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Post by rberman on Sept 2, 2018 19:39:47 GMT -5
Nightcrawler #4 “The Wizard of Oops!” (February 1986)
Theme: No place like home The Story: Kurt Wagner, Mean the Tasmanian Wolverine, Pirate Peter Rasputin, and Pirate Kitty are captives of Shagreen the shark-sorceror (say that five times fast!) and his monstrous Dark Bamf. The one free Bamf and Lockheed team up to steal the jail keys from a unnamed cartoon S’ym. They free a roomful of girl Bamfs whom Shagreen lays low with a magic bolt. Windrider (this world’s Ororo) joins the fight, Nightcrawler tickles his way to freedom from the creature holding our heroes captive, and after a few pages of fighting, Shagreen is captive, and Kurt is hurtling through yet another dimensional vortex. He lands briefly on a world with a gun-slinging T. Rex, then back to the dimension he visited in Bizarre Adventures #27. He learns that he can go back to his home dimension simply by wishing it hard enough. So he does. The end, essentially. My Two Cents: After four issues traveling, Kurt is home, essentially the same person that he was when he left. We’re none the wiser about the personality of this jovial adventurer, but we’ve learned a good bit about Dave Cockrum’s penchant for Silver Age comic book heroics and Golden Age Hollywood action movies and early 20th century planetary romance novels. The character of Cretaceous Sam dropped in out of nowhere and went nowhere, obviously just a doodle that Cockrum wanted to fit in for a space-filling cameo, but seeing more of him would still be fun. Pair him with Deathlok or something. Or stay tuned in this thread for Jo Duffy's own return to these themes in an upcoming series. Bamf’s insult to S’ym “Your sister snorts elderberries” is a variant of the Frenchman’s taunt “Your father smelt of elderberries!” in the 1975 film “Monty Python and the Holy Grail.” At one point, Kurt tries to get transported home by saying ,”Kltpzyxm,” which is of course a magic word related to whimsical DC character Mr. Mxyzptlk. His own name backwards is no more helpful. The Oracle’s TV says, “There is nothing wrong with your set,” which indicates that it is tuned to the sci-fi anthology program “The Outer Limits.” A reference to 14 year old Illyana having a large collection of Playgirl magazines seems quite out of place as the final panel of this issue and this mini-series. Overall a silly, harmless series that adds nothing to X-mythology except for giving Claremont the impulse to do his own "Nightcrawler as John Carter of Mars" story several years later in Excalibur, complete with Kymri, an indigo-skinned space princess who would have much more impact on Claremont's story later.
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Post by rberman on Sept 3, 2018 14:57:46 GMT -5
Firestar #1 “Mark of the Mutant!” (March 1986)Creative Team: Chris Claremont writing. Mary Wilshire penciling. Steve Leialoha inking. Theme: New kid in townThe Story: Angelica Jones and her dad Bart are moving back in with Nana (grandmother) Jones due to his new job. In her first day at West Morris High School, she draws the eye of football hunk Chuckie Belson and the ire of a trio of mean girls. She gets detention when an unexpected flare of power from her hands causes her chocolate milk carton to explode, spattering a teacher. (Note the “climax” entrendre.) Fast forward to mid-December. Angelica enters an ice sculpture in a school contest, but the mean girls break it under cover of night. Upset, Angelica radiates energy that melts all the ice sculptures, but no one was around to see. Angelica races home to find more bad news; her beloved Nana Jones has died. After the snowy graveside service, Angelica’s dad is alarmed to see his daughter manifesting some sort of snow-melting power. Who can cure her from being a “blasted mutie”? Both the X-Men and Emma Frost have detected Angelica’s emerging