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Post by Slam_Bradley on May 30, 2024 17:47:54 GMT -5
That Deadshot mini is excellent.
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Post by DubipR on May 30, 2024 19:12:02 GMT -5
Direct Currents #6 (Books shipping July 5 thru July 27, 1988)Inside, there's a preview for a new Doc Savage ongoing series based off the "hit" mini-series by Denny O'Neil and the Kubert brothers. I'm somewhat curiously about the mini-series as I've liked a lot of the early Kubert brothers' work I've seen. The ongoing is penciled by Rod Whigham of G.I. Joe fame. I have to say his black and white pencils for the preview look better than his G.I. Joe stuff. The book was cancelled in 1990 (not '89), so it was a fighter. The Doc Savage mini was underrated, like the Adam Strange mini at the time. It's a good modern take of Doc Savage, which lead to the ongoing, which wasn't that bad unto itself. I liked it, as it crossed over with the ongoing Shadow series by Barreto at the time. Good time for DC to be updating the pulp heroes.
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Post by codystarbuck on May 30, 2024 22:18:18 GMT -5
DC Direct Currents #5 (Books shipping June 7 thru June 28, 1988)From V for Vendetta to Rob Liefeld. The mention of "new DC discovery" Rob Liefeld had me wondering, since DC had McFarlane and Liefeld before Marvel did, what if they'd given them their top titles? McFarlane does Batman, and Liefeld does New Teen Titans, pushes Wolfman off the book and relaunches it as Teen Force or Extreme Titans. I'm sure Image would have still happened, but coupled with the success of the Batman movie, DC could have been King of the Hill. My first thought was that they wouldn't have had the gumption to do it. That they were always a traditional company book company that stayed the course, but then I remembered that they'd just smashed the apple cart to bits with Crisis, so perhaps they could have pulled it off. Now I'm having visions of a Todd McFarlane Spectre book done in the style of Spawn. Moving on then. This issue has previews for new superhero books Starman and The New Guardians, another Millennium spinoff (Millennium wasn't that popular, was it?) I'm noticing a pattern here. DC's mature readers books are excellent, but their mainstream superhero titles, especially the new releases, are decidedly lacklustre. This will become a big problem in the coming years as it pertains to market share. Interestingly, Michael Fleisher has a new monthly series called Haywire. It's another book that was cancelled in 1989 (didn't realize until now that there was a wave of DC cancellations in '89), but I'm a Fleisher fan and will generally check out anything he wrote. There's also a preview for a deluxe format Brave and the Bold reprint mini-series. That may be the most solid superhero book they put on the market this month. The only interesting thing about the solicitations is that there's a Sgt. Rock Special after the main book has been cancelled. It reprints the story where Sgt. Rock met Prince Valiant. Someone will have to clue me in on why they bothered producing this. This month's interview is with unsung talent, Karl Kesel, and not hot young artist, Rob Liefeld. The cover of the month is a very cool Animal Man cover. The back cover is The Brave and the Bold #1 from 1955. I really liked Hawk & Dove and it had me believing that Liefeld could draw and it wasn't until i saw his Marvel stuff that I realized how much work Kesel was doing, correcting his anatomy. At the same time, I've seen a couple of other things Liefeld did there and he was closer to correct anatomy on them than Marvel. it may just be that the editors left him alone at Marvel and he got lazy and sloppy with things. McFarlane has always credited Dick Giordano with teaching him a lot, while he worked for DC and you can see his art improve as he progresses there. he did get to do Batman, with Year 2, after Alan Davis left. He started incorporating more Michael Golden elements at Marvel. DC was always more of a writer-driven company (even with Artist editors, like Giordano, Joe Kubert and Joe Orlando). i suspect they would not have been happy at DC, under the best of circumstances and would head to Marvel, when the opportunity came. Besides, Marvel was still considered to be THE destination for anyone who wanted to draw superheroes. DC was better about developing young talent, in my estimation, though it took some dragging and screaming to get them there. In the 70s, it was the genre material that got the rookies, before they were allowed to play with superheroes. A lot of the writers started in the romance line and then the mystery line, while artists usually started with the mystery and war comics. Joe Orlando was editing the mystery stuff, so that is a lot of his influence and Dorothy Woolfolk was the guiding force for the romance stuff. Archie Goodwin used a lot of young talent, when he edited some of the war books (and on Detective), while Kubert used them quite often, too. The Brave & the Bold Comic was good, but was part of a larger reprint effort, that was largely geared at glutting the stands and pushing off the indies. Marvel was doing the same. Around this time frame, DC also reprinted the Ra's al Ghul stories, in a Baxter series