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Post by thwhtguardian on Feb 7, 2018 18:19:59 GMT -5
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Post by Deleted on Feb 7, 2018 21:11:15 GMT -5
Nightwing #38. Written by Sam Humphries. Art and Cover by Bernard Chang. Nightwing finally goes up against the Judge as more pieces of the puzzle are put in place. A decent story with beautiful art. I am feeling a bit underwhelmed with the slow pace of Humphries' story. I miss Seeley. However Chang's art is outstanding. Story 2/5. Art 4/5.
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Post by Deleted on Feb 7, 2018 21:22:40 GMT -5
Superman #40. Written by James Robinson. Art by Doug Mahnke and Jaime Mendoza. Cover by Viktor Bogdanovic. Superman & Jon go to a distant planet that is in danger of exploding to save the people. But the people don't want to be saved. They accept their fate as God's will. First off I was nervous because Robinson can be wildly inconsistent. Overall the story was decent but it was basically was the "religion bad science good" trope. It made me miss Tomasi especially since his tenure with Gleason will be over soon when Bendis comes on the book in July. So the story was meh for me. The art was beautiful. Another DC book this week with great art & a weak story. Story 2/5. Art 4/5.
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Post by Deleted on Feb 7, 2018 21:27:23 GMT -5
Best This WeekDaredevil #598. Written by Charles Soule. Art by Ron Garney. Cover by Dan Mora. Wow! Another winner! Soule continues the story of Mayor Fisk. I am starting to worry for Matt's sanity as he tries to juggle being Deputy Mayor & track down Muse & avoid the police & undermine Fisk.... you can feel the tension. Great story. Great art. Awesome title & arc. 10/10.
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Post by Deleted on Feb 7, 2018 22:11:23 GMT -5
The Jetsons #4 (of 6). Written by Jimmy Palmiotti. Art by Pier Brito. Cover by Amanda Conner. Earth finds out that a meteor will destroy the planet in 3 days. The Jetsons work in different ways to help stop the meteor. However George is offered a way to save 3 of his family by escaping off Earth. George decides to stay behind & let Jane, Judy & Elroy live. As a Jetsons story I am not really liking it. But take the Jetson family names out of the story & it is a pretty good science fiction story. 6/10.
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Post by Deleted on Feb 7, 2018 23:50:20 GMT -5
Superman #40: the art was stunning. Superman and son looked great as did the fortress and later in the story, the aliens and their world. The story had a silver age feel to It, and while I felt the 2nd part wasn’t that great, I truly enjoyed the first part focusing on Superman and Jon talking about Krypton. 6/10
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Post by thwhtguardian on Feb 8, 2018 11:47:05 GMT -5
Swamp Thing Winter SpecialWritten by Len Wein and Tom King Art by Jason Fabok and Kelley Jones Summary: Two thrilling tales in one! In the first part Swampy faces off against an unexpected icy foe and in the second we see him team up with the Dark Knight to stop a kidnapping ring involving Grundy. Plot: This is a book I've been desperately waiting for ever since it was announced last October and it didn't disappoint in the least. While I've never really liked his work on Batman, I've loved nearly everything else King has done from the Omega Men and Grayson to the Vision and Mister Miracle but this might just be his best turn yet as it's mix of subtle horror with suspense and a beautiful father son relationship was just incredible. I think the best part was that although I'm a huge fan of horror and mystery I didn't see the twist coming from a thousand miles away and that's a hard feat to pull off, and on top of that this wasn't even the story I was looking forward to as I bought this just for the Wein story so that it was so good was a huge bonus but the excellency didn't end there as the follow up story was just as fun. The second part was really the main event for me, though a lot of people point to Moore as the best Swamp Thing writer(and I do enjoy his work) Wein was always my favorite when it came to Swamp Thing and I was overjoyed to see him return to the book in 2016 and was pumped that he planned on a follow up...sadly he passed before that story could come to fruition, all except for this one story which would have served as the first issue. Just seeing the story would have been fun but editor Rebecca Taylor chose to print the story by Wein and Jones as a silent comic in honor of Wein's passing and both the sentiment and the story itself were beautiful. The scene where Swamp thing started off as angry at a bird for biting off a piece of him and then smiling at it in benevolence as he constructed it a new nest on his own was a perfect scene and I'm both overjoyed that I got to see it and saddened by the fact that such creativity was silenced. RIP Len, you'll be missed but thanks for the fantastic stories. Art: While Jason Fabok's wintery landscapes were amazing and I loved how he slowly let on the passage of time with the gradual desiccation of Swamp Thing was really well executed the main draw for me was again in the second story with Kelley Jones. I've always loved how well Jones' grotesquely elongated anatomy worked in horror stories but what's equally thrilling is how human his expressions are and that balance between monstrous and human is not only perfect for Swamp Thing but beautiful to see. In this silent tribute to Wein that beauty was a perfect match for the book as his art fully told the story with out a single word which is both a testament to his art and Wein's story as when Taylor revealed Weins break downs to Jones it matched up perfectly to the story I got directly from the art alone.
