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Post by Ricky Jackson on Jan 20, 2024 19:31:38 GMT -5
I believe Stan came up with the Fantastic Four. Some people try to draw comparisons with the Challengers of the Unknown, but I don't see it. The character traits that the FF had made the book. Northing that I've read from Kirby to that point showed me that he was writing with the type of humor or personality. Don Heck drew the Avengers from 17 on and those books were infused with personality and chemistry between the characters. Again, nothing like that was shown by Kirby to that point. I wonder what the theory about Dr. Doom is? Who came up with that idea? I think the comparison to Challengers is based on similar origin stories--a group of four crash land and vow to team together going forward. 3 of the Challenges also have similar personality traits to Reed, Ben and Johnny. Considering Kirby was involved with both, it's hardly a stretch to say he was responsible for that aspect of their creation
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Post by kirby101 on Jan 20, 2024 19:54:27 GMT -5
I believe Stan came up with the Fantastic Four. Some people try to draw comparisons with the Challengers of the Unknown, but I don't see it. The character traits that the FF had made the book. Northing that I've read from Kirby to that point showed me that he was writing with the type of humor or personality. Don Heck drew the Avengers from 17 on and those books were infused with personality and chemistry between the characters. Again, nothing like that was shown by Kirby to that point. I wonder what the theory about Dr. Doom is? Who came up with that idea? To that point Kirby had created dozens of characters, groups and comics. Stan had not created anything of note to then. You probably have not read any of Kirby's pre FF comics to say he did not have characters with personality.
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Post by commond on Jan 20, 2024 20:05:28 GMT -5
Kirby's claims about creating everything by himself were just as BS as Stan's. Kirby claimed that he never received a synopsis from Stan and that he never saw him write anything. He even went as far as to claim that other people did the scripting for him. Yet after Jack died, his family found numerous synopses in his house, including the synopsis for Avengers #4 and several Fantastic Four issues from the mid-60s. I believe the family gave these synopses to Mark Evanier but asked him not to publish them. Some have theorized that these weren't synopses but rather edits that Stan made. Frankly, it's Jack's word against Stan's and I don't know why people believe either of them. Because one has shown himself to be a serial teller of falsehoods. Kirby did not spend decades telling untrue tales about the comics.And other people did ghost write for Stan at times. This is well documented. His viewpoints on who created what certainly became more extreme at the behest of his lawyers. There are many contradictions in Jack's side of the story, not the least of which is the fact that Jack signed off on documents attesting to Marvel's ownership of his work. It's interesting that Stan became the target of folks' ire when in reality it was Goodman and Marvel's subsequent owners who refused to give Jack the credit he deserved. The argument has always been that Stan could have done more for Jack, which is fair, and Stan did eventually serve his own self-interests where litigation was involved, but people are quick to choose heroes and villains whether it was Lee or Jim Shooter. Personally, I thought Jack's parodies of Stan and Roy Thomas were mean-spirited as were his comments about Stan in the Groth interview. Groth's behavior at the San Diego comic con was also reprehensible. To Jack's credit, he wasn't keen on participating in that type of behavior. At least not publicly. There was a rabid mentality among fans in the 80s over Jack's artwork spurred on by people like Groth.
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Post by commond on Jan 20, 2024 20:12:03 GMT -5
I believe Stan came up with the Fantastic Four. Some people try to draw comparisons with the Challengers of the Unknown, but I don't see it. The character traits that the FF had made the book. Northing that I've read from Kirby to that point showed me that he was writing with the type of humor or personality. Don Heck drew the Avengers from 17 on and those books were infused with personality and chemistry between the characters. Again, nothing like that was shown by Kirby to that point. I wonder what the theory about Dr. Doom is? Who came up with that idea? I think the comparison to Challengers is based on similar origin stories--a group of four crash land and vow to team together going forward. 3 of the Challenges also have similar personality traits to Reed, Ben and Johnny. Considering Kirby was involved with both, it's hardly a stretch to say he was responsible for that aspect of their creation There are also elements of Sea Devils, who more closely resemble the Fantastic Four than the Challengers of the Unknown.
