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Post by sabongero on Apr 26, 2018 18:38:19 GMT -5
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Post by sabongero on Apr 26, 2018 18:40:18 GMT -5
Web of Spider-Man #10.65 USD @ April 1985 "'Til Death Do Us Part" Writer: Louise Simonson Illustrator: Greg LaRocque Inker: Jim Mooney Colorist: George Roussos Letterer: Janice Chiang Editor: Danny Fingeroth Synopsis: Peter Parker is about to leave his Manhattan apartment and grabbed his red and blue costume in the closet. Unknown to him, his black costume disguised itself as the red and blue costume. At the roof time, his black costume has turned to show itself. Elsewhere, a mugging occurred and the group of men went to a warehouse and changed into Vulture costumes. Meanwhile, Spider-Man found out it's the black costume, and that his web shooters are malfunctioning, and when they do, it doesn't go to the direction he wanted. And he can't even swing properly as he kept crashing into buildings. Above, the Vultures see Spider-Man, and one of them swooped and grabbed him. In the air, Spider-Man is still battling his black spider suit. And at the same time it battled both Parker and the Vulture. Seeing a church coming their way with an opening to the church bell, Spider-Man maneuvered the Vulture to land in the church bell area. And the damning noise was so intense that it was going to kill them both. Spider-Man, the hero that he is, threw the Vulture outside to save himself, as he stayed to get the costume off him. The loud noise placed Peter into subconscious and is about to kill him. The symbiote removed itself from Peter Parker, but also pulled him downstairs to safety, saving his life. Peter will never know why the symbiote saved his life. Comments: This is one of the best covers I have ever come across as a kid back then. And it still resonates with me. The story... not so much. The villains are jabronis. The symbiote wasn't presented clearly, it's as if Simonson had a story concept, but got lost along the way. What came across is basically, Spider-Man versus his costume. And it came across rather flat and uninspired. The generic criminal group of Vultures could have been done away with and it wouldn't matter to the story as well. LaRocque's Spider-Man is fantastic. Action sequences were well done, it's like joining in on the action. The only drawback is his background illustration is lacking, where half of the panels is almost a complete blank background. He could've painted a better background of NYC instead of being blank.
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Post by sabongero on Apr 26, 2018 18:41:30 GMT -5
Web of Spider-Man #20.65 USD @ May 1985 "Treasures!" Writer: Louise Simonson Illustrator: Greg LaRocque Inker: Jim Mooney Colorist: D.R. Martin Letterer: Phil Felix Editor: Jim Owsley Synopsis: The Vulturions group vowed to have another rematch with Spider-Man. This time they will utilize poisoned darts from a blow gun. A week later, Spider-Man is swinging through Manhattan still thinking about his battle with his costume the previous issue. He shot a web to a pickpocket's hand preventing theft in the streets of Manhattan while he was swinging away in deep thought. And he was thinking who were the Vulturions that he encountered in the previous issue also. Anyways, he was on the way to the hospital to visit Aunt May, but not before he bought her a hat as a present. Elsewhere, the group of Vulturions were flying above the city and practiced shooting their blowguns to the civilians below with good results as they hit their targets, including a policeman on foot patrol. Meanwhile at the Daily Bugle, J. Jonah Jameson and Robbie Robertson were doing their usual argument. Peter Parker arrived and was welcomed by Jameson, as he had Peter in mind to provide pictures for a new secret publishing venture he had in mind. Peter apologized to Robbie that he didn't mean to walk in on them, while another employee came running in to report to Robbie that Vulture Men above the sky where shooting darts from the sky and almost killed the people they hit. Peter Parker went someplace to change to his Spider-Man costume and swung away in search of the Vulturions. Elsewhere, the Vulturions took to the sky, with the leader telling the crew they will have the media see them take down Spider-Man so The Kingpin can see them on television and hire them as well. And after a a while, they found Spider-Man swinging through Manhattan skyline. Unknown to him, he is being followed by the Vulturions who are keeping their distance before they pounce right where they think he'll be for someone's view. Inside a Manhattan Skyscraper, The Kingpin of Crime was watching television when he received a phone call from one of his men. He told The Kingpin that the winged Vulture Men who did the robbery in the previous issue where applying for a job with him, and they claimed they will destroy Spider-Man in his view from his skyscraper. Good news thought the Kingpin, he can get rid of that menace. And we see his softer side towards his wife, as she improved as the film they're watching made her smile, and perhaps to a recovery where she can recover her voice. He looked outside his window, and just in time to witness as the Vulturions pounched on an unsuspecting Spider-Man, whose Spider-sense warned him in the nick of time and was able to avoid the darts from the Vulturions blowgun attack. And maneuvering in the sky while gripping his webbings, he was able to take pictures of the action while pouncing and taking down three of the five Vulturions, but he got hit by a dart by one of the two remaining men, making him groggy. In a home in Queens, Aunt May is with Nate, her boyfriend, as they were talking about their financial difficulties and that she and Peter are not on speaking terms, thus Peter not knowing she has been released from the hospital. Meanwhile, back in the battle, a groggy Spider-Man continued to battle the remaining Vulturions when he dropped Aunt May's hat and elected to temporarily quit the battle to go after the falling hat. The Kingpin witness this happen and thought it was very odd. But Vanessa Fisk appeared bothered by the commotion outside, and this pissed off the Kingpin. He vowed Spider-Man will punish the Vulturions for this, if not, then he will. Spider-Man recovered the hat but got hit with another dart in his back. He maneuvered with the other arm and stuck a webbing on the other Vulturion and got the dart and threw it at him. He dropped the hat again and went after the last Vulturion and took him down but he also crashed below in the street as the hat disappeared with the wind carrying it elsewhere. Kingpin was satisfied that Spider-Man won the battle against the five winged men. And he went back to look after his wife but vowed he will take down Spider-Man one of these days, but he's glad that Spider-Man got rid of his enemies today. He ordered a chopper and left the building. Spider-Man regained consciousness an hour later and was surprised The Kingpin didn't attack him as his Skyscraper was nearby. He found Aunt May's hat, but still thought who were behind the Vulturions. Comments: This is a pretty standard group of villains that wanted to showcase them taking down a superhero like Spider-Man to gain employment with the crime lord of New York City. The battle is interesting in that it took longer than usual as Spider-Man was busy trying to recover Aunt May's hat which he kept losing during the battle. And it also show's Spider-Man's resistant to poison, even though he was groggy when he got hit by the darts and even lost consciousness. He was still able to recover consciousness. And let's not forget the deus ex-machina that Spider-Man was unconscious for an hour, and The Kingpin didn't even have someone investigate and kill and unconscious Spider-Man. Perhaps he was too concerned for his wife's welfare. Really?