and there were ones for Green Lantern/Green Arrow, Deadman, Swamp Thing, The Englehart/Rogers Batman, The New Gods, Manhunter and probably some I am forgetting. I wanna say they started the ball rolling around 1983 and progressed from there. Meanwhile, marvel did things like the Michael Golden Micronauts first year, The Kree-Skrull War, the Moon Knight magazine stories, the Elektra Saga (extracted from the Daredevil stories, but mostly minus the non-Elektra plots and scenes) and probably something else I am forgetting. The New Guardians series was always planned to spin out of Millennium, as was Manhunter, before they ever had sales figures. Similarly, the Blasters was supposed to spin out of Invasion, but ended up only being a special, because of how New Guardians failed and how not much thought was put into that bunch of characters. Similarly, Justice League (International) and Suicide Squad were always planned to be launched by Legends. I always liked Starman, while Tom Lyle was on the art. Roger Stern was writing good, solid superhero stories and Lyle had nice, sleek, dynamic art. Didn't care for the costume design; but, I always felt it was doomed from the stat, with the upside down star emblem. It just looks wrong, no matter the rest of the costume. If they had used something like the Prince Gavyn blue costume, I think they would have had a winner.
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Post by codystarbuck on May 30, 2024 22:31:25 GMT -5
Direct Currents #6 (Books shipping July 5 thru July 27, 1988)This month's cover feature is Cosmic Odyssey, a book I haven't read. I run hot and cold on Mignola's artwork, although I did enjoy his work on Fafhrd and the Gray Mouser when I read it recently. That was inked by the great Al Williamson, though. Inside, there's a preview for a new Doc Savage ongoing series based off the "hit" mini-series by Denny O'Neil and the Kubert brothers. I'm somewhat curiously about the mini-series as I've liked a lot of the early Kubert brothers' work I've seen. The ongoing is penciled by Rod Whigham of G.I. Joe fame. I have to say his black and white pencils for the preview look better than his G.I. Joe stuff. The book was cancelled in 1990 (not '89), so it was a fighter. There's a preview for the Deadshot mini-series. I can't remember if I've read this. I know I've read the entire Suicide Squad run, but I don't recall if I read this mini. Looks cool, though. The editor's column says they are planning to start a letters column. We'll see how that pans out. In the solicitations, Peter David has quit Star Trek. I was never a big enough Star Trek fan to read any comic book adaptations, but I believe that Peter David's Star Trek has its fans. He quit due to constant interference from Paramount. This month's interview is with Suicide Squad and Deadshot artist, Luke McDonnell, who explains how he broke into comics. The cover of the month is Secret Origins... wait, this issue was drawn by Eric Shanowner. No way! I gotta check that out. The back cover is Showcase #43, which was DC's first film adaptation. This is a tease for next month's adaptation of Outer Heat, a movie I have no recollection of whatsoever. Can you guess what DC's first adaption was? The film was from 1964. The Deadshot mini is great and I covered it in my Suicide Squad thread. Nice fleshing out of the character. Shanower did a few things at DC...always very good. They used a lot of guys who were similar to Maguire, around that time, like Shanower and Ty Templeton. Paul Chadwick, of Concrete fame, also did a few special things at DC. I am personally not a fan of the Doc Savage mini, though I bought it, back then. It tried to darken things up and introduced a son, who was a failure and a grandson, who was more like Grandpa. I'd rather have the original (who returned anyway). The art was great, though. However, I think Millennium (the company, not the mini-series) did a better job with Doc Savage than DC did. They did eventually do a crossover between Doc and the Shadow, where Doc tries to capture the Shadow to treat him in his sanitarium, where he "cured" criminals. My memory is fuzzy but David might have returned to Star Trek...or maybe that was earlier. he said, in his But I Digress column, in CBG, that there was a Paramount rep who purposely played power games with his stories and he had enough of it. He dealt with different people on the prose novels. Cosmic Odyssey was pretty good and was further used to make Darkseid one of DC's biggest baddies, while also serving to relaunch the New Gods, with Jim Starlin writing (until mark Evanier takes over). You would have thought Starlin was perfect for the 4th World; but, i would say he was the least successful writer at capturing the feel of Kirby, apart from Gerry Conway (and he seemed to finally get it by the time of the JLA/JSA/New Gods team-up). I wasn't happy with how he used Forager/Bug. The art looked great. I was lukewarm to Mignola until he did World of Krypton (the Byrne one, not the earlier mini) and then Cosmic Odyssey. Fafhrd and Gray Mouser, too (and I was a fan of the characters). When I saw Hellboy, I was a complete Mignola fanboy. I will say that I think his style works better on the 4th World characters than it does the DC superheroes in the story (apart from Batman).
