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Post by dbutler69 on Jan 30, 2021 12:04:33 GMT -5
I read Batman #291-294. This was an excellent 4 part story by David Vern Reed (with pencils by John Calnan and inks by Tex Blaisdell) in which Batman is allegedly dead, and 4 of his greatest enemies (well, 3 of his greatest enemie and Lex Luthor) all claim responsiblity, so his rogues gallery holds a trial to determine who should get credit for this. I especially love the cover to #291.
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Post by dbutler69 on Jan 30, 2021 12:08:55 GMT -5
I also read Flash #237, but the thing I'm posting about is this ad. I know it's 1975, but Fantastic Four worth $100? Wow, that was a long time ago! Did anybody have one of these? It's not clear to me if putting your comics in this thing defaces them in any way. I would assume not, since they're boasting about it retaining the value of your comics, but it's not clear to me how the comics go in there.
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Post by Hoosier X on Jan 30, 2021 16:47:56 GMT -5
I read Batman #291-294. This was an excellent 4 part story by David Vern Reed (with pencils by John Calnan and inks by Tex Blaisdell) in which Batman is allegedly dead, and 4 of his greatest enemies (well, 3 of his greatest enemie and Lex Luthor) all claim responsiblity, so his rogues gallery holds a trial to determine who should get credit for this. I especially love the cover to #291. I love this story so much! For a lengthy discussion of this arc, check out the Bat-splaining thread, starting about ... here. classiccomics.org/thread/171/got-batsplainin-thread-batman-fans?page=14
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Post by spoon on Feb 3, 2021 20:09:35 GMT -5
I read the relatively short Showcase Presents Green Lantern vol. 4 reprinting Green Lantern #60-75. This volume tries to be bit more sophisticated, although I feel like it loses direction. It's as if the title is growing up with its readers. At times it gets slightly political/philosophical, although not nearly as overtly so as during the famed O'Neil/Adams Green Lantern/Green Arrow that follows these issues. For example, there a team-up with Earth-2's GL in which he tries to eliminate all evil in his world, and has to reckon with the fact that everyone is a little evil. There's also a story about alien youth revolutionaries, and one with an evil hippie member of the Jordan family! Denny O'Neil writes a few stories, so he wasn't new to the book with the GL/GA run.
Several stories in the middle of this volume have artists other than Gil Kane, like Sekowsky and Dillin. There not quite as good, so it's welcome to see Kane return. There are some strong covers during this period. A couple stories have the original Kane/Giella team, who do seem to match the more sophisticated writing tone that's evolved since Giella's original stint. Ironically, the best Kane issue of this volume might be #70, inked by . . . Vince Colletta! It's about a sentient space toy. It's better than it sounds. Another story has Hal falling in love with one of those alien youth revolutionaries, with a twist at the end.
But departure from Coast City to work in insurance in Washington state has failed to put down roots and develop a real supporting cast. He gets a boring love interest, Eve Doremus, and she's so uninteresting I can't even remember if she and Hal formally break up. There are a couple possible love interests, but no one catches. Hal leaves his insurance job to become a traveling toy salesman for some reason, and that doesn't really go anywhere (except another love interest who doesn't really seem to generate chemistry). Because Hal has moved away from Coast City, it seems the creators decide they can't have him fighting all his Coast City based foes. Unfortunately, that leads to unmemorable villains. A visit to Coast City that bring Carol Ferris/Star Sapphire, Tom Kalmaku, and Sinestro back into the picture is really welcome at this point. Tom now owns a chain of gas station, and he and his wife Terga now have 3 kids. That's not totally crazy if events take place in real time, but it's a huge change based how compressed we think of time passing in comics.
My Green Lantern binge read is speeding along much faster than I anticipated. I started a couple days before New Year's, and I'm already up to 1970, with O'Neil/Adams next. I've been reading a lot on weekends, reading at least one issue every weekday, and shifting some TV/movie time over to comic reading.
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Post by commond on Feb 4, 2021 8:48:05 GMT -5
The first few issues of John Buscema's run on Conan the Barbarian were a bit rough, but I liked issue 27 enough that I decided to keep reading the book. I was still hankering for some Barry Smith Conan, though, so I read the first issue of Savage Tales. I'm pretty sure the Frost Giant's Daughter story was printed in Conan the Barbarian, Savage Sword of Conan and Savage Tales, but it's a nice short story. What really impressed me was how good the rest of Savage Tales was. An anthology with Barry Smith, John Romita, Gray Marrow, Gene Colan, and John Buscema doing non-Comic Code art? It's a travesty that it was cancelled after the first issue. It could have been an amazing outlet for Marvel's finest to do mature comic book work. Sure, the stories are full of scantily clad women, and Stan Lee has some weird sexual politics going on in his stories, but I don't think Man-Thing was ever better than the origin story in Savage Tales #1. Maybe I'm a sucker for the black and white art, but it felt closer to Bernie Wrightson's Swamp Thing than the Man-Thing stories that followed.
I also started reading Michael Golden's run on Micronauts which has been supremely fun. It doesn't feel like a Marvel comic at all. I feel like I'm reading an 80s independent publisher like First or Comico.
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Post by Icctrombone on Feb 4, 2021 9:09:53 GMT -5
I have never been a big Conan fan but Buscemas art was jarring. It looked like Conan gained 60 pounds of muscle.
