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Post by rberman on Aug 23, 2018 23:33:48 GMT -5
#26: “Legion” (April 1985) Focus Character and Theme: Love child, never meant to be The Story: In a five page prologue, Tom Corsi and Sharon Friedlander are hanging out on Muir Island when an explosion sends them into a catatonic state. Its source is David, a teen resident of Moira’s facility who displays fire and telekinetic powers. The next day, Professor Xavier arrives on the island with Dani, Rahne, Doug, and Warlock in tow. Xavier has been called to probe the mind of Moira’s patient David, whose mother Gabrielle Haller is a former lover of Xavier. We know, but Xavier does not, that David Charles Haller is Charles Xavier’s son. Xavier attempts to enter David’s mind but is forcefully ejected after seeing a screaming young Middle Eastern man. A two page sequence at the Massachusetts Academy shows Emma Frost disciplining Empath for messing with Firestar’s mind. Emma pretends to be enthralled by Empath’s emotion-manipulating powers. As he swoops in to kiss her on the lips, she delivers a throat punch and a threat that he’d better toe the line in the future. Down on the quay of a nearby mainland village, the four kids have a brief but unpleasant encounter with Rahne’s former guardian Reverend Craig flanked by a dour mob. He has some choice “Spawn of Satan!” invective for Rahne. The teens decide not to go ashore after all and return to Muir Island. On R’lyeh in the Bermuda Triangle, Magneto has a nightmare (about his previous adventure with Xavier and Gabrielle Haller?) which causes him to levitate his bed outside the building, threatening to drop him “a thousand feet” into the sea. Lee Forrester intervenes and saves him. The two of them begin kissing passionately, and things go from there. Rahne is jealous of Moira giving attention and affection to Sean Cassidy. Later that night, Rahne sneaks out of bed to Moira’s lab, in need of a pep talk from her mother-figure. They suffer an explosion like the one that incapacitated Tom and Sharon earlier, as the vision of a boy appears before them with a futile warning in Arabic which they cannot understand. My Two Cents: Gabrielle Haller debuted in the flashback issue X-Men #161, which depicted Xavier and Magneto fighting side by side to prevent Hydra from stealing Nazi gold. This issue was a key step in Chris Claremont’s rehabilitation of Magneto into a tragic hero. It also showed Xavier falling in love with a young Israeli woman who had PTSD from her experiences in the Dachau concentration camp. So Claremont has been setting up the Legion storyline for quite a while. In fact, we already saw Gabrielle confess David’s paternity to Moira and Illyana back in New Mutants #1. Pretty bold of Gabrielle to spill her secrets in front of a teenaged girl! Not telling Xavier this crucial information before he begins the psi-probe of David is the height of lunacy. Claremont is in full-on soap opera mode, with pages of dense text conversations establishing motive, backstory, and the character’s many thoughts about each other and themselves. This is the second time that one of Xavier’s old girlfriends has a son who becomes out to be a mutant menace, the first one being Proteus. This time, Claremont adds on the “secret paternity of the hero” trope. But Claremont turns this repeated story into a plot point; Gabrielle Haller says that she avoided calling Xavier about David, for fear that the X-Men would blaze in and kill him like they did Moira’s son. Corsi and Friedlander are still Native Americans in body but not mind. He’s able to powerlift half a ton; she is said to be a paragon of physical perfection as well, but we see no evidence of this. At first, it seemed that they would be Peter Corbeau/Lee Forrester type recurring characters, but I guess they are just red shirts, fodder for the villain to show how bad he is. Why did Xavier bring any students to Muir Island? Rahne makes sense, because Moira was (and probably still is) her legal guardian. I suppose Warlock came because Moira and Xavier were already analyzing him in Westchester during the Cloak and Dagger storyline. Warlock is too alien to take offense at being a lab rat. There’s also a two