Grade:10/10
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Post by thwhtguardian on Feb 8, 2018 13:49:28 GMT -5
Young Monsters in Love
Written and Illustrated by DC's best Summary: Presented here are a series of stories featuring DC's most ghoulish characters that are sure to warm your heart...right before it gets torn from your chest! Plot: This is a really fun anthology with some of my favorite writers and artists; on the whole it's a little bit of a mixed bag(as all anthologies are) but these are some of my favorites and not so favorites: "Nocturnal Animal"Written by Kyle Higgins Art by Kelley Jones This was a classic Dr. Jekyll and Mr.Hyde type of Manbat story with Kirk struggling with his alter ego in the wake of Francine's revelation that she's seeing someone else. There's nothing deep here, but the dialogue of the Manbat persona was really fun and Jones' interpretation of him as he loomed over Kirk in every panel was simply stunning. 7/10 "Buried on a Sunday"Written by Mairghread Scott Art by Bryan Hitch I've never heard of Scott before this story but I loved the way she wrote the Superman Family here, which is no easy feat as I've seen several others stumble at portraying the relationships between Jon, Lois and Clark. On top of that she brought a truly humanizing side to Solomon Grundy with a brief glimpse into his past; it's a trait that could have came across as disingenuous to the character's history but it was left vague enough and convey in Solomon's usual rhyme that it felt perfect and not just for Grundy as it was a great moment for Superman too as he honored the need for Solomon to grieve despite his monstrous nature. 7/10 "Be My Valentine"Written by Paul Dini Art by Guillem March I'm a big Deadman fan, and he's a natural fit for an anthology like this but despite hitting some of my favorite notes for a good Deadman story Dini came up a little short here. It's a tough tale to be sure, and I'll give him credit for trying to tell a story about Deadman intervening in a bullied boy's life but I think it's because of the intervention itself that it came across as flat. Bullying does happen, and it does cause deaths but friendly ghosts doing kung fu and confronting bullies and sending them to get get counseling isn't a real solution so it's presence in a very real story comes off as feeling really out of touch. 5/10 "Heart Shaped Box"Written by Mark Russel Art by Frazer Irving While I don't like the idea of Swampy totally swearing off his humanity and resigning himself to being a monster Russel and Irving really brought their A games on this one. I loved how poignant the musings of Swamp Thing were, Russel really got you feel both Swamp Thing's anticipation and trepidation at finding love and then the utter despair of losing it and both ends of the spectrum felt true. While I'm occasionally conflicted with Irvinging's rotoscoped realistic look in traditional superhero books the look was absolutely perfect here in giving this a great horror film feel. 9/10
Overall: 7/10
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Post by thwhtguardian on Feb 8, 2018 17:04:46 GMT -5
Koshchei the Deathless #2Written by Mike Mignola Art by Ben Stenbeck Summary: Koshchei and his band continue on their mission to destroy the last of dragons and their eggs in order to save the world. Plot: In this second issue of his new six issue miniseries Mignola continues to craft an incredibly addictive tale and it’s one that anyone who's ever been a fan of fairy tales and folklore has to read, even if you've never tried Hellboy before. This book is ultilizes a skill Mignola has used several times in the past with his weaving of stories within stories, but here he really takes it to the next level to weave a very authentic Russian world. One of my favorite parts was the inclusion of the character whose father was a fish and whose mother was a cow; he gave us the fairly tale in less than a page but then continued to weave it further with his mission tying into Koshchei's in an incredibly organic way that continued the fable and forwarded the main plot. I addition to that there were also talking snakes and of course dragons and they each had their own story to tell and yet it never felt bloated or over crowed. What it comes down to is that nearly every page in this book had a different type of tale or creature to enjoy as the world enfolds before us. Art: The art by Ben Stenbeck is as excellent as always, and when he's paired with Dave Stewart on colors it’s hard not to enjoy the complex and realistic looking world on display. Like in life, it’s all about the details, whether it's the small purple mushrooms on the tree in one scene or the grizzled meat hanging off an arm that’s been hacked off in another there's just so much to soak in. Grade:10/10
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Post by Deleted on Feb 8, 2018 17:33:45 GMT -5
