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Post by Deleted on Jul 10, 2024 10:29:54 GMT -5
I particularly love the mellower sounding instruments in jazz being a guitar player myself and also having a huge affinity for piano. So my list reflects this, though I do mix it up a little here and there.
Coming in at #10 for 1964 is actually vibraphonist Gary Burton though, with The Groovy Sound of Music. It features jazz interpretations of the musical of the same name, in a sextet format with Gary leading though not in charge of all the arrangements. He was reportedly not very happy with this lack of control and was disappointed with the album. But I find Burton the type of musician who couldn't really make a bad album if he wanted to, and I still find this a pleasing album overall even though I'm not a big fan of the musical. Guitar player Joe Puma is on this as well which is a plus for me.
A note on the vibraphone as well, it has such a pleasing tonal quality to me, an instrument similar to but more mellow than the xylophone. Here is their version of the well known "My Favorite Things" from that album:
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Post by Slam_Bradley on Jul 10, 2024 10:44:16 GMT -5
I particularly love the mellower sounding instruments in jazz being a guitar player myself and also having a huge affinity for piano. So my list reflects this, though I do mix it up a little here and there. Coming in at #10 for 1964 is actually vibraphonist Gary Burton though, with The Groovy Sound of Music. It features jazz interpretations of the musical of the same name, in a sextet format with Gary leading though not in charge of all the arrangements. He was reportedly not very happy with this lack of control and was disappointed with the album. But I find Burton the type of musician who couldn't really make a bad album if he wanted to, and I still find this a pleasing album overall even though I'm not a big fan of the musical. Guitar player Joe Puma is on this as well which is a plus for me. A note on the vibraphone as well, it has such a pleasing tonal quality to me, an instrument similar to but more mellow than the xylophone. Here is their version of the well known "My Favorite Things" from that album: That's pretty cool. I'll have to give the album a listen. I'm not familiar with Gary Burton at all and have never heard that album. There's just sooo much jazz with so many rabbit holes to go down. My youngest son was a percussionist in junior high and high school so he played many instruments from the metallophone family over the years.
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Post by Deleted on Jul 10, 2024 10:52:30 GMT -5
That's pretty cool. I'll have to give the album a listen. I'm not familiar with Gary Burton at all and have never heard that album. There's just sooo much jazz with so many rabbit holes to go down. My youngest son was a percussionist in junior high and high school so he played many instruments from the metallophone family over the years. So true!! I think you could spend a lifetime exploring jazz and still have so much to learn. I don't remotely feel like an expert even though I have a decent library to listen to, it's like there are never-ending gems out there always waiting to be found.
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Confessor
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Post by Confessor on Jul 10, 2024 17:19:54 GMT -5
OK, then...top albums of 1964... #10 - Ramblin' Boy by Tom PaxtonFolk singer Tom Paxton was one of the leading lights of the early '60s Greenwich Village folk revival. Ramblin' Boy is basically his debut album, although he had previously released a live LP on the tiny Gaslight label in 1962. But this was Paxton's first studio album and the first album of his that anybody outside of the folkies who attended his coffee house shows in Greenwich Village took any notice of. It's a mixture of heartfelt ballads, comedy ditties, children's songs, and a bucket load of overly earnest political protest songs. The abundance of protest material is, from a modern perspective, one of the album's chief failings, since nothing dates faster than a topical song. Though the material is fairly strong throughout, and Paxton's attractive, understated voice is very inviting, the fact remains that an awful lot of this album is simply a period piece. Still, it's a decent enough album, which must've sounded pretty cutting edge back in 1964. But for me, it's the non-political songs that work the best – particularly the gorgeous "The Last Thing on My Mind", which would go on to become a folk music standard that has been covered by many, many different artists…
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Confessor
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Post by Confessor on Jul 10, 2024 17:33:06 GMT -5
Because nobody asked for it.... Well, technically, I asked for it. #10 - Count Basie and Frank Sinatra - It Might as Well Be Swing
I'm not a particularly big fan of Ol' Blue Eyes, I must say, but those two tracks are pretty decent renditions, though they also sound pretty much exactly as I'd expect them to given the two lead performers. Of the two tracks, I found "The Best is Yet to Come" superior to "Fly Me to the Moon", as it had a bit more bite to it and a bit more commitment in Sinatra's vocal. Nice musical arrangements by Quincy Jones on both tracks though, but then, I wouldn't expect anything less. But to be honest, when it comes to '40s and '50s crooners, I much prefer Nat King Cole, Tony Bennett and Dean Martin over Sinatra.
