John Fyer sensing that the Punisher might be a kindred spirit as a fellow racist unwittingly revealed to Frank Castle that he was involved in the shadowy patriotic organization call the New American Revolution. And at that instant Frank Castle pulled a gun on him telling him that he must be behind the bank robbery in Missouri yesterday. John Fryer told Frank that he made a big mistake, and two armed men appeared behind Frank Castle. Frank raised his hand in a motion to surrender. He was told to throw down his weapon. He threw it at a gathering of rocks. And one of the men went to get the weapon and was met with deadly rattlesnakes, who were hidden underneath the rocks, and biting his hands. He screamed in agony, and Frank simultaneously punched the other man. The Colonel John Fryer ran like an aging athlete. Two of the goons were down, and Frank ripped his shirt to reveal the Punisher costume. He picked up one of the automatic weapons, and we know business is about to pick up. He and The Colonel engaged in a blazing firefight. At one point the Punisher was injured when The Colonel lobbed a grenade at him and it exploded nearby with shrapnel hitting his arm. The Punisher ran out of ammunition. At some point they exchange words with Frank telling The Colonel that how The Colonel felt towards Jews and other minorities was in the same vein on how the Punisher felt about criminals. The Colonel lobbed another grenade at the Punisher, which he avoided. The Punisher then ran back towards one of the construction vehicles and went underneath and took his butcher knife and hacked through the underbelly of the caterpillar construction vehicle, this diesel fuel started guzzling out. He then ripped a headlight shell and took off the glass and used the cuplike headlight shell to fill up with diesel fuel. The Colonel was quickly approaching telling him there’s no escape. The Punisher tried to move as fast as he can with the caterpillar construction vehicle between them shielding him from The Colonel’s shots and at the same time dripping a line of gasoline from the construction vehicle all the way to him. The Colonel made it to the caterpillar construction vehicle which was by now surrounded by a flooding of diesel gas guzzling all over the place. He told the Punisher to hold, and is about to shoot him. The Punisher turned around and pulled the lighter he had earlier and dropped it on the ground, and the fire sped up all the way to The Colonel in now time. The Colonel was engulfed by the fiery explosion of the construction vehicle. And the story ended with Frank saying, “Now he’s a real colonel. A Southern-Fried Colonel. They say those Fryers cook up best. I like mine extra crispy.” Comments: Action adventure shows were prevalent and popular amongst young men in the mid 80’s TV. Shows like Knight Rider, Airwolf, A Team, Miami Vice, and similar shows. This issue of the Punisher somewhat reminded me of an episode from one of those shows. The only difference is that there is actual death(s) in this comic book series. In this case, it’s like a new episode is needed every week, and you get those adventure towns where in the protagonist goes into Small Town USA and will serve justice and kick the antagonist(s) behind. Thus justice is served… which was a catchphrase of a deadly vigilante in the Marvel Universe in the mid to late 80’s named Scourge. That just happened to pop up in my head. This is the first time Frank Castle mentioned the name of Microchip regarding obtaining a replacement van for him. Microchip will be a main supporting character in this series and in the Punisher Marvel 616 Universe. I am looking forward to seeing Microchip in the futures issues of this series. The Punisher can only go so far without some sort of supporting characters. Otherwise his killing spree and action oriented stories get a bit redundant without some human interaction with “friends.” As with the previous books, Mike Baron sneaks in some social commentary. This time around it is about the ills of racism in American society. He used The Colonel as the mouthpiece of racist America. And we get a glimpse in their mind of their warped beliefs of what the United States society should be comprised of. Finally, I have to say when I saw that raccoon that surprised Frank when he was camping at night, the first thing that popped in my mind was Rocket Raccoon. That shows you how much the Guardians of the Galaxy’s character Rocket Raccoon has somehow permeated my mind lately.
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Post by Warmonger on Feb 24, 2016 9:09:14 GMT -5
Now this is my kind of review thread!
Both the first Punisher ongoing and War Journal were excellent (at least through the early 90's). It was War Zone that was the red-headed stepchild of the group which was horrible after the initial 6-7 issue story arc from Chuck Dixon and Romita Jr.