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Post by chaykinstevens on May 31, 2024 4:47:43 GMT -5
Inside, there's a preview for a new Doc Savage ongoing series based off the "hit" mini-series by Denny O'Neil and the Kubert brothers. I'm somewhat curiously about the mini-series as I've liked a lot of the early Kubert brothers' work I've seen. GCD says Adam Kubert pencilled #1 & 4 with Andy inking, with the roles reversed for #2 & 3. The credits in #4 just say art by A. Kubert & A. Kubert.
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Post by chaykinstevens on May 31, 2024 5:54:59 GMT -5
The Brave & the Bold Comic was good, but was part of a larger reprint effort, that was largely geared at glutting the stands and pushing off the indies. Marvel was doing the same. Around this time frame, DC also reprinted the Ra's al Ghul stories, in a Baxter series and there were ones for Green Lantern/Green Arrow, Deadman, Swamp Thing, The Englehart/Rogers Batman, The New Gods, Manhunter and probably some I am forgetting. I wanna say they started the ball rolling around 1983 and progressed from there. Meanwhile, marvel did things like the Michael Golden Micronauts first year, The Kree-Skrull War, the Moon Knight magazine stories, the Elektra Saga (extracted from the Daredevil stories, but mostly minus the non-Elektra plots and scenes) and probably something else I am forgetting. DC also reprinted Neal Adams' Man-Bat, the Fleisher/Aparo Spectre and Dr Fate with art by Simonson & Giffen. Marvel seems to have contributed way more to the glut, with reprints including Neal Adams' X-Men, Conan Red Nails, Steranko's Captain America & Nick Fury, Ditko & Brunner Dr Strange, Miller Spectacular Spider-Man, Starlin Captain Marvel & Warlock, Byrne Starlord, Fantastic Four Annual #1, G-S X-Men #1 and Phoenix the Untold Story.
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Post by commond on May 31, 2024 15:38:28 GMT -5
DC Direct Currents #7 (Books shipping Aug. 2 thru Aug. 30, 1988)
The cover feature this month is Dean Motter's authorized sequel to The Prisoner. I'm actually reading this at the moment. I'm about halfway through so I'll reserve judgement until the end. Inside, there's a preview for Dragonlance, which was one of several licensed D&D that DC published between 1988 and 1991. Dragonlance ran for 34 issues, which is fairly decent by these new release standards. There's also a blurb for Alien Nation, which was the film adaptation they mentioned last month. Apparently, it changed its name from Outer Heat to Alien Nation. The film doesn't ring any bells for me, but apparently it spawned a TV series and became a media franchise, Malibu acquired the rights to the comic in 1990 and published several Alien Nation books. Also in this issue, there's an announcement about The Judas Contract trade paperback and George Perez' return to New Teen Titans. I imagine this would have been exciting news for little Common D in 1988. And right at the bottom of page 3, there's a tiny little announcement about A Death in the Family. Just dial the 900 number and vote for Robin's fate. No big deal. The interview this month is with Dean Motter. Motter comes from quite a different background from a lot of the other creators they've interviewed. He discusses his career prior to comics and explains how The Prisoner project came about. The cover of the month is trying to sell us on that Hawk and Dove series. The back cover is The Brave and the Bold #60 with the first appearance of the Teen Titans.
