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Post by codystarbuck on Feb 10, 2019 12:04:35 GMT -5
For a while there, it seemed like half of DC's artists were Kubert School grads. Of course, he had the connections and they had the training that your average fan artist didn't. It was certainly true of Swamp Thing, where throughout this run just about every regular or fill-in artist came from the Kubert School. I saw one artist who did a couple fill ins at a show and said, "you went to the Kubert school, didn't you?" He said, "Yeah, how'd you know?" and I said, "well, a lot of you kind've dear the same." He acted a little insulted. Yeah, that first batch of graduates all showed a heavy Kubert influence, though most grew out of it. A lot of them also worked on the waning days of the war books and there was at least one comic devoted to their work (one of the specials or something).
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Post by rberman on Feb 10, 2019 21:56:51 GMT -5
Swamp Thing #5 “The Screams of the Hungry Flesh” (September 1982) Creative Team: Written by Martin Pasko. Art by Tom Yeates. The Story: At the Sunderland Corporation’s private facility, Doctor Barclay uses amazing healing powers to mend Swamp Thing’s injuries from the fire demon last issue. Swamp Thing learns that Harry Kay somehow survived the inferno in issue #2; he tells Barclay and Liz Tremayne that Kay is a bad dude. They don’t believe him until they find a basement full of injured clones. Apparently Barclay’s amazing “healing” powers just transfer wounds from his patients to these poor souls in the basement. Swamp Thing sets them free, and they go on a rampage, murdering all the Sunderland employees. Harry Kay escapes in a helicopter, trailing the car in which Tremayne, Barclay, and Swamp Thing departed. Back-up Story: “But the Patient Died” with Mike Barr, Howard Bender, and Tony DeZuniga telling a Phantom Stranger tale. (The title comes from black humor of medicine: "The operation was a success, but the patient died.") My Two Cents: So, a homunculus horror story. I think we’re supposed to cheer for the murder of the Sunderland staff, though in the real world most of them would have been clueless about anything nefarious going on in the basement. Apparently Harry Kay has the same “injury transfer” power that he gave Barclay. Will it still work now that the homunculi are on the loose? Will we ever see them again? Pasko has abandoned the characters of Matt Cable and Abigail Arcane, but now we have Elizabeth Tremayne and Dennis Barclay as Swamp Thing’s new human buddy pair.
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Post by Deleted on Feb 10, 2019 23:57:18 GMT -5
Really enjoying this thread. Swamp Thing was a character I never read except when he appeared as a guest star in a book I already read. However this thread has me wanting to read his solo stuff.
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Post by rberman on Feb 11, 2019 7:50:06 GMT -5
Swamp Thing #6 “Sins on the Water” (October 1982) Creative Team: Written by Martin Pasko. Art by Tom Yeates. The Story: Casey’s mother, seemingly dead, is actually in the hospital, recovering from a head wound. Barclay goes to visit her. She begs him to kill her daughter (!) then dies right in front of him. Also, “Casey” is really Karen Clancy (K.C.). Barclay now has a locket belonging to Karen as well. Harry Kay sets up an ambush and is able to capture Liz Tremayne, but Barclay and Swamp Thing get away. Harry Kay’s psychic assistant Milton Grossman tracks Karen to a cave in Providence Canyon (southwest Georgia). She uses her TK powers to fend off the assassins. We don’t know why Feldner brought her here, but he’s terrified of her too. Maybe she's the one who brought him? The cruise ship SS Haven is docked in Miami, ready to take General Sunderland and a full load of his executives on a Caribbean expedition. Barclay and Swamp Thing sneak on board. While Swampy tangles with a giant tentacle monster, Barclay finds Liz playing the role of drugged harem girl. Does anyone believe that she’s been given a private stateroom of her own, or that she’s carrying a key to it somewhere on her person in this scene? Soon, Sunderland is dressed as Satan for a masquerade ball at which many of the attendees reveal they have been transformed into cyclopes! Back-Up Story: “…Til Death Do Us Join…” with Mike Barr and Dan Spiegle telling a Phantom Stranger tale. My Two Cents: Caribbean tentacle horror, so Lovecraftian. Liz Tremayne the brassy journalist has been shoehorned into bikini Leia mode. Barclay wants to find her – not because she’s been captured by the bad guys, but because he has the hots for her. General Sunderland also appears to be looking forward to some alone time with captive Tremayne. Oh for a comic book in which the women are more than objects of male desire! “General Sunderland” must be retired from the military, considering how much time he has to devote to this timber company/research conspiracy. (We get confirmation of his retired status in issue #12, but he still wears his medals and has everyone call him general.) Lots of goofy medical stuff in this issue, like the “gentle pressure on her carotid artery” which will harmlessly render Tremayne unconscious. Dr. Barclay is some kind of ninja! Then he gives her a Vitamin B12 shot to awaken her, which is just silly.