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Post by Icctrombone on Jan 20, 2024 20:31:39 GMT -5
I think the comparison to Challengers is based on similar origin stories--a group of four crash land and vow to team together going forward. 3 of the Challenges also have similar personality traits to Reed, Ben and Johnny. Considering Kirby was involved with both, it's hardly a stretch to say he was responsible for that aspect of their creation There are also elements of Sea Devils, who more closely resemble the Fantastic Four than the Challengers of the Unknown. Maybe , but the Challengers and SeaDevils disappeared , whereas the FF became a top seller and cornerstone for a comic company. The difference was the person called Stan Lee.
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shaxper
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Post by shaxper on Jan 20, 2024 20:37:46 GMT -5
Again, what is creation? Initially thinking up the concept? Or the development in the first or first few issues? Of course Stan had a hand in that. And I think we have to weigh each one differently depending on the book. My contention is Stan's false claim of authorship, that all the ideas were his. He took all the credit for the original ideas, and deserved none.This adversely affected the livelyhood of the artists. As did taking all the writing money. When others were plotting. I give him full credit as an editor and PR man. Those were his strengths. I don't think anyone in this discussion disagrees with you on any of these points beyond the "deserves none" bit. You concede he played a part, yet he deserves no credit at all? Show me where I said he deserved no credit for anything.
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Post by kirby101 on Jan 20, 2024 21:31:41 GMT -5
Do you not understand the difference between credit for original ideas and "anything"? One is specific the other encompasses everything. Why do I have to explain this over and over and over?
Can we move past this strawman?
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Post by kirby101 on Jan 20, 2024 21:36:46 GMT -5
There are also elements of Sea Devils, who more closely resemble the Fantastic Four than the Challengers of the Unknown. Maybe but the Challengers and SeaDevils disappeared , whereas the FF became a top seller and cornerstone for a comic company. The difference was the person called Stan Lee. And that says exactly zero about who came up with the original idea. And BTW Challengers was quite successful before Kirby left. The only clear thing is without Kirby and Ditko, there is no Marvel Universe. Stan was not the one with the history of creating superheroes.
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Post by tarkintino on Jan 20, 2024 22:52:09 GMT -5
There are also elements of Sea Devils, who more closely resemble the Fantastic Four than the Challengers of the Unknown. Maybe but the Challengers and SeaDevils disappeared , whereas the FF became a top seller and cornerstone for a comic company. The difference was the person called Stan Lee. Agreed, and the Challengers were a simple concept in a long line of post-Lidenbrock (i.e. Verne) adventurer characters mixed with the "Go-getter Joe" stereotypes Kirby loved to use, which were a stark contrast to the highly dysfunctional FF, and how said dysfunction would only grow to define the FF and Marvel's differences from most DC books of that time (The Doom Patrol being one exception). Creating / writing troubled characters (in a way far more realistic than the competition) was one of Lee's strengths, and is quite easy to see in non or post-Kirby / Ditko titles (The Amazing Spider-Man.
It appears Kirby is the one getting credit for what he did not develop.
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Post by shaxper on Jan 21, 2024 1:09:32 GMT -5
Do you not understand the difference between credit for original ideas and "anything"? One is specific the other encompasses everything. Why do I have to explain this over and over and over? Can we move past this strawman? You keep asking questions and getting annoyed when they are answered. And, quite frankly, you've been rude. If I've misunderstood you, perhaps the error was not entirely on my part.
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Post by Chris on Jan 21, 2024 2:06:01 GMT -5
Having trouble formatting the quotes, I think there was an error somewhere before this but whatever. Show me where I said he deserved no credit for anything... ...Of course Stan had a hand in that. And I think we have to weigh each one differently depending on the book. My contention is Stan's false claim of authorship, that all the ideas were his.He took all the credit for the original ideas, and deserved none. I don't think anyone in this discussion disagrees with you on any of these points beyond the "deserves none" bit. You concede he played a part, yet he deserves no credit at all?"Taking credit for the original ideas" - claiming the ideas all originated with him - is not the same as saying "he deserves no credit for anything at all." I think Kirby101 is pretty clear in saying Lee claimed credit for coming up with the ideas in the first place, not that Lee should be denied any credit whatsoever for the success of Marvel Comics.
