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Post by EdoBosnar on Dec 19, 2020 4:34:01 GMT -5
(...) It's a great run for Thor! Very under-rated. I had 2-3 issues from that time (#249 was one of them, that I'm sure about). That's when Len Wein was the writer I believe. I wouldn't mind reading that whole stretch of issues - by that I mean everything from roughly #200 to about #300.
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Post by Batflunkie on Dec 19, 2020 17:45:02 GMT -5
Been re-reading the first volume of Radioactive Man at work during my breaks at work. What a fun little romp it is!
Along with all the topical wink-nudges, I liked all the various costume and name changes that Miles Mando's character goes through as the in-world timeline progresses. (Would love to commission Steve Vance for a picture of Bleeding Heart)
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Post by Ricky Jackson on Dec 19, 2020 19:16:28 GMT -5
Been re-reading the first volume of Radioactive Man at work during my breaks at work. What a fun little romp it is! Along with all the topical wink-nudges, I liked all the various costume and name changes that Miles Mando's character goes through as the in-world timeline progresses. (Would love to commission Steve Vance for a picture of Bleeding Heart) I've only made a handful of posts here, but 20-30% of them have referenced my love for Radioactive Man lol. This was such a fun series and I'll continue to sing its praises. Totally underrated. I have the original issues but I was curious to see what collections are available. It seems only the original 90s series has ever been collected in a trade (2012). It must not have sold well, because it's titled "volume 1", which suggests plans to also collect the early 00s second series, and that apparently never materialized. That's a shame because the whole run should be easily available
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Post by spoon on Dec 20, 2020 13:35:21 GMT -5
I read the 25-part Black Panther serial from Marvel Comics Presents #13-38, by Don McGregor, Gene Colan, and Tom Palmer. I thought it'd be good to read it when my recent reading of McGregor's first run was still fresh in my mind.
The story is about T'Challa visiting South Africa to follow up on a lead that his mother, who he hasn't see since childhood and doesn't really remember, is there. This was published in the apartheid era, so lots of trouble ensues. I think McGregor's scripting is better than during his first run, but he's actually significantly wordier, so I bet a lot of people will disagree. I also think that the political content is deeper. He does have a couple of issues where he's critical of violence by black South Africans against each other. I'm not as familiar with South African history, so I don't know if that's a fair criticism or more akin to the bits of Lost Cause demonization of Reconstruction that I think were exaggerated in the Klan story.
I've had widely differing opinions of Gene Colan during my time as a comics reader. As a kid, I sometimes thought his work was odd. I got more into it when I was older, particularly as I read more of his 1960s and 1970s work like Doctor Strange and Tomb of Dracula. This story is a little bit of both. The art starts out really strong, but get messier as it goes along. I wonder if deadlines were catching up to Colan. It's normally two issues a month and 8 pages per issues, so that doesn't seem like a lot. But one of the later chapters is 10 pages (a McGregor written Sub-Mariner story is two pages shorter to compensate). And the last two parts of the story are double-sized, with only 3 separate features in those issues of MCP.
With the episodic nature of the feature, McGregor uses a lot of issues to go off on tangents that don't really advance the story of T'Challa's search for his mother. A lot of the advancement of the original plot threads happens in the last two chapters.
There was a lot of grittier violence. I mentioned before that I was uncomfortable with how much violence McGregor inflicted on the Black Panther in his previous run. I think he's trying to create an unromanticized view of the physical punishment this type of work would inflict on a person, as well as make the threat of non-super-powered enemies more credible by having BP in a weakened state throughout. He's a far cry from the MCU Black Panther who is basically put in Iron Man's class. Later on in the series, Black Panther inflicts some fairly gruesome wounds himself.
Now, I'm started the late 80s Hawk and Dove mini-series. Is 5 issues more Liefeld than is recommended for human consumption?!
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Post by beccabear67 on Dec 20, 2020 14:07:51 GMT -5
Captain America #355 & 356 (1989)... Cap is turned into a teenager by an Eternal, on purpose, to infiltrate something going on with runaway teens and the daughter of the Red Skull. Steve Rogers at his most vulnerable for sure and so it's interesting to see how he will cope sans super-soldier strength; he is awkward and has to improvise around his new/old limitations. Innocent characters do seem to get killed in the story, one if they stay that way will actually bother me (although it bothers Steve/Cap a lot as well). It helps to like Al Milgrom art. The villains are pretty hokey all around, yet a bit desperate for the next issue actually! In a subplot, I've never seen this Battlestar guy before... seems he was the sidekick of the future U.S.Agent when he filled in as capt. A. for awhile. Great as always to have Sam Wilson, The Falcon, appear... and Redwing!