abilities with their respective versions of Cerebro. (Emma calls hers “Multivac,” a computer name borrowed from Isaac Asimov’s fiction.) The two schools race to Angelica’s family home in New Jersey, but somehow Emma gets there sooner (from western Massachusetts) than Xavier can get there (from northerly outlying NYC). My Two Cents: “Spider-Man and His Amazing Friends” produced new episodes 1981-3 and then entered re-reuns for a few more years. The heroes were Spider-Man, Iceman, and a new character, "Firestar," who was probably standing in for a contractually unavailable Human Torch. His TV rights were owned by another company, which is why the Fantastic Four cartoon didn't feature him either. A Firestar comic book was announced in late 1983 but took almost three more years to appear. The point of this issue is to show introduce Angelica and discover her discovering her mutant powers, and her dad’s revulsion for same. How to fill 22 pages with that? Typical high school woes (cute boy, mean girls) would do, but author Tom DeFalco gives us “new girl in school” as well as “dead grannie.” None of these events and schoolmates significantly impact the other three issues, sadly. I would rather have skipped right to her dad dropping her off at the Massachusetts Academy at the beginning of this issue, and then see more story about her and her peers in that setting. Should children be told that they are exceptional? Nana Jones thinks so. She points to the intersecting lines on Angelica’s hand and says that they form a letter “M,” meaning somehow that Angelica is “one of the chosen few.” The mean girls at school respond mockingly that everybody has that same palm pattern, which is true. Angelica’s need for this sort of deceitful reassurance from her family speaks to an insecurity which makes her especially vulnerable to a predator like Emma Frost. Art is on this series is not quite so stable. Pencils are by Mary Wilshire throughout, and Steve Leialoha provides inks on #1, 3, and 4, so a pair of recent New Mutants veterans are at work. Neither of them are copying Bill Sienkiewicz’ angular affectations this time around; the overall effect is more from an early 1960s romance comic. As an Easter Egg, Angelica’s breakfast table has both Flintstones Cereal and a cylinder that says “Yabba Dabba Doo,” maybe containing Flintstones brand vitamins. I don’t know what it means, but it seems deliberate. The weather is inconsistent. Page 2 shows barren winter trees. But all the subsequent pages show green trees everywhere. Going along with the inconsistent weather is a coloring error in a New Mutants’ volleyball game. Sam and Dani are colored as if they’re wearing blue tights, but surely they have bare legs below their sports shorts, just like Rahne, who is the New Mutant least likely to bare her legs. Xavier is in a wheelchair in this issue, which is not true in current X-Men and may speak to the long gestation of this project. The final issue will claim that three years have elapsed in-story over the course of four issues, which is preposterous by the “four real years equals one Marvel year” rule; it would have to take place concurrent with Marvel stories published in 1974! Xavier has been out of his wheelchair ever since he danced with Illyana in New Mutants #14 (April 1984), which was just prior to X-Men #180, when Emma captured Kitty Pryde. Emma Frost’s license plate says “ICE-1.” That would be a really nice detail, if not for the previous dialogue specifying that this vehicle is an airport rental. Speaking of which, simultaneous with the death of Nana Jones, Emma declares her intention to travel immediately by private plane and limousine to collect Angelica. Yet Emma doesn’t arrive until after Nana’s funeral. Surely there were a few days in between. Did she and Xavier both take that long to zero in on exactly where Angelica was? Cerebro at least is usually far more precise than that.