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Post by commond on Feb 5, 2021 6:01:20 GMT -5
The only thing I don't like about Buscema's Conan is his side profile. I did notice that Buscema's Ka-Zar looks exactly the same as his Conan.
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Post by kirby101 on Feb 5, 2021 11:09:42 GMT -5
Kazar's face was thinner, and he gave Conan a broken "boxer's" nose.
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Post by MDG on Feb 5, 2021 11:43:06 GMT -5
Arnold Drake and Matt Baker's classic. It a sordid tale of crime, corruption, and romance. It has all the trappings of a noir thriller, but has a happy ending, so isn't noir. Hal Weber is a down-on-his-luck investigative reporter who is recruited by a former lover, Rust (Rhymes with Lust) Masson to be the editor-in-chief of an opposition newspaper she secretly owns and intends to use him to build the political machine she inherited from her dead husband, Weber's struggles with his conscience, his desire for Rust, alcohol, and his requited feelings for Audrey Masson, Rust's step-daughter, throw a monkey-wrench into her plans. It all plays out in this early OGN, with lots of twists, turns, chills and a trail of bodies. ... Read this last week--not groundbreaking artistically, but pretty enjoyable. Could've easily been done as a B-movie noir. Interesting to think if Dell had gone with this rather than St John if the format could've caught on.
Apparently conceived for the format, in parts the rhythm seems like a daily strip in that there seems to be a setup/payoff every four panels even in the same scene. Not Baker's best art, but very good. Drake doesn't let the prose get too purple and the dialog is natural for the format (again, comparable to newspaper strips).
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Post by dbutler69 on Feb 5, 2021 13:58:55 GMT -5
The first few issues of John Buscema's run on Conan the Barbarian were a bit rough, but I liked issue 27 enough that I decided to keep reading the book. I was still hankering for some Barry Smith Conan, though, so I read the first issue of Savage Tales. I'm pretty sure the Frost Giant's Daughter story was printed in Conan the Barbarian, Savage Sword of Conan and Savage Tales, but it's a nice short story. What really impressed me was how good the rest of Savage Tales was. An anthology with Barry Smith, John Romita, Gray Marrow, Gene Colan, and John Buscema doing non-Comic Code art? It's a travesty that it was cancelled after the first issue. It could have been an amazing outlet for Marvel's finest to do mature comic book work. Sure, the stories are full of scantily clad women, and Stan Lee has some weird sexual politics going on in his stories, but I don't think Man-Thing was ever better than the origin story in Savage Tales #1. Maybe I'm a sucker for the black and white art, but it felt closer to Bernie Wrightson's Swamp Thing than the Man-Thing stories that followed. I also started reading Michael Golden's run on Micronauts which has been supremely fun. It doesn't feel like a Marvel comic at all. I feel like I'm reading an 80s independent publisher like First or Comico. That Mantlo/Golden Micronauts run is one of my favorites! I read the entire Micronauts run, and while I enjoyed the whole thing, the Golden issues were definitely the high point. I'm finally starting to pay attention to black & white magazines, and I'll have to check out Savage Tales, as well as Savage Sword of Conan.
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Post by kirby101 on Feb 5, 2021 14:27:10 GMT -5
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Post by Rob Allen on Feb 5, 2021 15:12:35 GMT -5
Arnold Drake and Matt Baker's classic. It a sordid tale of crime, corruption, and romance. It has all the trappings of a noir thriller, but has a happy ending, so isn't noir. Hal Weber is a down-on-his-luck investigative reporter who is recruited by a former lover, Rust (Rhymes with Lust) Masson to be the editor-in-chief of an opposition newspaper she secretly owns and intends to use him to build the political machine she inherited from her dead husband, Weber's struggles with his conscience, his desire for Rust, alcohol, and his requited feelings for Audrey Masson, Rust's step-daughter, throw a monkey-wrench into her plans. It all plays out in this early OGN, with lots of twists, turns, chills and a trail of bodies. ... Read this last week--not groundbreaking artistically, but pretty enjoyable. Could've easily been done as a B-movie noir. Interesting to think if Dell had gone with this rather than St John if the format could've caught on.
Apparently conceived for the format, in parts the rhythm seems like a daily strip in that there seems to be a setup/payoff every four panels even in the same scene. Not Baker's best art, but very good. Drake doesn't let the prose get too purple and the dialog is natural for the format (again, comparable to newspaper strips).
I also read this recently. Baker's art is the main draw. The story seemed to me like the first draft of a potentially good novel.
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Post by Nowhere Man on Feb 5, 2021 18:05:10 GMT -5
I'm a big admirer of Barry Widsor-Smith, but he didn't start evolving into the artist I love until the very end of his Conan run. Those early issues, where he's trying to ape Kirby, are wonky to say the least. Buscema is my preferred Conan artist, particularly once he caught his stride. I think he got Conan's proportions perfect. Smith's Conan was always a tad too lean for my tastes.
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Post by commond on Feb 5, 2021 18:13:34 GMT -5
Kazar's face was thinner, and he gave Conan a broken "boxer's" nose. I don't think Buscema's Conan look like that in his early issues of Conan the Barbarian.
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Post by kirby101 on Feb 5, 2021 19:19:36 GMT -5
Conan #27, still not Kazar.
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