page background gag in which he prattles in pictogram about a black bird before revealing that he thinks the Blackbird airplane is sentient. Sienkiewicz’ version of “Warlock tries to look human” is far more disturbing and likely than Bob McLeod’s perfect specimen in the New Mutants Annual was. Doug’s presence is more difficult to explain. He’s now called one of “Xavier’s novice students,” though we never saw Xavier invite him to the school. He was just Kitty’s townie boyfriend who got invited by Sam to help once with Warlock, then got dragged to the Dyson Sphere by accident. Doug’s thoughts on all he’s seen: “This is great! It’s been one adventure after another! I can’t wait to see what happens next!” He hasn’t seen any of his friends hurt and suffering yet. After Doug is taken aback by Madrox, Dani sarcastically tells him, “Some adventure, huh Doug?” I can’t wait to see what happens next.” As usual, comic books get an “F” in psychiatry. Claremont’s description of David Haller mixes autism (a lack of empathy and human relationship) with schizophrenia (hallucinations and lack of ordered thinking) with dissociative personality disorder (the split personality disease so common in fiction but not real life). Also, Xavier talks about “the trauma that made him autistic” at age ten. Autism doesn’t work that way; it’s congenital, becoming obvious when the child fails to socialize normally as a toddler. Bible literacy is not what it was thirty-five years ago, but most readers at the time would have immediately recognized Legion’s name as a reference to a deranged superman in the Gospels: Speaking of disturbing, Empath’s scene with Emma frost is shocking for several reasons. First, that Empath thought he could control Emma. Second, that he would use that supposed control to attempt to rape her. Third, that she lets this predator off with just a punch and a warning. If he’s confident enough to do this to her, how many of his fellow students has he already victimized besides Firestar? And, this being the early 80s, how many STDs is he carrying? “Empath gets AIDS” would have been an interesting story. And finally, who is “Firestar”? We’ll talk about her cartoon origins later, but this was her first Marvel Universe mention as far as I know. Clearly this issue was supposed to tie in with the Firestar mini-series which finally made its debut in March 1986. Obviously something went very wrong in the Marvel production offices to cause this massive continuity disjunction, which also included X-Men #193. We also learn that Empath is an entitled brat from the upper echelons of Spanish society: “Nobody addresses a De La Rocha in such a manner. We do not obey - We are not lackies – We command!” Emma Frost on the other hand comes off better than usual, berating Empath’s “cruelty,” albeit she’s mostly mad that her own designs for Firestar have been undone by his blundering. Still, it’s the beginnings of the journey that Emma would take from villain to conflicted hero. The Reverend Craig scene takes place on the docks of Ullapool a city said to be “on the western coast of Scotland.” Eh, sort of. It actually sits halfway down on a long inlet, Loch Broom, along the jagged northwest coast of Scotland. Isle Martin nearby is about 0.25 square miles in area and has no village; that’s probably “Muir Island.” Throughout the issue, Xavier encounters a huge wall of regular bricks inside David Haller’s mind. These images could not have easily been generated a couple of years earlier, but in January 1984, Mac Paint was released for the first generation of Macintosh personal computers, featuring a “fill paint” feature that could generate highly detailed and regular patterns along a handful of presets. Guess what one of them was? Yep, brick wall. If that's how Sienkiewicz generated the brick walls here, then this is one of the first examples of computer graphics in mainstream comic books. Meanwhile in X-Men (#192): Kitty and Logan return from Japan. Warlock’s father Magus arrives on earth and tangles with Rogue. Months later around Christmas, Xavier is assaulted after giving a lecture at Columbia University. The aftermath of this assault is what has Xavier feeling weakened in this month’s issue of New Mutants.