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Post by rberman on Sept 4, 2018 4:45:50 GMT -5
Firestar #2 “The Players and the Pawn” (April 1986)
Creative Team: Chris Claremont writing. Mary Wilshire penciling. Bob Wiacek inking. Theme: Angelica by Gaslight The Story: A year has passed for Angelica Jones since the beginning of the previous issue, with the last four months spent mainly having a grand time at the Massachusetts Academy. She loves riding Butter Rum the horse most of all. Today is Angelica’s introduction to the Hellion squad who train in the Hellfire Club’s clubhouse underneath the school. Emma Frost has Angelica practice her microwave energy blasts against simulacra of Xavier and Wolverine. Proudstar and Catseye are friendly, inviting Angelica to go see a movie, but Emma has forbidden Angelica to leave campus on grounds of her power being dangerous. Empath is just mean. The New Mutants accept an invitation to travel from Westchester to western Massachusetts for a school dance at the Massachusetts Academy, with Ororo and Peter Rasputin coming along as chaperones. Sam Guthrie (age 16) dances with and kisses Angelica (age 14) in the moonlight, influenced telepathically by Emma Frost, just so that Emma can have an opportunity to yell at Angelica about mingling. But Emma has arranged for a fire in the stables and the death of Butter Rum, making Angelica feel culpable. My Two Cents: The issue is all about Emma’s goal for Angelica (training her as an assassin) and Emma’s technique (orchestrating various charades to isolate Angelica and make her dependent on Emma). As in New Mutants #15-17, her gaslighting tactics (including a “screwing with your subconscious mind” charm bracelet) don’t make a lot of sense for a world-class telepath, which just goes to show that it’s a bad idea to give characters telepathy in the first place, because it’s such an incredibly useful ability that any other solution raises questions in the minds of readers. On this issue only, Bob Wiacek inks Mary Wilshire, with excellent results. Randal, Angelica’s bodyguard, seems a decent enough dude if not for his employer. He even stands up to Emma, if ineffectually. The band playing at the Massachusetts Academy school dance is The Misfits, the name of Glenn Danzig’s early band which broke up in 1983. It’s also the original name of the Marvel mini-series which was retitled “Fallen Angels” by the time it came out in 1987. Speaking of time: Due to its long gestation, fitting this story into New Mutants continuity is a puzzle. The original Hellions encounter (New Mutants #15-17) has already occurred. Dani is not recovering from her bear mauling (New Mutants #18-25), and Sam has not yet met Lila Cheney (in New Mutants Annual #1, between issues #21 and 22), so this issue of Firestar must occur between issues #17 and 18 of New Mutants. Xavier is no longer in his wheelchair as he was in Firestar #1, which took place four months earlier. The trip from Salem Center, New York to the Berkshires in Massachusetts is not as crazy as I first thought, "only" a hundred miles, but still, shame on Xavier for putting the New Mutants in the line of fire like that. Ororo appears to have gotten over the time that Emma switched minds with her (X-Men #151-2). Emma claims to have the power to stop the horse’s heart from beating, and presumably a human heart as well. That “doesn’t makes sense” to whatever degree you want to try to make sense of a power like telepathy in the first place. Even if her power includes control of the whole nervous system and not just the brain, the cardiac muscles cells fire autonomously. Nerves can speed up the heartbeat but not slow it below a livable threshold. “She is mine – body and soul!” A Claremontism from DeFalco.
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Post by badwolf on Sept 4, 2018 8:47:21 GMT -5
I still haven't forgiven Emma for Butter Rum.
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Post by rberman on Sept 5, 2018 7:21:15 GMT -5
Firestar #3 “This Lady Kills!” (May 1986)