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Post by rberman on Feb 11, 2019 22:08:56 GMT -5
Swamp Thing #7 “I Have Seen the Splintered Timbers of a Hundred Shattered Hulls” (November 1982) Creative Team: Written by Martin Pasko. Art by Tom Yeates. The Story: The appearance of the cyclopes has freaked out General Sunderland as much as anyone. He and his executives abandon ship in a speedboat. Harry Kay surprises us all, offering Barclay a gun so that he and Tremayne can steal a lifeboat and escape. Alas, they can’t get away. Swamp Thing faces the Cthulhoid monstrosity living in the cruise ship’s swimming pool. Some exposition explains that the creature is a marooned alien who hybridized accidentally with herpesvirus samples that were dumped in the ocean when a Sunderland ship sank some time ago. So basically the monster is a giant venereal disease that has infected much of the crew. Swamp Thing’s juices are toxic to this monster (just like the flame demon in Pineboro two issues ago), so Barclay whips up a poison bomb which Swamp Thing swims down to the other aliens on the ocean floor. (Looks like breathing is not an issue for Swamp Thing after all.) It explodes, and Swamp Thing awakens washed up on a beach… with dinosaurs! (Again) Liz Tremayne does a whole lot of nothing. Back in Georgia, psychic Milton Grossman attempts to apprehend Karen Clancy and her thrall Paul Feldner, but it doesn’t work out so well for him. Back-up Story: “The Haunting of Amanda Dove” with Mike Barr and Fred Carillo telling a Phantom Stranger tale. My Two Cents: The Cthulhu bit is a retread from the Perdition story of the original series, with a venereal disease angle thrown in that goes nowhere, at least not yet. The most interesting moment in this issue was the “good guy” moment from series heavy Harry Kay, setting up a mystery to be revealed down the line. The issue’s title comes from the song “Dogtown” by Harry Chapin, which tells the tale of a widow bereaved by the whaling life: Regarding next issue’s dinosaur story, the last pages promises us “Not another ‘Swamp Thing vs Dinosaurs’ story! But rather, the weirdest, most off-beat story of the year—in this or any other comic.” We’ll see if it lives up to the hype!
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Post by rberman on Feb 12, 2019 7:32:40 GMT -5
Swamp Thing #8 “Here’s Lookin’ at You, Kid” (December 1982) Creative Team: Written by Martin Pasko. Art by Tom Yeates. The Story: The opening page presents our Dramatis Personae, accompanied by an Art Deco stencil font which persists throughout the captions of this issue, as if we were watching a 1940s blockbuster film. On a jungle paradise island, Swamp Thing kills a Tyrannosaurus which promptly decays into a human skeleton. Elsewhere on the island, Barclay and Tremayne are captured by natives and comment how the whole experience is like a movie. Soon Tremayne is playing Fay Wray in a very faithful re-enactment of the 1933 King Kong film – or perhaps Jessica Lange in the 1976 remake? Meanwhile, Barclay finds his way into the opening scene of Citizen Kane. On the set of Casablanca, Barclay and Tremayne finally get some answers from a sextet of Vietnam vets who were exposed to “Agent Blue” and developed reality-bending powers. Rejected back home after the war, they ended up on a wrecked naval vessel and created these fantasy scenarios (including the island) out of their memories of films. Tremayne yells at the veterans for living in a dream, and the fantasy world collapses back to the ruined warship. One of the vets conjures a helicopter (Barclay the physician is conveniently also a trained helicopter pilot now) to get Tremayne, Barclay, and Swamp Thing back home. The other vets drown in the ocean. Back in the United States, Karen Clancy and her thrall Paul Feldner are catching a plane to Germany when he slaps her, flees, and spontaneously combusts, right in front of Harry Kay. Covers that Lie: Swamp Thing and Liz are never traipsing through the jungle together. However, I do appreciate that Karen Clancy’s medallion is prominently displayed around Swamp Thing’s neck. It will be a significant plot point of the next several issues. Back-up story: “If the Sword Should Slay the Dove” with Mike Barr and Fred Carillo telling a Phantom Stranger tale. My Two Cents: Well… it’s certainly not a retread of the previous dinosaur story told by Len Wein! I’m kind of shocked that Pasko would write a story whose moral is that alienated Vietnam veterans need to get over themselves and rejoin society. He tries to have it both ways by having Barclay rebuke Liz Tremayne, saying she shouldn’t be criticizing men who have walked in shoes that she’ll never have to wear. Yet Swamp Thing, the sage bystander, shrugs his shoulders and supposes that the horrible drowning deaths of these men was no big deal. I really can’t…. Meanwhile, Karen Clancy is getting progressively more dangerous. Also more sexy; she looks several years older and has graduated to a tube top, though still wearing girlish pigtails. Harry Kay and Milton Grossman have been intoning doomsday about her trajectory, so we’ll have to see where this goes. Clancy and Feldner are said to have "chartered a plane" from America to Germany which makes no sense; surely they would just buy tickets for a regular flight, which is exactly what we see her doing next issue.