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Post by Slam_Bradley on Jul 10, 2024 17:36:27 GMT -5
OK, then...top albums of 1964... #10 - Ramblin' Boy by Tom PaxtonFolk singer Tom Paxton was one of the leading lights of the early '60s Greenwich Village folk revival. Ramblin' Boy is basically his debut album, although he had previously released a live LP on the tiny Gaslight label in 1962. But this was Paxton's first studio album and the first album of his that anybody outside of the folkies who attended his coffee house shows in Greenwich Village took any notice of. It's a mixture of heartfelt ballads, comedy ditties, children's songs, and a bucket load of overly earnest political protest songs. The abundance of protest material is, from a modern perspective, one of the album's chief failings, since nothing dates faster than a topical song. Though the material is fairly strong throughout, and Paxton's attractive, understated voice is very inviting, the fact remains that an awful lot of this album is simply a period piece. Still, it's a decent enough album, which must've sounded pretty cutting edge back in 1964. But for me, it's the non-political songs that work the best – particularly the gorgeous "The Last Thing on My Mind", which would go on to become a folk music standard that has been covered by many, many different artists… Solid album. It might make my top twenty. I actually agree that the political stuff sound super dated now (and you know how I am about political stuff of that stripe, so that's saying something). "The Last Thing on My Mind," "Ramblin' Boy," and "I Can't Help But Wonder Where I'm Bound," however are all-timers and "The Last Thing on My Mind" is one of the great songs of that period.
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Confessor
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Post by Confessor on Jul 10, 2024 17:39:11 GMT -5
Gary Burton - The Groovy Sound of Music I hate to be "that guy", supercat, but according to Wikipedia, the AllMusic website, and Discogs, this is a 1965 album, not a 1964 one. We pick albums by release year in these lists, not by the year in which they were recorded. Shame though, because I really dig the version of "My Favourite Things" you posted. I like Vibraphone, but it can get a bit much across a whole album for me: it's one of my slight problems with much of the Modern Jazz Quartet's output.
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Post by Slam_Bradley on Jul 10, 2024 17:42:34 GMT -5
Because nobody asked for it.... Well, technically, I asked for it. #10 - Count Basie and Frank Sinatra - It Might as Well Be Swing
I'm not a particularly big fan of Ol' Blue Eyes, I must say, but those two tracks are pretty decent renditions, though they also sound pretty much exactly as I'd expect them to given the two lead performers. Of the two tracks, I found "The Best is Yet to Come" superior to "Fly Me to the Moon", as it had a bit more bite to it and a bit more commitment in Sinatra's vocal. Nice musical arrangements by Quincy Jones on both tracks though, but then, I wouldn't expect anything less. But to be honest, when it comes to '40s and '50s crooners, I much prefer Nat King Cole, Tony Bennett and Dean Martin over Sinatra.I like all three and generally prefer Cole and Martin to Sinatra (but not Bennett). Unfortunately Cole would be dead in 1965. And quality Dean Martin albums were always pretty rare. That said, I still love me some Francis Albert for all that he was a pretty despicable human.
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Post by Slam_Bradley on Jul 10, 2024 17:44:11 GMT -5
Gary Burton - The Groovy Sound of Music I hate to be "that guy", supercat, but according to Wikipedia, the AllMusic website, and Discogs, this is a 1965 album, not a 1964 one. We pick albums by release year in these lists, not by the year in which they were recorded. Shame though, because I really dig the version of "My Favourite Things" you posted. I like Vibraphone, but it can get a bit much across a whole album for me -- it's one of my slight problems with much of the Modern Jazz Quartet's output. I'm guessing you're not much for Lionel Hampton then.