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Post by Batflunkie on Dec 20, 2020 14:38:55 GMT -5
Captain America #355 & 356 (1989)... Cap is turned into a teenager by an Eternal, on purpose, to infiltrate something going on with runaway teens and the daughter of the Red Skull. Steve Rogers at his most vulnerable for sure and so it's interesting to see how he will cope sans super-soldier strength; he is awkward and has to improvise around his new/old limitations I think this is the second time where Cap's super-strength is reduced? I don't remember much from my various comic book binges, but I think Steve lost some of his super-strength when he got his memories of his previous life before he became Captain America when Shield helped him out with some kind of mind ray
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Post by Hoosier X on Dec 20, 2020 22:24:05 GMT -5
I've been sporadically reading The House of Mystery. I got the Showcase volume from the library that reprints #174 to #194. This is from 1968 to 1971, when they quit publishing Dial H for Hero and only printed horror stories. Quite a few of the stories are reprints. And Cain is now the horror host. Lots of art from Neal Adams and Bernie Wrightson and Sergio Aragones.
So I've read #174 to #176. And I also pulled out a couple of issues of House of Mystery that I own. It's #150 (from the period when the Martian Manhunter was a regular feature) and #230 from 1975.
I generally like these stories as I'm reading them but, honestly, they don't really stay with me that well. The Martian Manhunter story is from the Idol-Head of Diabolu days, so of course I remember that! Magic paint brushes! Whatever you paint comes to life! So the guy paints a monster and it comes to life and is menacing the locals and the Martian Manhunter only has nine pages to figure something out! Zook doesn't appear. And I miss Captain Harding and pretty patrolwoman Diane Meade, but they think J'onn is dead and did not carry over from the Detective Comics series. To which I say "BOOOOO!"
I also remember the main story in #230. Aliens kidnap a random human to see how tough Earthlings are. They are planning to invade soon. But, MAN, they can't put a dent in this guy! They threaten him and beat him up and he barely flinches! So the aliens Earthlings are too tough and they dump the guy out of their spaceship and run away, happy to escape with their lives.
It turns out the guy was a vampire! Ha ha! Dumb aliens.
In the 1968 issues, there's a story called The House of Gargoyles that I liked a lot. Written by Bob Haney! and there's, you know, evil plants and witches and mysterious houses and twist endings. And lots of Sergio Aragones cartoons!
So I'm enjoying myself, even if I'm not compelled to read these stories every night. And I really haven't read that many! There's probably lots of good stories in here! I see there's a Kirby story later in the volume! Maybe I'll skip ahead and read that!
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Post by james on Dec 21, 2020 20:41:28 GMT -5
Captain America #355 & 356 (1989)... Cap is turned into a teenager by an Eternal, on purpose, to infiltrate something going on with runaway teens and the daughter of the Red Skull. Steve Rogers at his most vulnerable for sure and so it's interesting to see how he will cope sans super-soldier strength; he is awkward and has to improvise around his new/old limitations. Innocent characters do seem to get killed in the story, one if they stay that way will actually bother me (although it bothers Steve/Cap a lot as well). It helps to like Al Milgrom art. The villains are pretty hokey all around, yet a bit desperate for the next issue actually! In a subplot, I've never seen this Battlestar guy before... seems he was the sidekick of the future U.S.Agent when he filled in as capt. A. for awhile. Great as always to have Sam Wilson, The Falcon, appear... and Redwing! Issue 117 of Back Issue magazine featured Stand ins and USAGENT was one that was featured. The article went into depth in regards to his sidekicks. Battlestar was either part if that group, called the Buckies, before becoming Battlestar or after. Im not quite sure. Very well done article.
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Post by spoon on Dec 21, 2020 21:40:07 GMT -5
Captain America #355 & 356 (1989)... Cap is turned into a teenager by an Eternal, on purpose, to infiltrate something going on with runaway teens and the daughter of the Red Skull. Steve Rogers at his most vulnerable for sure and so it's interesting to see how he will cope sans super-soldier strength; he is awkward and has to improvise around his new/old limitations. Innocent characters do seem to get killed in the story, one if they stay that way will actually bother me (although it bothers Steve/Cap a lot as well). It helps to like Al Milgrom art. The villains are pretty hokey all around, yet a bit desperate for the next issue actually! In a subplot, I've never seen this Battlestar guy before... seems he was the sidekick of the future U.S.Agent when he filled in as capt. A. for awhile. Great as always to have Sam Wilson, The Falcon, appear... and Redwing! Issue 117 of Back Issue magazine featured Stand ins and USAGENT was one that was featured. The article went into depth in regards to his sidekicks. Battlestar was either part if that group, called the Buckies, before becoming Battlestar or after. Im not quite sure. Very well done article. Yes, first he (Lemar Hoskins) was one of the Buckies (Bold Urban Commandoes), when John Walker was Super-Patriot. Then when Walker became Captain America, Hoskins became the new Bucky as Walker's lone sidekick. Partway through Walker's stint as Cap, Hoskins decided to change his codename to Battlestar. Walker, of course, later became U.S. Agent.