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Post by sabongero on Apr 26, 2018 18:42:30 GMT -5
Web of Spider-Man #30.65 USD @ June 1985 "Vulture is as Vulture Does" Writer: Louise Simonson Illustrator: Greg LaRocque Inker: Jim Mooney Colorist: George Roussos Letterer: Phil Felix Editor: Jim Owsley Editor-in-Chief: Jim Shooter Synopsis: Adrian Toomes aka The Vulture is pissed off after reading an article in the newspaper about a group called The Vulturions who stole his idea and costume design. Prison security has concluded he was too old and Vulture weapon destroyed, well he isn't too old, and created another Vulture costume. He put it on, and then escaped the prison. He vowed to go after The Vulturions and learn how they stole his designs and kill each of them. One of the police helicopters caught up to him over Manhattan and gave him a warning before shooting him. Vulture dove down the Manhattan streets and entered a subway station, thus eluding that brief helicopter pursuit. Encountering a subway train where the conductor screeched the brakes, the Vulture flew in the narrow space between the train and tunnel roof and made it past the train. Meanwhile, in another part of the city, Spider-Man dropped in on two street criminal snatchers. He quickly webbed them up and returned the stolen purse back to the old lady, and crawled the side of the building to leave the premises. Upon reaching his camera that took pictures of the action, and Aunt May's birthday present that is the hat, Spider-Man swung over to her place but passing by the Daily Bugle he changed into his civilian clothes on the Bugle rooftop to deliver pictures of Spider-Man in action to the publisher. Flying above Rockefeller Center in another part of Manhattan, the Vulturions swoop down to break into a jewelry store to commit a robbery. The store security guards could not stop them as they hauled vast amounts of expensive jewelry in their hands and flew off gloating about being sent to prison by Spider-Man, and swiping the Vulture's wing plans, were the best thing that happened to them. Unknown to them, The Vulture was waiting patiently in a rooftop and witnessed their caper. And he flew in pursuit of the Vulturions. At the Daily Bugle, J. Jonah Jameson refused Peter Parker's pictures of Spider-Man, because it's depicting him as a hero. He wanted pictures of Spider-Man as a menace or destroying property, which he will pay handsomely for. As Peter was about to go to the Post Office to deliver Aunt May's gift, Mary Jane snagged him and told him about their lunch date. As they were walking, she suddenly told him of a radio report she heard in her walkman regarding the Vulture's prison escape. At the Vulturions' headquarters, they were talking about if Vulture reading about them in the newspapers and was probably driving him crazy. The Vulture then swooped in from a ceiling opening and attacked all members and taking half of them down before they could use their poison darts. Then he took one of the downed members and flew out and asked him how they got a hold of his designs while the others pursued behind them. During lunch at a restaurant in Manhattan, Peter Parker and Mary Jane Watson, MJ was telling Peter that was just using going to the post office to deliver his aunt's gift as an excuse, and that he really wanted to put on his Spider-Man costume and look for the Vulture. And while having a heart-to-heart talk about Spider-Man coming in between him and getting along with Aunt May, his studies, and their relationship, Peter's spider sense tingled, and he and Mary Jane saw the Vulturions and the Vulture in a battle above the glass rooftop of the restaurant, and one of the Vulturions crashed through the glass ceiling. And Mary Jane told Peter to go get another crack at the Vulturions who almost killed him in the previous issue. Peter left to go change to Spider-Man. At Aunt May's home, she and Nathan are preparing her birthday cake in the kitchen while talking about their money problems. Back over Times Square, the Vulture apparently flew to outrun the Vulturions who mistakenly thought Adrian Toomes was scared and running away from them, as he easily slipped through narrow passages between buildings and giant commercial boards. They pursued and one-by-one the Vulturions weren't as adept as the Vulture in slipping through the narrow passages, and crashed. Then Vulture swooped back in and attacked them. Spider-Man swinging through the Manhattan skyline arrived at their point of battle and joined the melee as Vulture was about to get rid of the last Vulturion. Spider-Man webbed one of the Vulturions to prevent him from plummeting to his death, and at the same time shot a web to the Vulture's feet and hitching a ride with him. Vulture flew crazily trying to get rid of Spider-Man who crashed through parts of the building rooftops but held on, including crashing through traffic lights and getting electrocuted by them. And they're back to where the downed Vulturions were, and as Vulture and Spider-Man passed them, one of the Vulturions shot a poisoned dart to Spider-Man as his spider sense went crazy knowing he can't dodge it. The dart hit Spider-Man and he webbed the remaining grounded Vulturion but groggy, he crashed into a giant add thus releasing the Vulture who continued to fly away. He fell to a rooftop and escaped to a different rooftop and blacked out. The next morning in Peter Parker's apartment, Mary Jane came in worried about Peter. Peter wanted to talk about them, and Mary Jane admitted it was her cowardice about being worried about Peter all the time that is keeping them apart. But what's keeping him from Aunt May? That night, outside her home, Spider-Man overheard Nate telling May during her birthday party that Peter was an ingrate to forget her birthday and didn't even send a birthday greeting or present. Spider-Man thought he was right, and rang her doorbell and left he birthday gift on her doorstep. Aunt May opened the door and was pleasantly surprised to see the wrapped birthday present and greeting card that bought a smile to her face from her nephew who witnessed hidden behind a