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Confessor
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Post by Confessor on Jan 21, 2024 2:35:35 GMT -5
My thoughts on Stan Lee -- and I realise that I'm going over ground that has already been discussed in this thread -- is that foremost he was a hell of a marketing guy, with a real vision for the Marvel brand. The former was put to good use in creating the idea of the expanded shared Marvel Universe in the early '60s and in encouraging the idea that Marvel readers were part of an elite club of discerning comic buyers. Both key factors in Marvel's rapid rise in popularity during the 60s and into the 70s.
He could also write some really snappy dialogue. Stan knew exactly how to "write up to" kids and by the mid-60s that included college age kids and even young servicemen. At its best, Lee's dialogue could be both funny and surprisingly philosophical. For example, the often repeated line from Spider-Man, "With great power must come great responsibility" is utterly inspired. That idea can be extrapolated out and into everyone's own life in multiple day to day situations. Hell, you can even extrapolate it out onto a global scale, particularly in our duty of care towards the Earth's environment and animal life, as the planet's dominant species. In fact, I honestly think you could quite easily start a religion based on "with great power must come great responsibility". It's Zen-like in its simplicity and universality. Pretty lofty philosophical stuff for a throwaway kid's comic.
As for the issue of how much or not Lee actually created, everything I've read leads me to believe that Lee was absolutely involved in the creation of many of Marvel's key characters
Let's take Spider-Man for example (because he's a character I know a lot about): the very name Spider-Man was Lee's idea (admittedly, almost certainly inspired by the pulp hero The Spider) and so too was the idea of making him a teenager, rather than an adult, which was more usual for "long underwear characters". Plus, it was Lee's scripting that gave the character his angst ridden personality and his wise-cracking characterisation.
Ditko obviously contributed a ton of design stuff, such as Spidey's costume, web-shooters, spider signal etc, and Jack Kirby also had some input, such as having Peter Parker orphaned and living with an elderly Aunt and Uncle (if memory serves). I think I'm right in saying that Kirby actually drew some pages for the first Spider-Man comic, but Lee rejected them as looking too "superhero-y", which is why Ditko was given the job as the comic's artist.
However, I also kinda suspect that Kirby played up his own involvement in Spider-Man's creation in later decades and somewhat tried to minimise and downplay both Lee and Ditko's involvement. But the fact is that the few interviews with Stan and Steve from the 60s and early 70s, when memories were still fresh, barely mention Kirby at all in connection with Spider-Man's creation.
Irrespective of all that though, it's clear to anyone who cares to read up on and research the character's history that Spider-Man was created by three people and that it was almost certainly Lee and Ditko who did the bulk of the heavy lifting.
So yeah...Lee definitely had a hand in creating many of these characters. Did he sometimes get carried away and take more credit that he should've? Yes, I think that's pretty much unassailable fact at this point. But irrespective of that, Lee was absolutely a co-creator of these characters. The idea that it was all Kirby, Ditko, Romita etc just doesn't hold water for me.
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Post by berkley on Jan 21, 2024 3:56:42 GMT -5
This makes me think of another music analogy, probably as inexact and inappropriate as the Beatles one: songwriting credits. Specifically, when are they deserved, what's the dividing line between, say, a mood-changing arrangement and a direct involvement in the composition of a song?
Take Procol Harum's A Whiter Shade of Pale: Gary Brooker wrote the music and Keith Reid the lyrics and they were credited as the only two songwriters. But organist Matthew Fisher contributed the famous organ riff that does so much to set the entire mood and feel of the song right from the start, so should he have been credited as well? I believe he was eventually, but not until a court case decades later.
I read somewhere that Mick Taylor felt he should have been given a few song-writing credits during his time with the Stones. The only specific title I can recall is Moonlight Mile, and I assume he was referring to the mood-setting guitar riff, but who knows. But what about Honky-Tonk Woman? Compare the Let it Bleed country version to the single, pretty huge difference.
