shaxper
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Post by shaxper on Dec 24, 2020 13:01:23 GMT -5
Detective Comics #506 (September 1981) Batgirl: "Farewell, My Lovely" Script: Cary Burkett Pencils: José Delbo Inks: Joe Giella Colors: Tom Ziuko Letters: Milt Snapinn Grade: D- Whereas Burkett's Batgirl was once a story of deep psychological redemption in the face of tragedy, it has now devolved into a standard, mindless B feature, and it's getting worse. Truly, this is one of those stories where, the more you think about it, the dumber it gets. Let's see... We're reminded again just how much Batgirl utterly sucked at crimefighting last issue: only to have her suddenly pull this completely improbable realization out of her butt: Let's be clear, she can remember that the Hunchback had two creases on his fingers but couldn't figure out that his face was a mask? This is just...bad. And then, when Babs has the chance to take him down for a third time, she pulls a totally amateur move yet again: This is not the character we've been watching push herself beyond limits, both physically and emotionally, in order to get back to her A game. This is a crappy rookie who wouldn't last two weeks in the cowl. Heck, she doesn't even break free or take down the bad guy in the end. He does it for her: Oh, and didn't Babs' figuring out who he was (the ONLY thing she did right in this story) hinge upon him being a MANDOLIN player? Someone forgot to tell Delbo. Truly, a horrendously bad story. I don't know that I can keep pushing through these if they don't get better soon!
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Post by wildfire2099 on Dec 24, 2020 14:19:07 GMT -5
I am thankful for you doing these reviews... I was ready to starting trying to get some of these issues after finishing the Batgirl Showcase volume... it's definitely slid a way down the priority list.
I'm so glad Dick got more respect in his solo stories once he became Nightwing than in these ones.. though some of the same issues definitely crop up from time to time.
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shaxper
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Post by shaxper on Dec 24, 2020 20:58:30 GMT -5
I am thankful for you doing these reviews... I was ready to starting trying to get some of these issues after finishing the Batgirl Showcase volume... it's definitely slid a way down the priority list. Don't let the most recent turn discourage you. #491-503 are positively iconic. Best Batgirl I've ever read.
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Post by shaxper on Jun 2, 2021 9:18:05 GMT -5
(Batgirl and Robin in October 1981)
Both Batgirl and Robin get dropped out of their respective books for the cover date October 1981. Batman gets a full-length adventure (debuting the talents of Gene Colan) in the Batman title, and Batgirl is replaced by a Tale of Gotham City and a second 4 page Batman story. Whether this was sheer coincidence or an explicit decision to get rid of them, both features return in November.
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Post by shaxper on Jun 2, 2021 10:06:51 GMT -5
Batman #341 (November 1981) "Night of the Coven" Script: Gerry Conway Pencils: Trevor Von Eeden Inks: Mike DeCarlo Colors: Carl Gafford Letters: Ben Oda Grade: D- Some decisions appear to have been made after last month's hiatus. With new editor Dick Giordano on the job, Batgirl will be allowed to continue in her backup feature (at least until Len Wein assumes control in eleven months), but Robin is heading back to Gotham to be Batman's partner again (well, at least for the time being). It's all handled very abruptly and via flashback: ...but what "unsettled business" does Dick have back in Gotham? He and Batman are getting along again, and he couldn't have been living in Gotham for more than a month between his time at Hudson University and his decision to travel with Hill's circus. It's not exactly a place he has connections to anymore. And, by the way, there is still zero acknowledgement that he also lives in Titans Tower in New York City as the leader of The New Teen Titans at this time. As usual, Gerry Conway writes two kinds of stories: amazing ones, and ones that clearly got almost no attention from him. This one is full of problems, not the least of which is the idea that Robin spends all night stalking a dude just because he doesn't like his vibe nor his tattoo: Similarly, we learn via flashback that Robin discovered this bit of news after tailing "Sharkey", but before the opening of the story: but then, prior to the flashback, we had this little moment: Sorry, Robin, but what exactly did you expect "You've found a girl for the sacrifice" to mean? The dialogue is pretty atrocious as well: and Conway seems to think a bunch of devil workshippers in hoods somehow qualifies as a coven of witches, which utterly bewilders me. Fortunately, Trevor Von Eeden turns in this one action sequence that is simply too good for this feature: Von Eedon makes the whole thing tolerable, but, after a decade and a half, it looks like the Robin solo backup feature is finally coming to an end, and Conway isn't overly concerned with making that ending memorable.