tree. Comments: It's great to read these retro-stories of Spider-Man, and other comic books in the previous couple of decades. We get to read and see relics of the past being used by the characters. For example, the walkman that Mary Jane was listening too, the non-digital camera using vintage films that are developed in a dark room, the newspaper Adrian Toomes read, and the analog clock radio in Aunt May's kitchen. This is a standard Spider-Man action fight scenes as a drama developed over him getting a birthday present in time to his Aunt May. You have the relationship drama between Mary Jane and Peter, and the brief interlude between J. Jonah Jameson refusing heroic portrayals of Spider-Man, instead wanting Spider-Man portrayed as a villain doing dastardly deeds. That never gets old. All these dramas appeal to readers, because they can see Spider-Man having the same problems they have in real life, even though he had superpowers. We also realized, not all is kosher in the super-villain community. Young criminal punks cannot really stand up to the legacy of original gangsters.
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Post by sabongero on Apr 27, 2018 19:03:36 GMT -5
Web of Spider-Man #40.65 USD @ July 1985 "Arms and the Man" Writer: Danny Fingeroth Illustrator: Greg LaRocque Inker: Vince Colletta Colorist: Julianna Ferriter Letterer: Phil Felix Editor: Jim Owsley Editor-in-Chief: Jim Shooter Synopsis: In the evening somewhere in NYC, Spider-Man followed the criminals to their warehouse headquarters. He webbed up the warehouse lift gate, and then projected his belt's Spider-beam warning the criminals. Then he took them out one-by-one in the dark as he was too fast for them. They were shooting and missing while Spider-Man connected with his punches and kicks while providing the classic Spider-Man wit. He took down everyone with the exception of one who took one of the trucks and tried running Spider-Man over, which he avoided. The truck crashed through the gate and escaped in the streets of NYC with Spider-Man in pursuit and attaching himself to the truck's roof. The driver tried to get rid of Spider-Man by ramming the bottom part of an overpass ahead, but Spider-Man's spider sense warned him in advanced and commenced a maneuver where he ended up kicking the driver off his seat and driving the truck to a stop causing more damage, and waited for the arrival of a police car who can then secure the knocked out criminal. Again, Spider-Man retrieved his camera which was webbed up to a side of a building which took pictures of Spider-Man in action. He took the pictures the following day to the Daily Bugle. He had a little chit-chat with Betty Brant, not letting her know he knew she had bigger problems. He then proceeded to Robbie Robertson's office, who turned down the pictures he was selling because the quality of the lighting at night won't even print well in the newspaper, besides seeing the same thing of Spider-Man taking care of two-bit hoodlums. On his way out, Peter dropped the pictures because he bumped into J. Jonah Jameson who picked up the pictures and liked what he saw. If the pictures can be portrayed with Spider-Man as a menace, he can use these pictures for his special project in reviving Now Magazine. He can feature double paged spreads showcasing Spider-Man as a menace. Downstairs, Peter couldn't stand working for JJJ again, but he can actually make a bundle of money. Perhaps he should invest on better camera equipment and take a photography course in ESU to strengthen his photography skills and be serious about it. In a south Brooklyn psychiatric facility, Dr. Octopus is having a therapeutic session with one of the psychiatrists. It appeared to be progressing well and being productive Dr. Octopus can be released. We find out that Reed Richards tried to help him get started to a more productive and rehabilitated life, until his obsession with Spider-Man put an end to all that. At this time he's confused but the psychiatrist is endeavoring to help the super-villain be mentally rehabilitated in order to rejoin society in general. Other workers in the facility thinks it would take a miracle to rehab Doctor Octopus. Escorted to his room, Dr. Octopus slept but then woke up and saw a spider and its webs in the corner ceiling. This brought him a flashback battling Spider-Man and losing to him in their most recent battle, and his experience of seeing the Molecule Man's enormous power of bringing them home from the Secret Wars world. His hallucinations caused his robotic octopus arms to power up and react since he is linked to them psionically. The eerily crazed movements of the secured robotic arms were not taken seriously by the facility's guards, downplaying them and will not hurt anyone. Meanwhile Dr. Octopus's paranoia gets the best of him as the spider before him brought back memories of Dr. Octopus being tortured by being trapped in webbings. The robotic armed crashed through a wall and broke free, while Dr. Octopus regained his super-villain rage and squashed the spider in his hands, bringing the psyche of the super-villain Dr. Octopus back to life. At the same time, the robotic octopus arms broke through another wall making its way to the corridors. Guards sounded the alarm, and more armed security guards rushed to where the robotic arms escaped the maximum security holding cells. They battled it but to no avail. It took down several of the guards, then broke out of the building and into the streets. Doctors and orderlies went to Octavius's room and injected him with a sedative thus putting him to sleep. Meanwhile, in the streets of NYC, the robotic octopus arms made its way to Brooklyn while leaving a carnage and mess in its wake, including downing police officers, and taking down cybernetic battle armored law enforcement personnel. At the Brooklyn psychiatric facility holding Dr. Octopus, law enforcement now knows the robotic octopus arms are heading their way, and get ready to try and guard and prevent the Dr. Octopus being sprung by using S.H.I.E.L.D. weaponry. In Lower Manhattan, Peter Parker tried to buy more expensive camera equipment