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Post by codystarbuck on Oct 24, 2024 14:38:06 GMT -5
Tom Strong #21Little homage to Kirby's Fantastic Four #26 cover. Creative Team: Alan Moore-writer, Jerry Ordway & Karl Stry, Richard Friend and Trevor Scott-art; Todd Klein-letters, Wildstorm FX-colors, Scott Dunbier-editor Synopsis: As we recall, Tom Strong has encountered an injured woman, in the Stronghold, who has wreaked havoc within and tells a tale of an alternate world, where Sinclair Strong was killed and Susan Strong survived the shipwreck, along with the sailor Tomas, with whom she has a child, Tom Stone. They live with the Ozu people and Dhalua ends up marrying Tom Stone's friend, Paul Saveen (a science hero, thanks to Tom Stone's influence), while Tom marries Greta Gabriel, who is not frozen by Dr Permafrost. She told Tom she wanted his help to "kill Susan Strong." Tom is incredulous and she clarifies that he wants him to help her "ensure her death," to resolve a split in the timelines. Tom isn't convinced it isn't the same as killing his other and the woman explains that Susan Stone, in 1936, visits Fingel Parallax again and shows him the chronium that Foster Parallax gave her, which she had with her, in the Caribbean, which caused the time split. She cons him into letting her test pilot his practical time machine and she travels back in time to distract her younger self and ensure the Tom Stone timeline. We see Tom Stone's timeline progress, as he and Paul Saveen go off to fight for the Allies, in WW2. There, they face Ingrid Weiss and he Aryan Angels and Paul Saveen hits Weiss with a stasis ray, trapping her in a moment in time. Tom talks of bringing her to a war crimes trial, but Saveen has a different idea..... We then see them celebrated with a ticker tape parade, as Ingrid has been transformed into Liberty Lightning and her Luftmadchen have become The Glory Girls, to fight for justice. Tom and Paul then join Dhalua and Tesla and Greta for a private celebration. There they talk of looking forward to the 1950s. We see the trio of Tom, Saveen and Ingrid tracel back in time, in Fingel Parallax's time machine and return with a bottle of protoplasm, which is the Pangeagn. They rescued him from his doomed age. Jump ahead a little more and Tom Stone and his allies (now including the Pangean) defeat the Oktober Guard, a bunch of Commie baddies. Paul Saveen then introduces Tom to Temple Baldry, who makes a proposal about building his modular man, so he can transfer his consciousness into his modular technology and escape his disabled body. Saveen has already modified and miniaturized the device and Tom agrees and the Modular Man becomes part of their pantheon, The Strongmen of America. Tom turns down an offer to join The America's Best (with Cobweb, Splash Branigan, Johnny Future and Promethea), in favor of making his own group an official team. Tom Strong finds it all ridiculous and the mystery woman berates him for his failure in bringing the warmth and empathy of Tom Stone to his world..... The Strongmen end up in battles with the America's Best, until Tom Stone brings the rumble to a halt..... He proposes they combine their efforts and share discoveries, reforming science villains and aiding others. Cobweb agrees to try. We see, by the 1970s, that there are a plethora of super teams, including the reformed America's Worst, a group of science villains, who know call themselves the Atoners. We also hear that Paul Saveen persuaded the Electric Ladies to share their Femtech with the world. Greta notes that Tom seems dissatisfied with all they have achieved and he says he is growing bored and is contemplating exploring space, in the Hyper-saucer. Greta thinks that would be a good idea. She is happy to see that Tom isn't dissatisfied with her adn he says he would love her in any galaxy and any dimension. Susan Stone gives them a worried look, as she leaves the room, with Dhalua. Tom and Paul arrive on Terra Obscura and help find a way to prevent the alien entity on the moon from conquering the planet and turning it into a spaceship..... Tom Strange worries it my destroy the other Earth, but, Paul Saveen says that things just have a way of working out for them. In 1975, we see that the merging of worlds has worked and the Strongmen are busy registering all the heroes, who battle the combined growth of science villains. Dhalua ends up on registration duties, too, as we see a new Dr Perma-Frost and Bob Benton's three nieces, The Terror Teens. They say goodbye to Tesla, who is off to a meeting of the Young Strogmen, her team of teen heroes. It includes Ingrid's son Albrecht (fathered by Fingel Parallax) Modular Boy a terminally ill youth, adopted by the Modular Man) and Kid Pangean (an immature culture of the Pangean....with mood swings!). They laugh and recall their youth in Attabar Teru, which leads to an awkward silence. They return to work, trying to maintain supervision over this growing world of science heroes and adventurers, before something sparks off a powder keg. In 1989, there is an explosion at Fingel parallax's home and he is killed, while consulting with The Ghost, George Chance, exploring alternate timelines. Something caused an explosion, killing them and destroying time travel, forever. Dhalua walks in and discovers Tom Strong and the mystery woman talking and Tom tells her of a world where she was married to Paul Saveen and they were never in love. The woman corrects him..... Thoughts: So, we see that Tom Stone created a utopia, of sorts, in his world, with the aid of friend, Paul Saveen. They were able to change the courses of the lives of the Pangean, Ingrid Weiss and the Modular Man, for the better and save Terra Obscura from being ravaged by the alien entity. However, we see there are cracks in this "utopia." Susan Stone traveled in time to ensure her timeline, by distracting her younger self. The longing glances between Tom and Dhalua suggest that there is more than friendship. Tom and Greta have no children and Tom is restless. There is a serpent in the Garden of Eden. of course, isn't that the point of all utopia stories? Perfection is unattainable by flawed creatures. Something always brings an end to a self-imposed utopia. We aren't as enlightened as we think, which I think recent history illustrates quite handily. Not much else to add to the issue, as the next will bring this to a head. However, there is one aside I found amusing. One of these fan wikis had references to Tom Strong that I consulted to quickly find the name of Ingrid Weiss' girl squadron (the Luftmadchen, in German, originally). In the comments, someone commented on the trope of Nazi dominatrices and someone questioned the origin of the trope. Some would probably point to Warrior Woman or possibly, if they have seen enough trashy exploitation cinema, Ilsa, She Wolf of the SS. However, Warrior Woman was a Nazi alternate to Wonder Woman and the trope, in comics, mostly stems from Wonder Woman, via Baroness Paula Von Gunther. Von Gunther was a Nazi spy, who kept a retinue of female slaves, who were kept chained and in skimpy costumes (prison-striped bras and skirts), who she used as guinea pigs as well as servants, before inflicting havoc on Wonder Woman. Eventually, Wonder Woman captured her and she was sent to Reform Island, a sister islet to Paradise Island, where they rehabilitated criminals through a program of love. Von Gunther, who it is revealed was coerced into her role, becomes their greatest triumph and joins Amazon society, eventually developing the healing Purple Ray for them. The Nazi dominatrix is an image from the pulps and the later men's adventure magazines, which inspired things like Ilsa and I am not enough of a pulp historian to say if there were examples before Wonder Woman or not. Certainly, they were nasty female dominatrixes in comic strips and pulps, without Nazi imagery (Flash Gordon had a bit of that), as it was part and parcel to other BDSM tropes in such stories, such as the damsel-in-distress, copius images of bondage and torture, heroines with clothing torn away and leather and other clothing fetish. Our forefathers were just as kinky as their descendents; they just weren't as mainstream and overt about it. Some of it carried over from French postcards, with semi or fully pornographic scenes, including BDSM scenes, fetish wear and similar. I suppose if you go back far enough you will find a caveman with a thing for a woman in a tiger skin. Not that there is anything wrong with that. Ingrid Weiss is just one in a long line, mixing Baroness Von Gunther, Warrior Woman, Ilsa and Valkyrie into a Nazi witch, for Tom Strong. Both Von Gunther and Valkyrie ended up reformed, switching sides due to a heroes influence. In that, we see the influence on Alan Moore. However, Moore is a bit more cynical and we will see that reform can succumb to temptation or hurt.