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Post by Slam_Bradley on Dec 22, 2020 16:08:48 GMT -5
Re-read John Wagner and Vince Locke's A History of Violence. It had been a long time since I'd read it. Probably twenty years, give or take. It's a good book, but not without issues. The art was not one of those issues. Vince Locke was perfect for the book. The biggest problem for me is that the back-story did not establish Tom McKenna as the kind of guy who could pull off the Ramboesque shenanigans that we see multiple times in the book. The first time during the confrontation in the diner, maybe. The second against long-time mob-men...that's becoming a problem. The third time...nah! I also had some issues with the ultimate fate of Richie.
I'm not unhappy I re-read it. But it wasn't completely satisfying.
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Post by spoon on Dec 22, 2020 22:38:31 GMT -5
I read the TPB reprinting the Hawk and Dove 5-issue mini-series from 1988. I really like it more than I anticipate. I'd actually considered getting issues from the ongoing series that followed a few months later, because it has the same writing team, Barbara Kesel and Karl Kesel.
When I asked about Hawk and Dove here a few months back, someone wrote about Karl Kesel's inks reining in Liefeld's pencils or something like. There are still some Liefeldian flaws in there, but the art is really more disciplined (in a good way) than what you'd expect with his name attached. My exposure to to Hawk and Dove had been fairly limited - most Hawk's early post-Crisis appearances when he was solo due to the original Dove's death in the Crisis. He seemed like a psycho, and I wonder how he could work as a protagonist. The Kesels handle it really well. They work in a recap of the original duo's history organically. And they don't run from what a tempermental idiot Hawk/Hank is. There's a brilliant plot thread where he's trying to solve a mystery. Instead of making him the clever hero, the Kesel make it clear it's not his strong suit. I was spoiled on the answer to the mystery, so I didn't get to play along. They also work in the Chaos and Order mythology. I don't if that was explicitly part of their pre-Crisis origin, or whether the voices were now identified to draw ties to Chaos and Order elsewhere in the DC universe.
I've heard that in the original series, Ditko made Dove out to be a wimp and a loser. The Kesels do a great job at explaining the new Dove's powers in a way that makes her seem formidable.
I actually finished this a couple days ago, so I'm a few issue into my next project, Essential Thor vol. 4 (reprinting Thor #167-195). I have 4 unread Thor Essential (vols. 4-7), so I thought I'd make a dent in that pile.
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Post by profholt82 on Dec 24, 2020 18:25:27 GMT -5
I sat down and read the new Ice Cream Man #22 this evening which was Christmas themed, and after I finished it, I felt sick and dirty. So, after tossing it into the recycling bin, I wanted to cleanse the palate, and remembered that I had this old Amazing Spiderman Christmas issue from back in the day. It pays homage to Scrooge and It's a Wonderful Life as Peter and MJ are evicted during the holidays. Peter learns who his truest friends are, and after thwarting a robbery, it concludes with Christmas Eve at Aunt May's house. Nice issue that made me feel a bit better.
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Post by Batflunkie on Dec 24, 2020 18:44:43 GMT -5
How many comics did Marvel have to specify whether or not someone was a mutant or non-mutant on the cover? I know they did that with Peter Milligan's run on Namor where they did classify him as a mutant
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Post by Hoosier X on Dec 24, 2020 20:24:16 GMT -5
I actually finished this a couple days ago, so I'm a few issue into my next project, Essential Thor vol. 4 (reprinting Thor #167-195). I have 4 unread Thor Essential (vols. 4-7), so I thought I'd make a dent in that pile. There’s some good stuff and there’s some bad stuff in those essentials, but when it’s good it’s frequently pretty awesome!
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Post by spoon on Dec 24, 2020 22:52:52 GMT -5
I actually finished this a couple days ago, so I'm a few issue into my next project, Essential Thor vol. 4 (reprinting Thor #167-195). I have 4 unread Thor Essential (vols. 4-7), so I thought I'd make a dent in that pile. There’s some good stuff and there’s some bad stuff in those essentials, but when it’s good it’s frequently pretty awesome! Right now, I've read through Thor #177. The next issue is draw by Sal Buscema, but then the issue is the last Jack Kirby issue, so I'm approaching the end of an era. They're mostly action-oriented rather than character development or things like that. But the action is really well done, and I like Kirby's choice in some fight sequences to go down to 4 panels per page. Ironically, some of the better character bits to members of the supporting cast, villians, or one-off character. I like the Galactus origin story, although it plays out like Lee & Kirby were indecisively changing course. Probably two of the series that I have the most unread issues in my collection (including via TPBs) are Thor and Green Lantern. I may start digging into the Showcase Presents Green Lantern volumes, but I think they may be less amenable to binge-reading. I'm a fan of Bronze Age Green Lantern, but the Silver Age Green Lantern I've read in the past has been a slower read.
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