but couldn't afford it. He overheard on a radio broadcast regarding the robotic octopus arms causing havoc in the streets of NYC. He left money and took the gadget with the police band broadcast and changed to his costume and swung to pursue the problem, as he swung towards the Brooklyn Bridge to crossover. Meanwhile, the robotic octopus arms arrived and broke an unconscious Dr. Octopus out of the holding cell with the armed guards and law enforcement unable and inept to preventing this break out. Spider-Man arrived at just about the same time and battled the robotic octopus arms, but it caused ceilings to collapse on workers. Spider-Man allowed it and the unconscious Dr. Octopus to escape as he held and prevented the collapsed ceiling to crush and kill the workers on the floor. In a an empty apartment room, Dr. Octopus slowly woke up, and he summoned his robotic octopus arms to come to him. He realized he subconsciously called them when he had the hallucinations. These were the instruments that have saved him, and has also been the instrument of defeat, suffering mental anguish and repeated wretched defeats at the hands of Spider-Man. He can go back to the psychiatric hospital and digging deep within himself can cure him and become the peaceful scientist he was before, but the tempting power of the robotic octopus arms, the power to make others afraid and fearful, the power of Doctor Octopus is too hard to refuse. He shall attain the peace of mind he craved... after the death of Spider-Man Comments: Spider-Man takes a backseat in his series this issue, as the central figure in the story is Doctor Octopus. Aside from being a super-villain, he is also a sympathetic character. We found out other superheroes like Reed Richards of the Fantastic Four tried to help Octavius in the right path to mental recovery in order to rejoin society as he was before becoming a super-villain. Unfortunately, his paranoia and obsession with Spider-Man, coupled with his psionic connection with his robotic octopus arms will always prevent him from total rehabilitation. Deep down he wants to be back to the normal peaceful person he was before, but he is mentally unhinged and prefer to surrender himself to the strong temptation of making people tremble at the power of Dr. Octopus. Ironically, there is only one thing that can bring him peace of mind, the death of Spider-Man.
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Post by sabongero on Apr 30, 2018 7:57:37 GMT -5
Web of Spider-Man #50.65 USD @ August 1985 "The Enemy Within!" Writer: Danny Fingeroth Illustrator: Jim Mooney Inker: Greg LaRocque Colorist: Bob Sharen Letterer: Phil Felix Editor: Jim Owsley Editor-in-Chief: Jim Shooter Synopsis: Newspaper articles printed headlines of Dr. Octopus escaping, and then having his own gang and going on a crime spree. Spider-Man swinging through Manhattan and deep in thought about Dr. Octopus and why he's not coming after Spider-Man, saved falling workmen on the side of a building without breaking a thought, and swinging away continuing his thoughts on Dr. Octopus avoiding him including their time in the Secret Wars world. At a theater, Dr. Octopus's new HQ, his men put the finishing touches on a Spider-Man robot, while talking about how the other henchmen didn't return to their boss's side after he broke out. His last tangle with Spider-Man rattled him, and avoiding the superhero. These two henchmen didn't mind as long as their crime spree is successful and their pockets always full of money. Then they sent the robot Spider-Man to tangle with Dr. Octopus who practiced fighting with it. It was almost as good as the original Spidey, getting the best of Dr. Octopus at times, but at the end, Dr. Octopus stood triumphant over the robot Spider-Man. His henchmen cheered at his confidence in defeating this robot, but they didn't believe he had the nerve to take on the genuine Spider-Man. Elsewhere, Spider-Man in his black costume just returned from a web-sling adventure (covered in Peter Parker Spectacular Spider-Man #104) and returned to his apartment and immediately made some more new batches of web fluid. He called Aunt May who wasn't in but got Nathan instead, who disclosed their money problems to Peter. After hanging up, Peter showered and left his apartment thinking he doesn't know where to find Dr. Octopus, but knows where he can find some money to help out Aunt May. A little later, at the Daily Bugle, Peter tried to talk to JJJ about the new picture gig he was supposed to get for the NOW Magazine revitalization, but Jonah didn't mind him excusing that he needed to concentrate on the NOW Magazine execution, thus dragging his feet in helping out Peter with a job. Peter was also immediately seen by Robbie Robertson by being told by Robbie there's a new city editor he has to go to immediately. Peter went to the new editor's office thinking it's a guy and another channel in the newspaper for him to hurdle and go through in order to sell pictures. He was surprised the new city editor is a female named Kathryn Cushing, who gave him orders that all his picture assignments will come from her. She told him he has a specialty in having a knack for getting into tight places to get exclusive photo shots. She wanted pictures of a tight guarded Schavian Embassy conference with photo shots of the ambassadors. He told her he's on his way. Peter passed by a bank to get money for camera film, but it was closed, so he headed for the bank's ATM machine where he withdrew the small amount he had in the balance, but the ATM machine handed him almost ten times the amount, surprising him and his good fortune. Then his spider-sense went nuts and he avoided a projectile that hit the bank and exploded. Ducking the projectile he dropped his money and it was blown away. Down on the ground, he witnessed Dr. Octopus and his cronies enter the bank where the gas grenade blew an entrance. At last Peter found Dr. Octopus. He went inside and seconds later was in his Spider-Man costume taking down the henchmen while evading their gunshots. He knocked all of henchmen out and was headed for the open vault, but a woman bank teller