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Post by codystarbuck on Oct 28, 2024 22:25:23 GMT -5
Terra Obscura #3Okay, starting with the left panel: American Crusader; center panel, top to bottom-Pyroman, The Woman in Red, The Liberator; right panel-Akh-Tu-Men, cat of The Scarab, or rather, as any cat-human will tell you, cat that abides The Scarab, so long as he comes across with the treats! Creative Team: Alan Moore-co-plot, Peter Hogan-co-plot & script, Yannick Paquette & Karl Story-art, Todd Klein-letters, Jeromy Cox-colors, Ben Abernathy-editor Synopsis: We have seen the Grim Reaper launch an attack on The Terror 2000 HQ and die in the process, a strange phenomena in the Grand Canyon, which nullifies anything electronic or scientific and the effect is spreading to Las Vegas. The Magnet (Grant Halford) is investigating the death of partner Lance Lewis, Space Detective, and he meets George Chance, aka the Ghost (or Green Ghost), a deceased paranormal investigator who directs him to Betty, his widow and a psychic. They get out ahead of supernatural attacks and the Null Field. Now, in Washington, DC, at a meeting of SMASH (Society of Major American Science Heroes), the government briefs American Crusader, Pyroman, The liberator, The Woman in Red and The Scarab about the Null Field. It has now expanded to the california state line and will envelop the state within the day and the rest of the country within two days. Recon teams have not come out of the area and refugees speak of monsters and demons. The government throws it open to the team, for suggestions. Tim thinks it is a further attack on The Terror 2000.... The Liberator offers other possibilities. Scarab brings up the point that Dr X, another science hero, had a lab near the Grand Canyon. He hasn't been heard from in some time. Might it be related to some experiment of his? It's a good suggestion and they decide to travel there and investigate. The Liberator takes his Lamesis potion, to beef up his powers and they head out. Tim returns to Invertica City to monitor and provide advice and intel. American Crusader seems unimpressed with Tim's suggestion of his role. Pyroman comments on Woman in Red's new outfit and says it isn't very flattering, which she ignores. AC continues to be a dick to her, as well as everyone else and she tells him off. Liberator puts the kibosh on the bickering and tells everyone to saddle up. In Invertica City, Grant Halford and Betty watch the news and wait for Carol carter, daughter of The Fighting Yank, and Ms Masque, Diana Adams. Betty asks about the metal objects stuck to Grant and he explains how he invented the Geo-locator, which blew up in his face and gave him magnetic powers. he can locate anyone or anything, but can't control the magnetic force that attracts small metal objects. He thinks it makes him look like a tool; Betty seems to think he looks just fine. Well, someone's in with a chance! The ladies show up and intros are made. They compare notes and confirm that The grim Reaper's weapon is with the New Lancaster Police and Grant wants to check it out. He is mainly concerned with the link to Lance Lewis' death, but Betty reminds him that something much bigger, more supernatural is at work here. She says they need to find someone with expertise on those matters. As she speaks, Carol sees the image of her father, in a window and tries to shake it off... Betty says she needs to make contact with George, The Ghost, but needs a natural setting and asks if there is a park or wooded area nearby. Unbeknownst to the group, Tim is spying on them, via a Terror 2000 orb, which is in a trophy case, in the bar. The ladies decide to tag along, rather than head off to New Lancaster. Tim asks why they were going there. The Terror ponders the idea of the Null Field being supernatural jamming and whether a counter-signal might negate it, ignoring Tim's emotional paranoia. The group goes to a park and makes contact with George Chance, The Ghost, but there is some kind of interference.... George directs them to seek out Tom Strange and says Grant can find him and also says it is important that Carol make the trip, too. He then disappears. Betty says something was blocking him and Diana suggests it is the Terror. Grant says he needs a personal possession to locate people and Tom Strange has disappeared and been gone for some time. Carol suggests checking his hideout, in New Lancaster. Everyone tares at her stunned, and she is surprised that everyone didn't know about his HQ there. The group travels to New Lancaster and find the lair, but run into robot sentries, who are unaffected by Grant's abilities. Carol is able to get them to stand down with a voice password, from past visits, with her father. The place is deserted and appears to have been so for some time, with dust over things. They find a Hyper-Saucer, like Tom Strong's. Doc Strange must have made a copy. Grant finds a vial of Alosun, the potion that gave Tom Strange his powers. It is resonating and can lead them to him. They decide to borrow the Hyper-Saucer. Grant points them south. In Los Angeles, the Terror appears to stop a gang battle, but something starts affecting him... Similar things start happening to the SMASH heroes, as they encounter the field, especially the science-based ones.... Scarab and Liberator are unaffected. Scarab's power comes from a magic ring and Liberator's from Egyptian alchemy. He theorizes that the field has expanded and affected those with science-based powers, as well as technology that operates on scientific principles. Pyroman is caught by Liberator, but has a concussion. American Crusader is not so lucky. He has a broken leg and collarbone, broken ribs and internal bleeding. They need to get him to a hospital. Woman in Red's costume is damaged and the skin underneath is red and she reveals that her whole body has been turned into a red pigment, thanks to the crystal that gives her the powers. her singing career was destroyed by the effect and sho hopes to find a cure and it is the reason for the body-concealing costume. She tears up, but then notices they have bigger problems, as a pack of wolves, with glowing eyes surround them. In Invertica City, Tim finds The Terror collapsed on the floor and he says "he felt him die," meaning the LA construct and that a part of him is gone. He shows real fear and tells Tim to bring the files on EVERYONE! Thoughts: The mystery continues to grow, which is part of why this turned into one of my favorite ABC series. There is real mystery here, as well as some interesting characters. Moore and Hogan took a bunch of generic Golden Age mystery-men and turned them into more complex figures. They are saddled with some redundant powers and power sources, a nod to the often repetitive nature of comic book origins. Both Tom Strange and The liberator gained their powers from magical potions, and the Terror developed great strength and abilities from a scientific chemical compound. Scarab has a magical ring and Woman in Red gained hers from a crystal, while The Magnet from the explosion of the Geo-Locator, the device he used in his original stories. American Crusader has nuclear powers and Pyroman has thermal powers. Tim and Ms Masque were ordinary fighters, while Fighting Yank gained his from a ghostly ancestor, as did Carol, before her father's death severed the link with that ancestor. Whatever is at the center of the null field seems to be supernatural in nature and only magical things seem impervious. Dr X was a scientist, which then begs the question did science and the supernatural collide? We see the Terror spying on Carol and Diana and Tim immediately become paranoid about their relationship. As the first issue stated, he is barely 18 and lacks emotional maturity, probably because of his superhero sidekick status, especially partnering with someone as unstable as The Terror has been hinted. Diana is several years older and was an adult, when Tim was still a teen sidekick, making their romance questionable, on her part, regardless of whether Tim is now of legal age. The implication was that it started before he was of age, which is not a good situation. Her adult status gives her a certain power over the immature Tim and he is vulnerable to her control. If the situation were reversed, it would be treated as more disturbing, these days (though not so much if the younger person were older than 15, in days past); but, when it is an older woman and a teen male, it is treated like a sexual conquest, not "jailbait." We get the sense that Diana is uneasy in the relationship, as she previously remarked about wanting to keep Tim from moving in with her. There is more going on here than we have seen, completely. Carol is now seeing images of her dead father and The Ghost's insistence that she accompany Grant and Betty to Doc Strange's HQ suggests he knows something about what is happening to her. Is she seeing the spirit of her father, or just suffering from grief and having hallucinations? Grief can be a strong influence on perception. When Barb's mother suddenly died (on Barb's birthday, after speaking to her on the phone, that morning), Barb suffered from nightmares related to her mother and had deep bouts of depression. I have had one disturbing dream of Barb, within the first year of her death, and one other, less disturbing, though nothing like what she went through. The subconscious mind plays with things that sit in the background and they can manifest in dreams. In the first dream, I encountered Barb, who seemed unable to speak, and I said to her, "You died." that was about all I recalled, as I woke up and the details were fuzzy. What many people experience as ghosts or other supernatural encounters can more rationally be explained as dreams or misinterpretations of other influences. I had a friend who said they awoke to find a ghostly figure above their bed. I suggested that they might have still been asleep and dreamed the encounter, and that when they awoke, the dream was strong enough that they believed it was a memory of a real encounter, not a memory of the dream. They preferred to believe the unsubstantiated supernatural possibility, rather than the more rational counter-explanation. Too often, claims of the supernatural require great leaps of logic and accepting things on faith, rather than scientific evidence or rational explanation. When someone claims to have ghosts, because of a "cold spot," my first thought it, "Maybe you have bad insulation in your home." Strange sounds could be expansion and contraction of structural materials, air moving through gaps, and just plain imagination magnifying something minor into something major. The Amityville Horror house was later debunked as a real estate scam and most alleged psychics do nothing more than "cold readings," fishing expeditions that use psychology, rather than psychic power, asking vague questions to get the mark to offer up information, to which they can more specifically tailor their responses, until the mark believes they are communicating with the dead, not just feeding back the information they have divulged to them or an accomplice. Anyway.... There are several mysteries at play: what is happening within the null field? What is the source of it? Why is Tim so paranoid about Diana? Why is the Terror so worried? Why is the Terror spying on Diana? Is the Terror's Terror 2000 service something more sinister and controlling? Is the mob behind the attack on The Terror or something more? Who killed Lance Lewis? Why? Why is Carol seeing visions of her dead father? Who were the two figures we saw walking through huge machinery, last issue? It all seems connected, but how? We have 3 more issues to start offering up some answers. Meanwhile, the art continues to be great. At first, I was a little on the fence about Yannick Paquette's art, as it seemed a little stylistic and muddled, but it quickly grew on me, in the first issue. He has a flair for the dynamic and the superheroic, yet he also stages casual scenes well and he has a good grasp of body language in his figures. He also has a good eye for the comedic and those touches are appreciated. He draws different body and facial types well. He handles the beautiful and the ugly and the ordinary and extraordinary. And, he is a damned good storyteller. Karl Story has allways been a good, stylistic inker and he enhances the scenes and figures. They make a great team, especially with all of the characters. there are some confusing things in this series and the sequel, but more because of how derivative some of the characters were, which made it harder to visually identify all of them. Liberator looks like a generic patriotic hero, one of dozens from the 40s. American Crusader is more unique, using the old pre-war US Army Air Corps roundel insignia as his emblem, rather than the wartime and post-war symbols. The Woman in Red was a generic femme fatale type heroine, in the 40s, but they have updated her with a more modern costume, which hides the fact that she has become a real Woman of Red. Looking forward to the next issue.