Swamp Thing Winter SpecialWritten by Len Wein and Tom King Art by Jason Fabok and Kelley Jones Summary: Two thrilling tales in one! In the first part Swampy faces off against an unexpected icy foe and in the second we see him team up with the Dark Knight to stop a kidnapping ring involving Grundy. Plot: This is a book I've been desperately waiting for ever since it was announced last October and it didn't disappoint in the least. While I've never really liked his work on Batman, I've loved nearly everything else King has done from the Omega Men and Grayson to the Vision and Mister Miracle but this might just be his best turn yet as it's mix of subtle horror with suspense and a beautiful father son relationship was just incredible. I think the best part was that although I'm a huge fan of horror and mystery I didn't see the twist coming from a thousand miles away and that's a hard feat to pull off, and on top of that this wasn't even the story I was looking forward to as I bought this just for the Wein story so that it was so good was a huge bonus but the excellency didn't end there as the follow up story was just as fun. The second part was really the main event for me, though a lot of people point to Moore as the best Swamp Thing writer(and I do enjoy his work) Wein was always my favorite when it came to Swamp Thing and I was overjoyed to see him return to the book in 2016 and was pumped that he planned on a follow up...sadly he passed before that story could come to fruition, all except for this one story which would have served as the first issue. Just seeing the story would have been fun but editor Rebecca Taylor chose to print the story by Wein and Jones as a silent comic in honor of Wein's passing and both the sentiment and the story itself were beautiful. The scene where Swamp thing started off as angry at a bird for biting off a piece of him and then smiling at it in benevolence as he constructed it a new nest on his own was a perfect scene and I'm both overjoyed that I got to see it and saddened by the fact that such creativity was silenced. RIP Len, you'll be missed but thanks for the fantastic stories. Art: While Jason Fabok's wintery landscapes were amazing and I loved how he slowly let on the passage of time with the gradual desiccation of Swamp Thing was really well executed the main draw for me was again in the second story with Kelley Jones. I've always loved how well Jones' grotesquely elongated anatomy worked in horror stories but what's equally thrilling is how human his expressions are and that balance between monstrous and human is not only perfect for Swamp Thing but beautiful to see. In this silent tribute to Wein that beauty was a perfect match for the book as his art fully told the story with out a single word which is both a testament to his art and Wein's story as when Taylor revealed Weins break downs to Jones it matched up perfectly to the story I got directly from the art alone.
Grade:10/10 Wow! This sounds amazing. I remember reading about this a few months ago around the time Wein passed away. I will have to look for it next week.
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Post by thwhtguardian on Feb 8, 2018 17:43:54 GMT -5
Swamp Thing Winter SpecialWritten by Len Wein and Tom King Art by Jason Fabok and Kelley Jones Summary: Two thrilling tales in one! In the first part Swampy faces off against an unexpected icy foe and in the second we see him team up with the Dark Knight to stop a kidnapping ring involving Grundy. Plot: This is a book I've been desperately waiting for ever since it was announced last October and it didn't disappoint in the least. While I've never really liked his work on Batman, I've loved nearly everything else King has done from the Omega Men and Grayson to the Vision and Mister Miracle but this might just be his best turn yet as it's mix of subtle horror with suspense and a beautiful father son relationship was just incredible. I think the best part was that although I'm a huge fan of horror and mystery I didn't see the twist coming from a thousand miles away and that's a hard feat to pull off, and on top of that this wasn't even the story I was looking forward to as I bought this just for the Wein story so that it was so good was a huge bonus but the excellency didn't end there as the follow up story was just as fun. The second part was really the main event for me, though a lot of people point to Moore as the best Swamp Thing writer(and I do enjoy his work) Wein was always my favorite when it came to Swamp Thing and I was overjoyed to see him return to the book in 2016 and was pumped that he planned on a follow up...sadly he passed before that story could come to fruition, all except for this one story which would have served as the first issue. Just seeing the story would have been fun but editor Rebecca Taylor chose to print the story by Wein and Jones as a silent comic in honor of Wein's passing and both the sentiment and the story itself were beautiful. The scene where Swamp thing started off as angry at a bird for biting off a piece of him and then smiling at it in benevolence as he constructed it a new nest on his own was a perfect scene and I'm both overjoyed that I got to see it and saddened by the fact that such creativity was silenced. RIP Len, you'll be missed but thanks for the fantastic stories. Art: While Jason Fabok's wintery landscapes were amazing and I loved how he slowly let on the passage of time with the gradual desiccation of Swamp Thing was really well executed the main draw for me was again in the second story with Kelley Jones. I've always loved how well Jones' grotesquely elongated anatomy worked in horror stories but what's equally thrilling is how human his expressions are and that balance between monstrous and human is not only perfect for Swamp Thing but beautiful to see. In this silent tribute to Wein that beauty was a perfect match for the book as his art fully told the story with out a single word which is both a testament to his art and Wein's story as when Taylor revealed Weins break downs to Jones it matched up perfectly to the story I got directly from the art alone.