asked for help because she was hit by a gunshot earlier and was losing a lot of blood. He rushed to her side reassuring she'll be okay, and with her in his arms he swung away to take her to the nearest hospital for immediate medical attention. After a while, inside the bank, all the henchmen are conscious again, and Dr. Octopus emerged from the Vault upset with his cronies they didn't tell him that Spider-Man was in the premises a little earlier. They left the bank after looting it, but unknown to them, Spider-Man attached a spider tracer to one of the henchmen's belts. Later on, at the Schavian Embassy, Spider-Man crawled in the building's ventilation system while trying to make his way to the conference room. And he finally found it after getting lost in the ventilation system. He took out his camera and started taking pictures of the ambassadors in conference. He then overheard security placing a guard at the various vents, and Spider-Man has to sit and wait before leaving so that he doesn't get caught. Later on, Dr. Octopus and his goons broke into the Daily News and in the main room demanded to see Spider-Man. The new city was left in charge and she spoke to Dr. Octopus who demanded she put out a message he's holding the Daily Bugle and its staff hostage unless Spider-Man showed up. Spider-Man no showed after a couple of hours, and this angered Dr. Octopus who destroyed some appliances courtesy of his robotic octopus arms. Later that evening, Spider-Man finally left the embassy undetected. A couple of minutes later in his civilian clothes, Peter Parker called the new city editor of the Dauly Bugle and found out about the situation there. He hung up and changed to his superhero costume in an alleyway and swung towards the Daily Bugle. Dr. Octopus ran our of patience waiting for Spider-Man, his waiting helicopter arrived and he grabbed the new city editor with a robotic octopus arm and went out through the window to board the helicopter hovering on the side, and his henchmen followed. Spider-Man later arrived at the damaged war zone like atmosphere of the Daily Bugle main office only to be told of what happened by the staff. JJJ suddenly arrived mouthing off that Spider-Man is responsible for all the collateral damage and Spider-Man left and went through Manhattan dealing with a frustrating search for the villains. Swinging by the lower Manhattan docks he received a buzz from the spider tracer he tacked on a henchman earlier. And he found him with another henchman, then flashed them with his spider-beam from his belt and they were startled that Spider-Man is there. Meanwhile inside one of the warehouse, Dr. Octopus is practicing a battle with the Spider-Man robot and again defeating it. But then Spider-Man is behind him, and Dr. Octopus mistook him for the robot version he has been practicing and secured Spider-Man in his robotic octopus arms. Then Spider-Man's witty banter started, and Dr, Octopus froze and realized it was the real Spider-Man in his clutches. And Spider-Man broke free from his clutches. Now free, Spider-Man is bewildered that Dr. Octopus is still frozen when he already won and capture Spider-Man until he found out he was the genuine article which put him in a catatonic shock. Nevertheless Spider-Man went to save a tied up Kathryn Cushing, the new editor. But Doc Ock's henchmen were there and armed confronted Spider-Man who appealed to them to take a look at their frozen leader. Is that someone who would pay their paycheck, and is it worth it to put their necks on the line for him in this state? They agreed with Spider-Man that they'll leave the premises and not get capture and will leave Dr. Octopus who is still catatonic. A little later, the law enforcement officials and Dr. Octopus's lawyer arrived to take Dr. Octopus away. Spider-Man was about to destroy Otto Octavius's robotic octopus arms, when he was prevented by Otto's lawyer citing that Spider-Man can't do anything to the robotic arms without a court order and Octavius is a citizen with rights. Spider-Man said he'll destroy it and they can sue him, but the police officers with guns drawn and pointed at Spidey, told him, it's a rotten deal, but they have their orders to enforce it, including what the lawyer just said. Spider-Man told them it's a mistake and he took off, but not before coming across his Spider-Man robotic double which he briefly thought about keeping until, he decided to destroy it to prevent anyone else from using it. As he swung away from the docks he couldn't feel sorry feeling sorry for Dr. Octopus, seeing him in that state is sad. The following morning, Peter was in Kathryn Cushing's office handing in the photographs that he took as Spider-Man from the ventilation chambers. She told him the wire mesh is going to prevent her from publishing it as the wire meshes would prevent the pictures from showing up in the printed newspaper, so she elected to take pictures from another photographer who only took pictures of limousines pulling up to the embassy which would print in the newspaper. Outside, down on his usual "Parker Luck," Peter wished that just once, that he'd have a happy ending. Comments: There's a new boss in the Daily Bugle, and she is straightforward, but not as colorful as J. Jonah Jameson, or as sympathetic as Robbie Robertson. Dr. Octopus is a dangerous and worthy villain but appeared to be mentally broken by his last encounter with Spider-Man. And this was proven as he overpowered the fake robot Spider-Man in practice battles, but when victorious against the real Spider-Man and finding out he's the genuine article, slipped into a catatonic state, thus letting the victory he has been craving for, slip from his fingertips. Henchmen are always changing their loyalties. They are loyal as long as their boss makes them money. But once their boss fails them, their loyalty to their boss immediately disappears as in the case of the conclusion in this issue where Spider-Man was able to talk them out of fighting for a catatonic Dr. Octopus. And the "Parker Luck" is still in effect. Will he actually get his wish of having a happy ending in a future issue? Maybe.