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Post by rberman on Aug 25, 2018 7:29:31 GMT -5
#27: “Into the Abyss” (May 1985)
Focus Character and Theme: A crowded house in David’s mind The Story: Xavier and Dani find the comatose Rahne and Moira. Even when Xavier pleads for “every scrap of information” about David, Gabrielle Haller doesn’t reveal his paternity, telling herself this is a secret “that I swore to keep my own.” Uncool! Xavier and Dani enter Rahne’s mind to try to awaken her consciousness. David pulls the minds of Doug and Gabrielle in as well and subjects all four to a psychic assault which Xavier, still weak from his mugging in NYC, can barely withstand. Xavier realizes that David is his son. The battle in an abstract plane of consciousness shifts to a scene within David’s head, where his own memories of Paris are mashed up with the consciousness of a Lebanese boy thinking of Beirut, which in the 1980s was much in the news as a modern city ravaged by civil war, with the Lebanese government fighting off the Palestian Liberation Organization with help at various times from Syria and a coalition of NATO countries. In the nightmare landscape, Xavier encounters a cocky "man’s man," Jack Wayne, who rescues him from a falling building and a strafing helicopter. Jack tells David that the young Arab is using David as a conduit for his own nightmares. Kill the Arab and David will be free, says Jack. Elsewhere, the Arab boy crosses paths with Gabrielle, who recognizes him as the terrorist who murdered David’s godfather and was responsible for traumatizing David. She realizes that David absorbed the mind of his attacker, while himself splitting into three personalities. Next she meets Cyndi, a sassy punk girl with pyrotic power. Eventually Gabrielle, Doug, Dani, and Rahne all find each other and debate how safe Cyndi’s presence is. My Two Cents: This issue has two basic parts. The first is a massive exposition dump set in Pink Floyd’s “The Wall,” as Xavier attempts to break through the defenses David put in Rahne’s mind. The second is a massive exposition dump set in Paris/Beirut as Jack and Cyndi explain the high concept behind the character of Legion. Four personalities, three with super powers, the fourth one belonging to his attacker. This plot element drew an irate letter from a pro-Palestinian organization. Jack Wayne and Cyndi have different personalities, but they share David’s Eraserhead hairstyle. Jack shares his mustache, pompadour, and braggadocio with Jon Garrett, the rogue S.H.I.E.L.D. agent antagonist of Sienkiewicz’s 1986 mini-series “Elektra: Assassin.” Meanwhile in X-Men (#193): Morlocks rescue Xavier from his assault last issue. The X-Men rescue Banshee from kidnapping by the Hellions, including their new member Firestar, in her first on-panel appearance. She is in the thrall of Empath’s emotion control, a situation about which Emma Frost was raging in last month’s New Mutants.
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Post by badwolf on Aug 25, 2018 15:55:29 GMT -5
Firestar has a flat butt.
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Post by rberman on Aug 26, 2018 6:29:37 GMT -5
#28: “Soulwar” (June 1985)
Focus Character and Theme: How can you mend a broken mind? The Story: The good guys ( Xavier, Gabrielle Haller, Moira, Dani, Doug, and Rahne) unite while climbing a wall to the Arab-controlled area within the city inside David Haller’s mind. David’s superpowered personae Jack Wayne (cocksure, telekinetic) and Cyndi (punk, pyrotic) come along with them. Cyndi takes a shine to Doug, while Jack insults Dani by calling her “Hiawatha,” which is the name of an Indian male, not a female, so perhaps a double insult. Neither jet fighter attacks nor a hurricane nor spiky walls can prevent our heroes from scaling the fortress of the terrorist Jemail Karami. But how to break into his big black dome? Doug, citing a Star Trek episode, suggest that in this mental world, you just have to believe hard enough, and anything goes away. If that’s so, then the team wasted a lot of time climbing cliffs inside David’s head; they should have just imagined themselves at the peak. So sure enough, the team enters David’s memory banks and finds floating crystals representing his thoughts and memories, far fewer and less sophisticated than a young man of his age should have. When Jemail appears, Gabrielle starts pummeling him in revenge for the terrorist act in which he participated. Jack Wayne wants payback too, but Doug’s language ability proves crucial to allowing Jack and Jemail to talk to each other. They agree to jointly repair David’s mind and allow everyone else to return to their regularly scheduled bodies. David Haller has snapped out of his fugue state and is now a young man with all four personalities still active and able to speak through him. This is something of an improvement, but he still has a long way to go. The issue ends with Xavier thinking foreboding thoughts about the Beyonder coming to Earth, as a teaser for the Secret Wars II series. Lee Forrester has misgivings after sleeping with Magneto the previous night. She mistrusts that she can have a real relationship with someone so powerful and used to getting his way. Empath goes to the Hellfire Club to give an unnamed Hellfire executive information on Amara Aquilla and Roberto DaCosta, recommending that they be kidnapped to serve as Gladiators in the underground arena in Los Angeles as depicted in the mini-series “Beauty and the Beast.” My Two Cents: The best thing about this story arc was the art; Sienkiewicz is your guy for rendering nightmare dream sequences in the early 80s. The story doesn’t fare as well, because it’s about a character we only just met and have no vested interest in seeing healed. Claremont gave us an “Xavier and Gabrielle Haller long ago” story in X-Men #161, but it would have been better of us to see David as a normal kid in a flashback issue (maybe playing with young Ororo in Cairo on one of Gabrielle’s ambassadorial trips? Good opportunity to work the Six Day War or the Suez Crisis into a story), then see him get attacked, so that we can really root for him to get better now. As things stand instead, the New Mutants are mostly along for the ride of Xavier and Gabrielle’s soap opera inside David’s mind. Also, Claremont’s infamously lengthy scripts resulted in some scenes that were nothing but dialogue, and some scenes where a single large image represents only a tiny fraction of the action described in the captions. It was like reading a black and white illustrated story from Epic or Heavy Metal. Dani responds negatively to Jack Wayne because his movie star swagger makes her think of movies in which the heroes fought Indians. I credit Claremont with insight that such films are a different viewing experience for Native Americans. Meanwhile in X-Men (#194): Rogue absorbs the powers of all the X-Men to prevent Nimrod from killing Juggernaut. Next, in Secret Wars II (#1, July 1985): Xavier awakens from sleep on Muir Island with a sudden urge to call someone to fight the Beyonder, who is approaching Earth. He reaches Captain America. I’ll have more to say about this mini-series when we look at the next issue of New Mutants.
