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Post by Deleted on Jan 19, 2017 12:17:49 GMT -5
I've been wanting to check out Jughead, but it always sells out. I may try to get tpb and get caught up. I noticed Reggie is on the cover of the last issue. I'm the oddball whose favorite Archie character is Reggie, haha! #1-6 is by Chip Zdarsky & Erica Henderson. It involves Mr Weatherbee forced into early retirement & his replacement Principal Stanger. Jughead finds a way to get Mr Weatherbee back. #7 & 8 is by Chip Zdarsky & Derek Charm. It's summer in Riverdale. This one features Jughead, Archie, Reggie & Mr Weatherbee. #9-11 is by Ryan North & Derek Charm. It introduces Sabrina. Jughead goes on a date with her which ends in disaster. Why does Jughead go on a date since he really could care less about girls? Hint: it involves burgers. So Sabrina puts a curse on Jughead. Part of the curse she puts on Jughead? He becomes friends with Reggie (they bond over their dogs Vader & Hot Dog!). #12 & 13 is by North & Charm. Continues with Reggie hanging out with Jughead & the results on the rest of the Archie gang. If you like Reggie I think you would like this book more than Archie. It became my favorite when North started writing. I see a tpb coming out in March with the Sabrina storyline. I may order it and go ahead and Jughead to my pull list. Archie too. Thank you for the run down of the previous issues!
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Post by String on Jan 19, 2017 14:31:08 GMT -5
Clone Conspiracy #4 - by Slott and Jim Cheung
The heavy moral questioning that has surrounded this event so far comes into closer focus with this penultimate issue. Events hinge and turn on two critical relationships, Peter with Uncle Ben (and in some respects with Ben Reilly) and Doctor Octopus and Anna-Marie, his love interest from Superior Spider-Man.
In a masterful stroke of characterization by Slott, Peter rejects Reilly's offer of joining him (by accepting Reilly's offer to bring back Uncle Ben) in a manner that strikes to the heart of the relationship between Peter and Uncle Ben. That despite what appears to be the good intentions of Reilly in bringing these people back from the dead, no amount of good could ever result, a dramatic theme that this title and character are certainly familiar with.
As for the other relationship, Otto still loves Anna-Marie but she rejects him even though she can't help but admire his genius. Together, the pair solve the problem of these new clones degrading into contagious zombies without meds. But when Reilly unintentionally insults Anna Marie, Otto takes offense and responds accordingly, initiating a disaster that Reilly soon compromises that threatens to unleash the very zombie apocalypse that Peter was warned about by Kaine and Spider-Gwen.
Slott's characterization is top-notch. From Peter's shock and amazement over seeing friends and colleagues long dead now returned to Otto's attempts to renew his relationship with Anna Marie, this event continues to be a emotional roller-coaster ride. There's also a wonderful sense of wit on display, especially with the new female Electro who has some quips that earned quite a few chuckles from me. Cheung's art is detailed, expressive, and impressive.
I love this type of event, in which I don't know what will happen next. 9/10
Amazing Spider-Man #23 - by Slott, Gage, and Camuncoli
A Clone Conspiracy tie-in, this issue takes place within the spaces of a few panels of CC #4 and focuses on a heart-to-heart talk between Peter and Gwen. Peter doesn't dispute that she's a clone but can't believe that it's actually her. Slott handles this rather well, this felt like what would happen if you ran into an old lover after being apart for years. Gwen forgives Peter for what happened to her and in some ways, wants to reunite but realizes that time and Peter has moved on (some interesting comments on his relationship with MJ). Her thoughts and responses help crystallize Peter's response to Reilly's offer in CC #4 and it ends with Gwen being caught up in the disaster that ends that issue. As with all good event tie-in issues, this story showcased an emotional side and effect of the main event.
Camuncoli did well on the art side. This mainly consisted of Peter and Gwen standing in a living room, talking. Hardly the most exciting environment. Yet, with differing angles and strong emotional displays, Camuncoli effectively highlights the drama being put on display. Terrific job all around.
