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Post by Icctrombone on Apr 18, 2024 18:42:34 GMT -5
Captain America’s speech right before they go into the quantum realm in Endgame is all types of awesomeness.
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Post by jason on Apr 19, 2024 0:06:43 GMT -5
And then you have masks that dont really hide the identity that much at all (looking at you Green Lantern).
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Post by foxley on Apr 19, 2024 1:54:49 GMT -5
Certainly one of the few scenes I remember most clearly from any Marvel movie Rather than a wet Kirsten Dunst swallowing Toby Maguire's tongue? Sorry. I vagued out after hearing 'wet Kirsten Dunst'.
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Post by driver1980 on Apr 26, 2024 12:25:10 GMT -5
Love this:
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Post by codystarbuck on Apr 26, 2024 12:30:03 GMT -5
With all due respect to Mike Collins, the blurb is the only 1970s thing about it. I would have tweaked the tumbler a bit, and the costume and clothing.
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Post by kirby101 on Apr 28, 2024 22:11:18 GMT -5
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Post by Deleted on Apr 29, 2024 7:17:53 GMT -5
That's an interesting contrast. I was trying to find an artist credit for the first one, the best I could find was a guess it might be either Al Eadeh or Bob Fujitani and had to look up examples of their work to see if I could make that connection.
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Post by kirby101 on Apr 29, 2024 7:49:24 GMT -5
That's an interesting contrast. I was trying to find an artist credit for the first one, the best I could find was a guess it might be either Al Eadeh or Bob Fujitani and had to look up examples of their work to see if I could make that connection. Yes, those are the artists I saw it attributed to. I thought I copy and pasted that info, but obviously left it out.
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Post by Rob Allen on Apr 29, 2024 12:06:30 GMT -5
I just happened to notice that D. Bruce Berry--pretty much known only as Jack Kirby's inker/letter following Mike Royer in the mid 1970's--preceded Kirby's return to Captain America by one issue, inking Frank Robbins' final issue, #191. This and an ink job over Herb Trimpe on a Killraven story the same month appear to be his only mainstream comics credits outside of his work for Kirby. I wonder if it was some kind of on-boarding exercise to prepare him for working in the Marvel corporate system. (He would proceed to work on some of Kirby's Captain America stories, although Frank Giacoia would become the book's most consistent Kirby inker.) I just found this. Berry was Royer's assistant before taking on the full job when Royer moved to something else for a while. Berry lived in California and Marvel wanted inkers local to NY. He had a long career outside of comics before and after his Kirby period. www.tcj.com/the-strange-case-of-d-bruce-berry/
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Post by MRPs_Missives on May 1, 2024 15:45:03 GMT -5
Are you near Livonia Michigan? Got time to take a trip there on Sunday and have a few bucks to spare? Then you might be able to acquire this beauty... My friend Jesse who runs Gem City and Champion City Comic Cons also runs shows in Michigan and Indiana under the Knight's Hall Comic and Toy Show, and one of the dealers setting up at this Sunday's show is going to have that copy of Action Comics #4 and many other Golden age books from a large collection he just acquired for sale at the show for the first time. You don't get to see Action #4 in the wild very often... -M
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Post by MWGallaher on May 2, 2024 6:14:24 GMT -5
Over in this week's cover contest, Icctrombone posted this entry: I usually find it true that in this age of collected editions, comic compilations intended to be and promoted as "comprehensive" rarely are. DC's Steve Ditko omnibuses leave out a couple of Ditko Legion stories, MTU and MTIO collections have to skip over issues with characters whose license Marvel no longer had at the time, Marvel's exhaustive Tomb of Dracula collections leave out one (admittedly easily overlooked) story from one B&W magazine, and this story misses inclusion in DC's Batman by Neal Adams set, although Adams provided half of the art for the story in this issue, taking over when an ailing Jim Aparo couldn't finish the job.
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Post by kirby101 on May 3, 2024 7:48:22 GMT -5
I think this is an important post for some of our discussions here. Mark has an informed take on the business in the late 60s and early 70s. www.newsfromme.com/2024/05/02/ask-me-canceling-comics/He also questions Infantino's business acumen. The important thing for us is to understand that when this or that book was cancelled, it wasn't because "it just didn't sell". The folks running the company made a lot of decisions not based on good data or informed choices.
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Post by MRPs_Missives on May 5, 2024 10:10:21 GMT -5
May 5, 1895 is generally accepted as the newspaper debut of the Yellow Kid, so today is essentially the anniversary of the beginning of the American cartooning tradition in general and newspaper strips in particular. Without either, we wouldn't have comic books as we know them.
-M
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Post by kirby101 on May 5, 2024 10:17:01 GMT -5
And the coining of the phrase "Yellow journalism".
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Post by codystarbuck on May 5, 2024 19:25:37 GMT -5
That part has always been questionable, as there are references to "Yellow journalism" before the strip jumped papers. I have read accounts that attributed it to the yellow tinge of the wood pulp paper that Hearst was using, which was cheap and brittle and tended to turn a yellowish color. Not sure if Pulitzer was using it as well; but, Hearst was supposedly heavily invested in wood pulp paper mills, when hemp paper was still the standard. Allegedly, this influenced his papers' crusading against cannabis and hemp, as outlawing hemp would create a demand for wood pulp paper. However, I have never found anything authoritative enough to confirm this, beyond groups advocating for legalizing cannabis and hemp.
The wide use of the term did come about from the Pulitzer-Hearst circulation wars. Outcalt's real success, though, was Buster Brown.
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