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Post by rom on Apr 30, 2018 21:20:32 GMT -5
Thanks for taking the time to post the reviews & cover pics., etc. of WOSM. I was a mild fan of this series back in the '80's - I remember collecting the first several issues, but remember keeping up more with the ASM & PPTSSM titles (I couldn't collect all three at the time).
The iconic Charles Vess painting for the issue #1 cover is amazing; this is fantastic, and I could easily see this framed in a museum - it's that good.
I would definitely be interested in a series of Omnibuses - or Trades - collecting this entire series. AFAIK, Marvel has never collected this series in color.
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Post by sabongero on May 1, 2018 0:44:45 GMT -5
Thanks for taking the time to post the reviews & cover pics., etc. of WOSM. I was a mild fan of this series back in the '80's - I remember collecting the first several issues, but remember keeping up more with the ASM & PPTSSM titles (I couldn't collect all three at the time). The iconic Charles Vess painting for the issue #1 cover is amazing; this is fantastic, and I could easily see this framed in a museum - it's that good. I would definitely be interested in a series of Omnibuses - or Trades - collecting this entire series. AFAIK, Marvel has never collected this series in color. I definitely agree with you on the first issue cover. It's definitely iconic in its own way, and stands the test of time, even when it is viewed by current fans. I think Web of Spider-Man has been collected only on one of those black and white Essential Spider-Man collections in the later volumes in printed matter form delivery application. But other delivery application such as Comic Book DVD collection for sale can be found in the internet if you look it up and purchase it if you find it. I hope someone continues the ASM reviews, and some would be interested in starting a PPTSSM review as well.
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Post by sabongero on May 1, 2018 11:21:21 GMT -5
Web of Spider-Man #60.65 USD @ September 1985 "Gold Rush!" Writer: Danny Fingeroth Illustrator: Mike Zeck Inker: Mike Zeck, Bob Layton, Dave Simons, Jim Mooney Colorist: Bob Sharen Letterer: Phil Felix, Rick Parker Editor: Jim Owsley Editor-in-Chief: Jim Shooter Synopsis: Wilson Fisk is with his men regarding materials needed to be tested, and to prevent a Depression Era, and at the same time make a profit. He arranged to make a call to a certain contact. Elsewhere that night in Manhattan, Mary Jane is unable to sleep, thoughts about why being a bachelorette isn't as appealing now as someone with a husband, kids, and a house. But she had a shot with Peter Parker and she couldn't have asked for a better catch, but she figured out he's Spider-Man, and she knew she couldn't marry him because he may not come home alive one day. As she went to the kitchen to get some coffee these same thoughts crossed her mind, even when she went back to bed. Outside her window, she saw that there is a big fire several blocks from her and it's blacked out too, and wonder what is going on there. At Park Avenue, a office building made of steel and glass was transformed into the impossible, transformed into gold. This was witnessed by Spider-man. It couldn't support its own new increased weight and collapsed on itself sank thirty yards into the ground, causing the fire and black smoke that MJ saw in the foreground from her apartment window. The disrupted electricity for miles around, ruptured gas, ruptured water mains, flooding, explosions, was watched by an unbelieving Spider-Man. He recalled how it happened. The Beyonder appeared to him in human form and asked Spider-Man about understanding being human. Then, the Beyonder summoned Power Man & Iron Fist in its attempt to quench its thirst for understanding. Luke Cage told him life is about cash, and anyone can get just about anything, and without it, nothing. The Beyonder basically told them, "Multiplicity results in incompleteness! Incompleteness results in desire! Desire may be sated, but some must pay! Cash is for paying! Cash stands for gold, of which there is not enough! I... understand!" And with that the Beyond touched the side of the building and turned it into solid gold, then the Beyonder, Power Man, and Iron Fist disappeared. And now back to the present, Spider-Man is challenged with saving the people inside the building. He used his wall crawling ability, gadgets (Spider-beam light from the belt), and proportionate super strength of a spider going through every inch of the building, moving and ripping golden walls to help surviving security guards that are trapped. The building transformation to solid gold was witnessed by many New Yorkers surrounding it, from lovers on a date in a building rooftop, to drunk drivers who crashed into each others cars because of intoxication, to greedy people who want to get a closer look at the collapsed solid gold building on fire. But the majority of others were not bothered my the chaos and noise, and slept through the night. Meanwhile, Kingpin just got off the phone with Bainbridge, an official in Washington D.C. to have hundreds of his men to take care of this problem since there's going to be chaos and panic, and the federal government forces are taking too long to be mustered. Kingpin won't allow his city, his economy, to be be jeopardized. Bainbridge walked into the office where government officials were burning the midnight oil in a meeting, and advised them the bargain has been done with the devil. The man in charge was adamant they stay calm in this crisis, and more plans are made in Washington D.C. Meanwhile, police squad cars arrived at the disaster scene in Park Avenue. Inside, the restless Spider-Man continued to rescue trapped security guards throughout the collapsed building. The policemen outside can't believe there aren't any mob of people with picks and axes approaching the building to get a piece. It changed quickly as hundreds of people gathered around the disaster area of the collapsed solid gold building. The policemen with guns drawn tried to keep them back. But what is a few armed policemen going to be able to do against several hundred armed goons now approaching the solid gold building. A newly arrived government agent, Charles Anderson, who brought along a lot of armed men behind him, told the couple of police officers that he'd like them and these men to form a a human barrier around the area. Another man in a suit arrived claiming he's the building's owner, and was happy that his building has