8/10
All-New X-Men #17 - by Hopeless and Bagley
Major kudos to Cullen Bunn, Jeff Lemire and now Dennis Hopeless for taking the events and effects of Inhumans vs. X-Men and seamlessly weaving them into their ongoing storylines in their respective titles.
Here, Hopeless focuses on young Bobby Drake. In case you didn't know, Bendis in his X-run officially outed Adult Iceman as gay. In the last few issues, young Bobby has been exploring his sexuality by engaging in a new relationship with a young Inhuman named Romeo. Through flashbacks of their dates, things are going very well for this new couple until the rest of the team inform Bobby of the X-men's upcoming attack on New Attilan and the reasons why. To their surprise, Iceman joins the assault, even leading from the front line. But it's a ploy to get into the city and find Romeo, to make sure he's alright. Together, the couple make a drastic decision.
Again, the main X-titles have done a fabulous job so far showing the personal effects of the main event. If you've been reading this title all along, then Bobby's fear and rage over this change in tactics hits home hard. Hesitant of the social judgements, he's been slowly expressing his new sexuality and now there's a real chance he could lose his newfound love. The threat of potential genocide of his own people isn't enough to dissuade him from wanting to rescue the new relationship he's built with this young Inhuman. It's a powerful theme used effectively here by Hopeless in a title in which he's been doing this with the entire cast since #1. Bagley is, well, Bagley, great art that ranges from explosive action between Inhumans and X-Men to tender scenes between Bobby and Romeo.
8/10
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Post by Deleted on Jan 20, 2017 0:08:59 GMT -5
Star Lord #2: after last issue's bar brawl, Peter finds himself in court with Matt Murdoch prosecuting his case. Peter ends up receiving community service--enrolled in a program that pairs senior citizens up with super heroes. The story moved fast and there are funny moments throughout , especially with people getting his name wrong, much like the movie. The senior citizen he's paired up with is quite humorous. The art is very pleasing to the eye. Not muddled or gimmicky. Some panels reminded me of Paul Smith of Uncanny X-Men fame. Star Lord is very much a fish out of water on our at times uptight world. Despite his being very carefree and clueless, he is a charming character. There is also a cameo by the new (new to me)Ms Marvel character. 8/10
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shaxper
CCF Site Custodian
Posts: 22,871
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Post by shaxper on Jan 20, 2017 18:16:44 GMT -5
While this thread is normally a source of weekly joy for me, it is currently killing me. Big cover of The Kamandi Challenge on the front page, image of it in the second post, but no one has actually reviewed it yet. I NEED TO KNOW!!!
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Post by Deleted on Jan 20, 2017 23:02:09 GMT -5
While this thread is normally a source of weekly joy for me, it is currently killing me. Big cover of The Kamandi Challenge on the front page, image of it in the second post, but no one has actually reviewed it yet. I NEED TO KNOW!!! It was an all reprint issue. It reprints #1 & #32. Also #60 & #61 which were never published because of the 1978 DC Implosion.
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shaxper
CCF Site Custodian
Posts: 22,871
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Post by shaxper on Jan 20, 2017 23:18:53 GMT -5
While this thread is normally a source of weekly joy for me, it is currently killing me. Big cover of The Kamandi Challenge on the front page, image of it in the second post, but no one has actually reviewed it yet. I NEED TO KNOW!!! It was an all reprint issue. It reprints #1 & #32. Also #60 & #61 which were never published because of the 1978 DC Implosion. #60 and #61 are the ones I want to hear about!