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Post by Deleted on Aug 26, 2018 10:57:01 GMT -5
Firestar has a flat butt. Totally agree with you ...
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Post by rberman on Aug 26, 2018 13:18:11 GMT -5
Firestar has a flat butt. Totally agree with you ... I've heard that JRJr got better with time, but after Byrne, Cockrum, and Smith, I was not at all a fan of his work on X-Men and was amazed he got such a high profile gig.
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Post by Deleted on Aug 26, 2018 13:45:06 GMT -5
Totally agree with you ... I've heard that JRJr got better with time, but after Byrne, Cockrum, and Smith, I was not at all a fan of his work on X-Men and was amazed he got such a high profile gig. Chris Claremont is such a great writer; but the art of JRJr is not what I've expected and seeing that Firestar picture that he drew in the middle top and if my high school art teacher would give it a "F" for not drawing very realistically and I'm not trying to hurt your feelings here -- and once Badwolf said "Firestar has a flat butt." and that comment hit me like a ton of bricks. I enjoyed seeing these reviews and I wanted to let you know that you are doing a splendid job showcasing them and exploring Claremont stuff here and I just can't get past the bad art here. I'm a big fan of good art and the art is not in my standard here -- I won't buy it and let alone ignore it and actually will not read it. I felt that Chris Claremont did not (I don't know whether it true or not) select his artist very carefully and that's one of the reasons why many of my customers at the LCS tells me to avoid Claremont X-Men series. Keep up the good work on this -- Claremont is an amazing writer and I've might start reading his stuff again and I do have a dear friend that has his collection of this comic book series and he has two copies -- one for reading and the other for collecting ... Thanks again!
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Post by Roquefort Raider on Aug 26, 2018 15:13:34 GMT -5
Seeing Lee Forrester, I have to ask... Was she featured again since the 80s?
That kind of interesting supporting character, when nobody uses them, tend to be killed off to show how a new villain must be taken seriously. (I hope she just moved away from the crazy world of the X-Men and is still happily fishing today!)
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Post by beccabear67 on Aug 26, 2018 16:19:04 GMT -5
I've figured out that I dropped buying New Mutants after #26. Looking over #27 and #28 I think it was getting very weird reading as well as looking. I wasn't enjoying it like I was fairly similarly out-there Epic titles like Moonshadow and Starstruck. This is also about where I started writing off Chris Claremont as in trusting he was knowing what he was doing, but the Legion tv series makes sense of some if I just wasn't getting back then. So much was sheer stylization and the Claremontisms began to seem heavier and more of a crutch in place of an involving story and characters.
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Post by chaykinstevens on Aug 26, 2018 17:13:20 GMT -5
Seeing Lee Forrester, I have to ask... Was she featured again since the 80s? According to the Marvel Chronology Project, she last appeared in X-Men vol 3 #17-19 from 2011, which were written by someone named Victor Gischler.
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Post by Roquefort Raider on Aug 26, 2018 18:02:01 GMT -5
Seeing Lee Forrester, I have to ask... Was she featured again since the 80s? According to the Marvel Chronology Project, she last appeared in X-Men vol 3 #17-19 from 2011, which were written by someone named Victor Gischler. I just took a glance at her Wikipedia page... She actually shacked up with Skull the slayer in another dimension! I guess it beats being turned into a zombie cyborg.
