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Post by thwhtguardian on Dec 23, 2020 21:35:53 GMT -5
OFF THE RACKS
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Post by thwhtguardian on Dec 23, 2020 22:09:59 GMT -5
Challenge of the Super Sons #2Written by Peter Tomasi Art by Max Raynor Summary: Superboy and Robin rush to Central City to save the Flash from a prophecy of Doom! Plot: This was one of those issues where you pick it up and think you somehow missed an issue because in inexplicably starts en media res with Jon and Damian being super familiar with the cloaked woman who started shouting at them about doom at the end of the last issue. From their dialogue you sort of get the impression that some time has passed between the last issue and this one for the characters involved but it's very far from explicit and the way they just jump into reading the scroll and going off to save the hero named on it with out questioning why or how it works is incredibly jarring. I get it, time travel is full of timey whimey stuff...but this just felt like leaning into that just for the sake of skipping out on exposition entirely so you could get to the action which is just really lazy storytelling. Still, the characterization of Jon and Damian is really great and I like the energy the book has but if the book is going to keep me to the finish the plot better pick up post haste. Art: Raynor's depection of this pint sized dynamic duo continues to be the best part of this book. He not only has a great eye for action in the way he frames his scenes but he's excellent at humor too which is a great skill when dealing with young characters.
Grade:6/10
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Post by Deleted on Dec 23, 2020 22:48:25 GMT -5
don't have time to write up full input. . but I just wanted to pop in to say that I have had ZERO interest in the "Death Metal" stuff that DC has been putting out.
but I have been glancing at the occasional 1-shot if the topic interested me (such as last weeks Titans centric story, that was overbloated, and felt like a real waste of my $$ and my time).
but I did pick up "Dark Nights: Death Metal the Secret Origin" - and it's fantastic.
it helps that I'm a fan of Superboy Prime.
it hits all the sweet spots, and I adored it. Especially the meta commentary.
10/10
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Post by thwhtguardian on Dec 24, 2020 8:22:23 GMT -5
Smuggler's Run #1
Written by Greg Rucka Scripted by Alec Worley Art by Ingo Romling Summary: A long time ago in a galaxy far, far away the Rebels destroyed the Death Star but a mission remains for Han and Chewie. Plot: This was one of those rare finds you only ever stumble across once in a blue moon that you buy with no prior knowledge of its existance just because of the cover looks cool. Usually this type of buy ends up burning me but this time it actually worked out in my favor for once delivering possibly the best new Star Wars comic since the property left Dark Horse. It's a simple enough story, and one we've basically seen in several different versions through out the years so if you're a stickler for continuity this might not be the book for you, but if you're just looking for a fun Han and Chewie adventure like I was then you'll be in for a great ride. Basically, this book which is evidently based on a novel Greg Rucka wrote in the build up to the Force Awakens(which I had strangely never heard of though might need to find!) that follows Han and Chewie on their first adventure in the name of the Rebellion following their surprise return in the battle for Yarvin at the end of the original film. Though part of the Star Wars Adventures line of books which tend to be more kid focused the book isn't immature by any means, capturing the tone from the original films down to a tee and giving readers a great mix of action, intrigue and comedy. I really enjoyed the new Imperial villain that Han and Chewie square off against, her sleek cat-like grace paired with her bionic eye not only gives her a striking look but her personality is really fleshed out making you almost rout for her despite her being the main antagonist. The only negative I have is that it's sadly just a two issue run! I know you don't do modern comics too often but if you see this one Confessor I think you'd like it. Art: Ingo Romling is a regular renaissance man in this issue handling the penciling, inking, coloring and lettering all on his own...and it's all utterly amazing! While the art style for the characters is slightly cartoonish the characters are still instantly recognizable and that stylized look gives them an enhanced ability to emote that wouldn't be strictly possible if a more photo-realistic style was used. Interestingly enough although the characters are stylized the ships and backgrounds are super film accurate and that contrast really makes you focus on the moment, immersing you deeply in the story which is amazing. On top of that, I really liked how Romling used different shaped word balloons and type faces for different characters; people had the traditional round word balloons but Chewie had a bold faced, more jagged font to symbolize the sound of his roars, robots had square word balloons with an almost typewriter like font and anything said over a comm had a jagged word balloon that gave you that squawking feel. All together it was just a well crafted looking book that is a joy to see. Grade: 10/10
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Post by Deleted on Dec 24, 2020 13:19:04 GMT -5
Action Comics #1028. Written by Brian Michael Bendis. Art by John Romita Jr.
