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Post by Deleted on Nov 29, 2014 7:05:27 GMT -5
Other than FanboyStranger, who really cares about Guido? My 14 year old LOVES Strong Guy!
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Post by wildfire2099 on Nov 29, 2014 8:31:57 GMT -5
Other than FanboyStranger, who really cares about Guido? My 14 year old LOVES Strong Guy! * raises hand * I LOVE strong guy too! I'm still waiting with baited breath for someone to follow up on the fact that he is currently the supreme ruler of all the underworlds in the Marvel Universe (so that Mephisto, Sattanish, Hela et al all work for HIM).
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Post by badwolf on Nov 29, 2014 8:54:04 GMT -5
I completely agree with those who think Quitely's characters are ugly, but what does it for me is the exquisitely fine linework. So detailed, yet never busy and always clear (kudos to his colorists, too.) The beauty of that makes up for the unappealing faces for me.
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Post by Deleted on Nov 29, 2014 16:18:24 GMT -5
My 14 year old LOVES Strong Guy! * raises hand * I LOVE strong guy too! I'm still waiting with baited breath for someone to follow up on the fact that he is currently the supreme ruler of all the underworlds in the Marvel Universe (so that Mephisto, Sattanish, Hela et al all work for HIM). Ugly rumor mongering spread by those who fear my true majesty....! -M
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Post by Deleted on Nov 29, 2014 16:41:34 GMT -5
So whatever happened to Hope Summers? I thought she might be Jean Grey reborn or some form of the Phoenix, but I dropped buying new comics in 2009 so I missed the culmination of that character mostly.
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Post by misterintensity on Nov 29, 2014 16:44:16 GMT -5
For me the moment the X-Men jumped the shark was the moment it went from being the X-Men to being the X-Universe, and that was 1982 with the dual publication of the New Mutants graphic novel and the Wolverine mini-series, which is ironic because they are both good stories in of themselves, the problem is they diluted the concept and the focus of the X-Men. When X-Men was a single book (not the core of a franchise) there was a singular vision guiding it, a singular story being told, and an inherit limit to the size and scale of the storytelling that prevented it from becoming a bloated mess.It was the story of the X-Men, a small group of misfits fighting the good fight in a world that feared them. With those two publications it became the story of a group of misfits fighting the good fight in a world that feared them and the story of the next generation training to take their spots and the story of a noble savage-the berserker with the heart of gold, and from there it kept adding and to the story as a splash effect form the shark jump. Once it jumped and made the big splash, the ripples kept going outwards and the focus, the purity of the concept and the quality became diluted, more so over time as the ripple effect got bigger and bigger. But the actual shark jump was when the book stopped being a book and tried to become something else-a line, a franchise, a cash cow, or whatever Marvel tried to make it. There was no going back. Part of what made it what it was, was the fact it was a book where anything and more importantly everything happened. After 1982, everything didn't happen there. It was no longer one story being told, one concept, etc., etc. It was something different. (Some may argue better, but that doesn't invalidate it being different). -M I don't really agree with that. Even before X-Men spun off into multiple titles they were part of a mini-universe of books written by Chris Claremont. Some of the major developments in the X-Universe took place in books like Power Man and Iron Fist, Iron Fist, Marvel Team-Up. Jean Grey's roommate was Missy Knight, Iron Fist's girlfriend; Sabertooth first appeared in Iron Fist; and who could forget the flirtation between Cyclops and Colleen Wing. For awhile the supporting cast of X-Men was the supporting cast of Power Man and Iron Fist. Even when X-Men was one book, it tied in with other books. I have to go with those who said the resurrection of Jean Grey. Her resurrection opened up a Pandora's Box which is open even wider in which death is treated like a nap which anyone could wake up from. Thunderbird's death was treated like a big deal but now it seems like everyone in the Marvel Universe dies and get resurrected in six month cycles. It has gotten way out of control.
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Post by the4thpip on Nov 29, 2014 16:55:12 GMT -5
So whatever happened to Hope Summers? I thought she might be Jean Grey reborn or some form of the Phoenix, but I dropped buying new comics in 2009 so I missed the culmination of that character mostly. uncannyxmen.net/glossary/characters/hope-summers
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Post by Deleted on Nov 29, 2014 17:06:59 GMT -5
So whatever happened to Hope Summers? I thought she might be Jean Grey reborn or some form of the Phoenix, but I dropped buying new comics in 2009 so I missed the culmination of that character mostly. uncannyxmen.net/glossary/characters/hope-summersOh OK a link, I get it. Sure I could have easily looked it up but I was just trying to stir up a conversation. Stupid me.
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Post by Deleted on Nov 29, 2014 17:20:10 GMT -5
I don't even know if Hope is written in any current books? Last I heard, she was in whatever book Cable is in.
She could probably go into limbo, and I wouldn't lose any sleep over it.
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fuzzyblueelf
Full Member
People of Color doesn't mean Red Plastic
Posts: 124
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Post by fuzzyblueelf on Nov 29, 2014 17:22:36 GMT -5
I don't even know if Hope is written in any current books? Last I heard, she was in whatever book Cable is in. She could probably go into limbo, and I wouldn't lose any sleep over it. you know you've achieved something when you've made me hate a red head. like for real she was the most unoriginal characters ever and a walking plot device.
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Post by Deleted on Nov 29, 2014 17:23:30 GMT -5
Marvel needs to quit creating 837483472384 mutants. It's crazy. Characters go into limbo all of the time because not even a GIGANTIC team of writers could write about that many characters enough to make anyone give a shit about them.
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Post by Deleted on Nov 29, 2014 17:24:44 GMT -5
I don't even know if Hope is written in any current books? Last I heard, she was in whatever book Cable is in. She could probably go into limbo, and I wouldn't lose any sleep over it. you know you've achieved something when you've made me hate a red head. like for real she was the most unoriginal characters ever and a walking plot device. She's my favorite X-character.
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Post by the4thpip on Nov 29, 2014 17:34:17 GMT -5
Oh OK a link, I get it. Sure I could have easily looked it up but I was just trying to stir up a conversation. Stupid me. Remind me to never bother helping you out again, then. I thought you wanted info.
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shaxper
CCF Site Custodian
Posts: 22,874
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Post by shaxper on Nov 29, 2014 17:50:20 GMT -5
Oh OK a link, I get it. Sure I could have easily looked it up but I was just trying to stir up a conversation. Stupid me. Remind me to never bother helping you out again, then. I thought you wanted info. Easy, there.
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Post by Reptisaurus! on Nov 29, 2014 18:10:15 GMT -5
I was referring to Frank Quitely's art on the book. Didn't he do the art for Morrison's Batman and Robin as well? If so, then I think his Robin is adorable because I think his style suits characters like that better. I just didn't care for his style on the X-Men. I can see that. Quitely's style isn't for everyone, and I wasn't all that impressed with his New X-Men, either. To be frank, I wasn't all that impressed with Morrison's run-- it felt like a love letter to Claremont/Byrne with a new coat of paint on old concepts. Certainly better than what had come before and what would follow, but definitely not the dynamic reinvention of the franchise that some people would have you believe it was. (The Invisibles was the best X-book that Morrison wrote.)
For the defense here - Morrison was the first guy to really do an X-men comic with some thematic depth - This huge scale sociological metaphor about cultural collision, where "outsider" culture is both "cool" and terrifying to the mainstream. It was the first (and last) thoughtful X-men comic.
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