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Post by codystarbuck on May 31, 2024 21:57:44 GMT -5
Love Shattered Visage and thought it captured the Prisoner well, plus made allusions to other spy properties that fit into that same world quite easily, like George Smiley and the Circus. Motter used to design album covers for Warner's Canadian division, which is where Mister X first appeared, as an image. I'm a big fan of that series, plus Terminal City and Electropolis. Plus, he turned me on to some great books about futurist images, architecture and design, in his letter pages.
Jan Dursema did a lot of the TSR stuff, as I recall, which suited her talents quite well, if you have ever seen the graphic novel adaptation of The Magic Goes Away, by Larry Niven.
Alien Nation starred James Caan, as a human police detective, and Mandy Patinkin, with Terrence Stamp as the villain. The basic premise is that a space ship, with an enslaved population of people appears over Earth, after the aliens rebelled against their masters. They settle on Earth, but it is an uneasy coexistence. Caan's partner is killed, by an alien (called a "Newcomer"), during an attempted robbery of a Newcomer store. he is assigned a Newcomer as a partner, one of the first to be made a detective. Caan doesn't liek the Newcomers but wants to get to the heart of what happened in the robbery that killed his partner, which seems to revolve around a black liquid/gel. The Partner, Sam Francisco (the Newcomers were given new names, because their native names were unpronouncable, to humans), called George by Caan (the Newcomer doesn't care), is able to figure out that there was a personal connection in the robbery and the substance was the narcotic used to subdue the Newcomers and make them controllable, as slaves.
The movie is a sci-fi take on the plot of a racist cop who has to team with a minority cop and expands his horizons, becoming friends. The plot is mostly geared around the conspiracy at the heart of the shooting that kills the human partner, with the Newcomer society and past as backstory and character material. The tv series acts as if the movie never occurred, but has George Francisco partnered with Sykes (now played by Gary Graham, while George is played by Eric Pierpont), but with greater emphasis on the two societies and their intermixing, with the police cases and other elements acting a devices to move the plot along, but the character drama being more of the main point of the series.
The film was created by Rockne S O'Bannon, who also created Seaquest DSV and Farscape and wrote for the revived Twilight Zone and Amazing Stories. Gale Ann Hurd was the producer of the movie and snapped up the script, from O'Bannon. The original title was Future Tense, then the working title, during production, was Outer Heat, drawing from In The Heat of the Night and The Outer Limits, both of which provided inspiration for the story. Originally, the Newcomer cop was to be called George Jetson; but, at the last minute, Hanna-Barbera denied permission to use the name and it was changed to George Francisco and the Sam Francisco gag was created to justify changing it to George, with the Francisco surname kept.
The tv series was developed and produced by Kenneth Johnson, of The bionic Woman, The Incredible Hulk and V fame. It debuted with the Fox Network, airing on Monday nights. It had a cult following, but midling ratings. It was cancelled with a cliffhanger of a mass Newcomer poisoning, which was resolved in a tv movie, after a novel that detailed how the Newcomers rebelled and came to Earth, sold quite well. It was followed by 4 more tv movies.