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Post by shaxper on Jun 2, 2021 12:00:13 GMT -5
Detective Comics #508 (November 1981) "The Attack of the Annihilator!" Script: Cary Burkett; Wendy Beraud (plot assist) Pencils: José Delbo Inks: Joe Giella Colors: Carl Gafford Letters: John Costanza Grade: D If you had to sum up what made Batgirl a unique hero in the 1960s, you likely would have called her dedicated and resourceful. After all, she did with her own brain and two hands what Batman did with years of preparation and a fortune at his disposal. Yet she still managed to keep up with him and Robin, and she did it all on her own. If you had to sum up what made her a unique hero during the early days of Batman Family with Elliot S. Maggin writing, it was (again) her dedication and her stubbornness. She played second fiddle to no one, confidently taking on criminals AND Washington bureaucracy on her own terms. And if you had to sum up what made Batgirl a unique hero at the start of Cary Burkett's run, it was fallibility and (once more) her dedication. Here was a hero who could hit bottom and then work to rebuild herself from the ground up, stronger and more resolved than ever. That just isn't the character we are getting anymore. Burkett finished his story of Batgirl's fall and redemption and, with no further direction for the character, seems content to write her like a totally incompetent third-stringer, which totally undermines what he had done with the character earlier: Both images from Detective Comics #505We do know that Paul Levitz specifically wanted both Robin and Batgirl de-powered so that Batman was clearly their superior, but now that Levitz is gone, Burkett is writing the character more incompetently than ever. Why? Anyway, stuck with no idea what to do with Batgirl next, Burkett gets this story idea from Wendy Beraud, someone who has otherwise never worked in comics (perhaps a friend or girlfriend?), and that results in an insultingly generic plot in which a glory-hungry scientist turns himself into a super-powered mutant and begins attacking civilian targets for no good reason. More memorably, Supergirl flies in to help out, ending in the cliffhanger already depicted above. Really nothing memorable at all about this team-up, beyond our being told (or, perhaps, reminded) that Batgirl knows Supergirl's alter-ego. Not sure where this happened, but it clearly occurred outside of the scope of these reviews. I suppose Supergirl knows Batgirl's identity as well? Oh, we've still got supporting characters galore, endlessly spinning in their own character arcs that never seem to go anywhere: but, at the end of the day, what we are really getting is a Cary Burkett who is totally out of ideas for this feature. Hopefully, that will change and we'll get something memorable before Len Wein assumes control of the Batman Office and kills this feature for good in less than a year.
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Post by shaxper on Jun 3, 2021 9:48:11 GMT -5
Batman #342 (December 1981) "Burn, Robin, Burn" Script: Gerry Conway Pencils: Trevor Von Eeden Inks: Frank Chiaramonte Colors: Carl Gafford Letters: Shelly Leferman Grade: C+ (for Von Eedon) The penultimate Robin solo story after a decade and a half run is no more remarkable than any of the forgettable stories that came before. Conway clearly wrote this thing in one draft, as he still can't decide whether Robin is fighting devil-worshippers or a coven of male witches, makes the climactic moment Robin struggling on a crucifix (without any of the hoard of onlookers noticing) until it falls to the ground, has no real idea where to go for the four pages that follow, and then end with Robin stealing the main bad guy's truck and leaving instead of trying to...ya know... capture him (or call the cops or something!). It's not like Robin has the guy's real name or has any idea where he lives. Maybe he's banking on the license plate providing this info, but how hard would it have been to tie the dude up and throw him in the back seat? As with last issue, Trevor Von Eeden manages to add some level of enjoyment to this otherwise completely dismissible story: ESPECIALLY here: but the big climactic moment is an awkwardly arranged motion line orgy: In the end, despite Von Eeden's valiant efforts, Dick Grayson is my favorite character ever in comicdom, and even I'm rooting for this feature to end at this point.