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Post by rberman on Aug 27, 2018 7:07:29 GMT -5
#29: “Meanwhile, Back at the Mansion…” (July 1985)
Focus Character and Theme: Roberto and Amara in “Taken” The Story: We begin in media res with a bang, as Illyana and Sam, wearing their bathing suits despite the winter snow, unsuccessfully chase a van and then a small airplane at the Westchester Airport. Roberto and Amara have been kidnapped! Illyana takes the van driver to Limbo so S’ym can loosen his tongue. He must have told them about the Gladiators from the Beauty and the Beast mini-series, because later Illyana knows about them. Illyana teleports herself and Sam to the plane’s apparent destination of Los Angeles, but with a one week time shift due to her imperfect control of her stepping discs. At Lila Cheney’s mansion, Lila and her backup singer Alison Blaire are recording a song. Does Lila know about the Gladiators? No, she does not. Does Alison? Yes, she does, because she was one of them in the Beauty and the Beast mini-series. You might want to go read about that series here if you're not familiar with it. This story segment also includes a jaunt to Lila's Dyson Sphere which has absolutely no impact on the plot, and belies Lila's previous claim that the best she could do when teleporting from the Dyson Sphere back to Earth was to drop the kids off in London. Lila procures Arena tickets for herself, Alison, Sam, and Illyana. Their entry does not go unnoticed by a hulking shadowy figure who apparently is in charge of the arena. Locked inside a Gladiator cell, Roberto discovers that one of his new colleagues is Axe, the Mr. T-looking guy who menaced his mom way back in issue #7. Alexander Flynn holographically welcomes Roberto to the arena and threatens to kill some unseen homeless kids if Amara and Roberto don’t play his game. Attentive Beauty and the Beast readers will recall that Alexander Flynn was deposed from ruling this arena, so something is fishy here. In a two page interlude, Magneto and Lee Forrester talk and smooch down in the Bermuda Triangle. Xavier appears to them both telepathically, warning of the Beyonder’s impending arrival on Earth and asking Magneto to lead the X-Men. I hate all Beyonder-related plot material but love Sienkiewicz’s abstract rendering of telepathic Xavier. Inside the arena, Alison finds herself unable to remain a spectator. When her friend Ivich (the green lady from Beauty and the Beast, now looking like Frankenstein and rendered in erroneous fleshtones in this issue only) is endangered on the Arena floor, Alison leaps from the stands to help, and the Arena floor fills with contestants including Max (who looks way more cool and equine than Don Perlin made him), Roberto, Axe, and Amara. Just as things are heating up, Magneto arrives in a really dumb looking new costume and announces that all the mutants need to come with him. Illyana, Lila, and Sam reluctantly agree; Amara and Roberto refuse. The middle panel below is an art goof. Sienkiewicz drew Alison talking to Illyana. But "We must stay with the gladiators" was supposed to be spoken by Amara, not Alison. Amara stays, and Alison goes with Magneto. The Story Continues in Secret Wars II #1: Magneto has traveled from R’lyeh to the Xavier Institute, where he convinces the X-Men to stop fighting him and then squeeze into a limousine which he carries all the way to Los Angeles. Then Magneto goes to the Arena (how did he know where it was, and that the New Mutants were there?) and retrieves Sam, Illyana, Lila, and Alison. The Beyonder, having arrived in Hollywood, transforms writer Stewart Cadwell (a thinly veiled Steve Gerber, author of Howard the Duck) into a supervillain who fights the combined mutant team. Yes, Magneto seriously brought the teenagers to fight the Beyonder. He is already flunking his test as Xavier’s surrogate. When the Beyonder transforms Illyana into the fully demonic Darkchilde in front of everybody, Illyana freaks out and teleports to Limbo, taking Rachel, Kitty, Sam, and Alison with her. Lila is incapacitated during the battle and exits the story at this point. My Two Cents: The title refers to the fact that these events are concurrent with the Legion story, which explains why Xavier, Dani, Rahne, Warlock, and Doug are absent. The team has gotten big enough that splitting into focus arcs like this makes sense so everybody can shine. This story takes place in winter, just like the Demon Bear story in #18-20. Short year in between! Sam and Illyana were in their bathing suits because they were ambushed at “a swim party at the local high school.” Do Westchester high schools have indoor swimming pools where they host private parties? Maybe not, since this one was, as I said, an ambush anyway. Lila drops