turned to its worth after seeing it made of solid gold. Unfortunately for him, Anderson told him he has a government check for him, the building owner, made in the amount of a generous assessment of the value of the building and property in its original condition. But the building belongs to the federal government now, with the building owner trying to disagree with him. Spider-Man emerged from the building with the men he rescued and noticed some of the Kingpin's goons in the crowd and wondered what's going on. And Spider-Man witness the building owner dragged by two men, whom the government agent said will explain to him that national and world security is at stake here. Agent Anderson saw Spider-Man who is curious about how roughly they treated the building owner, told the Webslinger to take off from government property. Spider-Man agreed as soon as he sees anybody else needed rescuing, which the agent told him, they'll take care of and they'll take that responsibility. Spidey was about to tell him off when his spider-sense was going off stronger than usual. Big danger! Spider-Man dodged multiple bullets fired his way, and he jumped back inside the collapsed building. The agent told him they're not playing around, then he told his men to hold their fire. In Aunt May's house, May told Nathan she wished that he didn't tell Peter about their money woes. She thinks he's worry-prone, unlike them old folks. Later on, back at the now federal owned collapsed solid gold building, it is now surrounded by army tanks, helicopters overhead, constriction equipment vehicles, ambulances, and various media newspaper reporters covering the event trying to find out whether the various rumors are true about nuclear waste spillage to terrorist attack to space invasion. Rumors don't concern the Amazing Spider-Man. He worked through the night up to just before dawn rescuing many people from unconscious children, to men and women pinned by fallen debris, and unfortunately, to people that was too late to be saved and are recently decease from this tragedy. Getting just about everyone out of the building that needed rescuing, Spider-Man sat inside the building at dawn contemplating the events of the night, and surrounded by gold and thinking it all belonged to the government now, while the police and Kingpin's goons shot at him while rescuing these people, why couldn't that agent offer him a couple of gold coins for thanks instead of having his men and goons offer him lead bullets instead. He saw a garbage can and saw a lead notepad. Someone threw it in the garbage, if he took it, could he be prosecuted for taking garbage? He still rationalized it would be stealing. Then a trapped person asked for help, but his pockets were full of his things which were now gold. He refused to relinquish it after Spider-Man told him he had to leave it as it is no longer his property, and the ceiling suddenly collapsed. After a few seconds, Spider-Man lifted the heavy golden rubble from them, and the man left his golden items, to which Spider-Man told him to tell himself its for the greater good, almost believing what he said himself. Outside, the dismantling of the building continued when one of the soldiers told agent Anderson the individual he wished he didn't meet just arrived in a limousine as Anderson approached it. Spider-Man was webbing rescued people down from the top of the building and finished swung away, but noticied the limousine and overheard Anderson and the man talking, and the word "Fee" was mentioned. And Spider-Man recognized the incognito man's voice. The Kingpin. He told Anderson that several golden typewriters his men are probably bringing out now, would cover his expense for his timely assistance to the government. Pissed off, Spider-Man swung back inside the building, that criminals like the Kingpin are rewarded golden typewriters while he gets shot at for saving people, no thanks to J. Jonah Jameson's hate campaign against him by the Daily Bugle. And Kingpin being the most successful criminal in NYC gets rewarded millions of dollars by the government for being corrupt. He dug out the golden notepad from the garbage can earlier and took it thinking he's getting his now. As the limousine carrying the Kingpin drove away from a dejected looking agent Anderson, Spider-Man called to him and told off Anderson. And no, he's not going to chase after Kingpin because what was a crime, is now government sanctioned criminal activity is rewarded by the government, while he, Spider-Man, gets shot at for rescuing and saving all those people that got hurt. He took out the golden notepad and told off Anderson that he's rewarding himself, and swung away amidst the super-busy activity going on the area (ambulance crews taking in injured people and loading in ambulances, army personnel on radio, other army personnel busy giving orders and directions regarding the building, while a dejected agent Anderson looked up to a Spider-Man swinging away from the premises, where only the two of them know what actually happened there. Comments: This is a Secret Wars II tie-in, as the story in this issue followed after what happened in Secret Wars II issue #2. Secret Wars II gets a lot of crap and negative reactions throughout the internet. But I recall as a kid reading them being fascinated by the omnipotent Beyonder, and trying to be human commits follies by someone who is trying to understand what it is like to be a person, but with the total power of an omniscient being. Web of Spider-Man continued to show why people in general would rather read a Spider-Man story and why it is so popular among its readers. We have Spider-Man who is saving people and yet instead of being rewarded, is punished and almost killed by the government. He tried to do the greater good, but at the end did what we all wanted to do. Stick it to the government and reward ourselves. Not too much, but just enough to make it worthwhile. What is also endearing about Spider-Man, is his supporting characters. He is so much loved by his relatives, and his eventual wife (which will be retconned by Mephisto decades later as ordered by Marvel Editorial chief & co.) Mary Jane. They try not to burden him with their problems, even though he knows about it.
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Post by chromehead on May 1, 2018 17:28:37 GMT -5
Looking forward to reading through this thread.
I think the first issue of Web I ever read was #16, the first of the three-part tale set in Appalachia that sees Spider-Man going missing by the end (hence the "Where Is Spider-Man??" motif on the comic covers for a month).