Creative Team: Chris Claremont writing. Mary Wilshire penciling. Steve Leialoha inking. Theme: You can’t go home again. The Story: Angelica has a code name and a costume now, and we see her training in Emma’s Danger Room for several pages. Emma gives Sebastian Shaw (and the reader) a precis of X-Men #193, in which the Hellions Thunderbird, Roulette, and Empath battled the X-Men inside NORAD. Selene is spying on Shaw invisibly. In dance class, Roulette and Empath mess with Angelica. Apparently Angelica is no longer under Empath’s emotional control as she was in X-Men #193, and her uncontrolled rage sends out a microwave burst that turns on the sprinklers, though thankfully without cooking the dozen students in the room with her. A visit home to see her dad in New Jersey goes sour; he can’t accept his mutant daughter. While waiting in the airport to go home, Emma’s thugs stage an incident that ends with a punk unloading a pistol at Angelica right in the middle of the terminal. What’s up with your airport security, Newark? It was all a test to see whether Angelica was approaching readiness for her first official assignment, the assassination of Selene. My Two Cents: Another year of story time has passed, making Angelica 15 years old. There’s no way to map that to a year passing for the rest of the Marvel Universe, but I do appreciate DeFalco’s attempt to show realistic time periods between the various episodes, not unlike how Claremont’s Magik limited series backed several years into four issues as a young mutant came to grips with her abilities. That year included the events of X-Men #193 (published May 1985), so this saga is almost caught up to the present day Marvel Universe. Firestar was shown to be emotionally controlled by Empath’s power in that issue, but we never got to see the pivotal scene in which he began to mess with her mind, nor does he play a meaningful role in this series. Something must have gotten messed up inside Marvel to keep us from seeing what should have been a major plotline in this series. Angelica’s microwave power is very different in theory from the Human Torch flame powers she showed on “Spider-Man and His Amazing Friends.” However, in practice, she defeats giant robots as if she were shooting concussive bursts like Iron Man or Cyclops. Both the presence and the effects of microwaves are difficult to show in a comic book, unless someone is trying to defrost a lasagna. Randall the bodyguard now has the usual two “L”s at the end of his name, instead of the one “L” in issue #2. The blonde Roulette is erroneously made a redhead in this issue, which is even worse since Angelica is also a redhead. Where was editor Anne Nocenti? Angelica’s dad Bart drinks from a Gumby mug. What was it with Gumby in the mid-1980s? We already saw how frequently Arthur Adams put him in the Longshot mini; now it’s Wilshire. Arthur Adams turns in a terrific cover (with Bill Sienkiewicz inks; unusual combination!), but interior art is back to Leialoha inking Wilshire. Why does the Firestar logo contain lightning bolts rather than tongues of fire?
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Post by rberman on Sept 6, 2018 6:44:46 GMT -5
Firestar #4 “Now Strikes the Assassin!” (June 1986)
Creative Team: Chris Claremont writing. Mary Wilshire penciling. Steve Leialoha inking. The cover is by Barry Windsor-Smith. Theme: Graduation Day The Story: Emma fakes an attack on herself and blames it on Selene, hoping to motivate Angelica for a planned strike against Selene. Angelica’s bodyguard Randall discovers Emma’s plans for Angelica but is captured by other Hellfire guards before he can warn her. Emma tells Angelica that Selene murdered him. I’m not sure why the Hellfire guards left him alive to escape, which of course he does, dying in her arms after delivering his warning. Angelica goes on a rampage, dueling with Emma and destroying the secret Hellfire base before returning to see her dad in New Jersey. Dad has gotten enough over his fear of mutants that they can give each other a second chance. My Two Cents: So, this is the end of the Firestar mini-series! It tied into X-Men continuity just enough to confuse new and old readers equally. The Empath plot was clearly dropped into X-Men and New Mutants comics to inspire readers of those series to buy this series also. But then almost nothing happened with Empath in this series, so that’s a swing and a miss. In this issue, Angelica lives in a mixed gender dorm. This is different from the last issue, in which Angelica lived in the same building with Emma. Angelica uses her microwave powers to melt a stone wall. I wish they would just call them heat powers if that’s how they’re going to use them. Angelica may be leaving the Massachusetts Academy, but she'd too young to be out of high school. In her next appearance, it's implied that she has re-entered public school. Why doesn't she go to Xavier now that she knows that Emma Frost was just feeding her a line about him being evil?
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Post by wildfire2099 on Sept 6, 2018 22:30:33 GMT -5
Did Firestar actually appear anywhere between this mini and the start of New Warriors?