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Post by commond on Jun 1, 2024 17:03:10 GMT -5
DC Direct Currents #8 (Books shipping Sept 6 thru Sept 27, 1988)This month's cover feature is a Plastic Man mini-series by Phil Foglio and Hilary Barta. I've never read any Plastic Man in any incarnation, not even the Jack Cole stuff, so I have no idea where this rates. Inside, there's a preview for a 12 issue Unknown Soldier maxi-series by Jim Owsley and British artist, Phil Gascoine (interesting combination.) Gascoine had drawn The Sarge in Battle Action, which was a British take on Sgt. Rock. This was a modern reworking of the Unknown Soldier with the character now bitter and disillusioned, and cynical towards his country. There's an expanded blurb for A Death in the Family titled "A Batman Celebration." How should you celebrate Robin dying, I hear you ask. Why, by purchasing you very own Batman baseball cap. It's more than just another baseball cap to keep the rain off your head... it's a collector's item you can wear. Next, we have letters to the editor. O'Brian Tallent wants to send story proposals to DC. Boring. Stephen Roberts wants to know how he can get back issues of Direct Currents. You can't. Try ebay in 20 years time. Anthony Tamaccio has a gazillion questions. They're quite good questions, however, covering such topics as who does the coloring for the covers, why has the price of the standard books gone up, what is the number and letter sequence found on the first page of most comics, and who is the mysterious Bove. He also wants to see a Top 10 in DC Currents. I never paid attention to Secret Origins as a kid, but this month has the secret Origin of G'Nort. I feel obligated to read that. This month's comics also feature the final issue of Warlord, a 44 page special that ends an impressive 133 issue run. I've only read up to the issue where Grell departs, but that's a heck of a run, especially for a DC fantasy/sword & sorcery book. This month's interview is with Dan Jurgens, who got his start in comics when he met Mike Grell at a store appearance in Minneapolis. He showed Grell his stuff and Grell asked him if he wanted to be new penciller on Warlord. The cover of the month is a dramatic Superman cover. The back cover is Plastic Man #1 from 1966.
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Post by codystarbuck on Jun 1, 2024 19:34:06 GMT -5
Plastic Man, at DC has always been a mixed bag, apart from Kyle Baker's take on it. I haven't seen this one; but, Phil Foglio is a good choice for writing Plas and Doug Rice and Hilary Barta are equally perfect. Jack Cole's Plas was on a whole 'nother plane.
I was not happy with this Unknown Soldier and skipped it. It lost the essence of the original.
The G'Nort origin (Secret Origins #34) is one big Dr Seuss riff, visually. The issue also has the origin of Captain Atom and subsequent Ditko stories, as a test of the false backstory of the DC Captain Atom. There is also the origin of Dmitri Pushkin, as a Rocket Red (more the program and how he came into it and how he gets sent to the West).
Warlord, without Grell, was just wrong. Jurgens did fine artistic work; but, the stories weren't the same. I kind of felt it peaked at issue #50 and should have been left alone, after that. The last storyline, with Grell and Jurgens and a future America was decent, though.
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Post by commond on Jun 2, 2024 16:01:05 GMT -5
DC Direct Currents #9 (Books shipping Oct. 4 thru Oct. 25, 1988)This was right around the time I began collecting comics. DC's Invasion was the first DC company-wide crossover that I experienced, not necessarily firsthand but through collecting back issues. One thing DC and Marvel had in common at the time is that neither company could manage to create a company-wide crossover that became legendary and stood the test of time. Didn't stop them from trying, though. Inside, there's a preview for the new Doctor Fate series by J.M. DeMatteis and Shawn McManus. I never collected this series, but it was one of those titles I was aware of through Direct Currents and watched from afar. DC have collected some Mike Zeck covers together for a Batman: Ten Nights of the Beast portfolio. I always wondered about the types of people who bought this like this. There's also a Black Orchid poster on offer. Must have been a slow month for new releases. Occasionally, I'd see these posters at my local comic book shop. There's a little note saying Alien Nation has been moved from a summer release to a fall release. I wonder if they saw the dollars walking out the door. The interview this month is with Mike Zeck. I gotta say, it's nice to see what these creators actually look like. Mike talks about his upbringing, the comic book artists he was into as a kid, and his early work for Marvel. Mike says about seven years of doing ongoing titles, he decided to step back a bit and concentrate on only doing mini series and covers, giving him time to work on a wide range of subjects. Interesting point-of-view from the artist to fans like me who are always searching for an artists' interiors work. The cover of the month is a pretty cool Spectre cover by Bart Sears. The back cover is Showcase #55 with Doctor Fate and Hourman batting Solomon Grundy. That's a great Murphy Anderson cover.