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Post by shaxper on Jun 5, 2021 8:37:19 GMT -5
Detective Comics #509 (December 1981) "The Fires of Destruction" Script: Cary Burkett Pencils: José Delbo Inks: Joe Giella Colors: Tom Ziuko Letters: Milt Snapinn Grade: D- It was one thing when Burkett utterly tore Batgirl down so that she could build herself back up again, another when he kept tearing her down and having her do a comeback, issue after issue, a third thing entirely when she just utterly started sucking as a hero, and now she's so pathetic and self-depracating that I honestly have to wonder who Burkett thought was going to enjoy reading these stories. Here, she's calling herself a dope even after rescuing Supergirl from certain death: ...so that she can then proceed to get jealous of the way her plain-clothed ally talks to Supergirl in the very next scene: What kid is going to look up to this character and want to be like her? What adult is going to care about what happens to her? This character is thoroughly and completly unlikable, as well as the total opposite of the cool, confident, and in control Babs Gordon with which we began this review thread. Fortunately, she does do two things right in this issue (which is two things more than she did right in the previous two issues): she saves Supergirl (so that Supergirl can then save her), and Burkett has allowed this otherwise now-pathetic wanna-be hero to retain her photographic memory (last mentioned a whopping fourteen months ago): But how can you maintain a backup feature when the star of that feature is acutely aware that every threat they face is really a job for an A lister who should be coming by any moment now? It's like Burkett is intentionally sabotaging Batgirl at this point. I can't help but wonder if this is the result of Paul Levitz' interventions. We know Levitz wanted Batgirl and Robin to start looking less impressive than Batman and that Babs lost her seat in congress, her knowledge of Batman and Robin's identities, AND her self-confidence under his editorial watch. He's gone now, but this feature got booted from several recent issues of 'Tec. Maybe these stories are all backlog, written during Levtiz's reign. Important Details:- Supergirl builds Batgirl a very basic Batcave beneath Jeff's garage. Minor Details:- A terrifying villain with the ability to topple buildings with a thought and to drain Supergirl within an inch of her life flies off, and Batgirl's first reaction is to ask Supergirl to build her a Batcave? Supergirl has telescopic vision and super hearing. Follow that dude! - Even assuming Supergirl stopped to use her X-ray vision in order to avoid plumbing, electrical wires, and gas lines... ...where the hell did she get a hydraulic lift from??
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Post by zaku on Jun 5, 2021 8:49:12 GMT -5
It's fun because I just read an article about Supergirl/Batgirl friendship and I was surprised to learn that until Crisis they had met barely 5 times in 20 years. Still when the Maiden Of Steel died, Batgirl gave a touching eulogy like they were the bestest friends even if they barely knew each other And reading your review they seem just to people in the same line of work that have to help each other, have some respect for each other, but don't particularly like each other.
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shaxper
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Post by shaxper on Jun 5, 2021 8:59:52 GMT -5
It's fun because I just read an article about Supergirl/Batgirl friendship and I was surprised to learn that until Crisis they had met barely 5 times in 20 years. Still when the Maiden Of Steel died, Batgirl gave a touching eulogy like they were the bestest friends even if they barely knew each other And reading your review they seem just to people in the same line of work that have to help each other, have some respect for each other, but don't particularly like each other. Well they know each other's secret identities and seem to get along well enough, but they certainly don't give the vibe of being close friends. Batgirl feels she can request a favor because she saved Supergirl's life, not because they are buds. And I appreciate the link!
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Post by zaku on Jun 5, 2021 13:40:04 GMT -5
Considering that the story you reviewed is the last time they met prior to this touching speech, they must have cultivated their friendship in secret. Or Batgirl is lying about their relationship for a chance to appear on TV
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Post by Hoosier X on Jun 5, 2021 14:08:39 GMT -5
We’re almost up to the issue where I started buying Detective regularly. I think it’s #512. I didn’t think much of the Batgirl series when I was first buying it (except for the Velvet Tiger two-parter).
It was replaced by Green Arrow around #521, which is pretty bad!
I was re-reading my 1980s Batman/Detective collection around 2010 and I read the Batgirl stories for the first time since the early 1980s ... and I liked them a lot better. They’ve definitely grown on me. I think the main reason I’m now such a big Batgirl fan is that the New 52 started a few months later and - because I had just been reading Batgirl back-ups - one of the New 52 series I chose to read was Batgirl.
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Post by shaxper on Jun 5, 2021 14:39:11 GMT -5
It was replaced by Green Arrow around #521, which is pretty bad! Ah yes, the Joey Cavalleri stories. Some of the worst stuff I've ever read. Makes even the worst Burkett stories read like Shakespeare.
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Post by zaku on Jun 5, 2021 16:01:37 GMT -5
Really nothing memorable at all about this team-up, beyond our being told (or, perhaps, reminded) that Batgirl knows Supergirl's alter-ego. Not sure where this happened, but it clearly occurred outside of the scope of these reviews. I suppose Supergirl knows Batgirl's identity as well? I can confirm that in their previous team-up ( Superman Family #171) they didn't know each other's secret identity.
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Post by shaxper on Jun 5, 2021 18:23:04 GMT -5
Really nothing memorable at all about this team-up, beyond our being told (or, perhaps, reminded) that Batgirl knows Supergirl's alter-ego. Not sure where this happened, but it clearly occurred outside of the scope of these reviews. I suppose Supergirl knows Batgirl's identity as well? I can confirm that in their previous team-up ( Superman Family #171) they didn't know each other's secret identity. Thanks for this!
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