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Confessor
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Post by Confessor on Jul 10, 2024 17:50:22 GMT -5
Shame though, because I really dig the version of "My Favourite Things" you posted. I like Vibraphone, but it can get a bit much across a whole album for me -- it's one of my slight problems with much of the Modern Jazz Quartet's output. I'm guessing you're not much for Lionel Hampton then. I don't think I've knowingly heard any music that he was involved in and, in fact, I had to Google him because the name didn't ring a bell for me. As I say, I do like the sound of a vibraphone, but only for so long. I'm guessing that would be the case for Hampton's output. A little Vibraphone goes a long way.
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Post by Slam_Bradley on Jul 10, 2024 17:56:04 GMT -5
I'm guessing you're not much for Lionel Hampton then. I don't think I've knowingly heard any music that he was involved in and, in fact, I had to Google him because the name didn't ring a bell for me. As I say, I do like the sound of a vibraphone, but only for so long. I'm guessing that would be the case for Hampton's output. A little Vibraphone goes a long way. Hampton is generally regarded as the first musician to really popularize the vibes in jazz. Most of his best work was done pre-1950 and he kind of coasted after that. The Lionel Hampton Jazz Festival takes place yearly at the University of Idaho in Moscow. It is, oddly, one of the biggest jazz festivals west of the Mississippi.
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Post by Deleted on Jul 10, 2024 19:13:28 GMT -5
Confessor , well done, you picked up on my little "test"! That's correct, that album was recorded in 1964 but not released until 1965, I wanted to see how sharp-eyed you folks were. And it had nothing to do with my bad memory I was going off of or the fact that I did not double-check the date. Nope, not that at all. So yeah, I don't use recorded date either for lists, it was purely old age gets the best of me again! But on the upside, you get an even better Gary Burton album at #10 in my opinion, Something's Coming, with a smaller ensemble including Jim Hall on guitar. That WAS released in 1964 haha! For your entertainment:
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Post by berkley on Jul 10, 2024 23:38:46 GMT -5
Because nobody asked for it.... Well, technically, I asked for it. #10 - Count Basie and Frank Sinatra - It Might as Well Be Swing
I'm not a particularly big fan of Ol' Blue Eyes, I must say, but those two tracks are pretty decent renditions, though they also sound pretty much exactly as I'd expect them to given the two lead performers. Of the two tracks, I found "The Best is Yet to Come" superior to "Fly Me to the Moon", as it had a bit more bite to it and a bit more commitment in Sinatra's vocal. Nice musical arrangements by Quincy Jones on both tracks though, but then, I wouldn't expect anything less. But to be honest, when it comes to '40s and '50s crooners, I much prefer Nat King Cole, Tony Bennett and Dean Martin over Sinatra.
I feel similarly about Sinatra - his singing has always felt a bit cold to me. I've come around to him a little more in these past few years and even have quite a few cds of his now but I don't think I'll ever be a huge fan.
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Post by commond on Jul 11, 2024 4:28:00 GMT -5
I don't think I've knowingly heard any music that he was involved in and, in fact, I had to Google him because the name didn't ring a bell for me. As I say, I do like the sound of a vibraphone, but only for so long. I'm guessing that would be the case for Hampton's output. A little Vibraphone goes a long way. Hampton is generally regarded as the first musician to really popularize the vibes in jazz. Most of his best work was done pre-1950 and he kind of coasted after that. The Lionel Hampton Jazz Festival takes place yearly at the University of Idaho in Moscow. It is, oddly, one of the biggest jazz festivals west of the Mississippi. I actually listened to a really cool jazz-funk album from Hampton recently. Stop! I Don't Need No Sympathy! from 1974.
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Post by Deleted on Jul 11, 2024 6:06:44 GMT -5
But Franky and The Count were the epitome of style. Yeah, this. This is music I'm very familiar with, my wife in particular loves it and I like the swing aspect and it's something we can share together and fits the whole romantic feel. I'll probably play this for her this evening actually. I'm not big on folk material so Tom Paxton is not quite my speed, but still enjoy checking out stuff I'm not as familiar with.
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