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Post by rberman on Sept 7, 2018 7:01:16 GMT -5
Marvel Presents #82-87 “Life During Wartime” (1991)
The Story: This arc unfolded over six consecutive issues in the Marvel Presents multi-story anthology title. Two other chapters were cut, resulting in discontinuous story which I will point out. I’m not sure where the eighth chapter was supposed to fall. Chapter One (#82): Angelica Jones is forced to use her powers to rescue her soccer teammate Meg from organ harvesters from an organization eventually identified as Arms of Salvation. Angelica’s father Bart chastises her for almost blowing her cover, but she can’t promise him to never use her powers. Emma Frost, still smarting from the previous assault on her person and her base by Firestar, doxxes her to Freedom Force, the government-sponsored team of mutant hunters. This leads Mystique, Avalanche, and Spiral to burst in on Angelica and her dad at home. Chapter Two (#83): When Mystique’s subterfuge (pretending to be Angelica's friend Meg) fails, violence erupts, and Bart is stabbed through the chest by Spiral. Angelica races him to a hospital, but it doesn’t look good; he needs a new lung. Mr. Fitch and Mr. Cross, leaders of the Arms of Salvation, set their sights on Mystique as a good experimental subject. Chapter Three: In this installment never printed, apparently the Arms of Salvation approach Angelica with the offer that they will provide the lung that her father needs, if she will help them capture Mystique for supposedly harmless experiments. Chapter Four (#84): The Arms of Salvation test Angelica’s combat skills. She wins! Returning to the hospital, she finds Mystique impersonating her in her father’s hospital room. A battle ensues, with Blob and Pyro arriving late to back up Mystique. Chapter Five (#85): Angelica defeats Blob, Pyro, and Mystique. The Arms of Salvation kidnap Angelica’s friend Meg and Meg’s dad, planning to harvest organs including the lung transplant that Angelica’s father needs. Chapter Six (#86): Angelica takes Mystique to the Arms of Salvation, then turns down an offer to join their organization. They attack her, but before they can kill her, the rest of Freedom Force arrives, having followed a tracker worn by Mystique. Angelica discovers where the donated organs are coming from and frees Meg, Meg’s father, and Mystique. Arms leader Mr. Cross bursts in wearing an armored exo-skeleton. Chapter Seven (#87): Freedom Force and Angelica work together to defeat Hitch, Cross, and the rest of the Arms of Salvation. For some reason Spiral hates Angelica so much that Mystique gives up on her own plan to recruit Firestar. So instead she files a fake report that Firestar died, so now the government and Spiral will leave Angelica alone.. Bart somewhere gets the donor lung that he needed. My Two Cents: I like the idea of Firestar and Freedom Force making common cause against organ runners, though it took a while for them to get to that point. I also like the gradual campaign to turn Mystique into less of a villain and more of an anti-hero, trying to keep a leash on her team of hot-tempered super-operatives. But this story Is mainly about Firestar, and how she might reasonably end up abetting organ thieves before discovering their secret. It’s a decent enough story, if non-essential. One of the more innovative choices was the “ticking clock” during the last chapter, which consisted of the EKG strip of Bart’s father, as hospital personnel struggled to keep him alive while his daughter was in the middle of a big battle. Spiral’s characterization is off. She has a senseless hatred of Angelica for being a “princess,” and every single sentence out of her mouth contains a dance metaphor. As written originally by Anne Nocenti, Spiral is supposed to be full of dry sarcasm and doesn’t ever talk about dancing, even though her power involves dancing. The art by Dwayne Turner and Jose Marzan is quite good. Firestar’s appearances in the New Warriors (beginning in issue #1, July 1990) were published prior to these Marvel Comics Presents issues but took place afterward.