Although issues 23-30 (I believe) are worth it just for Big John's work on Frank alone.
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Post by sabongero on Feb 24, 2016 14:44:31 GMT -5
Now this is my kind of review thread! Both the first Punisher ongoing and War Journal were excellent (at least through the early 90's). It was War Zone that was the red-headed stepchild of the group which was horrible after the initial 6-7 issue story arc from Chuck Dixon and Romita Jr. Although issues 23-30 (I believe) are worth it just for Big John's work on Frank alone. That's a cool semi-animated Punisher avatar you have there Warmonger. I have some Punisher War Zone issues, but I think that comic book series was just a showcase to present John Romita Jr.'s art. I'm not really a big JRJr fan in terms of his work, but if the stories are a great read, I don't mind who illustrated the book. But if it is a standard Punisher seek and destroy mission, then I'd want some other realistic artist(s) doing the pencil work. I am still waiting for a David Aja (similar to his work on his Immortal Iron Fist style) illustrated Punisher book, or even an Alex Maleev (similar to his work on his Daredevil style) illustrated Punisher book. Even if it is just one issue. Those guys styles suit The Punisher.
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Post by sabongero on Feb 25, 2016 20:26:07 GMT -5
Punisher #4“The Rev” 75 Cents @ November 1987 (Cover Page and 22 net pages) Script: Mike Baron Art & Color: Klaus Janson Letters: Ken Bruzenak Editor: Carl Potts Editor In Chief: Tom DeFalco Notable Quote(s): “Turns out he knows plenty. The Reverend recruits among inner-city black and mixing the races is his great achievement. But Ray White claims The Rev exploits the hell out of those people. His latest deal is getting clear of the “fascist, racist United States’ altogether. Ray White says The Rev has been looking at land in Dutch Guiana which has a nice lefty government.” “Oh yeah. The Rev’s a heavyweight – sending off vibes like crazy. Crazy vibes like a psycho, con and holy man all mixed into one.” Synopsis: The story starts in New Jersey where Frank Castle is at Microchip’s home to purchase weapons and a new van. Microchip’s son is with him and advised Frank that it was his son’s computer hacking that provided Frank FBI information for the last couple of years. Later that night Frank met with his weapons ordnance supplier. Inside the supplier’s car they chat a bit and Frank was given an intel about a “church” who is purchasing massive amounts of weapons and armaments. He lit up a cigarette, which Frank warned might be seen in the darkness. And they were met with a hail of bullets. Frank’s quick thinking saved his life by ducking under the dashboard. After several minutes, the shooter let his guard down. And Frank felt something move the car by the hood, and he got up shooting and instantly killing the shooter. He quickly flipped outside the car to make sure there are no others. A quick inspection of the dead man’s pockets yielded a single page flyer about the “Church of The Saved.” Frank went back to Microchip’s home and his son hacked into the FBI system and the NY Times and obtained information on this “church.” It was bad news, and they told Frank about a cop whose wife left him and took their money to join this “church.” Frank drops by a diner and approached the cop he was told about, Ray White. He told him about his situation with the “church” and convinced Ray to hear him out. Ray White knew more about the “church” and told Frank a lot of information. Frank told him his origin, about his family, and that he goes after criminals now. Something smells fishy about The Rev (Reverend) of this “church” and ask Ray White if he would help him out. After a moment of silence passed by, Ray agreed to help him. Looks like a plan is brewing. Four days passed and Frank looked haggard and went inside the “Church of The Saved.” Masquerading as a homeless veteran Frank sat in the church pew and asked for soup. He was approached by one of the “church” members. And suddenly a shotgun toting Ray White appeared at the “church” entrance doorway demanding The Reverend show up and face him. He ordered the people who don’t work for the “church” to leave. Frank marched up to him with arms up saying he just came in there to get soup. And he decked Ray White and tossed him outside the “church” doors. Gaining the trust of the “church” worker he was offered food and at the same time offered to introduce Frank to The Rev. Frank went back to Micro’s place to have Micro’s son hack into the Veterans Administration computer system and create a false identity for him. Leaving the Kevlar armor, Frank just carried the 9mm, and went back to the “church” to meet The Rev. Upon entering the “church” he was lead to see The Rev. Frank immediately sized up The Rev’s aura as that of a psychotic con man and holy man mixed into one. The Rev was very convincing like a smooth talker. He tells Frank about their purpose and that the “church” is about to be attacked by a documentarian and it can slow down their progress of growth. He confides in Frank to get the video tape from this documentarian. Frank is puzzled by The Rev’s convincing touch. That night a baseball bat armed Frank Castle is in