Then my parents got me a subscription to both Amazing & Web, when Spec was really the one to be reading. I never got to read the conclusion to "Kraven's Last Hunt" in Spec until several years after, when I ordered the back issue.
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Post by sabongero on May 2, 2018 1:57:14 GMT -5
Looking forward to reading through this thread. I think the first issue of Web I ever read was #16, the first of the three-part tale set in Appalachia that sees Spider-Man going missing by the end (hence the "Where Is Spider-Man??" motif on the comic covers for a month). Then my parents got me a subscription to both Amazing & Web, when Spec was really the one to be reading. I never got to read the conclusion to "Kraven's Last Hunt" in Spec until several years after, when I ordered the back issue. The thing I remember about this time is when Spider-Man's alien black costume was really so popular, and a revolutionary look on Spider-Man ever since Amazing Spider-Man #252 debuted it. It just captivated readers like me. And as a kid at the time, I was just drawn to it. Compared to the red and blue costume, the alien black costume gave Spider-Man an edge. It was just a really really cool look.
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Post by chromehead on May 2, 2018 11:20:04 GMT -5
Looking forward to reading through this thread. I think the first issue of Web I ever read was #16, the first of the three-part tale set in Appalachia that sees Spider-Man going missing by the end (hence the "Where Is Spider-Man??" motif on the comic covers for a month). Then my parents got me a subscription to both Amazing & Web, when Spec was really the one to be reading. I never got to read the conclusion to "Kraven's Last Hunt" in Spec until several years after, when I ordered the back issue. The thing I remember about this time is when Spider-Man's alien black costume was really so popular, and a revolutionary look on Spider-Man ever since Amazing Spider-Man #252 debuted it. It just captivated readers like me. And as a kid at the time, I was just drawn to it. Compared to the red and blue costume, the alien black costume gave Spider-Man an edge. It was just a really really cool look. Personally, I was 5 or 6 years old, DeFalco / Frenz on Amazing Spider-Man were the first issues I ever remember being bought for me (the Puma arc). I actually disliked the black & white costume at the time because I loved the red & blues so much and wanted to see that. So frequently, my parents would bring me home a comic where he would be in the red & blues on the cover, and in the black & white inside the comic, and I disliked that. Spider-Man would alternate between the regular costume & the non-symbiote version of the black costume (up until ASM #300, of course). Over time, I began to appreciate the black costume, it's wonderful. I would say it's the greatest alternate costume any major superhero in comics ever got. This was also an incredible era to be reading the Spider-Man comics, so much great stuff going on.
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Post by sabongero on May 2, 2018 17:28:14 GMT -5
The thing I remember about this time is when Spider-Man's alien black costume was really so popular, and a revolutionary look on Spider-Man ever since Amazing Spider-Man #252 debuted it. It just captivated readers like me. And as a kid at the time, I was just drawn to it. Compared to the red and blue costume, the alien black costume gave Spider-Man an edge. It was just a really really cool look. Personally, I was 5 or 6 years old, DeFalco / Frenz on Amazing Spider-Man were the first issues I ever remember being bought for me (the Puma arc). I actually disliked the black & white costume at the time because I loved the red & blues so much and wanted to see that. So frequently, my parents would bring me home a comic where he would be in the red & blues on the cover, and in the black & white inside the comic, and I disliked that. Spider-Man would alternate between the regular costume & the non-symbiote version of the black costume (up until ASM #300, of course). Over time, I began to appreciate the black costume, it's wonderful. I would say it's the greatest alternate costume any major superhero in comics ever got. This was also an incredible era to be reading the Spider-Man comics, so much great stuff going on. I think if the black and white costume was utilized with crime fighting that occurred at night and in the shadows, and partnered with an artist that stylized in crime noir like let's say Alex Maleev, that would have suited a great mood utilizing that particular costume. But it wasn't.
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Post by rom on May 2, 2018 19:44:56 GMT -5
I was never a big fan of Spider-man's black costume. I was a kid when these issues first came out, and even then I always felt it was just a "gimmick" to sell comics, and possibly bring in new readers. Yes, it looked fairly slick, but I strongly preferred the original red & blue costume. I actually started to drift away from the SM comics around '85 - partially due to the black costume. That being said, as I got older I appreciated these comics more than I did when they originally came out.
Yes, WOSM was collected in one b&w Essential phone book volume back in the 200X's. However, I never got this due to the b&w aspect; the SM comics especially need to be reprinted in the original color to be fully appreciated.
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Post by chromehead on May 2, 2018 19:57:34 GMT -5
Personally, I was 5 or 6 years old, DeFalco / Frenz on Amazing Spider-Man were the first issues I ever remember being bought for me (the Puma arc). I actually disliked the black & white costume at the time because I loved the red & blues so much and wanted to see that. So frequently, my parents would bring me home a comic where he would be in the red & blues on the cover, and in the black & white inside the comic, and I disliked that. Spider-Man would alternate between the regular costume & the non-symbiote version of the black costume (up until ASM #300, of course). Over time, I began to appreciate the black costume, it's wonderful. I would say it's the greatest alternate costume any major superhero in comics ever got. This was also an incredible era to be reading the Spider-Man comics, so much great stuff going on. I think if the black and white costume was utilized with crime fighting that occurred at night and in the shadows, and partnered with an artist that stylized in crime noir like let's say Alex Maleev, that would have suited a great mood utilizing that particular costume. But it wasn't. Well, having Peter in the black Spider-Man costume fighting crime at night is what editor Jim Owsley wanted for Peter Parker: Spec, and they did some of that. No Maleev back then, though.
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