The final issue of Bendis' run on Superman was last week. This week his Action Comics run is done. With Future State next month and another soft reboot in March I feel like Bendis had to wrap up his run sooner than he wanted. So he had a lot to cover and wrap up this issue. It was a talking heads issue with a huge info dump.
Despite this it wasn't a bad issue. Bendis has some great ideas like Jimmy owning the Planet. Conner returning to his old life on the Kent farm. I almost wish he could stay on this title awhile longer to develop these ideas further.
Pros for Bendis on Superman. Great ideas. Making the characters feel grounded. Cons was his pacing. And use of new villains. I would like to have seen some of Superman's classic villains.
Romita's blocky styled art is OK but I wish it had been a little more polished...
In a few weeks Bendis' finale on Jon & the Legion #12.
6/10.
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Post by Deleted on Dec 24, 2020 13:23:06 GMT -5
Detective Comics #1033. Written by Peter J. Tomasi. Art by Brad Walker.
Damn. Tomasi's run ends with this issue. It started off strong but got quickly wrapped up due to DC's soft reboot coming in March. Tomasi captures the relationships between the Bat Family well. IMO Tomasi excels writing "family" whether that was his Nightwing run or his Batman & Robin series or his recent Superman run (before Bendis). I really think this recent run was going to be one of his best but it seemed to fall apart a bit with a rushed feeling this issue. I also felt Walker's art looked rushed and a little sloppy.
6/10.
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Post by Deleted on Dec 24, 2020 13:27:02 GMT -5
X-O Manowar #3. Written by Dennis "Hopeless" Hallum. Art by Emilio Laiso.
Continuing a "new" view of Aric as a more typical super hero. And so far so good. Aric seems to be happy and enjoying himself. I find I like the change from his previous portrayal and being a man out of time and not fitting in. It makes sense that he can adapt and fit in better now that he has been through so many adventures.
I feel like Valiant scaling back the # of titles they publish has helped. I feel the titles they are currently publishing are stronger now than a few years ago.
7/10.
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Post by thwhtguardian on Dec 24, 2020 13:54:27 GMT -5
Detective Comics #1033. Written by Peter J. Tomasi. Art by Brad Walker. Damn. Tomasi's run ends with this issue. It started off strong but got quickly wrapped up due to DC's soft reboot coming in March. Tomasi captures the relationships between the Bat Family well. 6/10. He isn't continuing on after the future stories are over? If not, then that's a major bummer, he had just started to get into a groove and I was excited to see where he'd go next. Oh well, if it is the end atleast it was a fun final issue with Bruce packing up all the Bat-Animals and moving into the city.
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Post by Deleted on Dec 24, 2020 14:20:55 GMT -5
Detective Comics #1033. Written by Peter J. Tomasi. Art by Brad Walker. Damn. Tomasi's run ends with this issue. It started off strong but got quickly wrapped up due to DC's soft reboot coming in March. Tomasi captures the relationships between the Bat Family well. 6/10. He isn't continuing on after the future stories are over? If not, then that's a major bummer, he had just started to get into a groove and I was excited to see where he'd go next. Oh well, if it is the end atleast it was a fun final issue with Bruce packing up all the Bat-Animals and moving into the city. Mariko Tamaki and Dan Mora are the new creative team.
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Post by Deleted on Dec 24, 2020 14:21:59 GMT -5
Sorry for the short reviews. Going to be busy with Christmas...
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Post by thwhtguardian on Dec 24, 2020 14:29:29 GMT -5
He isn't continuing on after the future stories are over? If not, then that's a major bummer, he had just started to get into a groove and I was excited to see where he'd go next. Oh well, if it is the end atleast it was a fun final issue with Bruce packing up all the Bat-Animals and moving into the city. Mariko Tamaki and Dan Mora are the new creative team. Ah, I think I had read that before but forgotten it, hopefully they do well.