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Post by rberman on Sept 8, 2018 7:37:06 GMT -5
Iceman #1 “The Fuse!” (December 1984)
Creative Team: Written by J.M. DeMatteis. Penciled by Alan Kupperberg. Inked by Mike Gustovich. Cover by Mike Zeck and John Beatty. Theme: The family disappointment The Story: On the way home to his father’s retirement party in Port Jefferson, Long Island, Bobby Drake meets Marge, the cute girl who lives next door now. He also has a run-in with Ralph Ratchit, a bigoted police officer whom Iceman immobilizes in a block of ice before fleeing the scene. Most of the issue is consumed with Bobby’s difficult relationship with his parents. They don’t approve of his career choice, and he doesn’t appreciate the pressure to conform to their expectations. But’s it’s not all soap operatics. A mysterious overlord has sent two agents to earth to apprehend Iceman. A fight brings Marge’s house crashing to the ground. When the dust settles, Marge and her brother have disappeared, and so have White Light and Idiot, the two aliens. Officer Ratchit catches up with Iceman in the rubble and takes him in for questioning. My Two Cents: As mentioned during the Firestar reviews, she and Iceman shared a televised cartoon with Spider-Man, which is probably why they got tapped to have their own mini-series. The author, John Marc DeMatteis, was just wrapping up a run writing Iceman in The Defenders and seized this opportunity to tell a personal (and, as we’ll see, semi-autobiographical) story about Bobby Drake that didn’t make sense in a team book. This is the much ballyhooed issue that firmly establishes two things: 1) Bobby Drake is girl crazy, and 2) Bobby Drake comes from a blended Catholic/Jewish family. Hence he has “cousin Mary” (on his dad’s side) and “Uncle Joel” (on his mom’s side). This reflects the background of DeMatteis, who has an Italian Catholic father and a Russian Jewish mother. He also pursued careers in rock music, rock criticism, and comic book artist on the way to being a writer. Did his parents want him to be a sensible accountant, like Bobby Drake’s parents? “Bobby Drake is girl crazy” is hardly a surprise, since the earliest issues of X-Men often showed him going on double dates with Hank McCoy, his surrogate older brother. But that got retconned in 2017, so that now Bobby Drake has always been gay, notwithstanding the last fifty years of his characterization. Bobby feels justified in encasing Officer Ratchit’s bottom half in a block of ice because he said something mean about mutants. That sort of behavior would seem to fan the anti-mutant flames, not quell them. Not to mention a little matter of assault and battery upon a peace officer! In the first few pages, the assailants White Light and Idiot were sent by an unnamed master living at the pinnacle of a mountain with a Star Destroyer hovering overhead. This is something of a bait and switch, setting the reader up to think that Bobby Drake is getting sucked into a space opera against an evil alien overlord, but as you’ll see that turns out not to remotely be the plot of this mini-series. When Bobby is putting on his street clothes in a woman’s back yard, she sees him in his undies and accuses him of being a communist. I must confess that’s not the first affiliation that would come to my mind in that situation. For some reason his ice powers fail when he enters Marge’s vicinity. This is never fully explained but does clue us that there’s something unusual about her that emasculates him.
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Post by badwolf on Sept 8, 2018 16:43:42 GMT -5
The "communist" comment is very 80s/Reagan era.
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Post by rberman on Sept 8, 2018 16:46:33 GMT -5
The "communist" comment is very 80s/Reagan era. I just thought it was funny that when an old lady sees a man in underwear in her backyard, "commie spy" is her first thought. As opposed to druggie or nutcase, for instance.
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Post by rberman on Sept 9, 2018 7:10:00 GMT -5
Iceman #2 “Instant Karma!” (January 1985)
Creative Team: Written by J.M. DeMatteis. Penciled by Alan Kupperberg. Inked by Mike Gustovich. Cover by Mike Zeck and Bob McLeod. Theme: Killing my old man The Story: Officer Ratchit is disgruntled that Iceman is treated as a witness rather than a suspect at the police station. When Ratchit mouths off about it, he gets a snowball right in the face. That’s two unpunished assaults on a police officer! But we don’t see these cops again in this series. Bobby’s parents already knew he was a mutant vigilante, but they’re embarrassed that everyone else from the retirement party knows it too now. Bobby’s mom warns that his antics will be the death of his father. It does not appear that the members of this family are very good for each other. In the ruins of Marge’s house, Bobby finds a mysterious black box which teleports him to 1942. A frightened policeman shoots Bobby in the left elbow, and he