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Post by Prince Hal on Jun 2, 2024 17:17:26 GMT -5
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Post by codystarbuck on Jun 2, 2024 19:40:44 GMT -5
DC Direct Currents #9 (Books shipping Oct. 4 thru Oct. 25, 1988)This was right around the time I began collecting comics. DC's Invasion was the first DC company-wide crossover that I experienced, not necessarily firsthand but through collecting back issues. One thing DC and Marvel had in common at the time is that neither company could manage to create a company-wide crossover that became legendary and stood the test of time. Didn't stop them from trying, though. Inside, there's a preview for the new Doctor Fate series by J.M. DeMatteis and Shawn McManus. I never collected this series, but it was one of those titles I was aware of through Direct Currents and watched from afar. DC have collected some Mike Zeck covers together for a Batman: Ten Nights of the Beast portfolio. I always wondered about the types of people who bought this like this. There's also a Black Orchid poster on offer. Must have been a slow month for new releases. Occasionally, I'd see these posters at my local comic book shop. There's a little note saying Alien Nation has been moved from a summer release to a fall release. I wonder if they saw the dollars walking out the door. The interview this month is with Mike Zeck. I gotta say, it's nice to see what these creators actually look like. Mike talks about his upbringing, the comic book artists he was into as a kid, and his early work for Marvel. Mike says about seven years of doing ongoing titles, he decided to step back a bit and concentrate on only doing mini series and covers, giving him time to work on a wide range of subjects. Interesting point-of-view from the artist to fans like me who are always searching for an artists' interiors work. The cover of the month is a pretty cool Spectre cover by Bart Sears. The back cover is Showcase #55 with Doctor Fate and Hourman batting Solomon Grundy. That's a great Murphy Anderson cover. I bought a couple of art portfolios though not that one. I had the Watchmen portfolio, which included the covers, the promo ads and French comic covers. Also had Steve Rude's Nexus Portfolio, Mike Grell's Starslayer, Howard Chaykin's Cody Starbuck, and Paul Gulacy's Black Widow. All of those were special images created specifically for the portfolio, rather than reprints of existing material. The Gulacy portfolio was fantastic and I wished he had done more Black Widow stories, beyond the Bizarre Adventures story that coincided with the portfolio release. Chaykins was done in conjunction with the Cody Starbuck story in Heavy Metal, and Grell's was released in conjunction with the Starslayer series. I also have an art portfolio of material from Clarke Hawbaker, for a proposed project that was never published (swashbuckling kind of character). The Schanes Brothers, at Pacific, produced several and Sal Quartuccio's SQP published many. There was also a George Perez DC portfolio, somewhere around this timeframe. I occasionally bought posters, if they had a great image, like the Howard Chaykin Blackhawk one, reproducing the cover of the first issue of his mini-series, as well as Dave Stevens' Mr Monster poster. I also had Frank Miller's Dark Knight poster, and promo posters for Terminal City, Kingdom Come, The Golden Age, and the JSA mini JSA Returns. The Terminal City poster was done like a travel poster, featuring the head of the Colossus of Roads, while the Kingdom Come one had the three covers with all of the characters. The Golden Age one featured Dynaman, in the foreground, with the JSA and other characters in the background, with Paul Smith channeling Alex Raymond and Reed Crandall. I always collected them for specific artists and images, especially if they were done in an illustrative style or something like a deco or retro look, as it combined interests of mine. Most of that is gone now, except the portfolios. My computer room walls are covered in movie posters from old swashbucklers, like The Mark of Zorro, the Adventures of Robin Hood and The Three musketeers (the Richard Lester film), as well as a poster of the Scribner's Edition of Treasure Island, painted by NC Wyeth. I also have my original sketches, from artists Mike Grell, Tom Lyle, Joe Staton, Doug Rice and Gray Morrow. In regards the comics, Invasion didn't do a lot for me, though the bookend issues were fine. better than Millennium; but, what isn't? Crisis on Infinite earths was the Big Daddy of the crossovers, though you could also argue Secret Wars, though Crisis was a more epic story. Both kept chasing that dragon. Thing was, about this time, so did other companies. First Comics had their Crossroads mini-where different characters met up, thanks to the interdimensional nexus, Cynosure, from Grimjack. Eclipse had their Total Eclipse mini, Valiant had Unity and Image & Valiant made a hash of Deathmate (but that was self contained within those issues).