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Post by rberman on Feb 12, 2019 23:11:53 GMT -5
Swamp Thing #9 “Prelude to Holocaust” (January 1983) Creative Team: Written by Martin Pasko. Art by Jan Duursema and Tom Mandrake. The Story: In an expanded replay of the brief airport scene from last issue, Karen Clancy mentally sets Paul Feldner ablaze and sucks the energy out of him, using it to age herself up to adulthood. Another of Harry Kay’s associates named David Marx volunteers to be Karen’s next “catalyst” to buy time for Kay to do something to stave off a terrible outcome. Kay takes Feldner to a subterranean compound beneath Washington D.C. for medical care. Kay’s bosses in Sunderland Corporation don’t trust him anymore, and General Sunderland tasks an operative, Ellenbeck, to incriminate Kay and terminate Swamp Thing at the behest of an unnamed client. Ellenbeck is none other than “ Mr. Grasp,” the operative with robot hands who seemed dead back in issue #2! Barclay, Tremayne, Swamp Thing, and the surviving "Agent Blue" veteran are approaching New Jersey in the helicopter held together by the veteran’s mental powers. He falls unconscious for no obvious reason, and the helicopter disintegrates, killing him. Somehow our stalwart trio makes it safely to shore despite falling from who knows what height into the ocean at night. They make their way to the clinic at which Harry Kay formerly employed Barclay and find evidence that “Harry Kay” is really Dr. Helmut Kripptmann, a Nazi geneticist and war criminal. Kripptmann and a rapidly decaying Milton Grossman save the heroes from a Sunderland security squad and then offer to team up with them to save the world. Barclay rejects the offer, so Grossman uses his mental powers to make Swamp Thing sprout plant-tentacles which attack Tremayne and Barclay. Back-up Story: “Sanctuary of Shadow” with Joey Cavalieri and Fred Carillo telling a Phantom Stranger tale. My Two Cents: Approaching New Jersey? They were on a boat that left Miami for the Caribbean. How did they get halfway up the eastern coast of the USA before trying to get to shore? This is the issue in which Lizabeth Tremayne could have reasonably exited the story. She’s back in the USA, out of danger, and has no skills or knowledge particularly germane to dealing with Sunderland or Karen Clancy. Indeed, as a journalist, Liz could probably do the most good working her media contacts to expose the nefarious Sunderland Corporation. But nope; she decides to cut and dye her hair to play further cloak and dagger with Swamp Thing and Dennis Barclay. In the previous Swamp Thing series, I commented that Swamp Thing himself was often cast as the mute observer to an interesting story that doesn’t involve him. Pasko is doing something a little different and odd, in that the most interesting story involves Karen Clancy’s coming apotheosis, and Kay’s attempt to prevent it—but Swamp Thing hasn’t spent meaningful time with Karen since they were separated by vampires back in issue #3. One gets the feeling that Pasko had a “Firestarter/Carrie” story to tell about Karen when he was assigned to write Swamp Thing, and he’s trying to shoehorn the story he wants to write into the story he has to write. The writing style at this point is completely serial, with pages and pages of catch-up exposition about the Karen Clancy plot required throughout each issue. That said, Pasko has done a good job keeping the reader off-balance about Harry Kay. First he was a black ops guy employed by the baddies. Then he was a physician doing cruel experiments on behalf of the baddies. Then he suddenly started helping the good guys and talking like he was a secret servant of the greater good, trying to save the whole world. But now when spurned by potential allies, he immediately attacks. There’s more of this story to come. An issue of Variety Magazine reports the alleged death of Liz Tremayne when the Sunderland cruise ship SS Haven sank in issue #7. This raises lots of questions. Who wrote this story? Liz had been captured and was a drugged sex slave on the ship. Sunderland certainly wouldn’t want her presence there being known like this. Similarly, the article mentions the immolation of Paul Feldner. That occurred in public at the airport, but Harry Kay quickly spirited Feldner’s body away for treatment, so how would anyone know who he was, to write a story about him? Pasko spends half a page venting his spleen about his skepticism toward the federal government, including the ambition which is “the cancer beneath the presidency.” Redondo gives us another cool image working the “Created by…” credit into the art.