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Post by rich on Oct 29, 2024 6:22:17 GMT -5
Lovely review, thanks! 👍🏼 You're reminding me why I need to return to these comics...
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Post by codystarbuck on Oct 31, 2024 15:58:57 GMT -5
League of Extraordinary Gentleman Vol 2, #6About bloooody time! Creative team: Alan Moore, Kevin O'Neill, Bill Oakley, Benedict Dimagmaliw Synopsis: Mr Hyde shaves and senses a presence, which he addresses as Death, saying he has been looking forward to meeting him. Moore doesn't mention if he gives Binky a treat or not, or if the Death of Rats is there, too. (Slight pause, while a cat decides she wants to snuggle up on my chest.....whoops, she sees a bird and is off....) Elsewhere, Allan, Mina and Dr Moreau await a special train, from London. Moreau and his creatures have a special box ready, for military intelligence (*snort*). Alan asks if it is another creature and Moreau says, after a fashion and they discuss his hybrids, such as Rupert the Bear, who he says is sexually frustrated, without a mate, but, for a sum, there is a woman in a nearby village who will relieve his tension, and not with herbs or balms, as Allan asks. Ewwwwww.......... A train, with a Masonic compass & ruler emblem arrives, with soldiers in green uniforms and Masonic symbols, thereby cementing the fact that they work for the powers behind the government and I don't mean the Crown. The soldiers load the crate and Mina and Allan bid Dr Moreau farewell. When safely inside the train, they openly remark in horror about Moreau and his creatures. They return to find London evacuated and Campion Bond to meet them. he asks about the crate and any damage and when he is assured it is safe, he tells the guards to stand down, that there is no need to shoot the agents. He takes Mina & Allan to join the others, on London Bridge, where the Tripods are massing. They are reunited with Captain Nemo and Mr Hyde and learn of Griffin's death, though Hyde claims it was comfortable and ignores Nemo's curses, which Bond dampens down. They see the Thames filled with the red weed and Nemo explains that the Nautilus is incapacitated by it, probably at Griffin's suggestion. Bond says they have nor artillery, because it was "burned" by the Tripods. Hyde says he might inflict some damage, to which Nemo scoffs. Hyde points out their weakness... Mina says it is certain death but Hyde brushes away her concer and asks if she would honor him with a kiss. To everyone's surprise, she readily agrees. He then asks if he can cop a feel and she agrees again and Hyde is surprised by how fast her heart is beating. He then says he was right about this world, that Heaven must be the cruelest of places and leaves, singing "You should See Me Dance the Polka"... Hyde taunts the Tripods with the song and a bit of dance and flourish and draws their attention....and the heat ray.... Mina cries in horror and despair and we see Bond's soldiers pull a small object out of the create and move it, suspended from poles, careful not to touch it. Then, we see the charred corpse of Hyde rise. he is still alive and cursing. he charges the nearest Tripod and grabs around a leg and proceeds to squeeze and twist and succeeds in ripping apart a leg and toppling the machine. He sees the "blancmange" creature inside and rips open the hull to get at it. He rips the head off the mollusk creature and eats it, like an oyster. The Tripods converge and combine their rays on him. He is completely incinerated. Bond's men prepare a special artillery shell, as Bond notes that the fallen Tripod has the other trapped. The shell is loaded into a cannon and fired at the Tripods. Bond remarks that it is a hybrid of anthrax and streptococcus viruses. Mina remarks that there are still people in that area and Bond replies that the Martians died of the common cold and any people died of the Martians. Nemo is outraged and resigns from the League and departs. The Tripods collapse and Nemo and his crew haul in all lines and set sail, headed back to Lincoln Island. Some time later, Mina and Allan walk through Serpantine Park and remark that the last vestige of the red weed is gone. they speak of the others and Mina talks of leaving to join a women's commune, in Scotland, called Coradine. Allan remarks that he hears the park is being renamed in honor of Edward Hyde. Mina tells Allan that there time together meant a lot to her, but she must go and she leaves Allan alone, in the soon-t-be-renamed Hyde Park. The final chapter of the Traveler's Almanac sees them exploring the polar regions. We learn that Nemo is blessed with a daughter, instead of a son and he cannot hide his disappointment and abandons mother and daughter and heads for the Antarctic. There are references to Edgar Allan Poe's "The Narrative of Arthur Gordon Pym, of Nantucket", HP Lovecraft, The Voyage to the Center of the Earth, Rabelais, RE Howard's "The Mirrors of Tuzan Thune," Frankenstein, Toyland, and Pellucidar. Thoughts: Mr Hyde gets to go out a hero, after beginning as a monster. he is the League's Hulk, in every facet, just as the Hulk was inspired, in great part, by The Strange Case of Dr Jeckyll and Mr Hyde (and a bit of Frankenstein). He is infatuated with Mina and killed Griffin more for his attack on Mina than his betrayal of the League and mankind. In this final chapter, he seems to know his death is imminent and he prepares for it, washing and shaving, then asking bold favors of Mina, which she grants. For mina, it is returning the courtesy as well as, perhaps, demonstrating that she sees Edward Hyde as a man, not a monster. Dr Moreau's hybrid is, of course, the virus that kills the Martians...the "common cold." However, Moore suggests it is something far deadlier and more aggressive and suggests that humans died in the process, but their deaths were attributed to the Martians. Campion Bond commits biological warfare and Nemo is horrified and resigns, breaking up what is left of the League. Here we see Nemo's demonstration of his own code of morality, though Moore has shown that it is somewhat specific to certain peoples, as he decried Mohammedans in the previous series. He mentions returning to his base, on Lincoln Island, and his wife and child. the Traveler's Almanac says he returned to his wife giving birth to a daughter, named Jani and his disappointment of not having a son, a fact that drives him away from his family. Here, again, we see the flaws in Nemo, as he rejects his daughter and wife and abandons them to explore the poles. The Nautilus logs are credited to a Miss Diver and we can surmise the Jani is Miss Diver, as a submarine diver. That would make her Jani Diver or "Jenny Diver," to Anglicize her name, making her the jenny Diver of Berthold Brecht's Threepenny Opera and John Gray's The Beggar's Opera. We will see more of her (and Brecht) in future League volumes. We end with Mina departing for a Utopian commune, Coradine, from WH Hudson's A Crystal Age. Hyde and Griffin are dead and Nemo resigned to return home, then abandon his family for the Polar regions. Quatermain is left alone in what will be Hyde Park, now named in honor of the sacrifice of Edward Hyde, rather than the Manor of Hyde. Moore calls it Serpentine Park, in reference to the Serpentine, the man-made lake created there in 1730. It is then renamed for Hyde. So, it would seem that the League is now dead; but, we know they aren't the first League. They were preceded by Lemuel Gullvier's League, as well as Prospero's Men. The members have included the gender-swapping Orlando, Lemuel Gulliver, Sir Percy and Lady Margueritte Blakeney (aka the Scarlet Pimpernel), Natty Bumpo (aka Hawkeye, of James Fenimore Cooper's Leatherstocking Tales), Fanny Hill and the Rev. Christopher Syn (Alias The Scarecrow, aka Captain Clegg), Duke Prospero of Milan, Ariel, Caliban, Robert Owemuch, Don Quixote, Amber St Clair and Christian. We have also seen rival League's, in foreign nations, including France's Les Hommes Mysterieux (The Mystery Men) and Germany's Die Zweilichthelden (The Twilight Heroes). The French group includes Fantomas, Arsene Lupin, the Nyctalope and Monsieur Zenith, from French pulp literature and Anthony Skene's Sexton Blake stories (and an inspiration for Michael Moorcock's Elric of Melnibone). The German group consists of figures mostly from German expressionist cinema, including Rotwang and Maria (Metropolis), Dr Caligari and Cesare (The Cabinet of Dr Caligari), Dr Mabuse (from Mabuse Der Spieler, Das Testament des Dr Mabuse and Die 1000 Augen des Dr Mabuse) and Herr Luftkapitan Mors, aka Airship Pirate Captain Mors (from The Air Pirate and his Steerable Airship, a series of German pulp novels). So, we are surely not at the end. As endings go, this is pretty well done, if a bit melancholy. We see the horrors of bio-warfare, as well as alien invasion and wonder which is worse. We also see secret governments within governments, using Masonic conspiracy theories, as well as real secret intelligence units setting their own policy, such as Oliver North and John Poindexter, in Iran-Contra, as well as the Watergate conspirators). Given how often Far-Right dictators and their factions attack "freemasonry," you can sort of see why the idea of a society, devoted to the pursuit of knowledge and enlightenment, with an exclusive membership, might make for a convenient target upon which to blame all their ills. You then see how they attach other groups, especially racial, to such organizations and "conspiracies" to demonize them and make them seem malevolent, rather than admit their own failure of character or hard work, or privilege. It's funny how often "intellectuals" are named as enemies of the common man by such groups, as if free thinking, in itself, is the greatest danger. To them, it is, because then people start to question their motives for demonizing others and heaping such hatred upon them. Moore kind of plays it both ways, as we see such bigoted insular attitudes, while also fostering the idea of the Masons as a secret power within the British government. In many ways, the League of Extraordinary Gentlemen set the path that comics would follow, in the New Millennium, just as his previous work proved influential in both horror and deconstructionist superhero stories. The League is filled with easter eggs, following the traditions of Phillip Jose Farmer and Michael Moorcock, as well as conspiracies and secret societies and we see conspiracy groups emerging more and more as antagonists, or even protagonists, in future stories, such as Marvel's Illuminati and things like Secret War and Civil War, as well as the revised history of SHIELD and HYDRA, linking them to ancient conspiracies and Leonardo Da Vinci, rather than James Bond and The Man From UNCLE. "Literature" (and I use the term ironically), like The Da Vinci Code, revel is such things, which were previously the playground of thriller writers, like Robert Ludlum or fringe writers, like Robert Shea and Robert Anton Wilson. Moore will play into this even more, with his final, contractual League story, for DC/Wildstorm, before taking his toys and going home, to produce more League stories elsewhere. We will return to the League, when it is time for The Black Dossier (which took 4 years to come out, after the conclusion of this series, which already took a year, to produce 6 issues).