a car headed to New Jersey accompanied by the right hand man of The Rev and a huge goon for muscle. They reach the place and enter the apartment building and upon reaching the correct floor and room number break in to the place. As they were inside, the man they were supposed to get the video tape from emerged with an automatic weapon and rained a fail of bullets on Frank and the two “church” members. It was a crazed man who kept shooting shouting that Frank and the “church” men accompanying him were the devil and sent by Lucifer. Frank ducked at the couch and pulled his 9mm and shot the man in the chest and the man laid down on the floor as if he were dead. Frank hid the video tape he found inside the couch at this time. After turning his back at the “dead” man, Frank was shot from behind by the man he just shot moments ago. And the guy fell down on the floor again and died. Frank meanwhile was carried by the big goon and they rushed Frank back to the “church” where he was attended by The Rev. The Rev reassured him he won’t die and will be saved. Frank passed out on the table. Frank woke up in a hospital bed with his abdominal and back area bandaged where he was shot. A woman was sitting at his bedside. Vickie White, the cop’s wife. She showed him the bullet Frank was In came The Rev checking how Frank was doing. He handed Frank back his pistol. They talked with Frank telling The Rev what he wanted to hear, and The Rev telling Frank about his vision for society. Later that night Frank got removed the bandages and got dressed. He met Vickie White and asked her why she joined the “church” and elicited a reply that The Rev is her life. She asked him why he joined and he said he doesn’t know and that he’s leaving. The big goon that saved Frank offered to drive him and Frank and placed his hand on Frank’s shoulder. Frank took his hand and performed a reverse arm bar and slammed the big goon against the wall. He told the goon he doesn’t need a babysitter keeping an eye on him, and walked out. He made his way back to New Jersey by taking the train and waling until he reached the apartment of the dead man again. He found the video tape he hid earlier and watched it. The video tape showed The Rev killing one of his “flock” who went to the police. He shot him point blank. And a soldier behind The Rev told him they have the plutonium, and The Rev told the other goons to dispose of this body. And the story should be continued in the next issue. Comments: Back then the cover page of a comic book gives you a little preview of what to look forward inside. And the Punisher being shot from behind and was serious enough a blow that he lost the grip on his gun and had a really pained look on his face. It looked like a genuine “Pearl Harbor job from the blind side” from the immortal words of the late Gorilla Monsoon. I just had to open the book and read how the Punisher got careless that a “nickel and dime ham and egger” was able to shoot him from behind with a clean shot from a sitting position on the floor. You’re getting careless Frank! This is the first real introduction to the character of Lowell Bartholomew Ori, better known as Microchip, who will become a regular supporting character and ally of Frank Castle in the next several years of the Punisher’s time in the Marvel 616 Universe. He was a former weapons and systems designer for a big corporation who freelances with one customer. Frank Castle, The Punisher. Besides, Microchip there are a couple of individuals in this issue that Frank deals with, and it helps explains his logistics. We get a glimpse of the Punisher’s procurement procedures and intelligence gathering methods as well. I like that Mike Baron includes these details in this series as we get a more detailed life of the Punisher and we find out about his means of acquiring weapons and intelligence. This way he doesn’t just suddenly have an armory of weapons and it was never explained, or he just happened to coincidentally show up where the bad guys are doing evil deeds. Great plotting by the writer on this one for the setup to the actual story. The minimalist art and inks by Klaus Janson really suits this series. When we’re first introduced to The Rev it’s like meeting an angelic devil against the backdrop of the sunlight that is blinding to us. The portrayal of the brightness above the panel contrasting with the black silhouette in the bottom half of the panels presented a yin and yang mood upon meeting the villain of this issue. The visual pacing is not confusing. The quiet moments are done well with the pre-action sequence set up building up before the crescendo to give a satisfying visual reading experience. Now modern readers might complain it doesn’t come across nearly as great as the illustrations in today’s comic books. Let me point out that back then this wasn’t printed in thick glossy paper, and that it was in the newspaper type printing method. At the same time modern digital coloring makes the pages nowadays “explode” out of the page and grabs the reader. Back then they were limited only to using a couple of colors for printing and coloring. This is shaping up to be a really good story. It’s a nice plot and the subplots (the cop’s wife who left him) are interesting. I’m looking forward to reading the next issue.