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Post by thwhtguardian on Dec 24, 2020 14:56:12 GMT -5
Dune: House Atreides #3Written by Brian Herbert and Kevin J. Anderson Art by Dev Pramanik Summary: Leto arrives on the techno planet Ix, while a young Duncan Idaho fights for his life on Giedi Prime. Plot: The book continues to feel slightly disjointed as it follows five distinct plot threads: Leto's education, Duncan Idaho's escape, the exploration of of Arrakis by Pardot Kynes, Prince Shaddam's plot to become Emperor, and the Bene Gesserit's breeding program. It's a lot to take in but although you're left wanting more after reading each segment they are ultimately very satisfying in and of themselves full of great characterization and action. Though ultimately well done I really think this would read much better if it was a graphic novel rather than a serialized story. Art: The art by Pramanik really continues to shine here. My favorite look by far though was during the Duncan segment, there’s a palpable vulnerability to this sequence’s early panels, which soon hardens into deadly determination once Duncan resolves to stand and fight rather than run like prey. It was really stunning. Grade:8/10
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Post by Deleted on Dec 24, 2020 16:02:08 GMT -5
Mariko Tamaki and Dan Mora are the new creative team. Ah, I think I had read that before but forgotten it, hopefully they do well. I think they will. I like Tamaki's writing & Mora's art style.
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Post by thwhtguardian on Dec 24, 2020 16:12:04 GMT -5
Ah, I think I had read that before but forgotten it, hopefully they do well. I think they will. I like Tamaki's writing & Mora's art style. Yeah, her She Hulk run was really good so here's hoping for a good run.
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Post by thwhtguardian on Dec 24, 2020 18:55:45 GMT -5
King Size ConanWritten by Roy Thomas, Kurt Busiek, Kevin Eastman, Chris Claremont and Steven DeKnight Art by Steve McNiven, Pete Woods, and Jesus Saiz Summary: Celebrating 50 years(sort of) of Conan comics at Marvel this special gives us stories from some of the greatest teams of all time. Plot: Hoo boy, I haven't been following the Marvel Conan books for a while but with these creative teams I just had to pick it up and I'm glad I did! To start with we got a new Conan story by THE Roy Thomas and as is fitting for this celebratory anniversary issue he chose to go back to the beginning with a prelude to the first story he told in Conan the Barbarian #1 from all the way back in 1970. In CtB #1's "The Coming of Conan" we saw Conan coming to the aid of the leader of an Aesir war band and here in his new tale Thomas gave us the story of how Conan joined up with some Aesir scouts after he wandered off after his victory at Venarium. It's not essential that you know this story to enjoy "The Coming of Conan" (and you should go check that out if you haven't!) but it's a great touch to revisit the past in celebrating a milestone like we are here. Continuing the nostalgia train the comic gods saw fit to give us yet another great Conan writer returning with a prelude to one of their most memorable Conan stories, this time we got Kurt Busiek(my personal favorite Conan scribe) giving us an adventure in Zamora set just before he conquers the Tower of the Elephant. Again, nothing integral to the history Conan but the dialogue was great(as is usual for Busiek) and the character development on the wizards was fantastic for just a short story. And while Claremont and DeKnight's stories were good the story that really stood up to these first two teams was Kevin Eastman of TMNT fame's addition to this special. His story of vengeance definitely carried his voice and yet it fit perfectly with Conan's world at well which isn't as easy as you'd think. All in all this was an absolutely amazing issue and is one I'll have to remember when compiling my best of 2020 list. Roquefort Raider maybe if you were really good this year Santa will make sure there's still a copy of this book at your shop next week because you're definitely going to want to get your hands on this! Art: While the artists gathered here did well in their own rights( I especially loved Kevin Eastman draw Conan) I'm really disappointed Marvel didn't bring back the art teams that the writers originally worked with for this special. Can you imagine if Barry Windsor Smith reunited with Roy Thomas again? Or if we got another look at Cary Nord's Conan again? Seems like a real missed opportunity, especially as they did go to the trouble of getting the old writers back. Grade:9/10
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