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Post by codystarbuck on Nov 2, 2024 21:38:26 GMT -5
Smax #2An homage to Frank Frazetta's iconic Conan cover. The Annotations on this one aren't as good, on some things. The axe is Kull's, from the Howard stories ("By This Axe I Rule"). To the right of Jaaf is the Glaive, from Krull. The broken sword, in the dead dragon's head, is a Harry Potter reference, to Godric Gryffindor, as you can see "odrig G" on the broken piece, on the lower right. The shield matches the road sign symbols for US Highways and also forms a smiley face (and one of several patriotic shield designs, used throughout the 20th Century). The annotations say the bands on Robyn's arms say "I Want My MTV, but I can't make that out, in my digital copy. The dragon's spine resemble those of Godzilla and there is a triceratops skull, on the right. There is a tentacle just behind it, which could reference all kinds of things, from Lovecraft, to Clash of the Titans (the Kraken) to King Kong vs Godzilla Creative team: Alan Moore, Zander Cannon & Andrew Currie, Todd Klein, Ben Dimagmaliw. Synopsis: We pick up the action at the funeral for Jaafs' uncle, where we see a fly on the eyeball of Uncle Mack, which is being ridden by a knight in plate armor. The group recites the ancestry of Mack, which goes on for quite a bit. Robyn is ticked at Jaafs and walks away from him. he puts his sizeable foot in his mouth every time he tries to talk to her and she lambasts him about lying to everyone, saying they were husband and wife. Robyn asks why.... Marry his sister? I didn't realize they were hillbillies! Robyn then draws the story out of Jaafs and he says his father was an ogre. Robyn replies that everyone thinks that, at times and Jaafs interrupts: no, bodies hanging in a cave, Fee-Fi-Fo-Fum-etc.... Robyn asks about his mother, who he says was a heroine, a human adventuress. She came to slay the ogre and he ate her horse and snapped her blade...then he raped her. She had a strength potion that allowed her to survive and she became pregnant and she survived that, but not the birth of twins. Jaafs and Rexa were allowed to live, but left to fend for themselves and badly abused....especially Rexa. Jaafs went out to a wood and uprooted a young tree and carved a great stake, snuck into the cave and stabbed his father, but it only pinned him to the ground. They then gathered wood and started a bonfire. It took ages to kill him and his jaw still tried to bite Jaaf when he kicked through the ashes. They wandered and were found and taken in by Mack and Minka. Robyn asks about the marrying part and he says that he and Rexa have been intimate, for some time. It isn't unusual in this reality. He says that is why he never talked about home: a backward world, with no electricity and people marrying their sisters. They return to the group, as things conclude ad Minka says they will eat. As they feed, a pair of young dwarves ask Jaaf for his autograph, calling him Dragonslayer (Great movie!). One mentions settling with Morningbright and the other tells his friend to be quiet, that the Dragonslayer is sensitive about that. Jaafs stuffs the kid into the ground and his friend says, "See?" Jaafs storms off and Robyn follows, asking about Morningbright and Jaafs tries to browbeat Robyn into leaving to avoid the subject and she throws him offguard.... Jaafs says he got a job as a dragonslayer to earn enough money to feed he and Rexa, to not be such a burden on Mack and Minka. He was commissioned to save the 9 year-old daughter of a queen, whose realm was under siege by Morningbright. Jaafs follows the trail to the creature's lair, a cave with blue stones, and finds Naruli. She asks if he is the dragon, as it can change form. He says no and that he will lead her out. As he tries, Morningbright appears.... Jaafs is totally outclassed and Naruli tries to push him out and the dragon unleashes fire, incinerating the girl, leaving only her handprint on his chest. Jaafs runs away, in fear. He returns to tell the queen of the death of her daughter, then rides off. We see him come to the witches' cave and travel across dimensions, to Neopolis, where he joins the police and the 10th Precinct. Robyn remarks about what the dragon said, the "Heed, Earthly Lass, Less Our Rustic Orb Become Your Nemesis," and that he called Smax "Jeff," and not Jaafs. He hadn't yet changed his name. She wonders if it is a riddle, or an acrostic and she tries the first letter of each word, which spells out.... Thoughts: Here, we learn the "origin" of Jaafs Macksun, aka Officer Jeff Smax. he and Rexa were the children of an ogre and a heroine, but it wasn't a romantic story, as their father defeated their mother and raped her, and she died giving birth to twin ogre-human hybrids. They were beaten and abused, before Jaafs killed their father and they fled, eventually being taken in by Mack and Minka. To repay them, Jaafs becomes a dragonslayer, but hubris and ego get to him and he recklessly enters the lair of a really dangerous one and gets his rescue target killed, burning her mark into his chest, to remind him of his failure. The symbol we have seen on his chest is not a superhero symbol, but a mark of shame, as he failed to protect a nine year-old girl and turn tail and ran from the dragon he swore to slay. This also explains why he was so secretive and standoffish, in the precinct. Stocastic Fats kept his distance, but Robyn broke through his defenses...as a friend, not as a romantic interest. Easter eggs abound, with Charlie Brown in a crowd shot, Jaafs mother referencing Xena, the Disney Robin Hood fox, British comics character Billy Fish and Kermit the Frog, in a pond. The lair, with blue crystals is a reference to Leni Riefenstahl's "The Blue Light." Morningbright resemble a cat, more than a reptile and it is remarked that it is a Firstborn, one of the eldest of its kind, making it more dangerous than those he faced before. It uses psychology and trickery, more than physical acts. Obviously, Jaafs is going to try again, because the hero has to face his fear. The acrostic part suggest the dragon can see the future and Robyn, which means she is involved, too. Perhaps this is Jaafs destiny, as he is the one who brought Robyn, because he needed her to get through things. She may hold the key to defeat Morningbright (these things usually work this way). This one is a bit more serious, with visual gags carrying most of the comedy. We are more into the territory of the serial killer, in Top 10, where any pretense of satire is dropped for the narrative. That's what I liked about Top 10 and this: they were very funny, until they got deadly serious and it became great drama. In Top 10 it was superhero trappings; here, it is heroic fantasy. Most comic series are lucky if they can manage being serious good or comedic good; Moore proves you can blend the two and be great.
