I'd also like such things. Marvel haven't printed bi-monthly books for decades, though, so a slow artist on a book would require a lead time before publication, which X books aren't known for due to all the crossovers and moving parts. Otherwise you'd need to provide a slow artist help, perhaps where they just do layouts or breakdowns and someone else finishes the art. I don't like seeing stories disjointed with various artists, though I quite enjoyed it on Batman comics as a kid.

I strongly, strongly disagree with the notion that the panels highlighted here showed a lack of effort or any form of laziness. In the first pair, the main character has moved and has a new expression and her hair has moved and her shoulder is drawn differently, the monster has moved, the crowd of civilians is falling into the portals, and the blue man is jumping onto the window behind him. The building is even lit differently because of the portal. There's a tremendous attention to detail with the guy on the ground falling backwards with his legs in the air, other characters raising their hands and opening their mouths in shock, and even someone's hair flying up as he falls. In the second pair, both characters have moved and even the shadows are different. Every panel shows character movement and new details except for that 1 thing with 4 specific background characters who don't move. The fact that a static building is a static building and not moving like a living person doesn't change that at all. This is not like those panels of characters making a face before delivering a 1-liner in the next panel with the exact same expression. Pretty much everything that can move does move with the sole exception of those 4 background characters I keep mentioning.

Always happy to agree to disagree.  I'm not interested in changing your feelings about that artist. I can see the changes they made, for sure, it's just that I can see the little digital shortcuts they took to get there. 

That serves a specific purpose, and is a cool way to show Superman's speed. 

Edit: The traced/photostatted parts were also separately inked, which provides variation. Digital inking is also used by some modern artists to avoid the uncanny valley effect.

Edit 2: Removed my mistake.

And the panels from the preview also serve a specific purpose, showing how quickly Magik is reacting in saving the civilians and the blue man.  It's the comic way of doing the slow-mo scenes from the old Spider-Man movies like when he dodges the car in Spider-Man 2 or saves the civilians from getting electrocuted in The Amazing Spider-Man 2.  They both make perfect sense in the context of the book and what they are trying to do.

The more I look at those panels, the more differences I see, like the shape of the portals changing, the addition of light bubbles above the portals, the monster's tongue being drawn differently what that could have been easily copy-pasted, the head as a whole being different. Panels in which 8 characters are moving and which have many differences between them in addition are not lazy.

I do agree that pages like that Miraxle Man page come across as lazy and are unappealing.  But I think that's the apples to oranges comparison with an action scene that successfully conveys this much motion and character.

Knowing now she's supposed to be super fast, I see what the artist is doing. Repetition of backgrounds at the same distance in multiple occasions across just a few pages gave me a bad impression. Hopefully the artist doesn't always use the same device across multiple issues every time the main character is involved in any action.

Thanks for pointing out the super speed thing, sunofdarkchild- my bad for missing it I guess.