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Post by Warmonger on Feb 26, 2016 12:35:24 GMT -5
Now this is my kind of review thread! Both the first Punisher ongoing and War Journal were excellent (at least through the early 90's). It was War Zone that was the red-headed stepchild of the group which was horrible after the initial 6-7 issue story arc from Chuck Dixon and Romita Jr. Although issues 23-30 (I believe) are worth it just for Big John's work on Frank alone. That's a cool semi-animated Punisher avatar you have there Warmonger. I have some Punisher War Zone issues, but I think that comic book series was just a showcase to present John Romita Jr.'s art. I'm not really a big JRJr fan in terms of his work, but if the stories are a great read, I don't mind who illustrated the book. But if it is a standard Punisher seek and destroy mission, then I'd want some other realistic artist(s) doing the pencil work. I am still waiting for a David Aja (similar to his work on his Immortal Iron Fist style) illustrated Punisher book, or even an Alex Maleev (similar to his work on his Daredevil style) illustrated Punisher book. Even if it is just one issue. Those guys styles suit The Punisher. Aja would be an AWESOME Punisher artist I think it was in crazyoldhermit's Punisher MAX review thread where someone said they would love to see Ennis write a Punisher series set in the mid-late 70's when Frank first started waging his one man war on crime. Would love to see that and Aja would be an excellent choice to partner with him.
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Post by sabongero on Feb 29, 2016 21:47:53 GMT -5
I definitely think that if you had the pencils, inks, and colors of the initial Immortal Iron Fist team doing Punisher, and the writer just writing Frank Castle in terms of just plain old crime fiction stories like the way it is in this regular series, it would be a great read, with a great atmosphere and mood.
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Post by sabongero on Mar 1, 2016 22:02:25 GMT -5
Punisher #5“Ministry of Death” 75 Cents @ January 1988 (Cover Page and 22 net pages) Script: Mike Baron Art & Color: Klaus Janson Letters: Ken Bruzenak Editor: Carl Potts Editor In Chief: Tom DeFalco Notable Quote(s): “I wonder if Microchip has my van ready.” Synopsis: The story is joined in the Caribbean Sea as the Punisher, The Reverend, and his flock is at sea enroute to the jungles of Guiana. On the deck, The Rev is giving a sermon to his flock. Frank decided to take this time to do a little reconnaissance within the ship as he slipped from the massive flock. He inspects the trucks in the belly of the ship, and was found out by one of the men and was asked what he was doing. Frank reassured him that he was just checking to make sure the vehicles are tied down and secure. He asked Frank if he was ready to fight for The Reverend. Frank was summoned to The Reverend who instructed him to start training the flock for the weapons. They had all sorts and volumes (M-16’, M-126, Berettas, etc.) as if they were preparing for a little war. As he was talking to the flock about the weapons, Frank’s thoughts drifted back to The Reverend. The ship arrived in Guiana and all the trucks disembarked and a big convoy of trucks made their way through the jungle to a big compound that was more like a base of operations in the middle of the jungle. Inside The Rev’s room, Frank was unloading a bazooka of some sort and The Rev told him of a Congressman going to their place and threatening military action. He plans to counteract and assassinate the Congressman. The Rev shows signs of paranoia that they were out to get him and tried before, that’s why he came to Guiana. And he dismissed Frank citing that Vickie White, the policeman Ray White’s wife, will show him to his quarters. He showed him to his quarters and then she started undressing telling Frank that The Reverend wanted him to enjoy himself. Frank asked her about her husband which she said ended a long time ago and she threw herself at him. Frank slept with her, justifying to himself that what does he care, the husband only asked him to save her, and he couldn’t make The Rev’s people suspicious about him. Frank was woken up the following day by one of The Rev’s enforcer goons, Keena. The two had a good conversation outside. Their conversation was interrupted as a radio call came in stating that The Rev’s sister, Sadie is arriving. Later on in the compound as a celebration is going on, and as Frank was introduced to Sadie, she led him to an empty room to have sex with him. Frank was taken aback at