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Post by codystarbuck on Nov 7, 2024 16:58:59 GMT -5
Terra Obscura #4Okay; left to right: The Ape, aka Adam, upper center is Doc Strange aka Tom Strange, bottom center is the grave of The Fighting Yank (whose nemesis must be the Artful LA Dodger), and the right is Dr. X You can tell he is a doctor because of his handwriting. Creative Team: Alan Moore-plot, Peter Hogan-plot & script, Yanick Paquette & Karl Story-art, Todd Klein-letters, Jeromy Cox-colors, Ben Abernathy-editor Synopsis: The Terror and Tim are running through the files to determine who might be behind the attack on the Terror 2000 and the phenomena in Nevada. The Terror dismisses Green Ghost as dead and a Buddhist, and not likely to be malevolent; Black Satan is a joke, the Oracle is asleep beneath the Pentagon. Mystico is a distinct possibility; powerful and amoral. Scarab is powerful, but a thorough goody-goody. Dr Voodoo is powerful and completely nuts, so a possibility. The Liberator and Tom Strange are outliers and Terror dismisses Liberator, as a "witless clod;" but, says Strange is a possible. Out in Nevada, Scarab whips up a mystical ring of fire to hold the coyote creatures at bay (just paint a hole in front of them and they will fall into it) and the Liberator has heaped dead carcasses to put them off, from the scent. Woman in Red will stay behind to attend to Pyro-Man, who is beat up and sore; but okay; and, American Crusader, who has a dislocated shoulder and has suffered serious trauma. he is asleep, but will be in severe pain, when he awakes. Liberator gives her some of his Lamasin to let Archie (AC) sip, when he awakens, to help his healing. Then, Liberator and Scarab head for Dr X's lab. In Antarctica, the Hyper-Saucer arrives, and Carol remembers the painful death of her father. Betty recalls her loss of George Chance, the Green Ghost, and Ms Masque recalls the death of the human Terror, Bob Benton. Grant Halford says their destination is below, but he has no idea if Tom Strange is alive or dead. The ship is stocked with polar suits and provisions. They land next to the giant, alien construct..... It has a distributor! Maybe the alien was just an intergalactic gearhead! They go inside and find lights have been strung up and they gaze in awe, until Grant's magnetic troubles manifest.... ...and then they encounter someone in a pressure suit, holding what they believe to be an alien weapon. Looks like a pasta scoop, to me. Maybe they are having spaghetti, for dinner. Liberator and Scarab continue on their journey, discussing Dr X. He doesn't seem to be a nice guy, as Scarab describes him as weird and scary. Liberator aks if he is scarier than Mystico. It seems the mummy gives everyone the heebie-jeebies, except Scarab, who is an archeologist and reincarnated Priest of Ra. Mummies don't scare him; though, he might make allowances for Mystico. He remarks that Mystico's tomb had no inscriptions, except a warning not to open it and a curse on anyone who does. Liberator guffaws at curses, but Scarab believes it. They arrive and find an art deco building..... Scarab's ring reveals that the front door is fake and locates the real, hidden door. Liberator goes through and plummets..... Scarab grabs him and his ring reveals a safe door and they go through and find themselves in Dr X's dungeon. In Antarctica, the group learns that the dude in the pressure suit is Adam, aka The Ape and he takes them to Tom Strange. They were the mysterious figures we saw earlier, exploring the alien construct. Adam communicates through an electronic voice synthesizer, which Tom Strange has altered to allow him to be more articulate. They pass around sodas and then fill Tom in on what is happening in the US and the death of Lance Bryant, aka aCaptain Future (Grant's partner). In the dungeon, Dr X interrogates the Liberator and Scarab. He believes Scarab is behind the attacks on him, though the duo tell him otherwise and that the effect has spread. He doesn't believe them and asks if this is about him killing Andrew bryant, aka Captain Future, which captures Liberator off guard. Dr X also says he killed the others, who followed and then shows Liberator the corpses of The American Eagle and Eaglet, his sidekick. Carol goes to her father's grave and Diana tells Grant to give her the time she needs, before they depart, despite the emergency. Doc Strange tells Adam he must stay, or he might get hurt. Adam is sad to be left alone; but, Betty tells him she will stay too, as George thinks it is too dangerous for her. The Green Ghost speaks to Doc and Grant and tells Grant his part is done and to stay and watch over Bettie and Adam. He argues, but agrees. the Ghost then departs to speak to Carol, while Grant helps Doc Strange and the others unload provisions. Carol tells George of the visions of her father, of his downcast look, like he disapproves of her leaving the hero game. She says, without her powers, she was too scared. She says she isn't much of a hero. George tells her, "Well, if the cap fits..." then departs. Carol is puzzled and looks down at the glass case, containing her father's tricorne hat. She removes it and puts it on.... Thoughts: So, Andrew Bryant, Captain Future, was killed by Dr X, as was The American Eagle and Eaglet. However, he is not behind the technological void. He believes he is under attack, like The Terror. One name comes up between all parties: Mystico. A bit of background on some of our new folks. Doc Strange debuted in Thrilling Comics #1. He is a scientist who develops the serum, Alosun, which is a distillate of "sun atoms" and it grants him super powers. He was basically a Doc Savage rip-off, right down to his adventure clothes of red t-shirt, black/blue jodhpurs and black riding boots. He had a sidekick, Mike, who perished, when the alien came to terra Obscura. Scarab is Peter ard, a reincarnated Egyptian priest, who gains his power from a magical scarab ring. In the 40s, he was a white guy in badly stylized pseod-Egyptian headdress and superhero clothes. Here, he is an actual Egyptian in more correct Eguptian garb. The Apa, aka Adam, was actually a different character, at Nedor. he was scientist Dr Fawcett, who injected goriila endocrine into soldiers, to enhance their abilities. When Nazis attack his lab, he takes the formula and is trnasformed and goes on a wave of destruction, where he battles The Oracle. The Oracle is Bob Paxton, a human given prophetic powers by a Nazi chemical weapon. The American Eagle is scientist Tom Standish, who gains the power of flight an proportional strength, after being exposed to black rays. Eaglet, Bud Pierce, was his kid sidekick. Black Satan was a super villain, who fought The Four Comrades. Gremlin was an adversary of The Fighting Yank. Dr Voodoo fought Wonderman. Spectro was a stage magician, Robert Morgan, who was descended from an alleged sorcerer, who was burned at the stake. He can read minds and uses the ability to fight crime. Thesson was a descendent of the hero Theseus, who slew the Minotaur. He uses the ring of Poseidon to fight crime, with enhanced strength. Mystico was a mad scientist who tried to revive a mummy, but the machine explodes, killing the nut. Mystico was a sorcerer, though and is reborn and then uses his abilities to fight crime. Betty is Betty Morris, who was an ally of the George Chance, The Ghost. The Green adjective was added by Alan Moore, to differentiate him. Betty, apparently, goes on to marry George. As could be seen in the previous issues, Betty seems to be attracted to Grant Halford, The Magbnet. It seems that George is quite happy with this and may have even foreseen the attraction, as she first mentioned to Grant that George said he would send someone to protect her. It appears that The Green Ghost is doing some matchmaking, between his widow and the detective. It's one of the cuter aspects of the series and they would make for great stars of their own adventures, with a lighter tone. As it is, Grant has been the main comic relief (with Adam doing his bit, with Tom Strange). We now know that Carol's loss of power is due to losing the physical link with his spirit. She regains it by donning their shared ancestor's tricorn hat. The original Fighting Yank (Bruce Carter III) gained his powers from his ancestor, the original Bruce Carter, and now, Carol derives hers from that physical link, which lets her bond with her father's spirit. All of the characters were seen in Tom Strong #12, where he and Tom Strange liberate the members of SMASH from their orbital prisons and they defeat the alien entity. George Chance, and Fighting Yank were killed in the battle and the Terror was already dead, then the Terror 2000 program went on-line, when they discovered Bob Benton's lab. Lance Lewis and The Magnet were there, in heroic garb. During that issue, it is remarked that Captain Future was off-world, when the alien attacked, aiding Cynthi, niece of Dr X. At the time, Tim said they had no idea what happened to Dr X. It seems he remained in his lab, which has mystical properties. However, here, Dr X says he killed Captain Future. Was that after the alien was driven off or is that what happened, when everyone else though he was off-world? The American Eagle and Eaglet appear in Tom Strong, so they were still alive, after the alien. Maybe they wen't searching for him, after things settled down or, perhaps, Captain Future returned, then was killed and they followed. It's hard to comment about the art, as Yannick Paquette and Karl Story do a bang-up job, in each issue. They handle mood and action well, have great design sense, and convey body language and emotion. You actually feel the sadness as Adam has to say goodbye to Doc Strange. I especially like how they depict the alien machinery as an internal combustion engine, rather than some knockoff Kirby machine swipe. The distributor cap was a nice touch, as we see the wires come off it, to the spark plugs. At one point, the group has to cross over the drive shaft, to get to where Doc Strange is set up, which does a number on Grant's head, as he has a fear of heights. The first time I saw those images, I thought it was a bit goofy; but, it grew on me and I appreciated that they were making it different and having fun with it. Better to be unique than draw some epic machine that still pales compared to Kirby. Kirby was the first to tell aspiring artists to be themselves, not copy him. The characters here are just great and we get a sense of what is going on, in this issue, as we start to move into the climax. We are given the possibility that Mystico is behind the attacks and that Dr X is a pretty nasty character, in his own right...hardly a hero. Grant and Betty seem headed into a romance, but with George still pop in, from time to time? That would be a bit awkward. I hadn't expected it; but, Terra Obscura quickly became my favorite ABC title, after Top 10 (League of Extraordinary Gentlemen is on a different plane than the other titles). It has a sense of fun to it (much like Tom Strong and Smax) and great characters (like Top 10), but also provides some old fashioned heroics.
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Post by mikelmidnight on Nov 8, 2024 12:34:22 GMT -5
Thoughts: So, Andrew Bryant, Captain Future, was killed by Dr X, as was The American Eagle and Eaglet. However, he is not behind the technological void. He believes he is under attack, like The Terror. One name comes up between all parties: Mystico. I was happy with the floating bodies scene, mainly because it allowed an accounting of some of the Nedor heroes that Moore couldn't fit into the Tom Strong arc. I am currently working on a comic titled New Olympians, and all three of these characters play major roles. Scarab is white still although with a redesigned costume. Thesson is a morally dubious character and I have amalgamated him with the mobster Joe Theseus, from Bacchus/Deadface. Mystico the Wonderman will have more correct skin tone; since he is visually bland, I have given him a costume which resembles Brad Spencer the Wonderman. A note on George Chance. He was called The Ghost in the comics ... but he was called The Green Ghost in pulp magazines, published by Nedor. Moore's use wasn't a simple name change ... but he did kill him off to make him a literal green ghost, which was a reasonable move as otherwise he was a visually bland besuited magician.