Grade:10/10 Wow! This sounds amazing. I remember reading about this a few months ago around the time Wein passed away. I will have to look for it next week. Yeah, it was a fantastic book, definitely one of the best books I've read in a while.
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Post by Slam_Bradley on Feb 8, 2018 18:42:29 GMT -5
Exit Stage Left #2. Written by Mark Russell. Art by Mike Feehan and Mark Morales Russell's look at theater and the Red Scare through the eyes of Snagglepuss, channeling Tennesse Williams, continues and continues to be very strong. We see more of Huckleberry Hound who is a closeted writer with a wife and children who was caught in a homosexual affair and loses his family. We get to see a bit of Auggie Doggie as a script boy who is being helped by Snagglepuss. And Squiddley Diddly puts in an appearance. On the human side we get Lillian Hellman after her appearances before HUAC. This issue isn't quite as successful. It's a bit slow. The antagonist is maybe a bit too over-the-top. But it's still a great read. The issues of art vs. politics is still incredibly timely. Probably moreso now than it's been in a long time. The blending of humans and anthorpomorphs is seemless. Between this and The Flintstones Russell has become a must read writer for me. And the art doesn't let it down. It would be easy for either the human or the anthros to overshadow one or the other. But they don't. The flashback showing Huckleberry Hound's story and downfall is incredibly moving. Unfortunately there's a back-up story in this one that is one-note and that note is just in the mid-point of bad and uninteresting. I hope to not see any more of Sasquatch Detective. 8.5/10
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Post by thwhtguardian on Feb 8, 2018 22:52:45 GMT -5
Rasputin #4Written by Mike Mignola and Chris Roberson Art by Christopher Mitten Summary: Professor Bruttenholm and Sandhu's investigation of the Nazi occult program finally brings them face to face with the Master. Plot: Although I've been enjoying the characterizations of Bruttenholm and Sandhu and the pulp action feel in the previous chapters this installment by Mignola and Roberson felt a little thin(although the action was fun!). At it's most basic level this issue can be broken down into just three scenes; first the Nazis breaking into the tomb, the second focusing on Bruttenholm and Sandhu escaping Kroenen’s zombie lab, and finally Bruttenholm and Sandhu getting a bit closer to stopping Rasputin. But in between those big action set pieces? Well, not a lot actually as the book simply jumps from point A to point B for no other reason than the plot needs to move forward and there is only one issue left to do it in. This rush at the end is occasionally a down fall in Mignola's work; he spends so much time setting the table that in the end the conclusion feels a bit rushed and with this book having only one issue and with so many questions still on the table this book is going to have a hard time escaping that. Also, although I've seen it said previously elsewhere I was willing to let it slide befor, but for a book with the title Rasputin: Voice of the Dragon there has been precious little of the man himself so far with only one panel here on the very last page. Art: I don't know what happened here but although he continued at his usual pace of excellence when it came to the supernatural elements Mittens basic grasp of his human characters was pretty poor in this issue. It wasn't so much an anatomy issue for me but just one of basic character modeling; at several points in the book Bruttenholm was just rendered so strangely that if it were not for the dialogue one wouldn't have known it was him on page which is made more difficult in the fight scenes. Hopefully he bounces back in the conclusion and finishes strong.
Grade:6/10
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Post by Hoosier X on Feb 9, 2018 1:22:22 GMT -5
Best This WeekDaredevil #598. Written by Charles Soule. Art by Ron Garney. Cover by Dan Mora. Wow! Another winner! Soule continues the story of Mayor Fisk. I am starting to worry for Matt's sanity as he tries to juggle being Deputy Mayor & track down Muse & avoid the police & undermine Fisk.... you can feel the tension. Great story. Great art. Awesome title & arc. 10/10. I'm mostly enjoying this arc. But Matt has been REALLY STUPID a couple of times. In this issue, Vice Mayor Matt goes to Mayor Fisk to warn him about Muse and it seems to be just minutes after Fisk briefed a few intimates on his plans. Matt! Wait a few hours, or Fisk will begin to get suspicious that you're eavesdropping with your highly developed senses because you're Daredevil! A few too many writing lapses like that will ruin an alleged classic for me. For example, The Long Halloween. It's just not that good.
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Post by Icctrombone on Feb 9, 2018 7:08:42 GMT -5
The Jetsons #4 (of 6). Written by Jimmy Palmiotti. Art by Pier Brito. Cover by Amanda Conner. Earth finds out that a meteor will destroy the planet in 3 days. The Jetsons work in different ways to help stop the meteor. However George is offered a way to save 3 of his family by escaping off Earth. George decides to stay behind & let Jane, Judy & Elroy live. As a Jetsons story I am not really liking it. But take the Jetson family names out of the story & it is a pretty good science fiction story. 6/10. Did this stop being a humor mag ?
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