a hint about her past: “I know how it feels to be stolen and sold.” It’s not really more than she said in New Mutants Annual #1, though. But later she reports first-hand experience with “human blood sports.” Illyana’s response to the physical affection of Lila and Sam is a revulsion quite different from the curious admiration she displayed in the New Mutants Annual. This is also the first appearance of Lila Cheney’s butler Guido, who would later become the X-Man unimaginatively known as Strong Guy. His bizarrely proportioned body is entirely in keeping with Sienkiewicz’ impressionistic style, in which we really aren’t supposed to think that his head is that tiny in proportion to the rest of his body. But future artists would take this literally, which always looked dumb. Sinekiewicz also draws a far more sinister Axe than Sal Buscema did. Speaking of editorial intervention, Secret Wars II is one big ugh. Its publication was a foregone conclusion as soon as the high sales figures on the first issues of the original Secret Wars mini-series came in. Everybody liked to see the heroes and villains assemble and pound on each other. Big fun! The character of the Beyonder was just a plot contrivance to make it all happen; it might as well have been the Grandmaster, as it was during the previous Contest of Champions. But Jim Shooter, in one of his editor-in-chief misfires, decided that the secret sauce of Secret Wars was the Beyonder himself, so clearly this non-character should be the focal point of the sequel series, coming to Earth to crossover into all the Marvel titles, incarnate as a man, and learn Important Lessons like “What is food?” and “What are toilets for?” and “Why won’t Alison Blaire give me her phone number?” Magneto’s sudden appearance in the Arena totally kills the momentum of Claremont’s narrative, removing the rescue team from the scenario that they just spent the whole issue getting into. The results would have been just as good (maybe better) if they had ended up just drinking virgin daiquiris at Lila Cheney’s mansion until Magneto tracked them there. But I don’t blame Claremont for this mess; I blame Shooter. So now we’ll get to see next issue how Claremont gets the team back into the mess from which they never should have been extracted. Meanwhile in X-Men (#195): The X-Men rescue Power Pack from a rogue Morlock who wants to adopt them forcibly.
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Post by rberman on Aug 28, 2018 6:59:59 GMT -5
#30: “The Singer & Her Song” (August 1985)
Focus Character and Theme: Dazzler hogs the spotlight The Story: Picking up a story thread from Secret Wars II #1, Illyana has been transformed into full-fledged demonic Darckhilde and has teleported to Limbo with Kitty Pryde, Alison Blair, Rachel Summers, and Sam Guthrie. Illyana is going bonkers, so Kitty wrests away Illyana’s soulword (Kitty notes that it is “blazing with eldritch fire”!) and finds herself semi-covered in mystical armor. She bisects Illyana with the sword, and Illyana returns to normal for now. After they return to Earth, Alison steals their car (really Lila Cheney’s car, which they have “borrowed” from her mansion), and re-enters the world of the Arena. She is welcomed by Max and Ivich and is required to drink a potion that enhances her powers and removes her impulse control, so soon she’s singing her head off in the Arena, incapacitating other Gladiators with a lightshow. The Beyonder watches from the wings and becomes totally infatuated with Alison. That can’t be good! The unseen ruler of the Arena gloats over Alison’s reappearance and calls General Nguyen Ngoc Coy, whom you may recall is Xi’an Coy Manh’s uncle, last seen in issue #6 when Xi’an agreed to work for him if he gave information to help rescue Dani from Viper. Xi’an disappeared in a collapsing building not long after. Alison can’t convince Amara and Roberto to leave the Arena with her; they mistrust her motives, having seen how she acts in the spotlight. Things get ugly; they treat Alison roughly during Gladiator practice, and she swears off trying to help them further. Max and Ivich interview an undercover Kitty Pryde for a job as a techie in the Arena. That is a totally baffling thing for two Gladiators to be doing, but she gets the gig. Amara and Roberto are receptive to her help, and to the news that there are no orphan hostages after all. When Kitty approaches sleeping Alison, she’s ambushed by a huge figure with a familiar voice. Later in the arena, Roberto and Amara face off against what looks like a misshapen giant savage, but our offscreen arena overlord cackles that it’s actually a robot housing Kitty Pryde somehow. My Two Cents: Jim Shooter has stolen Chris Claremont's thunder, causing Illyana to become the Darkchilde