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Post by codystarbuck on Nov 8, 2024 22:11:53 GMT -5
Thoughts: So, Andrew Bryant, Captain Future, was killed by Dr X, as was The American Eagle and Eaglet. However, he is not behind the technological void. He believes he is under attack, like The Terror. One name comes up between all parties: Mystico. I was happy with the floating bodies scene, mainly because it allowed an accounting of some of the Nedor heroes that Moore couldn't fit into the Tom Strong arc. I am currently working on a comic titled New Olympians, and all three of these characters play major roles. Scarab is white still although with a redesigned costume. Thesson is a morally dubious character and I have amalgamated him with the mobster Joe Theseus, from Bacchus/Deadface. Mystico the Wonderman will have more correct skin tone; since he is visually bland, I have given him a costume which resembles Brad Spencer the Wonderman. A note on George Chance. He was called The Ghost in the comics ... but he was called The Green Ghost in pulp magazines, published by Nedor. Moore's use wasn't a simple name change ... but he did kill him off to make him a literal green ghost, which was a reasonable move as otherwise he was a visually bland besuited magician. Most of the characters Moore killed off, in Tom Strong, were the big names: The Black Terror and The Fighting Yank. here, they are mostly also-rans. The American Eagle and Eaglet were not headliners, nor was Lance Lewis , Space Detective or Captain Future (who isn't the Edmond Hamilton Captain Future). Of course, he replaced the Terror with an AI program and Fighting Yank gets to be the ghost to his own daughter. I like the use of The Magnet/Grant Halford, as it allows for a nice mix of comedy and detective adventure, ala The Rockford Files or similar. That's why I say I would ahve loved a mini of Grant and Betty investigating more paranormal mysteries, maybe with George tangentially involved, but mostly focused on them. They have a nice Ralph & Sue Dibny vibe, or Nick and Nora Charles, minus the married bit. A long time back, I had an idea for a super team, of Greek hero-themed characters; but, kind of dropped it when I saw that Peter David did something like that, after a fashion, with The Pantheon, in The Hulk. I had already grumbled when James Robinson came out with The Golden Age, with a plot very similar to one I had been trying to work out for a post-WW2 superhero thing, with Tex Thompson as a Right Wing Americommando (or a similar McCarthy-ite patriotic hero), that would feature atomic experiments creating the first true "superman. Danged if he didn't use just about every idea I had. What he didn't use, Warren Ellis used in Stormwatch, for the subsequent fall of the 60s generation of heroes, via a campus battle. He did basically the same thing, though more of an Altamont/Rolling Stones event, rather than a campus protest, which was my idea (a clash between establishment heroes and a young generation, protecting student protesters from the National Guard, leading to deaths and the most powerful young hero disappearing from sight for the next 20 years or more). His storyline with The High returning and trying to fix the world, whether it liked it or not, was similar to the latetr stage I had intended. After that, I kind of lost interest in trying to write my own superhero saga, as my best ideas kept turning up in someone else's work. I would still like to take a crack at writing a "Greatest Generation" saga of the DC war comics characters, though (minus the supernatural stuff), tweaking them here and there to coincide better with real history. Sgt Rock could take you through Operation Torch and the Invasion of Sicily, then Normandy, much like the film The Big Red One (I always said Lee Marvin's character in that film was the closest to Sgt Rock). The Haunted Tank could be North Africa and Italy, M'lle Marie lets you cover Occupied France, The Blackhawks could be ex-patriot pilots, flying with the RAF, the Losers could be Alamo Scouts or Marine Raiders, in the Pacific, the OSS and The Unknown Soldier could handle the Jedburg operations and other special operation missions. I just needed something for the Russian side of things.
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Post by codystarbuck on Nov 10, 2024 20:12:23 GMT -5
Tom Strong #22Homaging Crisis On Infinite Earths #7 Creative Team: Alan Moore-writer, Jerry Ordway-art (with ink assist from "Hope and Friend" which are Sandra Hope and Richard Friend), Todd Klein-letters, Dave Stewart-colors (and guitar and producer), Scott Dinbier-editor First, a a bit of appropriate music..... Synopsis: Tom recounts the plot so far, including his mother setting up the delay that brought this alternate reality into play, which the mystery woman says was cemented in 1989, when Fingel Parallax's time equipment was destroyed, except, the "utopia" was already flawed and it became worse..... (clumsy censorship by me) They both know their actions were wrong, but they feel right and Dhalua talks about how her life and family have felt "wrong." They speak of Tom's new "Scape-Board", which allows exploration of alternate worlds and realities, which Paul Saveen is field testing. We cut to the funny animal realm of Warren Strong, as Paul saveen arrives, on the Scape-Board. he first encounters his counterpart, Basil Saveen, the fox, who has Patience tied up, about to put her in a cooking pot (while referencing Basil brush, which will go over the heads of 97% of the American audience). Paul thinks Basil and Patience are husband and wife (engaged in kinky play, I guess) but quickly learns that she is the bride of Warren Strong, who arrives to rescue his bunny. Paul exists, stage left and returns to his realm, but he seems troubled. He looks at Dhalua differently.... Tom and Dhalua continue their affair, for a year. Tom believes that Paul doesn't suspect, but soon discovers that the Modular Man has discovered their secret. It leads to recriminations and a fight, which Dhalua ends with an EMP gun, designed by Paul. It kills the modular man by wiping his nanobots clean of all memory, rendering then inert. Dhalua realizes in horror what she has done. Tom and Dhalua get dressed and grab clothes and equipment, as Tom says they need to leave, now...leave Tesla, his parents...everything. However, they discover that their secret is completely out...... Ingrid Weiss attacks, but the Stronghold's shielding drops in place, activated by Tom's mother. What follows is a full scale war..... Tesla turns against her own mother. Saveen and his forces burrow inside, with a mechanical mole and the fight comes to Tom, but Dhalua is the casualty. It is at this point we get confirmation that the mystery woman is Tom's mother, who tells Tomas that it is all her fault. She takes a Scape-Board and crosses dimensions, to find a way to go back and alter time, to the way it should have been. Which brings us back to the present, as Tom realizes that he is face to face with his mother...or a version. Susan takes Fingel Parallax's time machine back to the past and stops herself from creating the delay of her earlier self, leading to the split in the timelines. The moment she departs, Tom Stone and Paul Saveen come crashing through. Saveen tries to grab another time machine to stop Susan Stone, but Tom Stone blocks him. In the past, Susan Stone materializes behind her past self, as she is about to call out to Susan Strong, and grabs her from behind, silencing her with her hand over her mouth. Susan Strong gets on the boat at the correct time and it sails on time, encountering the storm, at the correct time, leading to Sinclair and Susan Strong survivng, but not Tomas. Tom Strong is born and his parents killed and he grows to manhood. The alternate world never exists. Tom Strong discovers that Susan Stone passed him the locket of Chronium and tells Dhalua to go on without him, as he sits and contemplates the mother he never had. Thoughts: Thus endeth Alan Moore's run on Tom Strong. Moore pulled back from ABC projects, continuing only Promethea, to the end. He did do the final issue of Tom Strong, which was tied into the ending of Promethea. Tom strong continued under a revolving door of guest writers; but, I have no interest in covering that. I bought the next two issues, written by Peter Hogan, because I liked his work on Terra Obscura and assumed that he was working from Moore's notes and/or plots. Chris Sprouse returns on art and the next issue features an adventure on the moon, with Svetlana X (a favorite character among many great ones) and Tesla's volcanic boyfriend. That is followed by a return of both Greta Gabriel and Dr Perma Frost, the man who froze her, seemingly killing her. She turns up alive, but mutated to a frozen form, which alienate her from Tom and his world, as she sees he has a fine life, with Dhalua and Tesla. She ends up in the hands of Dr Perma Frost, as an ally. Hoagan's material is at least in tune with Moore's stories, though the Greta Gabriel story is left in limbo until the penultimate issue of the series. I have no idea why there was a delay; but, given how things went down between Moore and DC and DC's editorial regime of the period, I suspect there was a conflict, but have no evidence to back it up. It may have simply been a scheduling issue. I have no desire to explore the other stories, as they have no real meaning, in relation to Moore's work. They are just someone else messing with his characters and concepts and failing to capture that same voice. Hogan and Steve Moore were at least collaborators, who knew Moore's intentions. The rest are just playing with his toys,, even if one of them was Michael Moorcock, bringing in his Sir Seaton Begg character, which is a favorite of mine. It may be Moorcock, but it isn't Moore and that is the attraction here, even if Moorcock was a big influence. But, Geoff Johns? No thanks. In regards to this story, at the time, Camelot came to mind, as lies and infidelity bring things down. It all ends tragically, even if order is restored. The storline does have some simplistic elements that don't quite work, like Tom convincing Paul Saveen to be a hero. It suggests that one conversation changed a life course; but, the path to villainy had to be more complex than being bored and feeling unappreciated. Tom Saveen (EDIT Paul Saveen, I must have Tom Savini in my brain!) committed some hideous acts and there had to be far more to the situation that took him down that road. Maybe Tom Stone was better at dealing with people than Tom Strong, but Tom Strong had strong moral guidance and love, via Chief Omutu and the Ozu people, yet he didn't dissuade Paul Saveen. Ingrid Weiss was a hardened Nazi, a bully and a racist. You don't deprogram that level of bigotry that easily. The jumps in time help cover the plot holes; but, it does feel dumbed down a bit. On the whole, I enjoy the story and Moore put a heck of a lot more thought into it than most writers of time travel stories and alternate worlds; but, you do feel like it is a bit anti-climactic, compare the the previous space battle. That felt like a better place to end things, since it brought everyone to the party. Tom Strong's Terrific Tales continues with Moore, so I will stick with that to the end. I have no desire to go back to an issue-by-issue look at Promethea, but will will probably summarize it and look at the ending and the crossover with Tom Strong, at the end of all of this. Meanwhile, aside from terrific Tales, we still have Smax and the 49ers graphic novel, LOEG The Black Dossier, and the rest of Terra Obscura, where I will cover the second mini, with Hogan on his own, as he has a good handle on things. I may come back and look at his Tom Strong issues, before discussing the end of the ABC line.