receives medical care from a younger version of his own parents, who are still dating. Oblivion incinerates White Light and Idiot then sends Kali, a four-armed spider-riding knight, to track down Marge. Instead, Kali follows the “bounce box” to 1942 and attacks Bobby. His father Willie leaps to his defense and is killed. We find out where Marge and her brother went during the collapse of their house last issue: They went to England in 1892, of course! And they’re hiding in the past from Oblivion. Marge can watch Bobby’s adventures on a video screen. She’s reluctant to intervene, but eventually she issues a challenge to Kali, who disappears from 1942, presumably en route to confront Marge in 1892. My Two Cents: The centerpiece of this issue is an extended off-panel conversation that Bobby has with his parents, who don’t know who he is. We’ve already heard him say to himself twice that he wishes he could understand who his parents had been as young people, and the central conceit of this mini-series so far is that his wish is fulfilled. The message is that kids are more likely to accept their parents' counsel if they can see their parents as real people rather than distant, perfect authority figures. But then his time-traveling disrupts the relationship of his yet-unmarried parents, threatening his own future existence. Mind you, this mini-series came out several months before “Back to the Future,” which has the same basic theme, hit theatres in the summer of 1985. The police believe Bobby when he blames the alien attack on communists. I guess commies could do pretty much anything during the Cold War. Note the giant poster of John Lennon over Bobby’s bed. J.M. DeMatteis is a big Lennon fan, and the title of this issue is from a John Lennon song. On his blog, DeMatteis has detailed his two personal encounters with John Lennon in an NYC recording studio: Under his ice, Bobby wears white briefs and a white X-Men belt, although he’s now affiliated with the Defenders. Does he dress like this in Defenders issues also? Films playing at the 1940s cinema include Humphrey Bogart in “High Sierra” (1941) and Fredric March in “One Foot in Heaven” (also 1941). The latter is about a minister whose family wanted him to be a doctor, which fits the theme from issue #1. Would both of these A-features have been on the same movie marquee? Maybe. A Daily Bugle headline declares, “M’Arthur in Australia.” This refers to the evacuation of General Douglas MacArthur from the Phillipines in March 1942 due to Japanese victories in the Pacific Theatre of World War 2. A policeman confirms the date to Bobby and accuses him of being in the Liberty Legion. This WW2 hero team (Bucky Barnes, Patriot, Whizzer, Miss America, Red Raven, Thin Man, Blue Diamond, and Jack Frost) debuted in a story by Roy Thomas in Marvel Premiere #29 (1976). Thomas would assemble a similar WW2 team for DC a few years later in the All-Star Squadron (#1 of that series, 1981). Bobby’s mother Madeline Bass is seventeen years old in 1942, thus born in 1925 and 59 years old in 1984. But she looks a good ten years older than that in the “present day” scenes, with white “Aunt May hair.” His father is five years older, thus retiring at age 64.
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Post by chaykinstevens on Sept 9, 2018 7:45:57 GMT -5
Under his ice, Bobby wears white briefs and a white X-Men belt, although he’s now affiliated with the Defenders. Does he dress like this in Defenders issues also? In the Defenders he wore the white briefs, but the belt was either left blank or had a D instead of the X.
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Post by Deleted on Sept 9, 2018 14:43:09 GMT -5
Marvel Presents #82-87 “Life During Wartime” (1991)rberman ... The top picture is from Spiderman and his Amazing Friends and the bottom picture is a picture that you've found in bold (see above) and I've didn't realized that Firestar bad a different mask in the Comics. Anyay, I've wanted to point that out and wondering why the difference here? Enjoyed your reviews here.
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Post by rberman on Sept 9, 2018 16:37:21 GMT -5
Marvel Presents #82-87 “Life During Wartime” (1991)rberman ... The top picture is from Spiderman and his Amazing Friends and the bottom picture is a picture that you've found in bold (see above) and I've didn't realized that Firestar bad a different mask in the Comics. Anyay, I've wanted to point that out and wondering why the difference here? Enjoyed your reviews here. Thanks! I don't know who decided to give her mask the spikey sides. It may have been John Romita, Jr., who was the first to draw her in a canonical comic book, in her appearance in X-Men #193: Or JRJr may have been working off of a character design mandated by someone else. In the "Spider-Man and His Amazing Friends" one-shot issue which followed the plot of the cartoon's pilot episode, her mask had smooth sides, as on the TV show.
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