this. She said that as per The Rev, monogamous relationships are forbidden in their society. They went back to the party, and she asked to see her brother, The Rev along with Frank in private. She notified them that the Congressman’s flight is arriving tomorrow, or the next day. And this caught The Rev by surprise. Frank asked The Rev if his sister can tell the future. The Rev just said they were both gifted and did not say anything else. One thing is for sure is that The Rev did not believe in God. In the outside meeting hall The Rev was giving a sermon. A man attempted to stab The Rev with a knife. Frank sprang into action and disarmed the would be assassin. The man said that The Rev took everything from him including his family. And The Rev used the situation. He announced to his flock that he forgave this man for this attempt on his life. It turns out he was a CIA plant. Frank walked him out and told him to go run. And as the man ran to make his escape, a gunshot erupted and the man fell to the ground dead. Frank drew his pistol and turned around to see the man responsible for the kill. And the two just pointed their gun at each other. He asked why Frank let him go, and Frank said that the guy was no threat. Inside The Rev’s house a little later, Frank was with him and Sadie. There were multiple pots on the table. Potassium cyanide. The Rev said they must be prepared to die, at which Frank asked is he sure it’s not suicide as there are a thousand people in the compound. He said that it is revolutionary suicide so that the world would take notice and told Frank to get some sleep. Frank expected Vickie White to come to his quarters again that night. She spent the night and then left. Frank went outside to see the commotion. One of the flock, brother Byron told Frank the Congressman is on his way and that there are more CIA infiltrators. He told Frank he should be inside the house with The Rev and to protect him as they are at war. And at that Frank shot him thanking him for the reminder that he is at war. As the shootout happened outside, the Punisher went back inside to take care of The Rev. The Rev told him to shoot, he still loved him as a brother. Sadie threw a glassful of potassium cyanide at Frank’s face, and he quickly went to the sink and rinsed his face. The Rev went to the radio calling for help that he has been betrayed by Frank. A handful of men were on their way, and Frank just regained his sight and gunned them all down. Frank went to The Rev who was at the radio and threatened him at gunpoint to put the radio down. Sadie whacked him in the head with a utensil. Then all three grappled for Frank’s gun. It went off and the gunshot hit The Rev and mortally wounded him. The wide-eyed Rev was falling to the ground telling Frank that he trusted him. Sadie was screaming from behind and Frank turned around and punched her in the face. Frank took the radio console and made an announcement to the compound telling the flock that he was speaking on behalf of the Rev that he has died and that his last instructions was for everyone to go in peace and that there shall be no more death for this day. As Frank left, the room, The dying Reverend begged him to help him an d that he saved his life (in the previous issue of Punisher). And Frank told him that is why he didn’t shoot him dead. The Punisher met with the Congressman explaining what happened. The story ended when Frank took Vickie White and her child backto a happy and jubilant policeman, Ray White who was happy to have his family back. Comments: It’s a good ending to the story started from the previous issue. The only gripe I have is the illustrations in this issue. It looked as if Klaus Janson rushed the art chores on this one. The illustrations look ugly in many places. There’s a panel in which Frank was closing the door at the end and it looked as if his right arm were not part of the torso and Frank had an awkward looking pose as if it was incomplete pencils and he inked large areas of Frank’s body just so he can save time in filling in the details. His arms were going one way, his body is on another, and his face is looking at yet another direction. That is almost an impossibility. The last several pages were mostly just rushed silhouettes with splotches of color in the background. It didn’t really match the mood. There were a lot of panels where it was only the two characters talking and no other details just a yellow background or some other color. It is a bland look. I know the story is well told in this issue but the art makes it very painful to look at. I couldn’t wait to finish reading the issue.