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Post by rberman on Feb 13, 2019 8:24:57 GMT -5
Swamp Thing #10 “Number of the Beast” (February 1983) Creative Team: Martin Pastko writing. Tom Yeates and John Totleben on art. The Story: Swamp Thing and his friends acquiesce to “ Harry Kay’s” threats, agreeing to help him prevent some disaster involving Karen Clancy in Germany. Exposition finally comes: Hitler’s associate Heinrich Himmler recruited occultist Von Ruhnstedt for the Nazi war effort, then imprisoned him in the Dachau concentration camp, where he died. Now Karen needs a magic “pendulum” (really a jeweled pendant) that was buried with Von Ruhnstedt in order to re-initiate the Holocaust. Karen temporarily reconstructs a functional Nazi crematorium at Dachau so that she can interrogate Von Ruhnstedt about the whereabouts of his pendulum, and he sends her off to Berchtesgaden, Adolph Hitler’s summer retreat. Swamp Thing, Kay, and their associates are helpless witnesses to all this; her power is too great for them to intervene. In a side story, Barclay and Tremayne get booked into the same room in a crowded hotel on the way to Dachau. He takes this as a cue to put the moves on her, but she’s having none of it. Back-up Story: “By All That’s Holy” with Joey Cavalieri and Fred Carillo telling a Phantom Stranger tale. My Two Cents: It’s chilling for the reader to discover, along with Swamp Thing, that the sympathetic mute girl from issue #1, whose life Swamp Thing has saved several times, was actually an incubating hellspawn of some sort who has now killed several people on the way to carrying out an even more heinous genocidal plan that’s been programmed into her somehow. Kudos to Martin Pasko for spinning his story out over so many issues, gradually dropping hints about the real situation. On the downside, Pasko needs to wrap this story up quickly, because each issue is becoming progressively clogged with pages of repeated backplot exposition that was felt to be essential in this era. Tom Yeates’ roommate John Totleben has been assisting on art without credit. He makes his presence known with heavy use of diagonal lines to indicate shading and contours, in the manner of a woodcut print. It’s technique which developed in lieu of actual color and shading, so it’s a bit weird to see color applied to it, but it will come to characterize this series for many issues to come, so get used to it. There’s also a cinematic-inspired transitionary scene linked by two different characters carrying the same issue of Variety magazine that we saw last issue. This issue also includes a plug for the 1982 graphic novel Creepshow, artist Bernie Wrightson’s adaptation of the film of the same name, which contained four Stephen King short stories. Swamp Thing is shipped to Germany in “a 300 pound crate.” Is he not 549 pounds anymore? He’s really lost weight! Eat a sandwich! Harry Kay reveals a concentration camp tattoo; he was an inmate. So what about the documents showing him as a war criminal? Maybe we’ll find out they were fakes planted to discredit him.
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Post by Icctrombone on Feb 13, 2019 8:35:26 GMT -5
The Martin Pasko /Yeates run is criminally underrated. I re-read it every few years , even more often than the acclaimed Alan Moore run.
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Post by Prince Hal on Feb 13, 2019 10:53:43 GMT -5
Swamp Thing #10 “Number of the Beast” (February 1983) Crucifixion alert.
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Post by codystarbuck on Feb 13, 2019 11:21:56 GMT -5
That technique is hatching and was an old standby in comics; even color comics. Mike Grell made extensive use of it in his work, as he drew much of his inspiration from illustrators, like Pyle, Wyeth and Parrish.
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Post by MDG on Feb 13, 2019 12:01:18 GMT -5
That technique is hatching and was an old standby in comics; even color comics. Mike Grell made extensive use of it in his work, as he drew much of his inspiration from illustrators, like Pyle, Wyeth and Parrish. Assuming that comment's related to this: Swamp Thing #10 “Number of the Beast” (February 1983) Tom Yeates’ roommate John Totleben has been assisting on art without credit. He makes his presence known with heavy use of diagonal lines to indicate shading and contours, in the manner of a woodcut print. It’s technique which developed in lieu of actual color and shading, so it’s a bit weird to see color applied to it, but it will come to characterize this series for many issues to come, so get used to it. Yeats and Totleben probably picked that technique up at school.
