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Post by Deleted on Dec 12, 2016 14:36:34 GMT -5
done so well Stephen Amell shared this on his facebook page.
-M
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Post by Deleted on Dec 12, 2016 14:38:54 GMT -5
and if you need a side by side comparison...
-M
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Post by codystarbuck on Dec 13, 2016 14:19:30 GMT -5
You know, for as much as modern fans like to dismiss Batman 66 as what "nearly killed Batman" (Horse Hockey! to quote Col. Sherman T. Potter...) it had better staged fights than most modern superhero films, better mystery, and more inventive plots. They also weren't afraid of a little color.
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Post by Deleted on Dec 14, 2016 8:56:53 GMT -5
mrp, this is so cool and I did not anticipate seeing this!
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Post by Warmonger on Dec 17, 2016 21:37:20 GMT -5
You know, for as much as modern fans like to dismiss Batman 66 as what "nearly killed Batman" (Horse Hockey! to quote Col. Sherman T. Potter...) it had better staged fights than most modern superhero films, better mystery, and more inventive plots. They also weren't afraid of a little color. Besides the DCEU movies being disjointed messes, one of my biggest complaints has been the absence of color. Man of Steel, BvS, Suicide Squad and even what I've seen so far from Wonder Woman and Justice League...they all look incredibly drab with a muted color palette. It's like they're trying to film a superhero movie in the same vein as Saving Private Ryan or something. |
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Post by codystarbuck on Dec 18, 2016 1:26:32 GMT -5
You know, for as much as modern fans like to dismiss Batman 66 as what "nearly killed Batman" (Horse Hockey! to quote Col. Sherman T. Potter...) it had better staged fights than most modern superhero films, better mystery, and more inventive plots. They also weren't afraid of a little color. Besides the DCEU movies being disjointed messes, one of my biggest complaints has been the absence of color. Man of Steel, BvS, Suicide Squad and even what I've seen so far from Wonder Woman and Justice League...they all look incredibly drab with a muted color palette. It's like they're trying to film a superhero movie in the same vein as Saving Private Ryan or something. It all seems to boil down to Hollywood reasoning: bright color means campy tone. No one will take us serious unless it is dark and moody. Which is a total crock as Richard Donner and Christopher Reeve proved. It's the sincerity of the performance and the seriousness of the storytelling that elevate it above parody or camp, not the color pallette. I give points to Marvel for embracing it with Captain America, more or less. Same with Iron Man. If Luke Skywalker can look suitably heroic in an orange flightsuit, Superman can be the same in bright blue, red and yellow. Even Tom Welling had bright red and blue jackets and t-shirts. |
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Post by robsuperfriend63 on Dec 22, 2016 21:03:50 GMT -5
You know, for as much as modern fans like to dismiss Batman 66 as what "nearly killed Batman" (Horse Hockey! to quote Col. Sherman T. Potter...) it had better staged fights than most modern superhero films, better mystery, and more inventive plots. They also weren't afraid of a little color. |
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