I don't have a problem crediting Stan with playing a large part in, say, establishing the personalities of the major characters in the FF through his dialogue, and setting the general mood of all the series he wrote through his scripting. I think the comparison of the stuff he did with and without Kirby or Ditko would support that, just as it supports MWGallagher's observation that he wasn't really much good at coming up with original or even half-way interesting character concepts on his own.
The question of how accurate either Lee or Kirby were in their later statements is largely irrelevant, in my view. Emotions run high, they're old, memories are unreliable, etc. The more important question is, who suffered more from whatever inaccuracies or failures to acknowledge creator credits, etc. And as far as I know, there's no comparison: it was overwhelmingly the artists, not Stan Lee.
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Post by commond on Jan 21, 2024 5:46:45 GMT -5
The question of how accurate either Lee or Kirby were in their later statements is largely irrelevant, in my view. Emotions run high, they're old, memories are unreliable, etc. The more important question is, who suffered more from whatever inaccuracies or failures to acknowledge creator credits, etc. And as far as I know, there's no comparison: it was overwhelmingly the artists, not Stan Lee. The trouble is that early on in the process, the artists signed away their legal rights to creator credits. Jack and Stan differ in their versions of who decided to move Marvel towards the superhero genre, but I do think it's interesting that when they discussed the origins of the Fantastic Four that Jack focused more on the science and Lee on the soap opera. Another interesting thing I discovered about Stan Lee is that a lot of his phrases he used (true believer, etc.) he picked up while he was working on military propaganda during the war. It's amusing to me that Marvel propaganda was lifted from war time propaganda. While there's validity in the argument that Stan never created anything of merit without Kirby, Ditko and others, does anybody really think Kirby would be remembered as anything more than a footnote if the Marvel explosion had never occurred? Comics may never have survived, and if they did they probably would have evolved in a totally different fashion. Kirby's pre-Marvel work may have been as lost to time as a lot of other work from the era. Even now, aside from Captain America, it's questionable how much interest there is in Kirby's pre-Marvel work among the general comic book reading populace. I think that side of the argument is blown out of proportion, though it's interesting to note that Kirby felt the same way towards Joe Simon that he did Lee in terms of who did all the creative work.
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Post by shaxper on Jan 21, 2024 8:59:06 GMT -5
Having trouble formatting the quotes, I think there was an error somewhere before this but whatever. Show me where I said he deserved no credit for anything... ...Of course Stan had a hand in that. And I think we have to weigh each one differently depending on the book. My contention is Stan's false claim of authorship, that all the ideas were his.He took all the credit for the original ideas, and deserved none. I don't think anyone in this discussion disagrees with you on any of these points beyond the "deserves none" bit. You concede he played a part, yet he deserves no credit at all?"Taking credit for the original ideas" - claiming the ideas all originated with him - is not the same as saying "he deserves no credit for anything at all." I think Kirby101 is pretty clear in saying Lee claimed credit for coming up with the ideas in the first place, not that Lee should be denied any credit whatsoever for the success of Marvel Comics. I appreciate your attempts to clarify, but here is where the conversation was before that. There are two points here. Did Stan have a hand in the ongoing comics? Of course he did, the main debating points is how much of the plotting and story ideas were his. Certainly not all or most of them, as was the way it was portrayed.
The second is the creation of the characters. The main point here is Stan's claim is the initial idea for every one was his. That is patently false, and I would go so far as to say very few, if any, were his original idea. As opposed to all of them, as he claimed. Now we can have a discussion as to what constitutes the creation of a character. And I think we just have our own criteria. But when it comes to the initial idea of a character, Stan's claims of authorship are where he didn't tell the truth.
So you do agree that Stan had a part in the creation of these characters. Your point is that he took more credit than he earned? Because, if that's the case, I don't think anyone here is disagreeing with you. Thus my genuine confusion and attempt to understand. Not an insideous effort to strawman someone.
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