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Post by sabongero on Mar 8, 2016 20:00:30 GMT -5
Punisher #6“Garbage” 75 Cents @ February 1988 (Cover Page and 22 net pages) Writer: Mike Baron Penciler: David Ross Inker: Kevin Nowlan Letterer: Ken Bruzenak Colorist: John Wellington Editor: Carl Potts Editor In Chief: Tom DeFalco Notable Quote(s): “Listen to me very carefully. I’m slipping my knife right up next to the carotid artery. Feel it? I’m going to ask you some questions. If you try to yell, or I think you’re lying, I’ll cut you open and find somebody else. Blink if you understand.” Synopsis: The Punisher’s weekend morning was ruined by the Rosetti Brothers’ garbage truck making noises outside his warehouse in New Jersey. Frank changed to his Punisher gear and armed himself to take a look outside. Bodies of dead people are in the garbage truck and lots of blood including the driver’s area of the garbage truck. Frank headed over to Microchip’s warehouse and had Micro’s son hack into the New Jersey Justice Department’s computer system to find out who is muscling in on the Rosetti Brothers action. What turned up was that Unisym Systems has been under investigation for months regarding hazardous waste disposal. They’ve been trying to control waste management throughout the state. Micro’s son told Frank the Unisym CEO is Harold Margary, and he’s tied to Gallagher Plaze in midtown Manhattan, and also under a justice department probe but no convictions, and that they have a collection station in North Patterson, New Jersey. Frank headed to the collection station to do some reconnaissance. Only two dogs inside the fenced grounds. He placed a blanket over the barbed wire and went over the fence then shot blow darts at the dogs to put them to sleep. Inside one of the warehouse, the Punisher overhears a driver complaining to his armed supervisor that he is feeling messed up from all his hazardous runs, perhaps some chemicals they’re handling is getting to his skin. The supervisor told him to do a run and that not to complain given that he is well paid for his job. The supervisor offered to go with him on the ride. Outside, the Punisher with knife in hand discovered they are keeping a landfill of hazardous waste that is so vile that they cannot store it in that facility. And the supervisor walked out to discover the Punisher and pulled a gun behind him. The Punisher cursed himself for being careless thinking they didn’t see the dogs around so they double back around to see if there are any trespassers. The Punisher turned around and threw the knife the armed man and connected, but he was able to let off a shot. So much for stealth. Another man from afar let loose a barrage of machine gun fire towards the Punisher as he headed for cover from the hail of bullets. Climbing above to the rooftop to get a better shot, he took out the man with the machine gun. He waited to make sure no sirens go off or police coming in. He dragged the dead bodies inside the warehouse. He found six thousand dollars on one and opening the office vault netted him another couple of hundred thousand and a ledger with codes regarding pickups and drops. There is a Geiger counter on the table in the office. The Punisher turned it on and the it indicated the place is contaminated. The Punisher needs to find the landfill where this outfit has been dumping all these dangerous wastes. Back at Microchip’s place, Micro’s son gave Punisher an intel about the ledger and put together a map for Frank regarding pickups in industrial and medical areas and the landfill in South Jersey. The Punisher headed to South Jersey and parked the car in the woods a few miles from the landfill and proceeded on foot with a mini Geiger detector in hand. Upon arriving in the stinking landfill, he pole-vaulted over the fence and inside the fenced area he made his way towards the main building which had cars parked outside. The Geiger detector indicated the radioactivity is higher than normal. A landfill full of drums with chemical leakage. He found a flower that grew in the lot, and a skull. Indeed, a landfill is the most convenient place to bury bodies not wanted to be found. He noticed a group of men go inside the building, and the Punisher followed suit stealthily. Four men were talking about a deal, and the two apparent buyers conferred with each in Arabic. The Arabians handed the men that apparently ran the landfill a briefcase containing one million dollars in non-sequential hundred dollar bills. And they were surprised as the Punisher broke the door open and made his presence known with gun pointed at the men and instructing them not to move. One of the Arabian men threw an object at the Punisher while another of the men drew a gun. Punisher dove