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Post by mikelmidnight on Nov 12, 2024 12:13:19 GMT -5
Most of the characters Moore killed off, in Tom Strong, were the big names: The Black Terror and The Fighting Yank. I have a different analysis: both of them visually resembled characters currently in use by Marvel (Punisher and Spirit of '76), so it was easier to get rid of them.
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Post by mikelmidnight on Nov 12, 2024 12:17:11 GMT -5
In regards to this story, at the time, Camelot came to mind, as lies and infidelity bring things down. It all ends tragically, even if order is restored. The storline does have some simplistic elements that don't quite work, like Tom convincing Paul Saveen to be a hero. It suggests that one conversation changed a life course; but, the path to villainy had to be more complex than being bored and feeling unappreciated. Tom Saveen committed some hideous acts and there had to be far more to the situation that took him down that road. Maybe Tom Stone was better at dealing with people than Tom Strong, but Tom Strong had strong moral guidance and love, via Chief Omutu and the Ozu people, yet he didn't dissuade Paul Saveen. Ingrid Weiss was a hardened Nazi, a bully and a racist. You don't deprogram that level of bigotry that easily. The jumps in time help cover the plot holes; but, it does feel dumbed down a bit. On the whole, I enjoy the story and Moore put a heck of a lot more thought into it than most writers of time travel stories and alternate worlds; but, you do feel like it is a bit anti-climactic, compare the the previous space battle. That felt like a better place to end things, since it brought everyone to the party. I gave my assessment of the arc earlier, so will just reiterate: proficiently written, but rendered pointless in my eyes by being completely predictable. (also: Tom Strong had by this point encountered numerous other counterparts, so why should seeing Tom Stone be remotely shocking?)
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Post by codystarbuck on Nov 12, 2024 23:57:04 GMT -5
In regards to this story, at the time, Camelot came to mind, as lies and infidelity bring things down. It all ends tragically, even if order is restored. The storline does have some simplistic elements that don't quite work, like Tom convincing Paul Saveen to be a hero. It suggests that one conversation changed a life course; but, the path to villainy had to be more complex than being bored and feeling unappreciated. Tom Saveen committed some hideous acts and there had to be far more to the situation that took him down that road. Maybe Tom Stone was better at dealing with people than Tom Strong, but Tom Strong had strong moral guidance and love, via Chief Omutu and the Ozu people, yet he didn't dissuade Paul Saveen. Ingrid Weiss was a hardened Nazi, a bully and a racist. You don't deprogram that level of bigotry that easily. The jumps in time help cover the plot holes; but, it does feel dumbed down a bit. On the whole, I enjoy the story and Moore put a heck of a lot more thought into it than most writers of time travel stories and alternate worlds; but, you do feel like it is a bit anti-climactic, compare the the previous space battle. That felt like a better place to end things, since it brought everyone to the party. I gave my assessment of the arc earlier, so will just reiterate: proficiently written, but rendered pointless in my eyes by being completely predictable. (also: Tom Strong had by this point encountered numerous other counterparts, so why should seeing Tom Stone be remotely shocking?) I think it is mostly down to meeting an alternate version of his mother, which is really the only poignant part of it, for me.
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Post by codystarbuck on Nov 14, 2024 18:34:46 GMT -5
Smax #3Zander Cannon is going for a truck stop image here, in a fantasy world, with "Questers Welcome" and "Last Garderobes for 30 Leagues" signs (Truckers Welcome and Last Gas Station for 30 miles), and Jaafs us using the WC, like most people at a rest stop/truck stop. The "Oats, Food and Lodging" sign, coupled with "Chariots in the back" suggests a travel hotel, with "RVs in the back." Robyn has a Gandalf wizard hard, which will be explained, inside. The flames around the sleeping dragon suggests it snores and emits flame (to me, anyway). "Ambrosia" and "Ice" suggest "Beer" and "Ice signs and the "Mead" and "Wyrms" suggests a bait shop, selling "Beer-Worms". The "Earn Big Doubloons" sign parodies "Work from Home" con offers and it has the little phone number tearaway strips. Creative Team: Alan Moore-writer, Zander Cannon & Andrew Currie-art, Todd Klein-letters (not credited on title page), Ben Dimagmaliw-colors, Scott Dinbier-editor Synopsis: Jaafs is objecting to the idea of a quest, saying Morningbrite is too dangerous. Robyn brings up the vision as being a warning, which he says proves his point. Morningbrite can't kill him but he can hurt him by killing Robyn. He wants to hop the enxt spell home and won't budge. They check out of the inn and say goodby to Aldric who seems to have been able to read Robyn's thoughts, especially some erotic ones she had, in the night. As they leave, Robyn questions him about dragonslaying being questing and he says he was a professional, you have to have signs and portents..... He dismisses the sights before them as local phenomena, though the rain of frogs is a bit harder to ignore. he tells her not to mention anything about quests in front of Aunt Minka. When they arrive, Minka lays into Jaahs about a three-headed calf being born to a bull, a man with one golden ear, carrying a winged serpent, made a prophecy of "When the Blue Giant walks, Destiny talks!" and Minka found the name of god in her boiled egg, at breakfast. She tells Jaafs that he has to go on a quest. She starts packing and he argues that he has to get his "wife" back to her world.... Robyn shows up and calls Jaafs "hubby" and he says she is a lousy wife. he storms off and Minka lets Robyn in on the secret. Robyn asks if she gave it away or Jaafs and Minka replies that he didn't even provide her with a fake ring and that he was always "thick as a plank of wood." Robyn follows a trail of broken trees and finds Jaafs moping. he says he will have to get permits, now that they are starting a quest. Robyn asks if the big sword & sorcery hero is afraid of a little bureaucracy and he groans. Robyn and Jaafs say goodbye and wait at a carriage stop for the next pumpkin (drawn by mice) and board to the nearest city. Let's see, someone is throwing the baby, literally, out with the bathwater; that's the Mock Turtle in the stocks, for mockery, the shop is for the Butcher, the Bake and the Candlestick Maker and sells pies with 4 and 20 blackbirds baked in. Humpty Dumpty is suspended in a cage, the Wonka Factory is in the background, there are street signs for a Bull Market a Bear Market and a Goblin Market, the dog chasing the wagon is fromt he Chuck Wagon commercials, the furry creature on the lower left is carrying the Glaive, Hamelin Music features a piper's flute, and I think a faerie/pixie has just "solicited" some business. Oh, and Rapunzel's hair is hanging from the tower. As Groo the wanderer and the knight from Joust walk past, Jaafs warns Robyn against the dangers of the city, like telepathy marketing jobs and visiting the Disappearing Quarter. They head to the Dept of Quests, Trilogies and Sagas, to get their permits. They head down the Street of eerie Children, which Jaafs said used to be full of toyshops and cobblers, until a consortium of millers pushed through disenchantment legislation, removing the enchantments and then opening cake and candy factories, with cheap umpa-lumpa workforce, from overseas, while they pump chocolate sludge into the river. They pass the "eerie children," kids who messed with the occult and stillborn, unbaptized babies (like Casper, Wendy and Spooky, as well as Harry Potter). The find the department and enter the long que...... ...behind Bear, from Cerebus, a hobbit, Like Skywalker, Dirk Daring and the knight from Joust. Tars Tarkas lines up behind them, after Bear, echoing Dave sim, says it's always women and for Robyn to get in line. They eventually get up to the window, but are directed to the dept of Dragons, Rocs and Basilisks. Jaafs is a bit irritated and knocks IN the door, rather than knock ON the door. There, the civil servant, Death, helps them out. Robyn asks if he is THE Death and he says, no, that is Dennis. he is the Death that loses chess games to wiley peasants. They start filling in the forms and when Jaafs says they are hunting Morningbrite and shows the Maiden's Mark as proof of its evil status, Death realizes that Jaafs is the Dragonslayer and can't wait to tell Dennis. Jaafs tells him to get on with the quotas they will impose and Death replies they are actuall affirmative action targets and Jaafs loses patience, grabs Death by the robe and tells him to just tell him how many dwarves. Jaafs is told he needs three Dwarves, a hero (that's Jaafs) and a wizard and an elf. he says then they are screwed, as he will have trouble finding a wizard. Robyn pipes in about her magic box of flying toys and she gets the job of wizard. They need a female, other than the wizard, though. Robyn asks about rexa and Jaafs storms off. Robyn catches up and calls him a big baby and they argue about bringing Rexa along. Jaafs is sure it will lead to them sleeping together again, then marriage and a kid with an eye in the back of his head. Robyn says she is sure they can control themselves. Jaafs then asks about the elf and she suggests Aldric and Jaafs knows when he is licked. They head back home, while Jaafs tells Robyn to cool it around guys and mocks the way she spoke to Lionel, aka Death. She says she is not a Middle earth slut and then responds to what he said about Lionel... They return home and Jaafs talks to Rexa and she is in, though he still worries about them "doing it", even after her assurances, after he talked about other-dimensional taboos on the subject. They gather everyone together and mount up on horses provided by Aldric (with different brands on them, indicating they are stolen). Jaafs warns Robyn about elvish criminals and she says Aldric told her about Elvophobia. They ride until dark and make camp in a canyon, where Robyn tells Aldric to turn off the charm, when he tries to smooth