prematurely in Secret Wars II #1 rather than allowing her corruption to proceed along the arc of rising tension that Claremont has been carefully constructing for years. Shooter should have been protecting Claremont's work, not horning in on it. At least Bill Sienkiewicz seizes the moment to offer some awesome psychedelic art reflecting Illyana's tortured innner state. As with the Legion arc, this story is shaping up to be about the New Mutants watching another character (Dazzler, this time) endure a moral struggle. As with the Beauty and the Beast story, the drama is sapped when Alison is required to drink a concoction that changes her personality. If it’s not her anymore, the moral element is diminished. Roberto gets an abdominal gash from gladiator practice. One of the gladiators assures him that the resulting scar will be like a “badge of honor.” This line originates with Nocenti’s Beauty and the Beast mini-series, in which Alison was told the same thing about a nasty battle scar on the left side of her neck. The scar has been retconned away. Too bad; it would have made an interesting ongoing feature. The size of Sam’s trapezoidal Eraserhead forehead varies widely between frames. Sienkiewicz is having fun being expressionistic rather than photorealistic. Claremont is obliged to give over several pages of this issue to Beyonder-related material. Sam, Rachel, and Illyana sit around on a hillside and talk about the Beyonder (even though Rachel’s massive power would be better put to use destroying the Arena and free its captives). Then the Beyonder shows up and messes with them for a while and then leaves. It’s all just filler, though Sienkiewicz tries to make the best of it with art. The giant gladiator-robot housing Kitty Pryde does not look at all like a gladiator-robot. It looks like a giant double-wielding monster. I think it was originally intended as such and got changed by the dialogue, unless Sienkiewicz just missed the boat on what a robo-gladiator was supposed to look like. Meanwhile in X-Men (#196): Some Columbia University students try to kill Kitty and Xavier. Magneto prevents Rachel from killing one of the students. The Beyonder finds Earth people and their ways puzzling. In Africa, Ororo is attacked and left for dead by Andreas Von Strucker.
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Post by rberman on Aug 29, 2018 6:40:52 GMT -5
#31: “Saturday Night Fight” (September 1985)
Focus Character and Theme: As the issue opening says, “The New Mutants versus the Gladiators.” The Story: In the arena, Roberto and Amara face off against a giant robo-gladiator which can become incorporeal. They eventually realize that Kitty Pryde is trapped in the robot, being forced to drive it, and she eventually frees herself. Alison Blaire pivots from singing a soundtrack for the battle to shooting lasers around. Kitty realizes that Alison is possessed by the game-master just as she herself had been. Sam, Illyana, and Rachel arrive to help, and a massive kids vs Gladiators rumble ensues. After the cops bust that up, the kids follow a tunnel to the airport and, in one of Claremont’s more shocking reveals, the mastermind behind the Arena is their former teammate and friend Xi’an “Karma” Coy Manh! She’s now eight feet tall and shockingly obese. She escapes in an airplane by threatening to cause some of her thralls slit their throats. See the weird looking knife below? Jack Wayne had one just like it. The kids regroup and decide to chase after Karma without the help of Kitty or Rachel. In another late surprise, Karma’s uncle General Coy has been arrested by the LAPD as the supposed mastermind behind the illegal arena. Karma has set him up to take the fall. My Two Cents: Not a lot to say; this issue was essentially one fight followed by a second fight followed by a confrontation with Karma at the airport. The Karma unveiling is this issue's big news, the other shoe dropping on the New Mutants’ longest standing unsolved mystery. This is effectively the graduation issue where the kids head off into the world on their own without even telling Xavier where they are going. They are upset that he didn’t somehow detect that Xi’an had survived and is now somehow a humongous (in more ways than one) villain. I complained last time that the giant robot did not look like a robot. This time around it does, so there’s that. I still suspect that “the giant gladiator is really a robot controlled by Kitty who is being controlled by Karma” was a late plot idea, but whatever. This also marks the last Bill Sienkiewicz issue for a while, but he’ll be back. Meanwhile in X-Men (#197): Arcade kidnaps Colossus and Kitty to participate in a deadly game between himself and his assistant Miss Locke. Nimrod kills some robbers and is declared a hero.
