shaxper
CCF Site Custodian
Posts: 22,871
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Post by shaxper on Feb 16, 2016 19:56:47 GMT -5
 Published: March 1993 Synopsis: A mother's prayers after the death of her son by bandits results in Usagi serving as an agent of karma. Notes: Discuss the issue and/or post full reviews below! |
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Post by thwhtguardian on Mar 25, 2016 14:53:07 GMT -5
I have zero recollection of this story and that's a shame because it's a fantastic read. It's just a brief little interlude but man does it pack a punch. I love the way Stan frames a day in the life of the statue, the simple way he illustrates the passing of time is just beautiful. He used a similar technique before int the duel to really evoke a deep sense of forlorn sadness but here it's almost whimsical in the simplicity it conveys. If we were to do a best of the 90's poll I might throw this one in for contention.
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shaxper
CCF Site Custodian
Posts: 22,871
|
Post by shaxper on Mar 25, 2016 16:16:19 GMT -5
I have zero recollection of this story and that's a shame because it's a fantastic read. It's just a brief little interlude but man does it pack a punch. I love the way Stan frames a day in the life of the statue, the simple way he illustrates the passing of time is just beautiful. He used a similar technique before int the duel to really evoke a deep sense of forlorn sadness but here it's almost whimsical in the simplicity it conveys. If we were to do a best of the 90's poll I might throw this one in for contention. What I love most about this one is difficult to convey. I like the idea of viewing Usagi from outside of himself, almost objectively. Usagi often feels like such a small figure in the larger intrigues of Japan/Nippon, but this story clearly depicts him as a force of karma. It makes who he is and what he does seem so much more important. Not sure I'm making sense with this. |
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Post by thwhtguardian on Mar 25, 2016 18:04:40 GMT -5
I have zero recollection of this story and that's a shame because it's a fantastic read. It's just a brief little interlude but man does it pack a punch. I love the way Stan frames a day in the life of the statue, the simple way he illustrates the passing of time is just beautiful. He used a similar technique before int the duel to really evoke a deep sense of forlorn sadness but here it's almost whimsical in the simplicity it conveys. If we were to do a best of the 90's poll I might throw this one in for contention. What I love most about this one is difficult to convey. I like the idea of viewing Usagi from outside of himself, almost objectively. Usagi often feels like such a small figure in the larger intrigues of Japan/Nippon, but this story clearly depicts him as a force of karma. It makes who he is and what he does seem so much more important. Not sure I'm making sense with this. I don't know if it could be put any better. It truly is a fantastic little story. |
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Post by stillpoint on Oct 19, 2016 1:01:35 GMT -5
I agree with everything said so far in this thread. This might be the story I think of most when I think of my favorites. What I like most is that, to Usagi, he's slaughtered a group of nameless bandits, something that happens in almost every issue, while only the reader knows the full, gut-wrenching story. I suppose all those other groups of nameless bandits have probably left similar legacies of tragedy before Usagi mows them down.
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Post by brutalis on Dec 22, 2016 7:35:49 GMT -5
Just read this last night and adore this story. While Usagi isn't the highlight it shows how much of a catalyst he is as he wanders the country. For him a simple act of defense when attacked provides revenge, solace and peace to everyone in this area. The simple line of turning the mouth line from a slight downward turn into a slight upward denoting the change in the Jizo-sama is remarkably subtle yet expresses so much of this story's delights. A simple short story you think and yet i can imagine Sakai worked even harder and longer for getting this one coming out so perfectly. This is one i can find myself going back to time and again to enjoy.
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