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Post by Deleted on Jan 20, 2017 23:41:29 GMT -5
Trinity #5: not much to say other than this issue explains what has been going on the last few issues. At this point I've lost interest. I did like the art and the explanation of Poison Ivy's involvement. If this title was twice monthly, it may have held my interest more. I hope after this arc, things will get better. Still, this issue is an improvement over the last couple of issues. 6/10
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Post by Deleted on Jan 22, 2017 0:18:05 GMT -5
Superman #15: Multiplicity continues in this fairly quick read. Superman and friends visit different earths, saving the supers of those worlds before the bad guys take them. It was interesting see the different heroes of each world. As the story shifted, I didn't mind 4 different artists pitching in on this issue. And was that a character from the Crisis on Infinite Earths I saw? No doubt 2017 is going to be a big year for Superman. 8/10
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Post by Hoosier X on Jan 22, 2017 9:39:16 GMT -5
It was an all reprint issue. It reprints #1 & #32. Also #60 & #61 which were never published because of the 1978 DC Implosion. #60 and #61 are the ones I want to hear about! In #60, while the rest of the cast (Canus, Spirit, Pyra, Mylock Bloodstalker and Digby) is watching, Kamandi gets sucked into a weird energy vortex where he finds out about alternate timelines and he gets the choice to go to a timeline where the Great Disaster didn't happen. Meanwhile, Pyra can use the energy vortex to power her ship and go back to her planet and save her people, but she has to wait until Kamandi returns or he wont be able to get back. Spirit still refuses to wear a shirt. The Kangarat Murder Cult attacks, furious about the Aussie accents they were given by Central Casting. In #61, Kamandi floats into a framing sequence where he meets the Sandman. This is the 1970s Kirby Sandman, not the 1990s Gaiman Sandman or the 1940s Kirby Sandman. As the 1970s Kirby Sandman has an unpublished story from his cancelled comic book series laying around, he projects it on a giant screen so Kamandi can watch it. It is hilarious! Sandman meets Santa Claus! It was good for me! I love post-Kirby Kamandi almost as I love as I love Kirby Kamandi.
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Post by thwhtguardian on Jan 22, 2017 18:34:18 GMT -5
Superman #15: Multiplicity continues in this fairly quick read. Superman and friends visit different earths, saving the supers of those worlds before the bad guys take them. It was interesting see the different heroes of each world. As the story shifted, I didn't mind 4 different artists pitching in on this issue. And was that a character from the Crisis on Infinite Earths I saw? No doubt 2017 is going to be a big year for Superman. 8/10 The Multiplicity storyline is turning out much better than I originally thought it would, I liked the Morrison storyline but two years after the fact I wasn't sure what could be added but this story is feeling like a neat epilogue.
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Post by wildfire2099 on Jan 31, 2017 20:53:27 GMT -5
US Avengers #1-2 So, yeah, this is a continuation of the last volume of New Avengers, which was the one were Sunspot (who I guess we're supposed to call Citizen V now) took over AIM and made them good guys... I wanted that to be good, but I never really got into it.. too much Squirrel Girl, I think. This one seems like more of the same, we get an alternative future Captain America in the form of Danielle Cage coming to warn us about one of her bad guys from her timeline, where Thanos took out 1/2 the worlds heroes last year. That was kinda neat.. it sorta lines up with Thantos escaping the Ultimates and killing Rhodey.. only he won that time. Anyway, it's a super wonky line up... there Prof. Yinsen's daughter as Iron Patriot, her girlfriend using some sorta of Iron Man left over armor that somehow has Vision's powers, Sam and Roberto, Squirrel Girl, and a new Red Hulk that works like Hourman. I want to like this one, but it just isn't that well done. Plot: 2/5 Art: 3/5
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Post by earl on Feb 1, 2017 0:42:08 GMT -5
Batman #14 has a segment that's fairly interesting if you're just looking at the art and the layout. It's a four-page sequence where Catwoman is running around with Batman as he goes about his nightly rounds. And on this single night, Batman and Catwoman beat up on Magpie, Signal Man, Gorilla Boss, the Ten-Eyed Man, the Werewolf, Copperhead, Amygdala, King Snake, Condiment King (I'm assuming this guy was thrown in a weird joke about third-rate villains), the Cavalier, Zebra Man, Film Freak, the Mad Monk and Kite Man. The current Batman comics are just not all that good. That segment was just like some of the Tony Daniel written Batman where he would basically have a cameo of something different but not really 'do' anything with the characters. I guess the big thing is hey Batman gets lucky - see this issue. Kinda weird, I think these people writing the comics don't really get it or seem to only have fairly superficial knowledge on what makes it work. They really are not even telling a story but just throwing scenes out there.
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