back outside onto the stairs and a firefight ensued. Punisher entered one of the rooms and he hit paydirt. Automatic weapons and explosives galore were contained all over the room. He threw a grenade back at the hallway and took one of the automatic weapons. He took a rocket launcher and went to the window and blew up their car. Automatic weapons fire zeroed in on him as the men made their way to his location. With weapons on both hands he fired sporadically and then jumped out the window and landed on top of the back area of one of the trucks on the ground. The Punisher made his escape and ran back heading outside the compound. Meanwhile the American gangsters and the Arabs are not getting along as not to know what to make of their situation. The Americans told the Arabs they cannot leave the compound until they get clearance from their higher ups. The Arabian men made it know they are not staying in the garbage surrounding them and will be leaving. A lone gunman is walking around the landfill looking for the Punisher. He threw a grenade at the man, who panicked and dropped his weapon when he saw the grenade land adjacent to him. He didn’t notice the pin was still intact on the grenade, and in his panic he ran right into the Punisher’s fist. Punisher pulled a knife and interrogated him. The man didn’t know who the Arabs were. The Arabs purchased plutonium to build a dirty bomb on U.S. soil the following week. The Mecozzi outfit’s big boss owned the whole landfill and is dying. The son is about to take over. Then something got the Punisher’s attention and he spun the man around and the criminal took the brunt of the shots fired at the Punisher’s way. The Punisher fired back with his automatic weapon. He moved back and threw the grenade at the same time. He then made his way back to the building. The plutonium’s gone. He killed another gunman and took a rocket launcher. As soon as he was far enough from the building he blew it up, not wanting to keep the armory intact. Behind him he can hear guns blazing and several jeeps headed his way, as the Rosetti crime family is on full force. Looks like he’ll have a lot of cleaning up to do in the next issue. Comments: Obviously the story takes place a good decade and a half before the tragedy of 9/11. But the story, as over the top as it is, does have a feeling of current relevance in today’s social political current events dealing with the dangers of terrorism. And there are scums on U.S. soil that doesn’t mind getting their hands dirty with those intent on doing evil against their own country as long as they can turn a profit, thus pervading the ideals of capitalism. David Ross assumed art chores on this issue. Visually, it’s a much better illustrated issue than last. Perhaps Klaus Janson’s messy illustrations was rushed. There’s more details in this art and cleaner lines as well. I hope they keep Ross on board for next issue and not revert to Klaus Janson if he will rush through the art chores again making it a bad visual experience.
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Post by sabongero on Mar 20, 2016 13:09:58 GMT -5
Punisher #7 “Wild Rose” 75 Cents @ March 1988 (Cover Page and 23 net pages) Writer: Mike Baron Penciler: David Ross Inker: John Beatty Letterer: Ken Bruzenak Colorist: John Wellington Editor: Carl Potts Punisher In Chief: Tom DeFalco Notable Quote(s): "Microchip moves on. He's the only one I trust with my address." Synopsis: The Punisher’s battle in the New Jersey landfill against the two mob crews continued as he followed the Arab terrorists. He diverted each crew so that they would battle each other, and then left to go back to his warehouse home base where he brainstorms with Microchip on who the mob connections were, who the Arabs were, and where did the plutonium come from, and what was the target. They came up with Philadelphia which is having a liberty celebration. Frank drove five miles away and called the authorities to report a terrorist incident. He drove back to his warehouse and found the light is on and an intruder inside. It was Rose Kugel, a Mossad agent, who wanted to talk to Frank Castle. She told him that the Mossad has been trying to locate one of the Arabs, Yassir, and that she placed a tracer on his van when he was shooting up the landfill. She brought a video to show Frank. It had a terrorist saying he will blow up a symbol of America’s colonial brutality, the Liberty Hall in Philadelphia, and then removed his mask. That meant this terrorist, Yassir, intends to die. Rose told him that she saw his family’s picture taped to his computer room wall and she also lost family when she was young, and decided to keep his secret and not reveal it to anyone. In Philadelphia, there was no attack on the Liberty