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Post by brutalis on Feb 13, 2019 13:23:23 GMT -5
The Martin Pasko /Yeates run is criminally underrated. I re-read it every few years , even more often than the acclaimed Alan Moore run. So true. I have read the Pasko/Yeates run 3-4 times since buying off the rack. Only read Moore's run the one time when bought off the rack. I do believe this review thread has chosen my Halloween reading for this fall.
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Post by rberman on Feb 13, 2019 21:30:59 GMT -5
Swamp Thing #11 “Heart of Stone, Feet of Clay” (March 1983) Creative Team: Martin Pastko writing. Tom Yeates on art. No John Totleben for now. The Story: Karen Clancy finds Von Runstedt’s magic pendulum in a wall safe in Berchtesgaden, then murders the house’s inhabitants, razes the house, and raises a pagan temple to “The Beast.” Karen’s apotheosis has continued; by now she’s just a nude silhouette in a cyclone. Helmut Klipptmann uses his Cabbalistic knowledge (and several hundred pounds of conveniently available clay) to construct and animate a Golem to send after Karen. She just flies away out of range, and the golem turns its ire on Swamp Thing, who has been wearing Karen’s necklace as a means of tracking her with his psychometric abilities. Oy Vey! Back-up Story: “And I Shall Stand in the Shadow of Death” with Paul Levitz and Fred Carillo telling a Phantom Stranger tale. My Two Cents: I’m surprised to see these Qabalah-centric elements enter the story several issues before Alan Moore takes over. Not that he has a monopoly, but he is strongly associated with Hermetic occultism. Other than the golem battle, not a lot happens in this issue, mainly because recapitulating the backplot every issue is getting quite lengthy. Wrap it up, Pasko! Yeates hilariously tries to enliven all this exposition by having it occur during a fisticuffs squabble among the ostensible heroes. Harry Kay finally spills his guts about the past. Yes, he was a concentration camp inmate. But he was also vested with Nazi authority within the camp, and thus bears guilt as a collaborator.
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Post by rberman on Feb 14, 2019 6:50:16 GMT -5
Swamp Thing #12 “And Yet It Lives” (April 1983)Creative Team: Martin Pasko writing. Tom Yeates on art. The Story: Back in the hotel room where Dennis Barclay is using a few test tubes and chemicals to try to find a cure for Swamp Thing’s gradual decay, Sunderland’s “ Agent Grasp” (aka Walter Ellenbeck) shows up with a gun. Grasp lets Barclay and Liz Tremayne think they have overpowered him, then follows them to find Klipptmann and Swamp Thing. Clever! Also risky; they could have (and should have) shot him instead of just leaving him on the floor. Swamp Thing defeats the berserk golem, then Klipptmann repairs the golem. The three of them follow Karen Clancy’s trail to a local synagogue. The combined power of Kay’s psychics, plus the golem, plus Swamp Thing, finally lays Karen low, apparently killing her; the psychics die in the process. But wait! The evil spirit within Karen still lives. It escapes in pink mist, just like the flame demon back in issue #4, and possesses Liz Tremayne, manifesting as a dragon-form around her and teleporting them (Swamp Thing, the Golem, Harry Kay, Barclay, and Grasp) to the pagan temple which Karen constructed last issue. Back-up Story: “Ageless” with Nicola Cuti and Fred Carillo telling a Phantom Stranger tale. My Two Cents: OK, the story is really moving now! Pasko gives us tons more exposition, laying out his cosmology. Every few generations, an AntiChrist, an incarnation of the Beast from the Book of Revelation, arises on the Earth. Adolph Hitler was the last one, and Karen Clancy’s unseen master is the latest. Karen in particular spouts pages of exposition about how souls are real, death allows us to cross dimensions, etc. The accompanying art is once again a fight scene that has nothing to do with her philosophical discourse. We’ve been hearing since issue #1 that Swamp Thing is dying. It would be nice to see some evidence; gradually turning brown like a withering plant, or something. Dennis Barclay and Liz Tremayne have a surprisingly adult, well-scripted conversation about sexual attraction. Dennis wants to have sex with Liz, who has an insensitive habit of walking around their cramped hotel room wearing just a bath robe. She puts him off, saying that a good relationship takes more than just two people thrust together briefly by circumstances, so if he’s feeling horny, he should go sleep in the subway. OK, but she could, you know, get dressed? The art features a few of Yeates’ roommate John Totleben’s distinctive Kubert-inspired woodcut-looking diagonal lines. He’s not credited, but according to Stephen Bissette:
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