talk her and Rex tries to build up Jaafs' confidence. In the morning, Robyn wakes Jaafs as she gathers wood for a cooking fire and he claims that Morningbrite if still far away, that he has instincts about these things..... Thoughts: Lots of fun in this issue, both with verbal jokes and sight gags, not to mention easter eggs. Lots of references to quest fantasy and Dungeons & Dragons tropes, Death is a combination of the character from The Seal and Bill & Ted's Bogus Journey (as that Death was based on Bergman, too). Through it all, we sense Jaafs reluctance to face Morningbrite, that he doesn't believe he can beat him. rexa tells him that he is their champion and she has faith in him, that he slew their father. He says that was different and Rexa says their mother was a cunning warrior. It is that lineage that informs Jaafs choice of jobs, both in this world and in Neopolis, as a police officer. He is a champion for the weaker folk...it's in his blood. Rexa obviously cares deeply for him, beyond just sibling love, as we know their relationship is more complex, but okay, in this realm. It reminds me of Robert Adams' Horseclans series. In that series, he introduced a pair of twins, male and female, who were powerful telepaths who could project thoughts, not just read them. They carried on an incestuous relationship within that story, with Adams poo-pooing the science behind interbreeding. While a single intermingling might not bring birth defects, the chances are higher of passing on negative traits, especially as the population interbreeds within the same genetic line. Still, that element has been known in fantasy stories and folktales, including the Song of Ice and Fire, with Jaime and Cersei Lannister. Throughout the comedy, Jaafs reminds us that Morningbrite is a very serious threat. Yhe ending sells that, as the pull-back reveals that the "canyon" is actually Morningbrite's footprint. Zander Cannon has fun with the visual gags and easter eggs. We get a ton of Harry Potter references, some Harvey Comics, Alice in Wonderland, video games (Dragon's Lair and Joust), sci-fi (Star Wars, John Carter of Mars), comics (Cerebus, among others, as well as The Endless, from DC) and even Stewie Griffin holding Maggie Simpson hostage! Moore fills this world with folkloric tropes and commentary on medieval thinking, like the idea of stillborn babies' souls not going to heaven. The idea of other Deaths has been used in many places, including Terry Pratchett's Reaper Man, where Death gives up his job and works on a farm and other Deaths arise, including The Death of Rats. He later reabsorbs all, except the Death of Rats (The Grim Squeaker!) Ques are grite sources for these gags, as are background scenes and signs. Some, like throwing out the baby with the bathwater, are more subtle than others. In one scene, in the sky, we see a stork carrying a baby, a flying monkey fromt he Wizard of Oz, the owl from Hogwarts, a flying donkey, a gryphon, bats and a pair of hands making a winged shadow puppet. When Jaafs is talking to Robyn, in her room at the inn, at the beginning, there is a wardrobe, with a lion's face on it. If I have to explain that one, you need to get down to the library. Robyn wears a concert t-shirt that says "Never Mind the Balrogs, " parodying the Sex Pistol's "Never Mind the Bollox." When they leave the end, you see the backend of Pooh sticking out of Rabbit's hole. Another scene has jumping sun and clouds, in the background, referencing terry Gilliam animations, in Monty Python. The pumpkin coach has a red triangle hazard warning, much like Amish buggies, here in the US (in Amish communities, like in Lancaster, PA and Arthur, IL). The Dept of Quests, Trilogies and Sagas has MC Escher stairs throughout. Surprised they didn't have the que fold back on itself, like his image of an impossible waterfall (though the Simpsons did that gag, at Mt Splashmore). There is a recruiting poster for the Bureau of Paranormal Defense, from Hellboy. Lots of fun to be found here.
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Post by codystarbuck on Nov 20, 2024 20:17:40 GMT -5
Terra Obscura #5From top to bottom: Lone Eagle, in the top panel, bottom panel has Liberator shaking hands with Doc Strange, while Ms masque and Fighting Yank II look on, with The Green Ghost hovering over them. Lone Eagle is our newest introduction. The Nedor Lone Eagle was an Army Air Force pilot/adventurer. It was borrowing on the nickname for Charles Lindbergh, who, ironically had been a staunch isolationist; but, did fly in the Pacific theater as a civilian "consultant." Lindbergh's public statements, while a serving Army Air Corps officer earned FDR's wrath, who publicly rebuked him and Lindbergh resigned his commission, in 1941 (before Pearl Harbor). Roosevelt refused to restore his commission when he tried to volunteer for service, leading to the "consultant" bit. Eisenhower restored his commission in the Air Force Reserves, in 1954. Creative Team: Alan Moore-plot, Peter Hogan-plot & script, Yanick Paquette & Karl tory-art, Todd Klein-letters, Jeromy Cox-colors, Ben Abernathy-editor Synopsis: Scarab and Liberator are dressed for dinner, in an upscale restaurant and the waiter asks for their order, but Scarab seems confused. That segues into them working as artists and writers for a comic book, then to reality, as Liberator figures out that Dr X is messing with their heads, trying to determine if they were behind the blackout. It becomes clear that they were not attacking him and he also wasn't behind the phenomena. They try to get at him, but don't have the power. He tells them he is leaving for Dimension X and his entire house disappears, leaving the heroes back in the desert..... They notice a strange light and decide that their best option is to investigate it. In Antarctica, Doc Strange says goodbye to Adam and George Chance, the Green Ghost, says goodbye to Betty and Grant. Carol is beaming with joy and Diana asks if she is okay and she says she has her father and her powers back and that he is there, even if Ms Masque can't see him. Diana accepts it and slides into her seat, as Tom and George join them and George directs them to the Grand Canyon. Tom asks about what they are facing and George admits that he cannot see, which suggests a very great power. they conclude that the science-based heroes have failed and it will be up to the super-natural ones. Tom tries to see if he can raise the Terror, on the SMASH communication channel and eventually does, as they pass over the Yucatan. He seems put out at first, until he sees it is Tom Strange and tells him to get moving. Then, the link is cut off and they realize why, as their Hyper-Saucer starts to lose power and altitude. The heroes are forced to bail out..... Carol proves to everyone that her power is back by flying Diana safely to the ground. Diana seems quite happy with the situation. Liberator and Scarab prepare to head for the light, which will require Scarab flying Liberator, which doesn't sit well with him, as he feels unmasculine, when he does that. Scarab calls him out on his homophobia when they are interrupted by the entrance of Lone Eagle. He offers them the use of a glider, for Scarab to tow, remarking that none of his planes will turn over. He prefers to fly the old fashioned way...turning into an eagle. Elsewhere, George is flying his group in a spectral roadster. They also spot the light and head for it and land. Diana flirts with George, when Tom Strange shushes her and says someone is in the bushes. It turns out to be Liberator, Scarab and Lone Eagle. Scarab makes the introductions, while Carol says she hates the name Fighting Yank and is going to change it....as soon as she can think of something better. After exchanging pleasantries and a bit of gossip, George directs their attention to the source of the light....an Egyptian pyramid.... Thy see a figure and Tom Strange confirms it is Mystico. Thoughts: So, after distractions and misdirection, we now know that Mystico is behind the strange phenomena. This is no mere reanimated mummy, this is a god-like being. Funny enough, it reminds me of an episode of the Young Sentinels, aka The Space Sentinels (when it was retitled to cash in on Star Wars), where an alien Anubis returns to Earth, and his pyramid is revealed to be a space ship..... The episode was written by Don Glut, who wrote Dagar, Tragg and the Sky Gods and Dr Spektor, for Gold Key, as well as material for DC, Marvel and Warren....and the Empire Strikes Back novelization. You can see the original series logo in this image of a tie-in jigsaw puzzle, produced before the name change, as well as this comic book add for the new NBC season.... Anyway...... Everything else is mostly character stuff and only a little bit is central to the plot. It does feel like this is stretched out a bit, to fit a 6 issue structure. However, this is also our first glance at these heroes, as even the Tom Strong issues only had development for Tom Strange and The Terror and not much for the rest. Carol is back to her old confident self, for the first time in a long time. I liked the image of Carol carrying Diana/Ms Masque over her shoulder, like she is light as a feather, but even more the image of Diana also smiling. Carol's joy is in the use of powers again, while Diana may either be happy to land safely, or may be happier about being in Carol's arms, even in a rather "submissive" position. If you pay attention across this, Diana really seems to perk up when Carol visits and seems far happier in her presence, than she did in Tim's. You could interpret it as just as enjoying spending time with a close friend; but, you could also interpret it that she has more than a friendly attraction to Carol and that her past promiscuity (Recall a quip from carol about who Ms Masque didn't date, in SMASH) and her wanting to keep a bit of distance from Tim, despite their romantic relationship. She also jumped at the chance to visit New Lancaster. Is she escaping from an unhappy life? Is she escaping from an unhappy mask? The interrogation of Liberator and Scarab, by Dr X, makes for a more interesting scene than simple torture or brainscan. It throws us off a bit, but then you see them piece together that something is wrong. It reminds me of The Prisoner, actually. Dr X then buggers off to Dimension X, where he tries to make sense out of X-Men continuity. Climax coming soon.
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