Hall. They headed back to North Paterson, to the warehouse of one of the mobs, the Mecozzis. Shooting the dogs with tranquilizers to knock them to sleep, they moved in. Inside the office Rose and the Punisher told the two men to toss their weapons on the floor, which they obliged. The Punisher asked one of the men where Yassir was going to attack, and punched the other guy as he went for a weapon. The remaining mobster talked and said that the big Arab goon with Yassir was his driver and enforcer. Rose saw a picture of a building taped on the wall and inquired. It was the Gallagher Plaza, of which 30 percent of the real estate was owned by the mob. Frank had a brainstorm that there was a boom crane on the building. There was a theater which had a large gathering in NYC. He inferred the Arab terrorists was going to explode the dirty bomb there and make Times Square uninhabitable. The Punisher and Rose raced back to NYC against the traffic to prevent the Arabs from doing their dastardly deed. Upon reaching Gallagher Plaza they saw the other Arab goon, Ahmed on the crane. Apparently he will use the raw plutonium and drop it on the crowded building. The Punisher and Rose made their way to the building shooting up the bodyguards, and then proceeded to go up the building. He found Yassir, and turned to look where Rose was, and in that split second, Yassir pulled a gun and shot the Punisher in the shoulder. Yassir dropped the container and staggered back and fell from the building down to the ground. He then went to the crane above to go after Ahmed, and found he had Rose at knife point. He had the Punisher go to the end of the crane to do his deed for him. The Punisher obliged as long as Rose was held hostage, but he had a plan as he had his knife with him. Ahmed knew something was wrong and followed the Punisher to the end of the crane to shoot him dead. Unfortunately, he assumed Rose was helpless, but she had pulled a gun from behind him and shot him a couple of times. But he was as strong as an ox and grabbed her and threw her over to her death on the ground. A grief-stricken Punisher tackled Ahmed who fell over to his death to the ground as well. The Punisher was saddened by Rose’s death, and found out later that Rose had invaded the national crime council to plant her credentials. Mossad had never heard of her and she didn’t have any record as being an Israeli citizen. Comments: This was another good Punisher issue. The plot was one out of a movie. A dirty bomb was about to be exploded by Arab terrorists in the middle of NYC’s Times Square to make it uninhabitable. Obviously, we knew the Punisher would prevent this, but how would he do it. It’s too bad this Rose “Mossad” character died suddenly. She could have been a good recurring character for the Punisher. Perhaps even a rare love interest in the future. But now that she’s dead, that can’t happen. Unlike the Marvel Knight and Marvel Max version, this Punisher is more human. He showed grief for a person he doesn’t know when Rose fell to her death. He is more rounded out as a person than in other versions. Also, he has complete trust in Microchip not to reveal his identity and warehouse headquarters. It’s a good slam bang action adventure with a somewhat relevant social commentary even relevant to today’s era which is 28 years later.
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Post by Arthur Gordon Scratch on Mar 20, 2016 19:31:56 GMT -5
Punisher #6“Garbage” 75 Cents @ February 1988 (Cover Page and 22 net pages) Writer: Mike Baron Penciler: David Ross Inker: Kevin Nowlan Letterer: Ken Bruzenak Colorist: John Wellington Comments: Obviously the story takes place a good decade and a half before the tragedy of 9/11. But the story, as over the top as it is, does have a feeling of current relevance in today’s social political current events dealing with the dangers of terrorism. And there are scums on U.S. soil that doesn’t mind getting their hands dirty with those intent on doing evil against their own country as long as they can turn a profit, thus pervading the ideals of capitalism. David Ross assumed art chores on this issue. Visually, it’s a much better illustrated issue than last. Perhaps Klaus Janson’s messy illustrations was rushed. There’s more details in this art and cleaner lines as well. I hope they keep Ross on board for next issue and not revert to Klaus Janson if he will rush through the art chores again making it a bad visual experience. Artwise, this is by far my favorite Punisher issue ever. Dave Ross is a fine artist, but it really is Kevn Nowlan who shines and makes the pages his own in this. Probably the closest in quality to his wonderfull Batman & The Outsiders annual!
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