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Post by rberman on Aug 30, 2018 7:22:32 GMT -5
#32: “To the Ends of the Earth” (October 1985)
Focus Character and Theme: Unstuck in time The Story: The issue opens with a multi-page flashback to Xi’an's apparent demise in Big Sur, catching up readers from events two and a half years earlier. The kids catch a plane (more on this later) to the island of Madripoor, where (according to Doug’s mad hakz0r skillz) Karma has a mountaintop fortress. The kids attack the fortress at night and route some monster guards imported from the Los Angeles arena. But they’re no match for Karma herself, who possesses most of them simultaneously. Dani and Illyana escape to Limbo and then follow Karma’s trail to Cairo. Unfortunately, they end up in the Cairo of 3,500 years prior, where they meet an ancient telepath ancestor of Ororo named Ashake. Let’s try to teleport again! This time they overshoot, ending up in a future Cairo in which their friends are villainous punks, terrorizing civilians. The third time’s the charm; Illyana and Dani arrive in Cairo 1985, and who’s there to greet them but Warlock and Ororo? The foursome pledge to defeat Karma together. My Two Cents: Who dares to fill Bill Sienkiewicz’s quirky shoes, brushes, and pencils? Steve Leialoha, that’s who. I first heard of him through advertisements for his Epic Comics sci-fi series Coyote. So hopefully he enjoyed drawing Rahne in wolf-form throughout this story arc. He’s not as quirky as Sienkiewicz but still keeps some of the same mannerisms alive, and he’s good with facial expressions and even not-terrible at Warlock. I particularly like this shot of Illyana summoning a pet demon from Limbo. Warlock tries to amuse Doug with a variety of appearances, including Prince the musician, Amara, Doug himself, and a muppet. When I was kid, Shoney’s Restaurant had free comic books featuring their Big Boy mascot and his two kid pals going on Tintin-esque adventures. I couldn’t help but wonder where their parents were, how they subsidized their travels, etc. So now that the kids are supposedly operating on their own without help from Xavier, forgive me for noticing things like: • How did the kids get back together? Dani, Rahne, Doug, and Warlock were in Scotland, then came back to New York with Xavier. Now they’re with Illyana, Amara, Sam, and Roberto flying from California out over the Pacific. I guess Illyana’s stepping discs were working well enough to reunite them? • The kids rent a whole room on a luxury jet liner flying from California to the Pacific Island of Madripoor. Yes, that happens, and they are somehow able to bill it to Xavier. Gone are the days when they scraped together enough nickels to take the bus from NYC to western Massachusetts. These days, they travel in style! • They have photos over which to deliver expositional dialogue. OK, the photo of Xi’an is a Polaroid from school. That makes sense. The mug shot of General Coy…. Maybe I believe that? I definitely don’t buy the action posed Polaroid of Viper. • Notice the “takakakabreee” sound effect on the far left of the panel above. The “takaka” is Doug typing on a laptop computer that didn’t exist in 1985. The “breee” is the carrier tone of the modem Doug is using to access “various international computer networks.” He’s accessing computer networks from an airplane flying over the Pacific Ocean? Must be some Shi’ar tech, not just AT&T. • The kids evade going through Passport Control at the Madripoor airport by making a diversion and then taking a Warlock helicopter away. OK, assuming no one saw or heard such a thing. But how did they get onto the jet liner into the first place without passports? Airlines check that sort of thing so they don’t get stuck with a traveler who’s not allowed to enter the destination country. • This is the team with a member who can teleport large numbers of people at once. OK, sometimes it doesn’t go right, but then she just goes back and tries again. Why not this time? No reason given. • Warlock evidently flew from Madripoor and somehow tracked down Ororo in all of Africa and brought her to just the right place that Dani and Illyana would appear. Ehhh too many coincidences, but we have to go with it. Madripoor! This island would figure heavily into Wolverine solo stories, but it first appeared right here in The New Mutants. Dani is now in complete control of her illusion powers, causing the stewardess to imagine the kid are asleep in bunks, not standing in the middle of the room plotting. Chris Claremont is not one to introduce new characters lightly; he tends to come back to them repeatedly if once we see them. But whatever plans he had for Ashake, Storm’s witch-ancestor in ancient Egypt, they never came to fruition. She wouldn’t be seen again until Louise Simonson’s Arcana mini-series in 2007. Ashake highlights Claremont’s emerging bad habit of making new characters which are is some sense alternate versions of existing characters. Meanwhile in X-Men (#198): In Africa, Ororo recovers from her injuries, helps deliver a baby, and recovers her hope. Meanwhile in Secret Wars II (#4): The Beyonder decides to win Alison Blaire for himself through a combination of sexual harassment, mind control, and promises of power and fame, and Oh no it’s the same story told in Dazzler: The Movie all over again. Why, Jim Shooter? Why? I am appalled beyond words to see this story repeating for all the kids who skipped the Dazzler Graphic Novel.
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