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Post by commond on Jun 3, 2024 15:16:25 GMT -5
DC Direct Currents #10 (Books shipping Nov 1 thru Nov 29, 1988)Special 12 page issue! Interesting choice to lead with Black Orchid. I read that book a long time and don't remember much about it. I'm not a huge fan of McKean, if I'm being honest with myself. Batman's 50th Anniversary celebrations start with a hardcover presentation of The Greatest Batman Stories Ever Told. I seem to remember that this was a book that was sold in bookstores after the movie took off. There's also a 96 page Christmas with the Super-Heroes special featuring reprints of some of the best Christmas stories DC has produced. DC are launching another TSR book, this time Advanced Dungeons & Dragons. The editor's column explains how DC chooses which material to collect as trade paperbacks or hardcover editions. She claims they don't want to flood the market. YMMV. There's a new Mister Miracle series by J.M. DeMatteis and Ian Gibson. Gibson draws Barda as though she's an Asian woman. There's yet another TSR book, Gammarauders, being handled by Peter Gillis. The next page features a little book called Sandman by some guy called Neil Gaiman that's bound to go nowhere. (Interestingly, they choose to print a panel where the Sandman is striking a Spectre-like superhero pose.) Finally, we wrap things up with a reminder that the Invasion! is continuing. This month's interview has Peter Gillis striking a very Alan Moore-esque pose. It's a shame he dropped out of comics. I feel like he could have produced some interesting Vertigo books or done some interesting indy work in the 90s. No cover of the month this month. The back cover is Black Orchid's origin issue from Adventure Comics #428. I didn't realize she was a Bronze Age character.
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Post by Slam_Bradley on Jun 3, 2024 17:16:36 GMT -5
DC Direct Currents #10 (Books shipping Nov 1 thru Nov 29, 1988)Special 12 page issue! Interesting choice to lead with Black Orchid. I read that book a long time and don't remember much about it. I'm not a huge fan of McKean, if I'm being honest with myself. Batman's 50th Anniversary celebrations start with a hardcover presentation of The Greatest Batman Stories Ever Told. I seem to remember that this was a book that was sold in bookstores after the movie took off. There's also a 96 page Christmas with the Super-Heroes special featuring reprints of some of the best Christmas stories DC has produced. DC are launching another TSR book, this time Advanced Dungeons & Dragons. The editor's column explains how DC chooses which material to collect as trade paperbacks or hardcover editions. She claims they don't want to flood the market. YMMV. There's a new Mister Miracle series by J.M. DeMatteis and Ian Gibson. Gibson draws Barda as though she's an Asian woman. There's yet another TSR book, Gammarauders, being handled by Peter Gillis. The next page features a little book called Sandman by some guy called Neil Gaiman that's bound to go nowhere. (Interestingly, they choose to print a panel where the Sandman is striking a Spectre-like superhero pose.) Finally, we wrap things up with a reminder that the Invasion! is continuing. This month's interview has Peter Gillis striking a very Alan Moore-esque pose. It's a shame he dropped out of comics. I feel like he could have produced some interesting Vertigo books or done some interesting indy work in the 90s. No cover of the month this month. The back cover is Black Orchid's origin issue from Adventure Comics #428. I didn't realize she was a Bronze Age character. McKean is a great cover artist. I'm not a big fan of his interior art, but I generally don't prefer painted comic books. I bought Black Orchid when it came out, but I haven't read it in probably 25 years. I bought the paperback version of The Greatest Batman Stories Ever Told that came out about eight months later. It was pretty solid as I recall...I haven't pulled it off the shelves in a very long time. That Mister Miracle book was fun. My wife really liked it. It had kind of a domestic sit-com meets superheroes feel.
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