This might be a Defender's issue around the time of the Avengers/Defenders fight since it'sdrawn by Sal Buscema. The Enchantress is mentioned because the Valkyrie persona was initially the Enchantress using her magics to transform an earth woman into the warrior woman to attack the Avengers. 

I have a whole theory for Hawkeye's behavior towards women - short version is, I think he's extremely sensitive and insecure, and his periods of womanizing are an overreactive defense mechanism to having his heart broken twice - once when Black Widow, his first love, dumped him, and then a second time when Mockingbird died. He acts totally different with women during the periods he is in those committed relationships, and only acts out when it's broken off by Natasha (becomes a super macho, arrogant caricature - someone who wants it known he doesn't care, and can't be hurt by women) and after Bobbi dies (sleeps around to drown his sorrows, but seems more broken than angry).

I think that modern writers - yes, I mean Bendis and his terrible decision to have Clint sleep with Wanda while she had amnesia - have totally missed the mark on what makes Clint tick when it comes to women. It's sort of irrelevant now, though, as the last ten years of Marvel have proven there's little interest in sticking to established characterizations anyway.

Avengers #228

"Trial and Error!"

0.60 ¢ @ February 1983

Writer: Roger Stern
Penciler: Al Milgrom
Inker: Brett Breeding
Colorist: Christie Scheele
Letterer: Jim Novak
Editor: Mark Gruenwald
Editor-in-Chief: Jim Shooter

Synopsis: The media covered Hank Pym's trial, but aside from giving his brief character origins, they also somewhat portrayed Hank Pym negatively on the television news coverage. An angry She-Hulk shut the television off finding something to let off steam from the negative tv coverage. She came in one of the downstairs Avengers Mansion gym where Captain America and the new (at the time she was new) Captain Marvel just finished practicing simulated combat. Captain America excused himself that duty called, and Captain Marvel and She-Hulk had a little interaction before Captain Marvel told her she's going home... to New Orleans since she can fly at the speed of light. Peeking outside the window, She-Hulk saw Thor arrive with The Wasp, who grew to human size at the lawn. He's there to comfort her, but give her enough space, eliciting tears from Janet. An enraged She-Hulk seeing Janet holding in her emotions got ticked off and walked out of the compound needing to jog to let of steam.

Arriving at Stark International, Captain America asked Iron Man if they can have a little talk. Iron Man, in the middle of installing a huge component for a mind-scanner held talks with The Captain. Both concerned for Pym, Hank wanted to prove Pym was under the influence of Moondragon who messed with The Avengers minds, was under the influence when he committed the crimes he's under trial. Even The Vision and Scarlett Witch, both concerned for Pym, could do nothing but watch helplessly as the trial unfolds on television.

At Egghead's facility, the reformation of the new Masters of Evil (Egghead, Moonstone, Radioactive Man, Tiger Shark, Shocker, and The Beetle) was at hand, but not smooth as they all almost came to blows. Meanwhile, Hawkeye contemplates in his apartment why he wasn't called on to testify. Perhaps because he wasn't present during Pym's crime.

At the trial on day four, all the Avengers were present to support Hank Pym. The Masters of Evil crash the trial to break out Hank Pym. They did battle with the Avengers. It was stalemate at first. Then the Avengers were able to get the best of them, but they took off with Hank Pym, while leaving behind a brainwashed Shocker who told them that this escape was planned by Hank Pym. At Egghead's headquarters, an enraged Pym can't believe what happened, but seeing a television report of how he planned his escape utilizing the Masters of Evil, he conceded to Egghead and agreed to help them and join them, since he has no choice now.

Comments: Al Milgrom's cover showing the different Avengers with varying emotions tattoo-ed on their faces. Obviously, Janet would be in shock seeing the love of her life under trial. But it is very surprising Hawkeye is portrayed comforting Janet next to him as if an older brother comforting a younger sister. Captain America with just a stern looking facing forward, and Thor with only half his face shown, cannot decipher his emotions. However, on the far left side, there is no doubt about She-Hulk's smugness with arms also folded as if already personally passing the guilty judgement on Hank Pym. It's too bad, because inside the comic book issue, She-Hulk was pro-Hank Pym.

The super-villains are a fickle lot. They can never seem to get along and gel very well and almost came to blows with each other before teaming up. She-Hulk is portrayed as a rookie and at the same time always in a raging mood just about to tear into things just like The Hulk. You can tell Roger Stern really wrote the Avengers as a family with members going out of their way to help support a member who is on trial for a crime. For all their superpowers, they are helpless to get Pym out of this jam. Al Milgrom's pencils are serviceable, and nothing out of the ordinary. But it gets the job done in eliciting the emotions from the varying Avengers portrayals. The only drawback is The Wasp's costume. One leg covered in spandex and the other is not and just a vague white costume with a giant "W"-like symbol. A lot of creative thought process went into creating this particular Wasp costume (sarcasm!).

For several years, Roger Stern had been somewhat hit-and-miss, but mostly on the good side. It was nice when things really picked up for him, and he wound up doing several regular series, ALL of which he was doing FAR better than had been for years before he took over.

THE AVENGERS was an extreme case. While there were some good issues here and there, I think I'd put most of the "good" down to George Perez' contributions. He had a way of making damn near every writer he ever worked with look like they knew what they were doing.

The exception was Steve Englehart. HE DID know what he was doing, with or without Perez.

To me, AVENGERS had been in an almost steady state of CHAOS since Gerry Conway got on Englehart's nerves so much he had a fit and decided to QUIT comics entirely. (Which didn't quite work out at the time.)

Good observation.  That rings really true.

(Although, uh...  I can't imagine any characters less consistent than Mockingbird in the '70s  and the Scarlet Witch basically always.  I'm happy to see Marvel continue their proud tradition of random, nonsensical character regression into the 21st century.  I find  comforting consistency in their constant inconsistency. 

So Hawkeye's weirdly consistent logical character growth through his first 30 years of existence really bugged me.  I'm glad they made him over in the traditional Marvel manner, where nothing he does makes sense.)